Emboss resist with brusho makes me happy for several reasons. You never know quite what you will get but it is almost always pretty and sometimes amazing. I recently used the technique in a class I taught and realised I hadn’t used it on the blog for a while. There are several ways to do emboss resist panels with brusho and I have two methods for you today. You can watch another technique I’ve done in a video for that you can find here.
A single brusho colour (same with colorburst, bister and nuvo shimmer) is usually made up of a mix of pigment crystals which combine to give you one colour when activated with water. If you don’t mix the powder and water thoroughly you can see all the different pigments that make up the colour. I often sprinkle brusho on a panel, spritz it and wait to see where different colours appear. Lime green is made up of a mix of yellow and blue, more yellow than most other greens. When I sprinkle it on a panel there will be plenty of yellow powder that will activate when I add water. When I spritz the water over the powder and don’t move the paint around it will dry in different coloured patches especially on an embossed panel because the embossing traps the powder and water.
On this first panel I did what I have just described, I let the powders ‘fall where they may’ and did minimal blending with my paintbrush. I used only lime green brusho and sprinkled mainly where the embossing was then used the paintbrush a little to make sure paint filled every nook and cranny and to blend diluted colour to the right of the tree. The stamp is PB trees in bud embossed in clear powder on hot pressed watercolour paper. The stamp below is ‘a floral twist’ also from Penny Black.
On this second panel I started by using the same technique as above but did not get as much colour variation or ‘trapped colour’ so I blended my first colour ‘sandstone’ with a paintbrush, dried the panel with a paper towel then sprinkled ‘terracotta’ brusho over the embossed area, spritzed with water and did some more blending with the paintbrush before adding just a little burnt sienna brusho. The overall effect is smoother blends but still some spots of different colours here and there.
The technique I show in the video is even more controlled where I sprinkle different colours of brusho in specific parts of an embossed image.
I wanted the white frame effect on today’s panels so I taped them down firmly with frog tape before doing any painting. A little colour leaked under the corners on the second panel but that didnt worry me. I attached the panels to cream card bases and stamped the same image on cream envelopes. I decided not to add sentiments on the front this time; I can always add one inside.
Butterfly garden is a new transparent set from Penny Black with a nice mix of butterflies, leaves and flowers. I chose to watercolour the butterflies first then mask them before adding background foliage. I stamped the top butterfly in shabby shutters distress ink, the middle in broken china and the bottom one in dusty concord on hot pressed watercolour paper.
I used peerless watercolours to fill each butterfly with colour starting with a light green then blending to darker greens to fill the wings. I then added green first to the middle butterfly and blended into blue and a little bit of purple. The last one I blended from blue to purple. I stamped them again on masking paper, cut them out and covered the watercolouring before stamping leaves all over the panel in morning mist versafine clair ink. As I wanted to fill the panel with lots of stamping I used acrylic blocks so I could easily turn the stamps around to fit them in all the spaces. I drew little dots in grey marker to fill the background even more.
To finish the card I matted with purple cardstock, stamped a sentiment from the PB grateful sentiments set in monarch versafine clair, die cut it and popped it up with Gina K’s dimensional tape which adds just a little height without being too bulky.
I spent a delightful day learning how to use my gelli plate last week. I have had it for years and only used it once or twice so everything my friends showed me was new and exciting.
I was so happy with these feather prints, I couldn’t believe the detail using real feathers. If you want to see how it’s done check out this video on the gelli arts youtube channel.
I did a few with navy and shimmery gold paint as well as some with burgandy and gold. Half of them got sentiments but only small ones as I didn’t want to cover up the lovely detail. I had a MFT sentiment already stamped and die cut which matched the panel below. I haven’t listed or linked any of the paints because I don’t remember what brands I used or colour names. If I continue with my gelli plate (and I’m pretty sure I will!) I will let you know what paints I buy.
My favourite panel is the one at the top of the post which also has the texture of the new ‘diamonds’ stencil from Darkroom Door in the background. As I was learning and experimenting I used computer paper for most prints, not the weight of cardstock I would usually use for panels on my cards. To make sure I didn’t tear or buckle the panels with glue or narrow adhesive I covered the back of all the panels with double sided adhesive sheets.
These last two narrow panels were done on watercolour paper strips. I decided to add sentiments from the new Darkroom Door sentiment strip ‘Sympathy’
Have you used a gelli plate? I love to hear what your favourite techniques are.
I’ve been creating with the tall flowers and nature walk stamps from Darkroom Door again, this time with a wedding theme in mind. Darkroom Door now has eight different sentiment stamps collections in list format, each one has a different theme. For two of today’s cards I isolated one sentiment by masking either side but on the second card I used a large chunk of the stamp as a feature over a soft blurry floral background. I am over on the Darkroom Door blog sharing these cards so make sure to pop over there for more details on my process.
This first wedding card made me think of a country style-decorate the barn type of wedding. I did a bit of masking to get the look of three daisies against a timber background and used twine to keep things natural and not too fancy. I inked the daisy from ‘Tall Flowers‘ set in worn lipstick, abandoned coral, forest moss and peeled paint distress ink, spritzed lightly with water and stamped in centre of a hot pressed watercolour paper panel, then used masks to stamp another on each side. I masked all three daisies so I could stamp the Woodgrain Background Stamp in weathered wood and frayed burlap distress inks.
My second card features the ‘wet on wet’ watercolour technique. The watercolour panel was very wet before I stamped the daisy stamp in wild honey and forest moss distress inks. I restamped to get paler images then dried the panel before wrapping a vellum strip with gold embossed wedding sentiments over the stamped flowers.
The very blurry style is not for everyone but in real life it does have a soft romantic look to it.
My final card features wildflower silhouettes in blueprint sketch and milled lavender ink stamped repeatedly to get first, second and third generation images as well as silver embossed flowers and sentiments with some very sparkly silver ribbon.
Working with sentiment strips that have fifteen different sentiments gives me plenty of options, some of the ‘wedding’ sentiments are totally appropriate for other events too.
I enjoyed the process of creating wedding cards in three different styles and I know I could have gone even fancier. What’s the fanciest card you have ever made?
Yes I have another poppy post for you. When I get new stamps I like to try a few different techniques with them if I have time. This large poppy from the Altenew ‘Wonderland’ set was crying out to be stamped and painted with distress stains.
There is a masking stencil that co-ordinates with this stamp set so I started with the large stencil full of poppy shapes and a piece of hot pressed watercolour paper. I painted water into the large poppy shape so I could drop colour into it and get very soft blends. I don’t know if you ever paint with water but you can probably imagine the main problem with doing so. That’s right, it’s hard to see what you’re doing, especially if you are wearing your everyday glasses not your ‘art glasses’ Once I dropped some worn lipstick stain into the puddle I was able to make out the poppy shape a little better. I moved the colour around gently with a brush and dropped some festive berries stain in the centre for extra depth and some forest moss stain at the base of the petals and down the stem. I painted my own leaves with the forest moss stain. Once the stain had dried a bit I used the large poppy stamp to stamp some detail over the top in festive berries and forest moss stain. The stamp outline doesn’t match the painted shape exactly but I like the artsy hand painted look.
My second poppy was done with just the stamp plus four distress stains. I painted mustard seed stain around the top of the petals, carved pumpkin across the middle and fired brick at the base. I painted mowed lawn on the stem and base of the flower. I spritzed the stamp then used the stamp positioner to stamp on hot pressed watercolour paper. The result was a very wet rainbow style image. I painted one strip of petal at a time starting at the yellow end and working toward the red so the blend would go from light to dark and not be taken over by the dark red stain. I worked on strips that were not adjacent to each other to give sections a chance to dry before I painted the one next door. Although the poppy was quite wet with stain and water I was able to keep subtle details on the petals.
The last card is my favourite, I like the depth of colour achieved with a seedless preserves/festive berries/peeled paint combo. I used the same method as for the previous card but blended larger sections which caused some of the petal detail to disappear. I also dried the poppies after blending the colour once then added more stain and water over the top which created some petal like watermarks.
When it came time to turn the panels into cards I just wanted to add a little texture or dimension. I chose to pop up each panel on foam but before doing that I put my panels inside an embossing folder and ran them through my die cutting machine. The folder gives the panel the look of canvas. Subtle but cool.
I stamped the two Dr Seuss quotes from the same ‘Wonderland’ set on little scraps and added them to two of the cards with removable adhesive because I’m not convinced they are needed. What do you think? I like the quotes but I also like the way the poppies look like mini canvases…
I’m excited to announce the two winners of our Floral Faves Giveaway:
Congratulations Robyn and Connie! Please check your email for a message from the Foiled Fox. (If you don’t see it check your spam folder)
Thank you to everyone who participated. I loved reading about your favourite flowers; some of them were new to me so I had to look them up! I made a chart to show you what the top faves were; I couldn’t give everyone’s choice a piece of the pie as the labels became impossible to read! I enjoyed reading why they were faves too, many of you associated a flower with a memory, a person, a colour or a fragrance.
Even though the give away is wrapped up I will still be posting plenty of flower cards, and I imagine you will be making them too. Happy stamping and a big Thank You to the Foiled Fox for partnering with me in this giveaway.
This little bouquet is one of my favourites from the recent Penny Black release. With its combination of flowers I thought it was perfect for wrapping up my current giveaway with the Foiled Fox. All you have to do to enter is visit my earlier post or The Foiled Fox post and leave us a comment telling use your favourite flower. We will close the comments on Sunday night and announce two winners next Tuesday.
I’m not absolutely sure what the flowers are in this bouquet, perhaps a hydrangea, a couple of poppies and some little bell shaped flowers. Once again I embossed the outline stamp with platinum powder; it’s so classy, I just keep choosing it. I stamped off the edge twice to get a border design and used Inktense pencils for the watercolouring.
I built up colour on the pink flowers and leaves in layers letting each one dry before adding another. On the blue flower I painted it all pale blue then added dots of the same blue pencil to the centres. I painted around the outside of the bouquets with a mustard pencil and blended it out to nothing with water. I added some fine splatter over the flowers using the same pencils.
Inspired by a beautiful hand lettered sentiment on of Shauna’s recent cards I used a dip pen and wrote the sentiment in gold ink on a strip of co-ordinating cardstock. I splattered some of the same champagne gold gansai tambi ink over the panel before putting the card together with a gold mat and a burgandy card base.