Holly Stencilling

Joy holly Heather Telford

I have a couple more stencilled and watercoloured cards to share today. I used the same technique to create these panels as I did to make the ‘stained glass‘ panel shared earlier in the week.

Joy holly close up Heather Telford

I began with the stencil taped to a piece of watercolour paper then spread molding paste over the stencil to fill all the little holly leaves and berries. While the paste was still wet I sprinkled brusho powder over the stencil then spritzed lightly with water. The water activates the brusho which spreads, blends and soaks into the paste. I removed the stencil and let the paste dry for quite a while before handling it. On the panel below I used a pearl paste instead of white to achieve a shimmery appearance. Water and colour did seep under the stencil in a couple of places but I trimmed the panel to utilise the best portion.

rejoice holly Heather Telford

I finished the cards with die-cut sentiments and mats. To make the ‘Joy to the world’ sentiment pop I traced around it with a gold gel pen. You can see in the photo below the shimmer from the pearl paste. When I sprinkled the brusho over and spritzed, it really did not look good; it was more of a dirty mustard colour. Once it dried, though it looked pearly with shades of yellow, green and gold peeping through.

rejoice holly closeup Heather Telford

I apologize if I did not answer your questions about the last post; I’ve been travelling around a bit this week and visiting family in Canberra and Newcastle. When the choice was computer time or duplo with my delightful three year old great nephew, well really, there was no choice!

Supplies

Dies:  Joy to the World, Rejoice(PB)
Stencil: Holly Medley (PB)
Paints: Red and green Brusho (Colourcraft)
Paper: Fabriano watercolour paper, red cardstock
Also: molding paste, texture luxe pearl paste, gold gel pen


More Glimpses

Glimpse of a deer Heather Telford

I have two more cards made from my experiments with new stamps on watercolour strips. Both today’s strips and yesterday’s were splattered with masking fluid before I started. For the deer card I also added a circle of masking tape before painting the sky in blue, purple, pink and yellow watercolour paint. I painted the horizon edge in blue and tilted the strip up so the paint flowed toward the moon, one colour blending into another

glimpse of a deer closeup Heather Telford

Once the sky dried I removed the masking fluid and tape then stamped the branches from ‘woodland beauty’ and the deer from ‘ nature’s silhouettes’ in black before painting some shadows in front of the deer’s legs.

Glimpse of a spruce Heather Telford

I used a similar process for the single tree scene, painting the sky first while leaving  some unpainted paper at the bottom to be the snowbanks. Once the sky dried I removed the masking fluid and positioned a post-it mask below the horizon and stamped the single tree from the ‘woodland beauty’ set over the mask. Once I removed the mask I painted shadows on the snow in the foreground and behind the tree.

 Glimpse of spruce closeup Heather Telford

The four little panels in today’s and yesterday’s posts are a taste of the new stamps and the types of scenes I expect to be creating over the next few months. I really enjoyed working small; have you tried it?

Supplies:

Stamps: Nature’s Silhouettes, Woodland Beauty,  Joy Filled (PB)
Paints:  Dr Ph Martin Hydrus watercolour paints
Inks:  Versafine Onyx black ink (Tsukineko) 
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah epic black cardstock
Also: masking fluid, masking tape


Glimpses

glimpse of birch trees Heather Telford

You have probably already caught up with the fact that Penny Black has two new collections of stamps and dies. When I first receive new stamps my head fills with ideas and designs to try and this time was no exception. I had a little pile of bookmark sized watercolour paper strips on my table so I decided to try some of my ideas on mini projects rather than full sized panels. That way I was able to play with a few stamps and several ideas in a short space of time. The strips I worked on have become the cards I’m sharing today and tomorrow. I have also had a chance to develop some of the designs into full sized panels. On the strip above I used an old favourite, the little tree stamp from the ‘Prancers’ set as background for the new birch trunk stamps.

birch closeup Heather Telford

I stamped the two trunks from the new ‘Nature’s silhouettes’ transparent set on watercolour paper already covered in spots of masking fluid. I masked the trunks with post-its while I stamped the fir tree in the background then painted colour at the top and bottom of the panel with a combination of brusho and distress markers. I added some shadow and twigs to the trunks to make them look more tree like.

Glimpse of twigs Heather Telford

On my second mini panel I masked a moon with masking tape then used distress stains to paint a blue and green sky over the splatters of masking fluid. I turned this into a little scene by adding the ‘Into the Sky’ stamp in blue and black ink. I love this delicate stamp of branches and decided to stamp it on both the bases for today’s cards. It mimics the twiggy branches on the birch trees above and continues some of the upward reaching branches in the panel below.

twigs closeup Heather Telford

Supplies:

Stamps: Nature’s Silhouettes, Prancers, Into the sky, Snippets (PB)
Paints:  Brusho powders (Colourcraft)
Inks:  Versafine Majestic Blue & Onyx black ink (Tsukineko) Black Soot, Rusty hinge, Spiced marmalade, Peeled paint distress markers, Evergreen Bough & Blueprint sketch distress stains (Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah epic black cardstock
Also: masking fluid, masking tape


Watercolour Dance

dancing watercolour floral Heather Telford

It’s really quite hot here at present and this card some how makes me feel a little cooler. It’s either the watery splatter or the cool blues and greens. I used up another abstract watercolour panel to make this card; there is quite a pile of painted or stamped panels sitting on my desk waiting to be turned into something. As you can probably guess this panel was mainly green but had a bit of purply pink on it. I am pretty sure it was done with brusho because there are little bits of other colours mixed in which is one of the nice features of brusho paint – the colours are not purely one pigment.

dancing floral Heather Telford

I used the new ‘shall we dance’ die from Penny Black to cut as many  flowers as I could. I didn’t need them all to be complete die cuts as I wanted some tall and some short. Before I cut them I put ‘stick it’ adhesive on the back of the whole panel to make things easier later. Once I had all the flowers I could squeeze out of the panel I played around with positioning until I was happy. I did it all on a plain white panel assuming that I would keep the background blank and let the colours in the flowers pop. It would have been ok that way but I decided to use my watercolour pencils to try a little splatter in similar colours to the flowers.  It may not be strictly white space any longer but it is pretty.

dancing flowers closeup Heather Telford

I am going to let this card play along with not one, but two challenges.
The CASology cue card is

and the CAS Mix Up challenge is

I read the fine print and discovered that if you didn’t have sprays then splatter is just fine so we’re in!

Supplies:

Stamps:  Words of Kindness (PB)
Die: Shall we dance
Paints:  Brusho powders (Colourcraft)
Inks:  Cottage Ivy Memento ink (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: stick it adhesive sheet


OLS29 Christmas in July

OLS Christmas in July Heather Telford

I am hosting the One Layer Simplicity Challenge this month and the theme is ‘Christmas in July’. I know some of you make Christmas cards all year but I usually start around now and keep going until December! If you haven’t even thought about Christmas cards then perhaps this challenge will be a motivator. Perhaps you want to enjoy the summer sun and not think about December at all – that is totally fine too!

 Christmas in July Heather Telford

To make this one layer card I tore a piece of painter’s tape lengthwise into two strips and positioned them on my watercolour paper card base. I painted some blue along the torn tape edge and faded it to white. Keeping the tape in place I stamped a few trees in Memento Northern Pine ink and added a few dabs of black elegant writer pen. After stamping I painted over the tree to blend the ink. Northern Pine separates into brown and green when diluted which gives the foliage some variety in colour.

I’ve been reading a book called ‘The Non-Designer’s Design Book’ which has made me think about layout in terms of alignment, repetition, contrast and proximity. The book is concerned mainly with text documents like business cards, menus, ads, etc but the principles are relevant to art layout too. I found myself trying to apply what I’ve learnt when working out where my sentiment would go.

Supplies:

Stamps: Spread Cheer(PB)
Inks: Northern Pine Memento ink, Versafine Olympia green (Imagine Craft/Tsukineko)
Pencils & Pens: blue watercolour pencil (Faber Castell), elegant writer pen (Speedball)
Cardstock: Canson Moulin du Roy 100% cotton hot pressed watercolour paper


Love art poppies

Love art poppies Heather Telford

My inspiration for this panel came from my garden. I only have one colour of poppy in my garden, orange. I didn’t quite capture the colour; but it was a good colouring exercise. To create the collection of poppies I had to mask several times then stamp over my masks. Fortunately the cutting required for a mask of this poppy wasn’t too fussy!

love art poppies above Heather Telford

I used zig clean color real brush markers and worked with one orange, one yellow and one red. The colours remained bold and bright because I blended with very little water and just worked with a combination of red and orange or orange and yellow. The centres are purple and black. The background is also zig markers, a mix of blue and light green with water marks to break up the brightness and give a little texture.

love art poppies reflection Heather Telford

When I photograph my cards I sit them on a piece of glossy cardstock; I like the strong reflection I got this time.

 love art poppy close up Heather Telford

I fully intended to add a sentiment in that big empty space in the top right corner but didn’t notice I hadn’t until I was editing my photos. I will wait and see who I send it to and add a sentiment later.

Supplies:
Stamps: Love Art (PB)
Mediums:  Zig Clean color real brush markers(Kuretake) Versafine Onyx Black ink (Tsukineko)
Cardstock: Hot pressed Fabriano watercolour paper, Neenah Epic Black cardstock


Vintage Jubilance

Vintage Jubilance Heather Telford

More vintage flowers on display today with a slightly different technique to try. As with my previous vintage style watercolours (birdhouse, butterflies, tulips) I stamped the image in vintage photo distress ink. Other water based dye inks in brown would probably work but I like the ease with which I can dilute and spread the vintage photo ink or stain.

Vintage Jubilance 2 Heather Telford

After stamping, instead of pulling ink from the outline into the flowers and leaves, I pulled ink out into the background leaving the flowers and leaves white. The contrast of brown with white makes the flowers pop and look whiter than they would if they were not surrounded by colour. It is a simple technique you could try with any colour ink.

vintage jubilance closeup Heather Telford

I would love to hear if you try some ‘vintage style watercolour’. Thanks for dropping by.

Supplies:
Stamps: Jubilance (PB)
Inks:  Vintage Photo distress ink,Vintage Photo distress stain (Ranger)
Cardstock: Hot pressed Fabriano watercolour paper, brown cardstock