It was fun to pull out a floral and a background stamp for a new card design. I was planning to stamp the PB ‘rosa’ stamp a few times across the panel but ended up putting it snugly on the right hand side leaving room for the grid patterned ‘contemporary’ stamp on the other side.
Before any stamping I smooshed some salty ocean, scattered straw and mowed lawn inks on my glass mat, spritzed water then swiped watercolour paper through the mix of colour. I let the colours dry for a while then dropped water on top and then absorbed it with a paper towel leaving pale water marks all over the panel.
I stamped the flowers in a mix of canyon clay and raspberry fizz inks (Papertrey ink) and the leaves and stems in rustic wilderness and bundled sage. I added copper pearlescent paint to the centres of the flowers as well as splattering some on the panel. I also added some black to the centres to define the flowers a wee bit more.
I added the PB ‘contemporary’ stamp to complete the panel along with the ‘THANKS’ die-cut from copper cardstock. You can see the fall colours are easing their way in but the summer colours are not leaving just yet!
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This is ‘Rosa’ a new floral stamp from Penny Black. When I have a new brushstroke stamp I usually reach for the distress inks for the first test drive. That’s what I used for both cards in today’s post and I love the watercolour effects I was able to get.
The ‘rosa’ stamp is made up of round flowers and long leaves in an impressionistic style. For this orange and blue card I kept the stamp in the positioner while I worked on the hot pressed watercolour panel stamping the flowers first in fossilized amber and spiced marmalade, the leaves in faded jeans and forest moss and the flower centres in ground espresso.
Because I was experimenting with the new stamp I didn’t plan or paint a background for the panel. Once the flowers were finished I decided I wanted some colour around them. Rather than paint some pale washy colour I smooshed the faded jeans and forest moss mini distress cubes on a piece of acetate, spritzed it generously then pressed it onto the panel here and there to transfer ink around the flowers. I finished the card with some twine, blue leaf die cuts and a sentiment also stamped in blue. If you’re wondering why I chose to have blue leaves it’s not just because I love blue. Blue and orange are complementary colours, opposites on the colour wheel so when they are placed next to each other they provide a contrast that makes the other colour pop!
The second card features generational stamping stamping and plenty of spritzing to make the paler background flowers bleed into the surrounding area.
The flowers are stamped in abandoned coral and aged mahogany, the leaves are forest moss and the stems ground espresso. Because I added plenty of water when stamping this panel most of the definition in the flowers was lost so I drew some swirls on the flowers with a glue pen, let it dry to a tacky state then pressed gold foil on top. I added more gold details with an embossed sentiment, a gold cord and gold embossed edges round the panel.
Rosa is such a pretty stamp, I’m looking forward to playing with it again. I think it might make a pretty art journal page.