Even as my flowers fade and disappear I am still inspired to make floral cards. I’ve teamed up with the Foiled Fox today to share a blog post here and over there. If you are looking for all the creative process details pop over to the Foiled Fox blog. Today’s card features the C&9 ‘all the birthdays’ set again. It has only been in my house a week or so and already it has helped me out several times. Having one set with at least ten different ways to stamp happy birthday is a winner. There are probably more than 20 combinations when you look at all the separate word stamps and single letters in the set.
I wanted to combine a background image with a sentiment and ended creating my own background by repeat stamping with two stamps from the Concord & 9th ‘meadow blossoms’ set. Before heating the panel I stamped the word HAPPY from the new C&9 ‘all the birthdays’ set. I embossed with copper powder then coloured with ink from Papertrey ink cubes. The ink cubes are very juicy so I often smoosh them on my glass mat then pick up ink with a paint brush.
I filled the background with a grey zig clean color real brush pen and blended it with water. To complete the card I matted with with the dark blue cardstock I keep reaching for and finished the sentiment on a strip of the same blue. Having this new birthday set has got my birthday card production back on track. I have no excuses for not sending out birthday cards. Thank you Foiled Fox!
Today’s card and video feature two products made for each other: black watercolour paper and pearlescent paint. The black background makes the already beautiful shimmery paint even more vibrant.
I chose the MFT ‘loosely line flowers’ background stamp to fill a large black square of black coldpressed watercolour paper. The paper has some texture to it but that didn’t cause any problems when I stamped and embossed this very detailed stamp.
The video shows my process making this multicoloured card using the Coliro ‘earth’ and ‘ocean’ sets of pearlescent paints. The Foiled Fox introduced me to the Coliro sets and sent some my way and I’m so glad they did. The colours are beautiful and the combinations in the sets make me happy.
When I was planning the card and video tutorial I tried the technique with only colours from the ‘ocean’ set first. The result is in the card above. I think it’s lovely but I find the contrasts in the first card are even more eye catching. If you have some black watercolour paper be sure to try it with some pearlescent or metallic paints, powders or markers. Similarly if you have some metallic or pearlescent products you are wondering what to do with, get some black watercolour paper and have some fun.
Can you believe this is my twelfth video this year? That is definitely a record for me and the year isn’t even over yet. Hope you enjoy this one.
At the risk of losing you I have to begin this post by directing you to the beautiful inspiration for this card. Just pop over to the wonderful blog of Anna-Karin Evalddson to see her double embossing. There is so much texture in her card. When I first saw it I was sure it was heat embossed and then dry embossed because the surface looked so 3D. Anna-Karin did a video of her process, which I watched then immediately went and made the card above. I often see cards which inspire me and I save or tag or pin them for another time; rarely do I immediately act on the inspiration.
I didn’t achieve the 3D effect that Anna-Karin did but I like the play of double embossing and the unusual combination of colours and embossing powders. I worked on hot pressed watercolour paper, embossing the ‘dotted fusion’ stamp from PB first in a mix of ‘sandcastle’ & ‘potting soil’. (supplies linked below). I moved the panel a little to one side then embossed again in a cream embossing powder.
To colour the panel I pulled out my distress stains, not the sprays, (but they would work) the daubers. I hardly ever reach for them now as they are no longer available so I don’t want to taunt you with something you can’t have. I still really like the daubers for applying a strong liquid ink in a confined space. In this case I dabbed them on the glass mat, spritzed some water and swiped the embossed panel through the colours (aged mahogany, peeled paint and old paper). Anna-Karin just used distress inkpads and her results were amazing.
To keep with the circle/dotty theme I stamped a word from PB ‘huggable’ set on a circle, matted on a circle and put the card together. Oh and there is splatter too, no surprises there.
that’s a booster colour scheme btw, if you do my online class you will hear about that! 😉
These loosely lined flowers cover a large background stamp, new from My Favorite Things. I chose three colorburst powders and kept the painting loose and funky as well!
After embossing the large stamp on hot pressed watercolour paper in white I sprinkled cerulean blue, lemon yellow and terre verte powder sparingly on the panel. I tried to be a little strategic in my placement of the colours, as much as you can with something as unpredictable and airborne as a paint powder! I sprinkled blue in the half flowers, green and blue in the full flowers and yellow in the spaces. ‘Really?’, I hear you say! I know colorburst powders don’t always stay in their lanes but I was happy with all the pretty blends and patterns anyway.
There are some little anthers coming out of a few flowers which I coloured with a gold gel pen. I used three sentiments from another MFT set, ‘all about you’, embossed in white on black then popped them up down the side of my panel. You’ll be seeing more of this pretty stamp; it’s a fun one! Thank you Foiled Fox for sending it my way.
As I hoped I fitted in some gel printing the other day. I picked leaves from my garden and experimented to see which would give me a good print. It also took me some trial and error to get the amount of paint right too.
I brayered titanium white, ultamarine blue and hooker’s green onto my circle gel plate then lay down the back of the leaf on the paint. I lay white cardstock over the top and taped one edge of the cardstock to my table before lifting it to see the print. Without untaping the cardstock I removed the leaves and lay the cardstock back down to take another print, that which was left by the leaf.
I know some extra visuals, even a video might be more helpful than a description so I am working towards that goal. Gel printing can be rather hit and miss for me so I haven’t done any filming yet.
I decided to use all three prints on the one card so cut a piece of snowbound textured cardstock 10⅞ ” x 4¾” and scored it at 3⅝” and 7¼”. I die cut each print using a 3¼” square die and attached them directly to the textured card base. I stamped ‘Thank you’ from PB ‘million thanks’ set on white in peeled paint archival ink then embossed ‘for your help’ from the same set in white on green then cut it out with an oval punch to make a tab on the side of the card.
This card is for my daughter who has put hours or work and loads of enthusiasm into our garden this year. It’s looking good and we have high hopes for the tomatoes, brussel sprouts and cantaloupes still growing!
I’m celebrating the opening of my online class today. All the lessons and projects are now available so if you haven’t heard click here to see what it’s all about.
What’s a celebration without balloons and shiny things? I know you don’t see too much sparkle and shine around here but I was intrigued to see how this Brutus Monroe deco foil would look with some watercoloured balloons.
Once I had created a foiled sentiment and some bows I flipped the arrangement and paired foiled balloons with a blended sentiment. As you can see in the photos below I allowed some of the foil to be over exposed in the photo so you could see how it pretty the pattern is as it picks up the light.
I did my foiling without heat by attaching double sided adhesive (stick-it) to cardstock then removing the backing so I could lay the ‘silver sketch’ transfer foil’ directly on the adhesive. I pressed it down with my fingers carefully to avoid air bubbles then die cut the balloons, strings and sentiment from the foiled cardstock. Once cut I removed the foil top layer to reveal beautifully foiled die cuts. Rather than attaching the balloons to plain black or white card stock I ran the panels through my die cutter inside the ‘snowfall/speckles embossing folder, then flipped the panel around to emboss speckles on both ends.
You can see all that pretty reflective pattern on the foil even better in this close up. Thank you Foiled Fox for sending pretty shiny things my way!
The fun continues around here with pearlescent paints and black watercolour paper. I just wish the photos would show better how pretty the shimmery paints are. The Foiled Fox sent me some yummy new paints from Coliro, I used the ‘ocean’ and the ‘vintage’ sets for this card. I also tried out the ‘penny’ embossing powder from Brutus Monroe. It is a copper colour which worked nicely with the paints I chose. I embossed part of the Penny Black ‘floral medley’ stamp in one corner of my black watercolour paper panel then flipped the panel and moved the stamp around a little before stamping more flowers on the other corner. I paired up a couple of stamps from the PB ‘strength’ sentiment set to emboss a sentiment in between the florals.
Coliro (or Finetec) paints are full of shimmer and look amazing on dark paper but can also be used on light or white paper for more subtle effects. I have painted them on neenah black cardstock before, the colours looked great but I like the way watercolour paper gives me more flexibility with blending from dark to light. When attempting light and dark areas on black paper I have to think about the direction of my blending. On white watercolour paper I paint strong colour then blend it with water to decrease the intensity and so end up with a lighter area. On dark paper I paint an area in bright pearlescent paint and then dilute it with water to get a darker or shadow area. Shading isn’t really necessary of course, the colours look great painted as solid sections without shading.
To finish off the card I die-cut a frame from copper coloured shimmer paper. I have two frame dies from the PB ‘square frames’ set still linked together so I get a plain frame when I run the two decorative dies through the machine together.
I am teaching a ‘Watercolour on Black’ workshop in Ottawa at the end of March where we will be playing with these lovely shimmer paints and creating stamped and painted panels that really shine. Click over to my upcoming classes page for more details.