Are you wondering if I’m repeating myself? Didn’t I post this a few days ago? Indeed, I posted something similar on Monday, a card featuring the new ‘warm wishes’ set from Darkroom Door. At the end of the post I mentioned that I’d like to transform the design into a journal page…so I did!
I kept my colour scheme with the addition of more green and added a few extra stamp images and a bit of texture. I used a Fabriano ‘Venezia’ art journal, with drawing paper not watercolour paper. The weight of the paper is decent but if I’m going to be spritzing and adding water and ink I paint a layer of absorbant ground on both pages first.
I began by inking up the clover stamps with worn lipstick, aged mahogany and peeled paint markers, spritzed them so the ink started blending on the stamp then stamped randomly across the pages. I spritzed the images lightly so the ink moved and softened and also dabbed colour and water away with a paper towel. I inked the number/account book stamp from ‘number medley’ set with stormy sky distress stain and stamped it randomly around the pages. After stamping I spritzed the images so the ink spread, diluted and ran across the page. I dabbed some of it dry but left other bits to make watermarks. I also splattered the stain around with a paintbrush. Once the first layer of stamping was dry I switched to stormy sky distress ink and a blending brush to add colour to all the page edges. Also on the dry page I added a bit of texture by applying modeling paste through the DD stencil, ‘crackle’. The crackle was not very obvious but showed up a bit more after I added more stamping.
At this point I considered the background complete and started on the more distinct stamping. As I was working in the journal I couldn’t place it in the MISTI so I placed my ‘staytion’ magnetic board under the left hand page and added some acrylic blocks underneath the board to balance the left side of the journal with the right. I used an acrylic block to stamp all the clover and positioned a stampa-ma-jig against the block a couple of times just in case I didn’t have a complete image. I was able to do touch ups with a paintbrush and extra ink if the stamping was too pale.
I wanted some clover-ish leaves to stamp around the flowers so I grabbed a stamp from the DD ‘wildflowers vol 2’ and stamped foliage all around in peeled paint and forest moss inks. I added some green splatter too because journal pages always need splatter! At this point I was almost finished but I wanted a little more blue on the page. Rather than add more of the number stamp I used a very delicate floral stamp from ‘nature walk’ in faded jeans archival ink so I would have fine detailed lines that wouldn’t blend or blur. To balance mass of colour at the base of the pages I added more blue across the top edges. The blending brush was going to take too long so I swiped the ink pad over the edges and some water droplets also.
My journal is nowhere near full but it has become bulky with uneven pages because some have been glued to each other, others have been collaged. When I started the journal I glued pages together for sturdiness because that was what Vicky Papaioannou did and Vicky is an art journal wizard! She doesn’t always do that any more and neither do I because some of the pages just don’t want to be joined to each other, it makes it difficult to open them or flatten them. If you are an art journaller I would love to know if you prep your pages in some way so they can take a bit of water and liquid ink.
I hope you enjoyed seeing how a card inspired a double page spread; I definitely enjoyed working on the large scale with less pressure to keep things neat and contained!
I posted a clean and simple two tone card last week featuring a new Darkroom Door set, ‘warm wishes’. The detail of the stamp was very apparent in my earlier card but this time I am showing it off with a watercolour look. The set includes five flowers ( I think they are clover) of different shapes and sizes. I have used a rounder flower on this card and stamped it several times to create a blurry background then twice with detail in the foreground.
I began by taping some hot pressed watercolour paper to my glass mat then spritzing it unevenly with water. When it was fairly wet I inked the flower stamp in worn lipstick, aged mahogany and peeled paint distress inks then stamped it repeatedly over the wet panel. I re-inked the stem to stamp several times in the bottom left hand corner. To frame the design I painted some stormy sky distress stain around the edges. After the panel dried I transferred it to a stamp positioner so I could add a couple more flowers. I used the same three distress markers to ink the flower and stem then added darker green with a forest moss marker.
For some added interest I used a number stamp from another new Darkroom Door set, ‘number medley’. I know I am going to enjoy using this set to add texture and detail to a whole lot of projects. You probably wouldn’t have guessed the stamp is made up of numbers because I stamped with distress stain and did some spritzing to make the ink move a little.
To complete the card I added a sentiment from ‘warm wishes’ in faded jeans archival ink then popped up the whole panel with some white foam. I feel like transforming this design into an art journal page; what do you think?
For more inspiration with this new set head over to the Darkroom Door blog.
Hot off the presses and ironically cold out of my mail box here are some brand new stamps from Darkroom Door. Rachel Greig creates incredibly artistic stamps and these new flowers are no exception. The feature image and sentiment on today’s card are from the new set, ‘Warm Wishes’ which contains five flower stamps and eight sentiments.
I decided not to watercolour them this time (but you know I will), instead I chose a crisp pigment ink so you would see the incredible detail of the flower head. I created a background by stamping some fave florals from DD ‘nature walk’ and ‘wildflowers vol 1’ in memento London fog ink. It is a light enough grey to show up but not take over. On the card above I stamped the feature flower from ‘warm wishes’ in versafine clair ‘shady lane’ ink and added the sentiment in the same colour.
Both the stamped panel and the card base are neenah solar white cardstock and the panel is popped up on a piece of foam to create some subtle framing.
Make sure you pop over to the Darkroom Door blog for more inspiration with the new ‘warm wishes’ set. And check back here too because I’ll be giving these stamps the watercolour treatment very soon!
The pine needles and pine cone stamps I used for this card are from Darkroom Door and I love how realistic they are. The stamps are quite large and there are several sizes and shapes of cones which makes for lovely feature images and fillers as well. I used one pine cone stamp but two of the pine needle stamps and worked on hot pressed watercolour paper which had been splattered with masking fluid. If you look at the close up below you can see large white dots as well as tiny ones; they’re all made by the masking fluid.
I stamped the pine cone three times using a stamp positioner and four different brown distress inks. A spritz of water started the browns blending and I did a little blending with a paint brush as well.
I stamped the green pine needles with forest moss and evergreen bough distress inks and the fine needles in the background with iced spruce. I added some green splatter then some gold splatter using one of the gansai tambi starry colours. I used the ‘jumbo joy’ die from Penny Black to cut out the word joy from the stamped panel and cut three layers from shimmer gold cardstock as well so I could stack them up just a little offset so the gold peeps out on the side.
I stamped the rest of the Christmas carol lyric using a stamp from Ink to Paper’s ‘season of joy’ set and some gold embossing powder. The overall pattern may be a little messy but it reminds me of what I see if I look up into the branches of the very messy pine tree in my front yard, which is currently covered with snow but not gold splatter!
I have been blessed to receive some beautiful handmade Christmas cards in the mail this week and I am enjoying them on my window ledge. I hate to say it but as yet I have not sent a single one! As I’ve said before there are twelve days of Christmas so I haven’t run out of time yet!
I love this little stack of teacups from Darkroom Door. I have some pretty teacups that belonged to my Nanna, some from my Grandma and some from my mother. I don’t often use them because I like a much bigger cup of tea but I love having them. There are intricate details on the cups on this stamp but I have chosen not to colour the patterns individually, instead colouring each cup a different colour. I kept my colour scheme muted sticking with inks I have been using to stamp forests and trees lately.
I used a stamp positioner so I could ink one cup at a time. I kept a wet cloth handy to wipe off any ink that ended up on the adjacent cups. after stamping I blended the stamping with a damp brush to gently spread ink into the cup but not dilute the pretty patterns.
The stamp has its own frame so I trimmed with scissors right next to the frame and ran a peeled paint marker along the edge to make sure it was all inked. I chose my sentiment from another DD tea themed set, ‘Cup of tea” and cut it out with a PB tag die. I had hemp twine which exactly matched so I added a little bow to the tag. The stamped panel is popped up on adhesive backed foam on a textured cardbase.
Hope you have time for tea today, unless of course you are all about the coffee, but that’s a card for another day!
This pretty bunch of gerberas is one of the newest stamps from Darkroom Door. I would have shown it to you sooner but it arrived from Australia two days after I left to go to Australia! The inspiration for this colour scheme once again came from a simple web search. A photo popped up with pink, red, apricot and orange gerberas massed together. So that’s what I did.
I stamped in black ink and embossed in clear powder on hot pressed watercolour paper then used zig clean color real brush markers for colouring. I started each flower by colouring around the centre with the marker then blended out the colour with a brush and water. I was able to add more with the markers as needed. To give the flowers even more pizaazz I gave them all a layer of clear wink of stella. (the red and pink ones then got a coat of micro glaze because I kept touching them and getting pink and red stains on things that were not meant to be pink or red!) I wanted to mount the flowers on a background but didn’t want it to fight with the focal panel. The DD mesh stamp worked beautifully and reminds me of the decorative mesh that is sometimes wrapped around cut flowers.
I stamped a sentiment from the large DD ‘thank you’ set and threaded some sparkly black thread through the tag and round the panel. A friend gave me a stash of metallic threads recently and they are coming in handy for a little subtle sparkle.
For the second card I went with a more country style look. All the gerberas feature the same fossilized amber, vintage photo and rusty hinge colour scheme with the two brown inks used also to create a background. I stamped the whole gerbera stamp in fossilized amber distress ink first then inked the centres in rusty hinge. I blended each petal with water and did the same with the centres then inked one side of the flower centres in vintage photo to add some dimension.
I tried a woodgrain background but it was too dark. By choosing to stamp the ‘thank you’ sentiment strip several times more of the cream background showed through. I inked the sentiment strip in vintage photo and rusty hinge distress inks and spritzed it lightly before each print. The result was blended and sometimes smudgy words. I gave both the flower panel and the background the splatter treatment then popped the gerberas up on a foam rectangle.
Gerberas are pretty classy flowers I think, they always seem to stand out in a bouquet.
I have been creating with the new ‘Lake Wanaka‘ stamp from Darkroom Door. When I first saw this stamp I searched ‘Lake Wanaka tree’ and up came a range of inspiring images. Then I waited for the stamp to arrive so I could try to recreate some of the seasonal shots of this lake and tree in New Zealand.
For this first summer scene I worked with a hot pressed watercolour panel in my stamp positioner because I knew I was going to add inks step by step. I started by inking the lower (lake) portion of the stamp with stormy sky distress ink and the top portion of the stamp with tea dye distress ink. Next I worked with forest moss marker and ground espresso distress markers to add colour to the tree. This took a little while as the tree is made up of fine detail so I was only transferring a little ink at a time. Once the tree was defined I painted the lake with stormy sky and weathered wood ink. (smooshed onto my glass mat – I know you’ve probably got that step by now!) I switched to earth tones to paint the mountains and followed some of the definition of the stamp with rusty hinge, frayed burlap, vintage photo and tea dye inks. I painted a little stand of trees in the left corner with forest moss ink and added some reflections in the water. Once the mountains were dry I painted the sky with weathered wood, stormy sky and faded jeans ink.
For the sunset look below I used did less painting and worked with a base of one colour ink. I used faded jeans archival ink to stamp the whole image then painted more faded jeans distress ink into the shadows of the mountains, black soot ink over the foreground hills and faded jeans and spun sugar inks over the lake.
I used forest moss and ground espresso markers to ink the tree and stamp over the initial print and painted over the trunk also with ground espresso ink to make it bolder against the background. The sky is a mix of worn lipstick and spun sugar inks.
I decided to make a co-ordinating background panel by painting some worn lipstick, spun sugar and faded jeans distress stains onto my glass mat then swiping a piece of watercolour paper through it. I popped my stamped panel up on some dimensional tape.
My autumn Lake Wanaka panel features the main tree and stand of trees in fossilized amber ink. I inked most of the stamp with a stormy sky marker but avoided the tree so I could use a fossilized amber marker to ink the foliage. I wanted to leave snow on the mountain tops so I did very little to that area but painted stormy sky and chipped sapphire shadows further down the mountains. Once again I painted the foothills in black soot ink. I used diluted stormy sky ink for the lake and chipped sapphire for a bold sky. When I was stamping the tree I spritzed the stamp to help the fossilized amber ink spread further.
I finished the card off with white and navy mats and a little sentiment strip. I think you can probably guess why the sentiment is positioned right there. You’ve done the same I’m sure to cover a little bit that didn’t go the way you wanted it to!
Thank you for joining me today. I hope to be back before too long with more Lake Wanaka interpretations. Make sure you visit the Darkroom Door blog to see other creations featuring this stamp.
I tried out a few new products yesterday and ended up with these two cards featuring the Darkroom Door carved flower set. I coloured both cards with distress oxide inks. For this first one I smushed the oxide inks on my glass mat, added some water then painted a graduated wash going from yellow to brown. Oxide inks are designed to react with water so the diluted wash I painted on the card had a muted looked to it when it dried. I wanted to add a pale sun and some stenciled diamonds so I used my new ‘Wendy Vecchi Stay-tion’. It is a magnetic surface which is well suited to stenciling. There are four magnets to hold the stencil firmly over the paper while adding a medium through the stencil. I used it first to hold the DD circle stencil over the panel while I diluted the exposed circle with water and dabbed colour away with a paper towel. I then used the magnets and board to hold the diamond stencil while I sponged some oxide ink onto the background. I splattered some water over the panel then stamped the carved flowers and carved leaves in black archival ink.
Instead of painting a wash with diluted oxide ink for the second card I blended oxide inks over the whole panel which I had added a circle mask to before I started. Once again I used the magnets and board to keep the panel in place while I blended the inks and while I dabbed out some colour through the diamond stencil. Even though the two cards look similar the techniques were a bit different; you can see the oxide ink applied with a blending brush is smoother than the painted panel. Oxides really do blend well. I used the make up blending brushes my children gave me for mothers’ day. They are not life changing but they did do a very good job 😉
Once again I stamped carved flowers and wildflowers in jet black archival ink using the misti.
In keeping with the solid black flowers I chose to emboss sentiments on black cardstock in rose gold powder hoping it would look a bit coppery like the sunset. It did. The sentiments are from the DD ‘thank you’ sentiment strip stamped then cut out with the Avery Elle sentiment strip dies and popped up on black foam tape. The black tape is handy when the card base or element needing the tape is black or a dark colour.
It was my first time trying the Wendy Vecchi ‘stay-tion’ and I found it very useful. The magnets held the stencils and paper in place and it cleaned up easily. I am sure I will be using it often.
Don’t forget to check out the ‘Color Trio Challenge’ I am hosting with the Foiled Fox. I would love to see your three colour cards and give you the chance to win a shopping spree at the Foiled Fox store!
I spent a delightful day learning how to use my gelli plate last week. I have had it for years and only used it once or twice so everything my friends showed me was new and exciting.
I was so happy with these feather prints, I couldn’t believe the detail using real feathers. If you want to see how it’s done check out this video on the gelli arts youtube channel.
I did a few with navy and shimmery gold paint as well as some with burgandy and gold. Half of them got sentiments but only small ones as I didn’t want to cover up the lovely detail. I had a MFT sentiment already stamped and die cut which matched the panel below. I haven’t listed or linked any of the paints because I don’t remember what brands I used or colour names. If I continue with my gelli plate (and I’m pretty sure I will!) I will let you know what paints I buy.
My favourite panel is the one at the top of the post which also has the texture of the new ‘diamonds’ stencil from Darkroom Door in the background. As I was learning and experimenting I used computer paper for most prints, not the weight of cardstock I would usually use for panels on my cards. To make sure I didn’t tear or buckle the panels with glue or narrow adhesive I covered the back of all the panels with double sided adhesive sheets.
These last two narrow panels were done on watercolour paper strips. I decided to add sentiments from the new Darkroom Door sentiment strip ‘Sympathy’
Have you used a gelli plate? I love to hear what your favourite techniques are.