I’ve been playing with Concord & 9th’s co-ordinating stamp sets ‘filled in florals’ and ‘fine line florals’. For this first card I stamped the large ‘fine line floral’ stamp twice in versamark then embossed in gold powder. To fill in the flowers I switched to the ‘filled in florals’ stamps. I inked the large flower in wild honey ink then added abandoned coral ink around the centre. I spritzed the stamp then pressed it over the matching embossed flower. Because I had spritzed before stamping I got a nice blend of colours which loosely filled the outline. I repeated this step with the blue flowers (blueprint sketch) and burgandy flowers (aged mahogany) I diluted some aged mahogany to paint inside the remaining flowers.
I stamped black soot ink in the centres and bundled sage for the little leafy bit below the petals. I stuck with the gold highlights when adding the sentiment, embossed ‘miss you’ in gold then popped the shimmer gold ‘simple serif’ die-cut letters with white foam. I thought it need just a little something more so added three gold half pearls. Usually I would add splatter but I guess I was feeling fancier!
The inspiration for the second card came as I was stamping off the ‘filled in floral’ stamps after I’d stamped the embossed areas. I grabbed another piece of watercolour paper then inked the flower stamps with the same colours used on the first card, spritzed the stamp then stamped one flower, spritzed again, a second flower, spritzed again and got a third paler flower. Once the panel was fairly full I switched to the leaf stamp, bundled sage and peeled paint ink and added some leaves. I used acrylic blocks for the stamping; there was no need for a stamp positioner with such a loose watery technique.
The watery technique did mean I lost much of the definition of the stamp so I drew some veins on the petals with a spiced marmalade marker once the ink dried. I used the simple serif stamps this time (they match the dies used on the other card) to stamp ‘thanks’ along with one of the sentiments from the C&9 ‘big thanks’ stamp set. This time I did want some black splatter but not all over the place so I chose the safe option of stamping black dots using two stamps from the fine line florals set then drew extra dots with a black marker. A black mat finished it off.
Are you a ‘stay inside the lines’ kind of painter or are you happy to be a bit loose and messy like I was with these cards?
I’m on the Foiled Fox blog today showing off these lovely new stamps and dies from Concord & 9th. The stamps are from the ‘filled in florals‘ set and the dies from the simple serif alphabet set I love the size and shape of these letters and I am able to line them up neatly by using my new magnetic ‘staytion‘ so I won’t need to do the purposely wonky look every time!
I reached for some favourite distress stains to colour the big flower from the set. I used a stamp positioner but acrylic blocks would work fine too as precision is not key for this loose and watery look. As I’m still working with distress stain daubers I swiped the first colour across a third of the stamp, stamped on hot pressed watercolour paper then wiped off the stamp before inking with the next stain in the centre of the flower then repeating the process. I only spritzed the stamp lightly with water before I stamped the last colour on each flower as I didn’t want to flood the design but I did want to make sure the colours did a little blending with each other. I used a mix of blueprint sketch, salty ocean, seedless preserves and dusty concord stains on the flowers switching around the order and combo each time. I stamped the flower centres with blueprint sketch and seedless preserves ink. Is there a more beautiful colour combination than those two stains? I don’t think so!
For the leaves I switched to an acrylic block and inked with bundled sage and iced spruce stains and a little spritz of water to make them soft and dreamy. I dried the whole panel before dropping water here and there all over, letting it sit and soak in then absorbing it with a paper towel to leave all those watermarks on the leaves and petals. Last but not least I added a splat or two in blueprint sketch and bundled sage.
Once all those flowers were done I thought about the sentiment. I know I should consider the sentiment earlier in the process but I rarely do. I didn’t want to cover up too much of the design so I went for the subtle stacked letter die look. I cut the letters b e s t out of the panel and three more of each from blank watercolour paper then stacked them up and attached them on the card. I did some stamp surgery to separate ‘you’re the’ from one of the sentiment stamps in the ‘filled in florals’ set and stamped in versamark ink so I could emboss in white powder. The sentiment is fairly subtle when you look straight on but the recipient will be able to see and feel the texture of the raised letters.
Thank you for dropping in today, make sure you pop on over to the Foiled Fox for some extra details and to check out their lovely blog and store.
This wonderful new C&9 alphabet stamp set arrived a few days ago and, oh the possibilities! I had only a little time to play with it today so I pulled out the delightful ‘city stacks’ stamps, also from Concord & 9th. I stamped in versafine onyx black ink and watercoloured with my peerless watercolour paints. Versafine is a pigment ink so it won’t react with water when I start painting over it.
The sky and the road I blended onto the panel with makeup brushes which was quite a bit quicker than painting it. I used broken china, scattered straw and wild honey distress inks for a sunrise look.
When I laid out the letters in my stamp positioner I wondered how long it would take me to get them lined up. I got them right on the second attempt! I slipped in a piece of acetate to do a trial stamping, realigned the few that needed it and then the next attempt was just right. The serifs at the top and bottom of the letters make it easy to line them up on the grid of my stamp positioner lid. Yay! I used part of a stamp from the ‘city stacks’ set to finish the sentiment at the bottom of the panel.
You’ll be seeing these letters again, and again. Count on it. And there are dies too, I didn’t use them on this card but it won’t be long.
I finally got my act together enough to enter a challenge and not even in the last few minutes it was open! I just hosted a challenge with the Foiled Fox and we will be announcing winners in the next few days. I enjoyed visiting all the entries and was inspired by each card. Today’s card was inspired by the ‘Ombre’ challenge at CAS Mix Up and I will be entering it in the ‘Calm’ challenge at Casology as well.
Before I talk about this calm and clean and simple and ombre card I just want to thank those who joined the conversation on Monday about ‘bunchies’. I posted a photo on Monday of myself, aged 6, with my hair in ‘bunchies’ and asked what others called the two ponytail style. I was surprised to read they were known as ‘dog ears’ and ‘dust mops’ as well as the more common ‘pigtails’. One reader called them ‘bunches’ which is practically the same as me so I was not alone with that tag.
Back to the feather, I used the solid feather stamp from the C&9 Feathered set and Catherine Pooler inks to create the watercolour ombre look. The coverage and blending is just what I was after. Like some dye inks the colours continue to soak in and smooth out after stamping with the CP inks which is exactly what I needed for this look. I inked the whole stamp in ‘shea butter’ ink, stamped then inked two thirds in ‘bellini’ ink, spritzed and stamped, then finished by inking the tip in ‘rockin red’ ink, spritzed and stamped. The little spritz over the ink spread the ink on the stamp so there were no hard lines where one ink stopped or started.
I dry embossed the whole panel with the snowfall/speckles texture fade folder for a bit more visual interest and popped up the sentiment from the same stamp set. Did you know embossing folders are enjoying a rise in popularity these days? I don’t know if that is true or not, I just know they are around here! The CAS mix up challenge required ombre + stamping + my choice (embossing), so all boxes checked! There are a few metallic ombre looks featured on the challenge blog; I’ve never thought of metallic ombre but it is pretty fancy so I might have to give it a try.
My second card is not entering any challenges; it was made because I love pairing sectioned stamps with sprinkled brusho. I embossed the sectioned feather from the same C&9 set in gold three times on hot pressed watercolour paper, sprinkled sandstone and terracotta brusho powder over the top then spritzed water gently to activate the brusho. I added more brusho and spritzing several times and then moved some paint around with a paintbrush, not much just a few places so there would be a few more solid sections. I die cut the feathers then popped them up on a different dry embossed background, ‘weathered’ by Taylored Expressions. The sentiment is from the Altenew set, ‘leaf canopy’.
Click on the badges below to see what’s happening in the challenges I’m entering.
I have another video featuring the fine line florals set from Concord & 9th. I am using a similar technique as in my previous video but I’ve created a patterned panel that covers the whole card front this time. The single flower stamps from this set are made up of very fine radiating lines which look like transparent petals whether blended with water or not. I like the way part of each flower is still lined where as other sections are a soft blend of pink and purple ink. I’m using hot pressed watercolour paper which captures more of the fine lines than cold pressed does.
The Foiled Fox and I have a three-colour challenge happening during May and today’s card is features a simple pink, purple and green colour scheme which packs plenty of punch with its soft pinks through to dark purple. The stamp set includes flower centres and little splattery dots but no leaves so I pulled out a little spray of leaves from the C&9 turnaround leaves set.
You can see all my process in the video. I hope you get inspired to try this technique or try a three-colour card for our challenge.
These fabulous big letters are from the C&9 ‘big thanks’ set and I love the font.
Thanks for dropping in today. Hope you have a creative day!
I love playing with colour and over the years I have come to the conclusion that often less is more when adding colours to a project. It is not a hard and fast rule but I like to use three colours and mix more from the original three. With that idea in mind I have collaborated with the Foiled Fox to host a card challenge. We invite you to join us in creating cards of only three colours (along with white or black if needed), post them in the link up below and be in the running for a shopping spree at the Foiled Fox store
To create today’s cards I used distress oxides: twisted citron, dusty concord and chipped sapphire. I would call this a complementary colour scheme because although purple and dark blue are right next to each other on the colour wheel, opposite them is yellow.
Two of the feathers above are stamped using the solid feather from the Concord & 9th ‘feathered’ stamp set. I inked the centre feather with dusty concord then stamped the outline over the top in twisted citron. The feather on the right was inked in all three colours with a spritz of water to get them blending. Once the ink dried I added spots and lines using the decorative stamps from the same set. After the stamping dried I cut them out using a co-ordinating die. I also smushed some oxide ink on my glass mat, added a spritz of water then swiped some watercolour paper through it. I used another feather die to cut the feather on the left. For some added texture the feathers are layered on canvas textured cardstock, the middle and right hand ones popped up on foam tape.
For this second card I die cut three feathers from the textured cardstock and used blending tools to apply the three colours of oxide ink. I splattered a little water over them, waited then dabbed it away with a paper towel which gave me the little light dots on each feather. Once again the feathers are layered on the same canvas textured cardstock with a sentiment from the same ‘feathered’ set.
We would love to see the colour trios you come up with. Please use the link up below to link directly to your card on whatever social media platform you use. You have until May 30 to play along. I can’t wait to see all the colour combos; I am ready for new inspiration!
I have a video for you today showing my process in making this simple floral card with a loose watercolour look. The foliage is from the Altenew set ‘leaf canopy’ and the flowers are from the Concord & 9th set ‘fine line florals’ (the same set I featured in a journal page last week). The flower stamp is very detailed with fine lines covering the whole stamp. Because I wanted a loose watercolour look I spritzed water on the inked stamp which meant I lost most of thefine lines. I do like the way a few of them remained giving the petals a slightly transparent look.
I tried the ink, spritz and stamp method a few times before creating this panel because it was easy to add too much water and end up with a splodge rather than a flower. The experiments only took a little time and a few pieces of watercolour paper so definitely not a waste.
In this close up you can see some of the texture of the cold pressed watercolour paper. Although I often use hot pressed I still reach for cold pressed at times because the rough texture adds interest particularly when using solid or semi solid stamps like these ones.