I am having fun creating with the new brushstroke stamps from Penny Black. This one is called ‘effulgent’; I checked the definition and think my colour choices help it live up to its name. The combination of red and orange make it ‘shine forth brilliantly’.
I used a stamp positioner for this panel but you could just as easily create it without. The trick to this design is in the re-stamping. I inked the stamp with distress markers, spiced marmalade and festive berries on the flowers, forest moss on the branch and old paper where the branch meets the flower. I spritzed the stamp to help the colours blend and dropped water here and there on the watercolour panel before stamping. After stamping once I used a brush to blend parts of the image then moved the panel, spritzed the stamp again and stamped a second generation, or paler image. Again I blended on the watercolour panel with a small brush then repeated the process, each time repositioning the panel and spritzing the stamp but not re-inking it.
I chose not to add a sentiment but found some co-ordinating textured cardstock to finish the design.
Stamps: Effulgent (PB)
Ink: forest moss, old paper, festive berries, spiced marmalade distress markers (Ranger) (Tsukineko)
Paper: hotpressed 100% cotton watercolour paper, textured coral and brown card stock
With fond memories of the One Layer Simplicity challenge I decided to make a one layer card for the current Case This Sketch challenge.
I masked my card base and stamped the ‘tribal’ stamp from Darkroom Door in distress inks. I stamped one colour after another just inking part of the pattern each time. With the mask still in place I sponged over the stamping in the colours listed below. Next I repositioned my first mask and added a second mask to reveal a thin strip of cardbase above the pattern then sponged with fired brick distress ink. To complete the design I stamped an elephant and a sentiment in fired brick ink.
Some goals are reached with much elephant-like plodding rather than the speed of a gazelle!
Earlier this week I posted a card made out of a leftover, the negative print from a stencil used for watercolouring. Today’s card is a positive print made through a stencil (not using the same stencil as the earlier card). I created the stencil for this card myself by die-cutting the shape from a piece of stencil plastic. You could use an old plastic folder as long as it is not too thick for your die cutting machine to handle. The die I used is ‘fresh breeze‘ from Penny Black. I taped my home made stencil to a piece of cold pressed watercolour paper and spread moulding paste over it, keeping the layer fairly thin with a palette knife. Next I sprinkled yellow and green brusho powder over the stencil then spritzed with water to activate the brusho. Too much water and it seeps under the stencil, not enough and the brusho doesn’t activate. Once the brusho appeared a little blurry I removed the stencil and let the panel dry for quite some time.
I chose the angled rectangle layout and messed it up by attaching the panel upside down on my card base. I had to cut it out of the cardbase and attach it to a new one so it is a tad bulky under the stencilled panel! I matted in green and trimmed off the top of the die cut word so it would appear to be attached to the mat. I inked just two words on a sentiment stamp so I could turn it into a phrase.
I’m going to add this one over at the Sweet Stampin’ Dies and Punches challenge. Thanks for dropping by.
Stamps: Heartfelt (PB)
Die: Fresh Breeze , OMG (PB)
Inks: Cottage ivy memento (Tsukineko)
Paint: Brusho (Colourcraft)
Paper: Canson 100% cotton cold pressed watercolour paper, green cardstock
Also: moulding paste
If you have visited the Penny Black blog lately you will know about the new Follow Your Heart release, if not I will be sharing some of new dies and stamps over there and here on my blog this week. Because the butterfly heart pop out die only partially cuts the butterflies you can fold up the wings to reveal whatever is underneath. I tossed up whether to cut the heart out of the watercolour panel or white but decided to have the watercolour panel peeping through the wings and framing the heart. I painted the gradated panel with yellow, pink then blue blending each colour into the one beside it. I attached the coloured panel to a linen textured white panel and cut the heart out of the same textured white cardstock.
I bent all the butterfly wings up before gluing the heart onto the watercolour panel so I wouldn’t accidentally glue any wings flat. Once the heart was firmly attached I glued a seed pearl in the centre of each butterfly and attached the whole panel to a white card base. If I were to mail this one I would probably need a box-type envelope so I think it might end up being a hand delivered card.
Die: Butterfly Heart Pop Out (PB)
Paints: Peerless watercolors
Cardstock: hot pressed watercolour paper, neenah solar white, textured white
Also: white seed pearls
This message is definitely for you my blog readers; you really do warm my heart with all the kind encouragement you leave in the comments. I have been working on a Valentine themed class for January 2017 and the cute little die-cut cup is one of the stars of the new class. I settled on classic red & white for the Valentine class but not before painting quite a few cups in other colours. This little blue cup with its snowflakes is just right for a day which started with snowfall and ended with a blue sky.
I die cut the cup out of watercolour paper then painted it with blue brusho watercolour paint. To give the cup some shape I painted some purple over the blue on the left hand side. Once it was dry I embossed the snowflakes over the top and added the whipped cream die cut piece. I attached the cup to a textured white panel and painted a pale shadow beside the cup then added snowflakes, a sentiment and a purple mat to frame it.
I’ve been making gingerbread today following my usual pattern of burning the first tray and half the second before settling on a shorter cooking time.
Stamps: season’s gifts (PB) note: I printed the sentiment on my computer; it’s not a stamp
Dies: crystal trio, what’s in your cup (PB)
Inks: versamark (Tsukineko)
Paper: hot pressed watercolour papers (Fabriano),white linen textured cardstock, purple cardstock, black cardstock
Also: brusho watercolour crystals (Colourcraft), white embossing powder
I have a couple more stencilled and watercoloured cards to share today. I used the same technique to create these panels as I did to make the ‘stained glass‘ panel shared earlier in the week.
I began with the stencil taped to a piece of watercolour paper then spread molding paste over the stencil to fill all the little holly leaves and berries. While the paste was still wet I sprinkled brusho powder over the stencil then spritzed lightly with water. The water activates the brusho which spreads, blends and soaks into the paste. I removed the stencil and let the paste dry for quite a while before handling it. On the panel below I used a pearl paste instead of white to achieve a shimmery appearance. Water and colour did seep under the stencil in a couple of places but I trimmed the panel to utilise the best portion.
I finished the cards with die-cut sentiments and mats. To make the ‘Joy to the world’ sentiment pop I traced around it with a gold gel pen. You can see in the photo below the shimmer from the pearl paste. When I sprinkled the brusho over and spritzed, it really did not look good; it was more of a dirty mustard colour. Once it dried, though it looked pearly with shades of yellow, green and gold peeping through.
I apologize if I did not answer your questions about the last post; I’ve been travelling around a bit this week and visiting family in Canberra and Newcastle. When the choice was computer time or duplo with my delightful three year old great nephew, well really, there was no choice!
Dies: Joy to the World, Rejoice(PB)
Stencil: Holly Medley (PB)
Paints: Red and green Brusho (Colourcraft)
Paper: Fabriano watercolour paper, red cardstock
Also: molding paste, texture luxe pearl paste, gold gel pen
I have two more cards made from my experiments with new stamps on watercolour strips. Both today’s strips and yesterday’s were splattered with masking fluid before I started. For the deer card I also added a circle of masking tape before painting the sky in blue, purple, pink and yellow watercolour paint. I painted the horizon edge in blue and tilted the strip up so the paint flowed toward the moon, one colour blending into another
Once the sky dried I removed the masking fluid and tape then stamped the branches from ‘woodland beauty’ and the deer from ‘ nature’s silhouettes’ in black before painting some shadows in front of the deer’s legs.
I used a similar process for the single tree scene, painting the sky first while leaving some unpainted paper at the bottom to be the snowbanks. Once the sky dried I removed the masking fluid and positioned a post-it mask below the horizon and stamped the single tree from the ‘woodland beauty’ set over the mask. Once I removed the mask I painted shadows on the snow in the foreground and behind the tree.
The four little panels in today’s and yesterday’s posts are a taste of the new stamps and the types of scenes I expect to be creating over the next few months. I really enjoyed working small; have you tried it?
Stamps: Nature’s Silhouettes, Woodland Beauty, Joy Filled (PB)
Paints: Dr Ph Martin Hydrus watercolour paints
Inks: Versafine Onyx black ink (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah epic black cardstock
Also: masking fluid, masking tape