Today’s rosy card features just a portion of the Penny Black rubber cling stamp, ‘rose dance’. I’ve been creating with this stamp for a couple of days, coming up with different ways to use it. It is quite a large stamp, 6″ x 4″ but you don’t need to use the whole stamp on a card. I used only a section to create an embossed white border on a square panel of black watercolour paper.
I painted the outline design with Finetec Mica Pearlescent watercolours; I didn’t spend much time being detailed or doing blending because the pearlescent on black is very pretty without too much fussing. I wish you could see the shimmer a little better in the photo but trust me it is there in real life.
I embossed a sentiment from the PB special sentiments set in Brutus Monroe alabaster ink and popped the panel up on two pieces of black cardstock to lift it above the card base. And you might have noticed I remembered to make a matching envelope this time.
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I’ve had the alcohol inks out recently and spent some time trying to get soft wavy patterns on craft plastic. I have seen several artists who do this technique beautifully but I am very much still a beginner with it. I have a few cards to share today along with a video showing my process for two of the panels. I worked on white craft plastic from Grafix which is heavyweight and totally opaque. For most of the panels featured today I used only two alcohol inks plus plenty of 99% rubbing alcohol; each panel was created with a metallic and a non-metallic ink.
This first panel was made with turquoise AI and gilded alloy AI; I love the range of blues when diluted with rubbing alcohol. The ‘for you’ Penny Black die cut is two layers of turquoise cardstock topped with one layer of pale gold.
This warm toned card was made with honeycomb AI and mined alloy AI then die cut with a WaffleFlower square nesting die. I used the WaffleFlower additional square dies to cut a larger copper square then added the PB ‘light as a feather’ die cut and a PB birthday sentiment embossed in Brutus Monroe penny embossing powder.
You can see the process for both cards above in the video below.
As I am working on alcohol ink panels I am evaluating my process and working out what I want to try next. I just bought a cheap lazy susan to work on the blown flowers and I’m pretty sure I don’t need to use as much coloured ink when I make the initial drops. You can be sure I will let you know what I discover.
I have a couple more cards made off camera using the same technique shown in the video. The card above features juniper AI and statue alloy AI with the PB ‘many thanks’ die cut from antique gold cardstock and stacked twice.
When this panel was finished it reminded me of photos of the artic and far north where the icebergs and glaciers are made up of beautiful shades of blue. It’s kind of a cross section perspective where we can see below and above the ice the bears are walking on. I did use two blue inks plus a silver for this one, ranger turquoise and stream with pinata silver. The bear die is ‘polar bears’ from Penny Black.
We’ve been watching Cecilia Blomdahl’s youtube channel about her life on Svalbard, an island off the north coast of Norway. She lives in the world’s northern most town. Polar bears are definitely around so you don’t wander outside the village without your weapon!
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I’ve teamed up with the Foiled Fox again, as I love to do and I’m sharing two cards featuring the Colorado Stamp Company’s ‘daisy & dahlia’ stamp. I made a couple of cards last year with this stamp using a very different colour scheme.
On the card above I wanted to show you how much depth and variation you can get from single Karin brushmarkers. I was so happy to see the light and shadow I could achieve on each petal with one or two dabs of ink from the marker then blending with water. The blue flower on the right which is barely showing was coloured with a bold dark blue but as you can see it was possible to dilute it to a pale blue. I used the following Karin brushmarkers on the panel: black, henna, cool grey , rose wood, cyan, turquoise, royal blue.
It’s not easy to see but you might notice a white on white embossed image on the card base; it’s the same stamp providing a bit of texture. You can learn more about my process by visiting the Foiled Fox blog today
I kept some of the colours but went for a bolder look on my second card embossing the same large stamp in white on black cardstock. As you can see this stamp works as a coloured image and and a black and white image. White on red, red on white, blue on white, there are many colour combos which I’m sure would also look bright and beautiful.
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Even as my flowers fade and disappear I am still inspired to make floral cards. I’ve teamed up with the Foiled Fox today to share a blog post here and over there. If you are looking for all the creative process details pop over to the Foiled Fox blog. Today’s card features the C&9 ‘all the birthdays’ set again. It has only been in my house a week or so and already it has helped me out several times. Having one set with at least ten different ways to stamp happy birthday is a winner. There are probably more than 20 combinations when you look at all the separate word stamps and single letters in the set.
I wanted to combine a background image with a sentiment and ended creating my own background by repeat stamping with two stamps from the Concord & 9th ‘meadow blossoms’ set. Before heating the panel I stamped the word HAPPY from the new C&9 ‘all the birthdays’ set. I embossed with copper powder then coloured with ink from Papertrey ink cubes. The ink cubes are very juicy so I often smoosh them on my glass mat then pick up ink with a paint brush.
I filled the background with a grey zig clean color real brush pen and blended it with water. To complete the card I matted with with the dark blue cardstock I keep reaching for and finished the sentiment on a strip of the same blue. Having this new birthday set has got my birthday card production back on track. I have no excuses for not sending out birthday cards. Thank you Foiled Fox!
Today’s card and video feature two products made for each other: black watercolour paper and pearlescent paint. The black background makes the already beautiful shimmery paint even more vibrant.
I chose the MFT ‘loosely line flowers’ background stamp to fill a large black square of black coldpressed watercolour paper. The paper has some texture to it but that didn’t cause any problems when I stamped and embossed this very detailed stamp.
The video shows my process making this multicoloured card using the Coliro ‘earth’ and ‘ocean’ sets of pearlescent paints. The Foiled Fox introduced me to the Coliro sets and sent some my way and I’m so glad they did. The colours are beautiful and the combinations in the sets make me happy.
When I was planning the card and video tutorial I tried the technique with only colours from the ‘ocean’ set first. The result is in the card above. I think it’s lovely but I find the contrasts in the first card are even more eye catching. If you have some black watercolour paper be sure to try it with some pearlescent or metallic paints, powders or markers. Similarly if you have some metallic or pearlescent products you are wondering what to do with, get some black watercolour paper and have some fun.
Can you believe this is my twelfth video this year? That is definitely a record for me and the year isn’t even over yet. Hope you enjoy this one.
At the risk of losing you I have to begin this post by directing you to the beautiful inspiration for this card. Just pop over to the wonderful blog of Anna-Karin Evalddson to see her double embossing. There is so much texture in her card. When I first saw it I was sure it was heat embossed and then dry embossed because the surface looked so 3D. Anna-Karin did a video of her process, which I watched then immediately went and made the card above. I often see cards which inspire me and I save or tag or pin them for another time; rarely do I immediately act on the inspiration.
I didn’t achieve the 3D effect that Anna-Karin did but I like the play of double embossing and the unusual combination of colours and embossing powders. I worked on hot pressed watercolour paper, embossing the ‘dotted fusion’ stamp from PB first in a mix of ‘sandcastle’ & ‘potting soil’. (supplies linked below). I moved the panel a little to one side then embossed again in a cream embossing powder.
To colour the panel I pulled out my distress stains, not the sprays, (but they would work) the daubers. I hardly ever reach for them now as they are no longer available so I don’t want to taunt you with something you can’t have. I still really like the daubers for applying a strong liquid ink in a confined space. In this case I dabbed them on the glass mat, spritzed some water and swiped the embossed panel through the colours (aged mahogany, peeled paint and old paper). Anna-Karin just used distress inkpads and her results were amazing.
To keep with the circle/dotty theme I stamped a word from PB ‘huggable’ set on a circle, matted on a circle and put the card together. Oh and there is splatter too, no surprises there.
that’s a booster colour scheme btw, if you do my online class you will hear about that! 😉
These loosely lined flowers cover a large background stamp, new from My Favorite Things. I chose three colorburst powders and kept the painting loose and funky as well!
After embossing the large stamp on hot pressed watercolour paper in white I sprinkled cerulean blue, lemon yellow and terre verte powder sparingly on the panel. I tried to be a little strategic in my placement of the colours, as much as you can with something as unpredictable and airborne as a paint powder! I sprinkled blue in the half flowers, green and blue in the full flowers and yellow in the spaces. ‘Really?’, I hear you say! I know colorburst powders don’t always stay in their lanes but I was happy with all the pretty blends and patterns anyway.
There are some little anthers coming out of a few flowers which I coloured with a gold gel pen. I used three sentiments from another MFT set, ‘all about you’, embossed in white on black then popped them up down the side of my panel. You’ll be seeing more of this pretty stamp; it’s a fun one! Thank you Foiled Fox for sending it my way.
As I hoped I fitted in some gel printing the other day. I picked leaves from my garden and experimented to see which would give me a good print. It also took me some trial and error to get the amount of paint right too.
I brayered titanium white, ultamarine blue and hooker’s green onto my circle gel plate then lay down the back of the leaf on the paint. I lay white cardstock over the top and taped one edge of the cardstock to my table before lifting it to see the print. Without untaping the cardstock I removed the leaves and lay the cardstock back down to take another print, that which was left by the leaf.
I know some extra visuals, even a video might be more helpful than a description so I am working towards that goal. Gel printing can be rather hit and miss for me so I haven’t done any filming yet.
I decided to use all three prints on the one card so cut a piece of snowbound textured cardstock 10⅞ ” x 4¾” and scored it at 3⅝” and 7¼”. I die cut each print using a 3¼” square die and attached them directly to the textured card base. I stamped ‘Thank you’ from PB ‘million thanks’ set on white in peeled paint archival ink then embossed ‘for your help’ from the same set in white on green then cut it out with an oval punch to make a tab on the side of the card.
This card is for my daughter who has put hours or work and loads of enthusiasm into our garden this year. It’s looking good and we have high hopes for the tomatoes, brussel sprouts and cantaloupes still growing!
I’m celebrating the opening of my online class today. All the lessons and projects are now available so if you haven’t heard click here to see what it’s all about.
What’s a celebration without balloons and shiny things? I know you don’t see too much sparkle and shine around here but I was intrigued to see how this Brutus Monroe deco foil would look with some watercoloured balloons.
Once I had created a foiled sentiment and some bows I flipped the arrangement and paired foiled balloons with a blended sentiment. As you can see in the photos below I allowed some of the foil to be over exposed in the photo so you could see how it pretty the pattern is as it picks up the light.
I did my foiling without heat by attaching double sided adhesive (stick-it) to cardstock then removing the backing so I could lay the ‘silver sketch’ transfer foil’ directly on the adhesive. I pressed it down with my fingers carefully to avoid air bubbles then die cut the balloons, strings and sentiment from the foiled cardstock. Once cut I removed the foil top layer to reveal beautifully foiled die cuts. Rather than attaching the balloons to plain black or white card stock I ran the panels through my die cutter inside the ‘snowfall/speckles embossing folder, then flipped the panel around to emboss speckles on both ends.
You can see all that pretty reflective pattern on the foil even better in this close up. Thank you Foiled Fox for sending pretty shiny things my way!
The fun continues around here with pearlescent paints and black watercolour paper. I just wish the photos would show better how pretty the shimmery paints are. The Foiled Fox sent me some yummy new paints from Coliro, I used the ‘ocean’ and the ‘vintage’ sets for this card. I also tried out the ‘penny’ embossing powder from Brutus Monroe. It is a copper colour which worked nicely with the paints I chose. I embossed part of the Penny Black ‘floral medley’ stamp in one corner of my black watercolour paper panel then flipped the panel and moved the stamp around a little before stamping more flowers on the other corner. I paired up a couple of stamps from the PB ‘strength’ sentiment set to emboss a sentiment in between the florals.
Coliro (or Finetec) paints are full of shimmer and look amazing on dark paper but can also be used on light or white paper for more subtle effects. I have painted them on neenah black cardstock before, the colours looked great but I like the way watercolour paper gives me more flexibility with blending from dark to light. When attempting light and dark areas on black paper I have to think about the direction of my blending. On white watercolour paper I paint strong colour then blend it with water to decrease the intensity and so end up with a lighter area. On dark paper I paint an area in bright pearlescent paint and then dilute it with water to get a darker or shadow area. Shading isn’t really necessary of course, the colours look great painted as solid sections without shading.
To finish off the card I die-cut a frame from copper coloured shimmer paper. I have two frame dies from the PB ‘square frames’ set still linked together so I get a plain frame when I run the two decorative dies through the machine together.
I am teaching a ‘Watercolour on Black’ workshop in Ottawa at the end of March where we will be playing with these lovely shimmer paints and creating stamped and painted panels that really shine. Click over to my upcoming classes page for more details.