Hi there; it’s a special day! Not only am I hanging out on The Foiled Fox blog today, I also have a video to for you! I first used the Concord & 9th ‘songbird’ set last winter and incorporated the pine boughs, leaves and berries. This time I went for an autumn theme and used distress inks and distress stains as I seem to constantly be doing right now. I may need to mix things up a bit around here.
I have shared a few no-line colouring projects here lately where I stamped with antique linen ink; this project could also be considered no-line colouring but I stamped the outline images in brown, yellow or grey, colours I then used for painting. As the bird and leaves were not too fiddly I cut masks out so I could have leaves peeping out from behind things.
I worked once again with a fairly limited palette of fossilized amber, brushed corduroy, pumice stone, stormy sky and black soot, basically grey, blue and yellow tones.
When it came to the sentiment I decided to pull out the C&9 ‘grateful for everything’ set because I love the words and that funky script. I added splatter and some sponging which filled the background a little making it appear lest stark.
I would love to know if you have some favourite ‘all year round’ stamps or sets. Here are a couple more all season options:
Thank you for joining me today, I’m looking forward to returning in October for some more fun with the Foiled Fox.
This beautiful wreath is part of the PB ‘Merry & Joy’ release. I know it is perfect for Christmas but I am putting it to use as a thanksgiving wreath first. I inked the wreath with two brown and two green distress inks both in marker and ink pad form. I inked the branch area in vintage photo and ground espresso inks and stamped a couple of times for good coverage on hot pressed watercolour paper. I inked the foliage area in forest moss and lucky clover inks then after stamping once it was easier to see on the stamp where the pine cones were so I could ink the pine cones in ground espresso ink and stamp again.
After the stamped image was complete I painted some water onto the stamp and stamped again (I kept the stamp in the MISTI the whole time) The amount of water transferred by the stamp was just enough to fill and darken parts of the image. I also coloured some of the pinecones in with a marker. One word from the PB ‘golden delight’ sentiment fitted on a tiny tag cut with a die from the PB ‘gift card pocket’ set. I rarely make gift card pockets but I use the different tag and label dies from this set often. To complete the wreath I added some hemp twine and popped up the tiny tag.
This leaf is from a PB stamp set called ‘filligree foliage. I haven’t used it for a few years but it is perfect for creating some autumn leaves. As the name suggests each leaf has a filigree pattern on it but you can’t see it on this card because I am using the stamp for its shape not its pattern. To see cards I’ve made in the past with this set click over here, here and here
I worked on hot pressed watercolour paper and moved the stamp around each time I stamped it. I used abandoned coral and frayed burlap distress inks, an odd combo, but one which seemed to work and even gave me a some purply blue in a few places. After stamping the leaf I immediately blended the ink with a paintbrush and water until I had filled the entire shape diluting all the stamped ink as I did so.
I added a double stacked sentiment die cut from olive green cardstock then ruled a thin brown frame around the edge with the help of the ‘staytion’ magnetic board and ruler. I know the ‘staytion’ was designed with stenciling in mind but it makes lining up die cut words and letters easy as well as ruling lines.
Can you believe I have another card for the current CAS watercolour challenge?
I have coloured this lovely flower a few times lately but I realised I hadn’t posted it all on my blog. I did some no-line colouring with the stamp which took a while due to the number of petals, but still produced a nice result which I’ll share at the end of this post. This weekend I decided to emboss the flower instead and paint it with peerless watercolours. I must say this technique was faster and less fiddly than the no-line petal by petal approach. I embossed two of them and painted them side by side with the same three paint colours. Peerless paint blends beautifully on the paper, in this case hot pressed watercolour paper, and I was able to add royal crimson over the top of flesh tint and vice versa until I was happy with the coverage and blending. The leaves were painted in olive green. I think I’ve mentioned before how much I love the quality, depth and blending of peerless watercolours.
I used the co-ordinating die to cut out both flowers then arranged them on top of a ‘snowfall/speckles’ embossing folder background. I snipped a few of the leaves off and rearranged them to balance the composition. I also glued some pieces directly to the background and popped other pieces up on dimensional foam. The sentiment is from the grateful sentiments set and is embossed and popped up also. Because my orange/pinkish combo is opposite green on the colour wheel this card is a match for the current CAS watercolour challenge, a challenge I love but rarely get my act together to enter!
Here is a similar design I completed as part of my no-line watercolour class. I stamped in antique linen distress ink and used a selection of distress inks as ‘paint’. The sentiment is from a clever Taylored Expressions stamp and die combo.
Much as I hate to admit it, things are beginning to feel distinctly autumnal. I don’t have any autumn wreaths to hang at home but if I did I think I would like one a bit like this, soft colours and delicate leaves.
I worked in my stamp positioner to create this panel on hot pressed watercolour paper but I think you could easily do it with the stamp on an acrylic block, it might even be faster. I started by tracing a circle on my panel with a pencil. Using the circle as I guide I positioned the branch stamp from Penny Black’s new ‘All Natural’ set so the base stems were on the circle. I inked with rusty hinge, stamped, moved the stamp around the circle a little, stamped in bundled sage, moved it again, stamped in frayed burlap and then repeated until I was all the way around the circle. I used a small watercolour brush to blend inside the leaves adding extra ink when necessary. I love the combination of colours; frayed burlap is new to my collection and I like the way it gets along with the other two inks. Once the blended ink was dry I stamped just a section of the berry stamp around the centre of the wreath in gathered twigs distress ink then blended it to fill the berries.
I used the same sentiment for both cards, it’s from another new and cute PB set called ‘golden delight’. I stamped both times on a little tag from the PB ‘a pocket full’ die set. To finish off the card I wrapped some twine around the panel, added a bow and popped the tag on top.
For the second card I grabbed another stamp from all natural and used the same process but needed a leaf mask cut from post-it note a couple of times where the leaves would have stamped over previous ones. This little stamp has both leaves and berries as well as a curved stem which just happened to conveniently match the curve of my traced circle. I used the same technique of blending the leaves and berries after stamping with forest moss and aged mahogany distress inks.
Both cards requested the splatter treatment and the second card wanted a olive green mat as well.
Hope the days are warm and sunny where you are.
This pretty bunch of gerberas is one of the newest stamps from Darkroom Door. I would have shown it to you sooner but it arrived from Australia two days after I left to go to Australia! The inspiration for this colour scheme once again came from a simple web search. A photo popped up with pink, red, apricot and orange gerberas massed together. So that’s what I did.
I stamped in black ink and embossed in clear powder on hot pressed watercolour paper then used zig clean color real brush markers for colouring. I started each flower by colouring around the centre with the marker then blended out the colour with a brush and water. I was able to add more with the markers as needed. To give the flowers even more pizaazz I gave them all a layer of clear wink of stella. (the red and pink ones then got a coat of micro glaze because I kept touching them and getting pink and red stains on things that were not meant to be pink or red!) I wanted to mount the flowers on a background but didn’t want it to fight with the focal panel. The DD mesh stamp worked beautifully and reminds me of the decorative mesh that is sometimes wrapped around cut flowers.
I stamped a sentiment from the large DD ‘thank you’ set and threaded some sparkly black thread through the tag and round the panel. A friend gave me a stash of metallic threads recently and they are coming in handy for a little subtle sparkle.
For the second card I went with a more country style look. All the gerberas feature the same fossilized amber, vintage photo and rusty hinge colour scheme with the two brown inks used also to create a background. I stamped the whole gerbera stamp in fossilized amber distress ink first then inked the centres in rusty hinge. I blended each petal with water and did the same with the centres then inked one side of the flower centres in vintage photo to add some dimension.
I tried a woodgrain background but it was too dark. By choosing to stamp the ‘thank you’ sentiment strip several times more of the cream background showed through. I inked the sentiment strip in vintage photo and rusty hinge distress inks and spritzed it lightly before each print. The result was blended and sometimes smudgy words. I gave both the flower panel and the background the splatter treatment then popped the gerberas up on a foam rectangle.
Gerberas are pretty classy flowers I think, they always seem to stand out in a bouquet.
Some of you will be familiar with the flower featured on this card. It’s the Australian waratah, state flower of New South Wales. When I was in NSW recently I visited ‘Alice in Paperland‘ in Port Macquarie and picked up this beauty. Due to my recent class I’m still on a no-line watercolour kick so that’s the method I chose for the stamp’s first inking. The set is called ‘Thanks a bunch’ and includes this large stamp, the sentiment I used and some little ones. I stamped in antique linen distress ink, kept the stamp and hot pressed watercolour panel in my stamp positioner then searched the interwebs for photos of waratahs. Even though I found plenty of bold red ones I chose a slightly more muted colour scheme and painted it with diluted aged mahogany ink. As usual I smooshed the aged mahogany ink pad on my glass mat so I could dilute the ink easily and pick it up with a paint brush. I worked petal by petal which took a while but I mixed up the process by switching to leaves while petals dried and also taking snack breaks.
I wanted the bluey greens of eucalyptus leaves so I used shabby shutters ink mixed with evergreen bough for one branch of leaves then bundled sage plus evergreen bough for the others. The remaining flower I painted in antique linen. For the stems I used the same greens and added some tea dye ink for a brown tinge. I used markers to ink the tiny gum blossoms and gumnuts, gathered twigs, festive berries and wild honey. Because I kept the stamp and panel in the positioner I was able to ink the centre of the waratahs with an aged mahogany marker which helped retain the fine detail. I think I accidentally inked the centre with gathered twigs once also, oops!
For the sentiment I used stazon claret because it matched the flowers so well. You might be able to see the texture on the finished panel; I achieved that look with the clever ‘subtle’ embossing folder by sizzix for Stampin’ Up.
This is the first card I’ve made with Paper Rose stamps but I do have a couple more of their stamps waiting in the wings.