Hi there; it’s a special day! Not only am I hanging out on The Foiled Fox blog today, I also have a video to for you! I first used the Concord & 9th ‘songbird’ set last winter and incorporated the pine boughs, leaves and berries. This time I went for an autumn theme and used distress inks and distress stains as I seem to constantly be doing right now. I may need to mix things up a bit around here.
I have shared a few no-line colouring projects here lately where I stamped with antique linen ink; this project could also be considered no-line colouring but I stamped the outline images in brown, yellow or grey, colours I then used for painting. As the bird and leaves were not too fiddly I cut masks out so I could have leaves peeping out from behind things.
I worked once again with a fairly limited palette of fossilized amber, brushed corduroy, pumice stone, stormy sky and black soot, basically grey, blue and yellow tones.
When it came to the sentiment I decided to pull out the C&9 ‘grateful for everything’ set because I love the words and that funky script. I added splatter and some sponging which filled the background a little making it appear lest stark.
I would love to know if you have some favourite ‘all year round’ stamps or sets. Here are a couple more all season options:
Thank you for joining me today, I’m looking forward to returning in October for some more fun with the Foiled Fox.
I have another video featuring the fine line florals set from Concord & 9th. I am using a similar technique as in my previous video but I’ve created a patterned panel that covers the whole card front this time. The single flower stamps from this set are made up of very fine radiating lines which look like transparent petals whether blended with water or not. I like the way part of each flower is still lined where as other sections are a soft blend of pink and purple ink. I’m using hot pressed watercolour paper which captures more of the fine lines than cold pressed does.
The Foiled Fox and I have a three-colour challenge happening during May and today’s card is features a simple pink, purple and green colour scheme which packs plenty of punch with its soft pinks through to dark purple. The stamp set includes flower centres and little splattery dots but no leaves so I pulled out a little spray of leaves from the C&9 turnaround leaves set.
You can see all my process in the video. I hope you get inspired to try this technique or try a three-colour card for our challenge.
These fabulous big letters are from the C&9 ‘big thanks’ set and I love the font.
Thanks for dropping in today. Hope you have a creative day!
I have a video for you today showing my process in making this simple floral card with a loose watercolour look. The foliage is from the Altenew set ‘leaf canopy’ and the flowers are from the Concord & 9th set ‘fine line florals’ (the same set I featured in a journal page last week). The flower stamp is very detailed with fine lines covering the whole stamp. Because I wanted a loose watercolour look I spritzed water on the inked stamp which meant I lost most of thefine lines. I do like the way a few of them remained giving the petals a slightly transparent look.
I tried the ink, spritz and stamp method a few times before creating this panel because it was easy to add too much water and end up with a splodge rather than a flower. The experiments only took a little time and a few pieces of watercolour paper so definitely not a waste.
In this close up you can see some of the texture of the cold pressed watercolour paper. Although I often use hot pressed I still reach for cold pressed at times because the rough texture adds interest particularly when using solid or semi solid stamps like these ones.
I have been asked a few times for a video showing how I use brusho for emboss resist panels. It is definitely one of my favourite techniques. I have used it with picture stamps and patterns, with one colour of paint powder or several; the principles are the same. I have added a list of emboss resist cards made with paint powders at the end of this post.
One key point to remember when using brusho over embossing is not to overdo the powder or the water. A little at a time means you can see what patterns and depth of colour are developing before you add anything more. In the video I show my method for moving colour around; I often pick up paint from an area with too much pigment and paint it somewhere else.
Obviously you if you sprinkle paint powder on a panel and then spritz with water it will not stay inside all the lines but that is part of the beauty of this technique. If this is a bit too loose and artsy for you try the same technique over an embossed pattern stamp.
Other cards featuring emboss resist with paint powders
happy cacti, embossed grevillea, roses in bloom, black brusho grid, shimmery summer glow, roses all over, flower garden, happy canada day, felicity, falling florals
Thank you for dropping by today; I hope the technique in the video is something you try one day. Let me know if you do; I’d love to hear or see how it went.
I am happy to share another video with you today. I know…that’s three this year and it’s only April. The future is looking promising. So far the three I have posted were all filmed on the same day but rest assured there are three more in process now. The stamp on today’s card is another pretty brushstroke stamp from Penny Black. I have a few techniques I use with brushstroke stamps ranging from very detailed to very loose and watery. This card has quite a loose look but it’s still clear we are looking at poppies!
I used a combination of mememto ink pads and markers and worked in a stamp positioner so I could build the colour up step by step. Check out the video to see my whole process.
Thank you for the encouraging comments left here and on youtube about my videos. I am so happy to provide them and thrilled to hear the techniques are making sense and inspiring you to try them yourself.
Stamps: spontaneous joy, just believe
Inks: versafine onyx black, memento dandelion ink, memento tangelo, potter’s clay, espresso truffle, northern pine, olive grove markers
Paper: hot pressed watercolour paper
I am excited to share not only these pretty new stamps today but a video tutorial as well! I know, it is hard to believe.
I created this card using a technique I love to use with brushstroke stamps: watercolour with distress stains. I generally use the dauber topped distress stains but as they are being discontinued I thought I would try applying stain with a paint brush. It adds another step in application but the end result is just as pretty.
I filmed this video and a couple more with my son’s new camera which I am still getting used to so there are some focusing issues where the camera chooses to focus on my hand instead of the panel. I didn’t think it was enough of a problem to start again so I hope it isn’t too annoying. You get to see me drop my paintbrush with stain on it in the middle of the panel and come up with a quick fix too. I hope you enjoy the video and get to do some creating of your own.
Thanks for dropping by.
Stamps: lilacs, grateful heart
Distress stains: shaded lilacs, wilted violet, bundled sage, peeled paint
Inks: Spanish moss versafine ink
Paper: hot pressed watercolour, neenah natural white
This week I am sharing my top three tree stamps from Penny Black’s new ‘Magic of the Season’ release. You know I love tree stamps so you wont be surprised that they were the first image I looked for when the new release arrived. The pretty spruce silhouette stamp immediately caught my eye and I knew it would be in my top three tree stamps. I have four stamped landscape cards to share this week and this little tree stamp features twice, today in a night time snowscape and tomorrow in a day time scene.
You will probably recognise another favourite tree stamp of mine in the background of this scene, it’s the little tree from the ‘Prancers’ set. I created a video to show you how I made this scene which features some watercolour effects along side some pigment ink stamping. I chose to pair pigment inks, which are waterproof, with watercolour painting so I could have pretty blends in the sky and snow but sharp tree images in the foreground and background.
It is over a year ago since I completed a page in my art journal so it was a good thing when I was asked to create an art journal video for the Penny Black blog. The latest release from PB, Artistic Endeavors includes some beautiful stamps designed with journaling in mind. The page I created last year was a Narnia page so I decided to stick with the literary theme and make another book inspired page. My inspiration this time is ‘A Girl of the Limberlost’ by Gene Stratton-Porter. I read the book quite a few years ago but really enjoyed it and could see the butterfly and figure stamp working well on such a page.
The main character, Elnora, catches moths to sell to collectors in order to support herself through high school. She lives on the edge of the Limberlost, a forested and swampy region where she finds the moths she later sells. I know these stamps depict butterflies but I chose to exercise some artistic license.
Because I wanted to watercolour both the butterflies and the girl I stamped them on watercolour paper, painted them, then cut them out so I could attach them to the page.
To add texture to the background I glued torn strips of tissue paper all over it then did partial stamping with a script stamp and a leafy stamp.
Journal pages take me a long time so despite the fact that I sped up just about all the footage, it is still on the lengthy side. I hope you enjoy it and, maybe like me, get inspired to pull out a neglected art journal. Or perhaps you’ll go and check the book out of the library…
Edited to add: In the video I mentioned learning a lot from Vicky Papaioannou; her videos are here:https://www.youtube.com/user/vickypgr
Stamps: Muse, Script, Verdure, Butterfly trio (PB)
Art Journal: Fabriano 24cm x 15.5cm
Art supplies: Faber-Castell gel medium , Tsukineko Versafine Onyx Black ink , clear embossing powder, Ken Oliver Colorburst powders (merlot, violet, ultramarine blue), Ken Oliver liquid metals (platinum, verdi gris, ultramarine blue), Faber-Castell Stampers big brush pen, lead pencil, Pigma 0.3 micron pen, Faber-Castell Albrecht Durer watercolour pencils (medium flesh, brown ochre, juniper green, ochre, burnt ochre, venetian red, delft blue, warm grey 3), tissue paper, Dr Ph Martin Hydrus liquid watercolours (Hansa yellow light, phthalo blue, phthalo green, carbon black) Art glitter designer dries clear adhesive, Ranger distress micro glaze.
The new scented beauty rose stamp from PB is such a pretty stamp. I have tried a variety of mediums and styles with it so far and will share a few different cards at the end of this post. First let’s talk about this card. Can you believe this is my second video this month? I’m hoping to continue this pattern, but I know I’ve said that before.
I am fairly new to tombow dual brush pens; I bought a few for lettering but recently I added to my collection and started using them for stamping as well. They blend nicely with each other and with water on watercolour paper. For this card I only used two colours but managed to vary the intensity of colour by diluting with water. As is often my habit I didn’t think about the sentiment until the end and felt that a stamped sentiment messed up the balance of the design too much. Instead I settled on one of the thinnest die-cut sentiments I have which stretched across the base of the card keeping things balanced left to right but maybe a little bottom heavy!
I used tombow dual brush pens in the video but you could use stamp pads or distress markers for similar results.
Stamps: Scented Beauty (PB)
Dies: Many Thanks
Inks: Light Olive-126, Dark Plum-679 Dual Brush pens (Tombow)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, olive green cardstock
Below are a few more cards featuring ‘Scented Beauty’. The technique is similar to that shown in the video but with different mediums. I varied the amount of water added and did not always ink the whole stamp.
Stamps: Scented Beauty, Treasured Sentiments (PB)
Inks: Picked raspberry distress marker (Ranger) Versafine onyx black (Tsukineko)
Cardstock: Fabriano 100% cotton cold pressed watercolour paper, black cardstock
Stamps: Scented Beauty, Treasured Sentiments (PB)
Inks: Mowed Lawn, Ripe Persimmon, Spiced Marmalade, Forest Moss, Spun Sugar, Weathered wood distress stains (Ranger)
Cardstock: Fabriano 100% cotton cold pressed watercolour paper, purple cardstock
I have a tutorial for you today (gasp) which I made for SplitcoastStampers. In it I show my technique for creating a vintage style watercolour. By vintage style I am referring to muted sepia tones in this case with some blurred script and watermarks to give it an even more aged look.
I chose a birdhouse from the Fly High set and paired it with the Playful stamp using masks to stamp all my elements before I started watercolouring.
The two examples above are fairly similar; I changed the sentiment and naturally the watercolouring is not exactly the same. If you visit Splitcoaststampers you can see the stepped out photo tutorial or you can watch my video tutorial below.
This video came together quite smoothly (with the help of my son and my husband) so here’s to more!
Thank you for being so kind in your comments. You really are such an encouragement to me. I hope you try some vintage style stamping; all you need is some brown ink and a few watercolour pencils. The fun of the elegant writer pen is entirely optional.
Stamps: Playful, Fly High, Soar (PB)
Inks: Vintage Photo distress ink (Ranger)
Cardstock: Hot pressed Fabriano watercolour paper, brown cardstock
Also: elegant writer (Speedball) Albrecht Durer watercolor pencils 142, 180 (Faber-Castell)