More Matelasse

I have a few more cards made with matelasse style backgrounds topped with bright brusho elements. I once again chose intricate dies for the backgrounds. In the cards above and below I embossed watercolour paper with the no two are alike die. For focal elements I die-cut the city skyline, some snowflakes and a couple of words from a panel painted with turquoise and cobalt blue brusho.

The background below was embossed with the bird flower doily then matted with the same painted paper I die cut the dove from. All the dies I used for these three cards are listed and linked below.

I used my big shot/big kick to emboss these panels and my ‘sandwich’ was:

  1. multipurpose platform with one tab showing and one flipped open out of the way
  2. cutting plate
  3. silicon mat
  4. watercolour paper (damp)
  5. die
  6. cutting plate

 

Supplies
Also: Tombow adhesive dots, zig two way glue pen
Paper: hot and cold pressed watercolour paper

 

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Matelasse cards & a winner

I have a couple of cards made using die cuts today but first the winner of last Monday’s giveaway from The Foiled Fox. Thank you to The Foiled Fox for the gift certificate and thank you to everyone who participated. I enjoyed reading what is on your wishlists.
The winner is pansy47  who commented:
“I can’t seem to pick a favorite, but if I could it would be a die of some sort….background, words, scalloped rectangles, etc.”
Congratulations Pansy47, I will email you with the details and you will need to pick a favorite or two!
I came across a card recently with a completely embossed background like the one above. I was reminded that I can use my dies for embossing as well as cutting. After playing around with several dies I’ve decided the most impressive for this technique are the intricate ones that I don’t always reach for when cutting because of all the tiny pieces that have to be pressed out of the cardstock or die. As an embossed background I think it looks just like a matelasse quilt with all the quilting done on one colour fabric in the same colour thread. I added to my background a collection of flowers and leaves cut from a watercolour panel painted with scarlet brusho. If you haven’t embossed with your dies before just search ’embossing with dies’ to see how to do it with your particular die cut machine. To get a good impression I spritzed water on my watercolour paper first before putting it through the machine.
Supplies
Also: Tombow adhesive dots
Paper: hot and cold pressed watercolour paper

Hand painted floral

Today’s card features a hand painted flower and a hand lettered sentiment. I am open to suggestions as to what type of flower it is; it looks like it could be a dahlia, or perhaps a peony or pink cornflower. I am also a bit hazy on what I used to paint it – sorry – again! It was just a painting exercise that turned out looking like a real flower so I decided to turn it into a card. It could be distress stain or peerless watercolours. I matted the flower panel in a teal to match the leaves then popped a handlettered sentiment on a die cut tag.

Hope you are having a delightful day.
By the way The Foiled Fox is having a St Patrick’s Day sale this weekend, go check it out. Foiled Fox kindly sent me the Peerless watercolours that may or may not have been used on this card. They also sent me the beautiful nib holder that definitely was used to write that sentiment.


A Sweet Friendship

Sweet friendship Heather Telford

I hesitate to call this a ‘no line watercolour card because I can see the outline stamping quite clearly in most places. The technique is one I regularly use where I stamp with either distress stains or distress inks then blend colour out of the stamped image with a damp paint brush to fill the interior shapes, in this case petals and leaves.

sweet friendship Heather Telford

I stamped the ‘first blush’ outline stamp from Penny Black in wild honey ink on cold pressed watercolour paper then stamped it on masking paper also. Believe it or not I cut a fiddly mask adequately enough to mask my first stamped image so I could stamp another overlapping the first. That is how I managed blossoms behind blossoms. With all the stamping done I picked up a small round watercolour brush (probably a size 2 or 3) and started painting worn lipstick stain into the petals. The pink stain blended with the wild honey stamped ink to make a coral colour. While the petals were still damp I dropped some spiced marmalade distress stain into the petals to give me light and dark areas. I filled the stems and leaves with forest moss stain then, when all was dry, drew some centres in the blossoms with a spiced marmalade distress marker.

sweet friendship closeup Heather Telford

To finish the card I stamped the scripture sentiment about friendship in versafine ink and coloured in the word ‘sweet’ to make it solid like the rest.  I have a simpler design with this same sweet blossom stamp to share another day. I’m joining in with Kathy Racoosin’s 30 day colouring challenge again as I imagine many of you are too.

Supplies:

Stamps:   first blush, faith (PB)
Cardstock:  cold pressed watercolour paper, olive green cardstock
Ink: versafine olympia green & vintage sepia (Tsukineko) forest moss, worn lipstick, spiced marmalade distress stains, wild honey distress ink (Ranger)


CAS watercolour challenge: Spring

tulips Heather Telford

Back in January I was honoured to be ‘top pick’ of the CAS watercolour challenge. Today I am excited to be back as a guest designer for their March challenge.

cas-challenge-spring

Apparently spring has sprung in some places! I don’t expect to see tulips for a couple more months but that didn’t stop me from using the new ‘first waltz’ stamp from Penny Black to create my CAS project for the challenge.

tulips Heather Telford

This tulip panel was created at the end of a morning of experiments. I wasn’t particularly happy with any of them but before I moved on to a different stamp I tried again with some second and third generation stamping and came up with these soft pink impressions. I inked my stamp with distress markers then stamped it on a piece of paper. Without reinking I spritzed the stamp and pressed it onto a hot pressed watercolour panel, again without reinking I spritzed and stamped again. The spritz of water was enough to dampen the ink remaining on the stamp and create a soft watery image. I did keep the original ‘first generation’ stamped image so that might turn up on the blog another day.

tulips close up Heather Telford

Make sure you check out the CAS Watercolour design team ‘Spring’ cards and you have 24 days to add one yourself

Supplies:

Stamps: First Waltz, Spiritual Snippets(PB)
Inks:   worn lipstick, spiced marmalade, peeled paint, ground espresso distress markers (Ranger) versafine Spanish Moss (Tsukineko)
Cardstock: neenah natural white cardstock,  fabriano hot pressed watercolour paper 


Little Secret

little secret Heather Telford

I’m playing with layers in today’s card, both layers of stamping and layers of painting. I used a couple of colours of distress stain to create the background on hot pressed watercolour paper. I painted with both chipped sapphire and stormy sky, keeping the colour dark on the left and pale on the right. After I had done one layer I dried it then painted another layer. While the second layer was still wet I stamped the ‘a little secret’ stamp in chipped sapphire ink, taking care as I inked it to leave the birds uninked. I let that dry and stamped again in chipped sapphire to get an image which didn’t soften and bleed. With the panel dry I dropped some water droplets onto the painted background then after a minute or so dried them with paper towel. The watermark left behind looks like light or a moon in the distance. To finish I stamped the full stamp in versafine onyx black ink.

little secret close up Heather Telford

You can see the deckled edge in the close up above. I buy quite a bit of hot pressed watercolour paper in large sheets and each sheet has two deckled edges which occasionally I incorporate into my projects. I mounted the panel on a white card base and left it without a sentiment.

Thanks for dropping by.

Supplies

Stamps: a little secret (PB)
Inks: chipped sapphire, stormy sky distress stains and inks(Ranger), versafine onyx black (Tsukineko)
Paper: Fabriano hot pressed watercolour paper

 


Effulgent

effulgent Heather Telford

I am having fun creating with the new brushstroke stamps from Penny Black. This one is called ‘effulgent’; I checked the definition and think my colour choices help it live up to its name. The combination of red and orange make it ‘shine forth brilliantly’.

effulgent Heather Telford

I used a stamp positioner for this panel but you could just as easily create it without. The trick to this design is in the re-stamping. I inked the stamp with distress markers, spiced marmalade and festive berries on the flowers, forest moss on the branch and old paper where the branch meets the flower. I spritzed the stamp to help the colours blend and dropped water here and there on the watercolour panel before stamping. After stamping once I used a brush to blend parts of the image then moved the panel, spritzed the stamp again and stamped a second generation, or paler image. Again I blended on the watercolour panel with a small brush then repeated the process, each time repositioning the panel and spritzing the stamp but not re-inking it.

effulgent close up Heather Telford

I chose not to add a sentiment but found some co-ordinating textured cardstock to finish the design.

Supplies

Stamps: Effulgent (PB)
Ink: forest moss, old paper, festive berries, spiced marmalade distress markers (Ranger) (Tsukineko)
Paper: hotpressed 100% cotton watercolour paper, textured coral and brown card stock