Alcohol Ink Skies

Well hello! Once again it has been weeks between blog posts, but here I am with a surprising selection of cards for you.

Surprising because they are alcohol ink panels. I don’t remember the last time I worked with alcohol inks. In the last month or so I have done little else in the art realm but work with alcohol inks. Why might that be? I have been working outside with said inks. My sister-in-law who was staying with me in June and July joined me at a friend’s house where we set up outside in the shade with a pleasant breeze and proceeded to experiment with the inks. As I mentioned I hadn’t use them for a long time and had forgotten many techniques. Since then I have refreshed my memory by watching a few videos and have worked outside with the inks numerous times where I don’t get headaches from the alcohol and everything dries quickly. Occasionally panels end up in the garden but that is a price I am willing to pay.

I made a few panels with 2 or 3 ink colours per panel and a generous amount of 99% isopropyl alcohol to move and blend the colours. I used an air blower (hand pump style, not electric) and sometimes a spritzer filled with isopropyl to add splatter which looks like snow or stars. I worked on yupo paper, grafix white craft plastic and Nara paper, all similar products and all from my existing supplies. I am still committed to ‘Using What I Have’ as much as possible.

The second surprising thing about these cards is that they are Christmas cards. Never have I started my Christmas cards in the middle of summer. I have never wanted to because I am influenced so much by the seasons. For whatever reason that is not the case this year. Future me is going to be very thankful for this strange occurrence. These are three cards I made featuring the ‘polar bears’ die from Penny Black and a PB stamp set, “All is Bright”. I really enjoy creating northern skies with alcohol inks; they seem to mimic the beauty of the northern lights I am yet to see in person. I know that polar bears have nothing to do with Christmas but when I create alcohol ink or watercolour skies I am reminded of the verse from Psalm 19, ‘The heavens declare the glory of God; the skies proclaim the work of his hands.’ Thank you for visiting and reading to the end of this post; I will warn you now, the alcohol ink blog posts have just begun, so buckle up my friends!


Moving Alcohol Inks with Air – Video

I’ve had the alcohol inks out recently and spent some time trying to get soft wavy patterns on craft plastic. I have seen several artists who do this technique beautifully but I am very much still a beginner with it. I have a few cards to share today along with a video showing my process for two of the panels. I worked on white craft plastic from Grafix which is heavyweight and totally opaque. For most of the panels featured today I used only two alcohol inks plus plenty of 99% rubbing alcohol; each panel was created with a metallic and a non-metallic ink.

This first panel was made with turquoise AI and gilded alloy AI; I love the range of blues when diluted with rubbing alcohol. The ‘for you’ Penny Black die cut is two layers of turquoise cardstock topped with one layer of pale gold.

This warm toned card was made with honeycomb AI and mined alloy AI then die cut with a WaffleFlower square nesting die. I used the WaffleFlower additional square dies to cut a larger copper square then added the PB ‘light as a feather’ die cut and a PB birthday sentiment embossed in Brutus Monroe penny embossing powder.

You can see the process for both cards above in the video below.

As I am working on alcohol ink panels I am evaluating my process and working out what I want to try next. I just bought a cheap lazy susan to work on the blown flowers and I’m pretty sure I don’t need to use as much coloured ink when I make the initial drops. You can be sure I will let you know what I discover.

I have a couple more cards made off camera using the same technique shown in the video. The card above features juniper AI and statue alloy AI with the PB ‘many thanks’ die cut from antique gold cardstock and stacked twice.

When this panel was finished it reminded me of photos of the artic and far north where the icebergs and glaciers are made up of beautiful shades of blue. It’s kind of a cross section perspective where we can see below and above the ice the bears are walking on. I did use two blue inks plus a silver for this one, ranger turquoise and stream with pinata silver. The bear die is ‘polar bears’ from Penny Black.

We’ve been watching Cecilia Blomdahl’s youtube channel about her life on Svalbard, an island off the north coast of Norway. She lives in the world’s northern most town. Polar bears are definitely around so you don’t wander outside the village without your weapon!

Supplies

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Polar bears

I stamped and embossed four panels of this Penny Black mosaic background recently for a project you’ll see in a few days but then I got another idea and painted over one. When I started painting it I totally forgot that I had not stamped it on watercolour paper but neenah solar white cardstock. I dabbed it dry fairly quickly and although it curled the surface of the paper, it did not end up looking pilled or damaged.

Even though the ‘sky’ is very patterned I still think it gives the impression of northern lights for this little family of bears to wander under. The polar bears die from Penny Black cuts only at the top so the bears appear to be walking across the snow.

Even though I initially did not plan to do watercolour with this panel I did and it meets the challenge at CAS watercolor this month. As always there is tons of beauty to be found if you check out the team samples and challenge entries.

Supplies

Stamp: mosaic pattern

Die: polar bears

Versamark ink & clear embossing powder

Paint