I have another video featuring the fine line florals set from Concord & 9th. I am using a similar technique as in my previous video but I’ve created a patterned panel that covers the whole card front this time. The single flower stamps from this set are made up of very fine radiating lines which look like transparent petals whether blended with water or not. I like the way part of each flower is still lined where as other sections are a soft blend of pink and purple ink. I’m using hot pressed watercolour paper which captures more of the fine lines than cold pressed does.
The Foiled Fox and I have a three-colour challenge happening during May and today’s card is features a simple pink, purple and green colour scheme which packs plenty of punch with its soft pinks through to dark purple. The stamp set includes flower centres and little splattery dots but no leaves so I pulled out a little spray of leaves from the C&9 turnaround leaves set.
You can see all my process in the video. I hope you get inspired to try this technique or try a three-colour card for our challenge.
These fabulous big letters are from the C&9 ‘big thanks’ set and I love the font.
Thanks for dropping in today. Hope you have a creative day!
I love playing with colour and over the years I have come to the conclusion that often less is more when adding colours to a project. It is not a hard and fast rule but I like to use three colours and mix more from the original three. With that idea in mind I have collaborated with the Foiled Fox to host a card challenge. We invite you to join us in creating cards of only three colours (along with white or black if needed), post them in the link up below and be in the running for a shopping spree at the Foiled Fox store
To create today’s cards I used distress oxides: twisted citron, dusty concord and chipped sapphire. I would call this a complementary colour scheme because although purple and dark blue are right next to each other on the colour wheel, opposite them is yellow.
Two of the feathers above are stamped using the solid feather from the Concord & 9th ‘feathered’ stamp set. I inked the centre feather with dusty concord then stamped the outline over the top in twisted citron. The feather on the right was inked in all three colours with a spritz of water to get them blending. Once the ink dried I added spots and lines using the decorative stamps from the same set. After the stamping dried I cut them out using a co-ordinating die. I also smushed some oxide ink on my glass mat, added a spritz of water then swiped some watercolour paper through it. I used another feather die to cut the feather on the left. For some added texture the feathers are layered on canvas textured cardstock, the middle and right hand ones popped up on foam tape.
For this second card I die cut three feathers from the textured cardstock and used blending tools to apply the three colours of oxide ink. I splattered a little water over them, waited then dabbed it away with a paper towel which gave me the little light dots on each feather. Once again the feathers are layered on the same canvas textured cardstock with a sentiment from the same ‘feathered’ set.
We would love to see the colour trios you come up with. Please use the link up below to link directly to your card on whatever social media platform you use. You have until May 30 to play along. I can’t wait to see all the colour combos; I am ready for new inspiration!
I have a video for you today showing my process in making this simple floral card with a loose watercolour look. The foliage is from the Altenew set ‘leaf canopy’ and the flowers are from the Concord & 9th set ‘fine line florals’ (the same set I featured in a journal page last week). The flower stamp is very detailed with fine lines covering the whole stamp. Because I wanted a loose watercolour look I spritzed water on the inked stamp which meant I lost most of thefine lines. I do like the way a few of them remained giving the petals a slightly transparent look.
I tried the ink, spritz and stamp method a few times before creating this panel because it was easy to add too much water and end up with a splodge rather than a flower. The experiments only took a little time and a few pieces of watercolour paper so definitely not a waste.
In this close up you can see some of the texture of the cold pressed watercolour paper. Although I often use hot pressed I still reach for cold pressed at times because the rough texture adds interest particularly when using solid or semi solid stamps like these ones.
I’ve been experimenting in my journal again featuring some new and old stamps from Concord & 9th. Once again I had an idea in my head and although this does not look like my original idea, I’m very happy with the vibrant look of the massed flowers. I haven’t put any words on this page yet and possibly wont. Now if you are not an art journal type of person, hang in there, I have cards made with the new ‘fine line florals’ set coming over the next few weeks.
As I mentioned last time a couple of my journals do not have watercolour pages, this one is drawing paper. Sometimes I paint my pages with gesso or absorbant ground before I start or glue other papers to the page. I’ve also glued two pages together a few times to make sure liquids don’t soak through the page. The glued pages are very bulky and bumpy though so I don’t think I’ll keep that up. With this page I wanted to see if I could add watercolouring to an untreated page without it soaking through, breaking down the page or seeping outside the stamped images. Even though I love watercolouring with distress inks or stains I thought they might be too wet. I decided instead to used inktense pencils as I hoped to get vibrant colour with limited water. I tried picking up colour from the pencil lead with a wet brush and painting it into my stamped images as well as colouring the image with the pencil then adding the water over the top. I preferred the look of the former method. When I coloured directly on the page it was more likely that I would end up with shading lines or the colour would seep outside the stamping once I added water. I did get some paint soaking through the next page of the journal so I’ll cover that up with my next spread.
The big flowers are part of a large multiflower stamp from the new C&9 set, fine line florals. I stamped it three times on my journal double page but the page doesn’t sit flat so I was not able to get perfect prints. I was using the fiskars stamp press on the flatter right hand page but used my hand to press the stamp on the bumpy left hand page and tried to do the stamping across the centre of the two pages in two steps while masking the left then right. I kept going even with my patchy stamping and used micron pens to add in missing lines and trace over the pale stamping. I wondered whether the lines I added would be obvious but once all the colour was added it was hard to tell the difference between the stamped and the hand drawn outlines.
The other stamps in my floral explosion are a feather from the C&9 ‘feathered’ set and leaves, flowers and little sprays from the C&9 ‘songbird’ set. I did several layers of colour on the large flowers, letting it dry after each one but just one layer on the leaves, little flowers and feathers. The dots were distress inks sponged through a homemade die cut vellum stencil made with C&9 ‘dots and hearts’ die.
I also did quite a bit of splattering by flicking a wet brush across the lead of the inktense pencils. I added black outlines as I did the watercolouring but when all the painting was finished I went over the centre of the flowers drawing little circle centres with the micron pens and adding little white dots here and there with a white gel pen. To frame the spread I drew a squiggly frame with in black then added some black soot distress stain splatter here and there.
I had fun with this spread and learnt a few things along the way. Hope you are having a great day; thanks for spending some of it here on my blog.
Polka dots are make happy patterns in my opinion. Add rainbow colours and it’s a double happy. I created this simple card with the Concord & 9th ‘dotted fill-in stamp set’. I inked the background stamp with a rainbow of distress inks, spritzed the stamp with water to blend the overlapping colours a little then stamped on watercolour paper.
I thought a bold black sentiment would stand out so I arranged the letters from the C&9 ‘big thanks’ set across the panel and stamped in versafine clair nocturne ink. The only embellishments are little gold circles die cut with the ‘dots and hearts’ die from gold foiled cardstock and popped up over a few of the polkadots.
So simple. So dotty. So happy.
I am over on the Foiled Fox blog today; make sure you pop over there for more details and for a browse through their recent blog posts.
I have shared cards made with ‘turnabout’ stamps before but the look on this one is a bit different. My other turnabout stamps from Concord & 9th fill the space a lot more than this starry one. ‘Star Turnabout’ is a two part stamp which means you can do a small area of stars with the centre of the stamp, a large border of stars with the the outside of the stamp or, as I did, a large square covered in stars by using both stamps at the same time. There is now a jig available which makes the turnabout process easier.
I worked on a 6″x6″ piece of cold pressed watercolour paper in my MISTI. I started by stamping in versamark and embossing in clear powder. Then after turning my panel 90° I stamped again with versamark then embossed in gold. With a turnabout stamp you turn the panel three times and stamp each time. I embossed with clear, gold, silver and lastly platinum. Once the stamping was done I taped the panel down on my glass mat to paint it. I used Altenew’s watercolour paint set, limiting myself to blues and aquas. I painted the colours randomly over the whole panel, blending them together and diluting if necessary with some water.
While the paint dried I die cut the word ‘wonderful’ using the MFT little lower case dies and some Tonic silver cardstock. C&9 have a co-ordinating star die which I used to cut a few little stars from the same silver cardstock so I could add them here and there over the panel. To complete the card I framed it with blue cardstock and stamped a small banner using a MFT sentiment set.
With the stamps and embossing powders out on my messy desk I decided to do a few more panels including this black one.
I used neenah black cardstock, silver, gold, platinum and gun metal embossing powders then added words on tonic silver and gold embossed cardstocks.
Thank you for dropping by today. All the products I used are linked below. I use affiliate links to the Foiled Fox store in my blog posts. At no extra cost to you I receive a commission when you use the links.
Stamps: star turnabout stamp set (C&9), birdie brown greetings galore (MFT)
Dies: Star Turnabout Die (C&9), little lower case letters (MFT)
Ink: versamark, versafine clair nocturne
Paints: Altenew watercolour set
Cardstock: cold pressed watercolour paper, Craft Perfect Luxury Embossed Card – Golden Satin & Silver Silk Luxury Embossed card (Tonic), Neenah black, Neenah cream, Whirlypop blue
Embossing powders: metallic gold rich embossing powder, platinum embossing powder, clear embossing powder, silver embossing powder, gun metal embossing powder
Also: MISTI, T-ruler, glass mat
I’m on the Foiled Fox blog today, sharing these fun and festive cards made with the Concord & 9th ‘Deck the Halls’ turnabout stamp.
It is a cool trick to create a multicoloured background by turning your stamp 90 degrees each time but that is not the coolest thing I learnt in creating these cards. It was a happy accident resulting in an unexpected colour scheme that please me most.
The beauty of the turnabout stamp is not so much the full background you create because you can do that with a background stamp. The turnabout stamp allows you to ink a different colour each turn and have four different colours even distributed across your finished panel. For the first card I was traditional in my colour choices and stamped with versamark so I could emboss in gold then the rest of my turns were versafine clair glamorous, shady lane and rainforest. The gold gives the panel a lovely pop and I ended up embossing my die cut sentiment with the same gold as I didn’t have cardstock that matched exactly. I popped up my sentiment on some red foam but you could get the same effect with a couple of layers of red cardstock. To frame the stamped panel I swiped the glamorous ink pad around the perimeter and attached the panel to a cream card base.
The second card features gold, platinum, white and black embossing. The white doesn’t show up in the photos but in real life it’s very pretty. I would never have chosen black as the fourth colour in this mix but I accidentally inked the stamp with my black nocturne stamp pad thinking I had picked up my versamark. I think the effect is bold and modern. I also added black foam under the gold sentiment to pop it up a bit.
I often use black for silhouette stamping on a Christmas card but I think this might be the first time I have stamped little decorative motifs in black. What do you think? Would you include black in a multicolour Christmas panel?
Make sure you pop over to the Foiled Fox blog for extra tips and details.
Stamps: deck the halls turnabout (Concord & 9th)
Dies: jingle bells, wreath noel (Penny Black)
Paper: hot pressed watercolour, neenah cream, shimmer gold
Inks: versamark, versafine clair glamorous, shady lane, rain forest, nocturne
Embossing powder: gold metallic rich, platinum, clear, white
Also: black foam sheet, red foam sheet