Polka dots are make happy patterns in my opinion. Add rainbow colours and it’s a double happy. I created this simple card with the Concord & 9th ‘dotted fill-in stamp set’. I inked the background stamp with a rainbow of distress inks, spritzed the stamp with water to blend the overlapping colours a little then stamped on watercolour paper.
I thought a bold black sentiment would stand out so I arranged the letters from the C&9 ‘big thanks’ set across the panel and stamped in versafine clair nocturne ink. The only embellishments are little gold circles die cut with the ‘dots and hearts’ die from gold foiled cardstock and popped up over a few of the polkadots.
So simple. So dotty. So happy.
I am over on the Foiled Fox blog today; make sure you pop over there for more details and for a browse through their recent blog posts.
I have shared cards made with ‘turnabout’ stamps before but the look on this one is a bit different. My other turnabout stamps from Concord & 9th fill the space a lot more than this starry one. ‘Star Turnabout’ is a two part stamp which means you can do a small area of stars with the centre of the stamp, a large border of stars with the the outside of the stamp or, as I did, a large square covered in stars by using both stamps at the same time. There is now a jig available which makes the turnabout process easier.
I worked on a 6″x6″ piece of cold pressed watercolour paper in my MISTI. I started by stamping in versamark and embossing in clear powder. Then after turning my panel 90° I stamped again with versamark then embossed in gold. With a turnabout stamp you turn the panel three times and stamp each time. I embossed with clear, gold, silver and lastly platinum. Once the stamping was done I taped the panel down on my glass mat to paint it. I used Altenew’s watercolour paint set, limiting myself to blues and aquas. I painted the colours randomly over the whole panel, blending them together and diluting if necessary with some water.
While the paint dried I die cut the word ‘wonderful’ using the MFT little lower case dies and some Tonic silver cardstock. C&9 have a co-ordinating star die which I used to cut a few little stars from the same silver cardstock so I could add them here and there over the panel. To complete the card I framed it with blue cardstock and stamped a small banner using a MFT sentiment set.
With the stamps and embossing powders out on my messy desk I decided to do a few more panels including this black one.
I used neenah black cardstock, silver, gold, platinum and gun metal embossing powders then added words on tonic silver and gold embossed cardstocks.
Thank you for dropping by today. All the products I used are linked below. I use affiliate links to the Foiled Fox store in my blog posts. At no extra cost to you I receive a commission when you use the links.
Stamps: star turnabout stamp set (C&9), birdie brown greetings galore (MFT)
Dies: Star Turnabout Die (C&9), little lower case letters (MFT)
Ink: versamark, versafine clair nocturne
Paints: Altenew watercolour set
Cardstock: cold pressed watercolour paper, Craft Perfect Luxury Embossed Card – Golden Satin & Silver Silk Luxury Embossed card (Tonic), Neenah black, Neenah cream, Whirlypop blue
Embossing powders: metallic gold rich embossing powder, platinum embossing powder, clear embossing powder, silver embossing powder, gun metal embossing powder
Also: MISTI, T-ruler, glass mat
I’m on the Foiled Fox blog today, sharing these fun and festive cards made with the Concord & 9th ‘Deck the Halls’ turnabout stamp.
It is a cool trick to create a multicoloured background by turning your stamp 90 degrees each time but that is not the coolest thing I learnt in creating these cards. It was a happy accident resulting in an unexpected colour scheme that please me most.
The beauty of the turnabout stamp is not so much the full background you create because you can do that with a background stamp. The turnabout stamp allows you to ink a different colour each turn and have four different colours even distributed across your finished panel. For the first card I was traditional in my colour choices and stamped with versamark so I could emboss in gold then the rest of my turns were versafine clair glamorous, shady lane and rainforest. The gold gives the panel a lovely pop and I ended up embossing my die cut sentiment with the same gold as I didn’t have cardstock that matched exactly. I popped up my sentiment on some red foam but you could get the same effect with a couple of layers of red cardstock. To frame the stamped panel I swiped the glamorous ink pad around the perimeter and attached the panel to a cream card base.
The second card features gold, platinum, white and black embossing. The white doesn’t show up in the photos but in real life it’s very pretty. I would never have chosen black as the fourth colour in this mix but I accidentally inked the stamp with my black nocturne stamp pad thinking I had picked up my versamark. I think the effect is bold and modern. I also added black foam under the gold sentiment to pop it up a bit.
I often use black for silhouette stamping on a Christmas card but I think this might be the first time I have stamped little decorative motifs in black. What do you think? Would you include black in a multicolour Christmas panel?
Make sure you pop over to the Foiled Fox blog for extra tips and details.
Stamps: deck the halls turnabout (Concord & 9th)
Dies: jingle bells, wreath noel (Penny Black)
Paper: hot pressed watercolour, neenah cream, shimmer gold
Inks: versamark, versafine clair glamorous, shady lane, rain forest, nocturne
Embossing powder: gold metallic rich, platinum, clear, white
Also: black foam sheet, red foam sheet
My final ‘stamping is for the birds’ card is made with the Concord & 9th ‘songbird’ stamp set. I stamped on cold pressed watercolour paper in nocturne versafine clair ink then embossed in clear powder.
I’ve been colouring with my peerless watercolours quite a bit lately so I turned to my other love, ‘brusho’ and worked with a limited palette of leaf green, cobalt blue, yellow and brilliant red. Later in my process I added some black to my palette to save me from mixing all my other colours until I had a black.
I used leaf green to paint the leaves then added some cobalt blue to get a darker green for shadow and variation. I mixed red with green to make a brown for the branch, then painted the berries red with some touches of cobalt blue. I wanted the bird to be brown and grey but ended up with purple and grey which is possibly prettier but less realistic. I created the grey by mixing purple with green from the palette I was using. I mixed some black for the tail feathers and painted the beak and feet yellow.
Because the image is embossed it was not too hard to paint the sky around the image. I started by painting water around the edges of the embossing and then dropped in blue paint which I spread out and diluted with more water. Even after the sky was painted the panel seemed a little empty so I add pine branches to the lower left and right edges to frame the scene then embossed a sentiment from the C&9 ‘very merry sentiments’ set.
I am participating as often as possible in Kathy Raccoosin’s ‘ 30 Day Colouring Challenge this month and enjoying the colouring of others as well. Let me know if you are participating.
Stamps: songbird, very merry sentiments (Concord & 9th)
Inks: versafine clair nocturne, versafine crimson red
Paper: cold pressed watercolour, neenah natural white, red cardstock
Also: clear embossing powder, clear wink of stella
I’m over on the Foiled Fox blog today sharing these lovely stamps and vibrant Catherine Pooler inks. This set is definitely a set for all seasons!
The beautiful branches set from Concord & 9th has been sitting un-inked for months. It really shouldn’t have been; there is so much I can do with it. I decided to start with just two ideas; a fall card and a winter one but there are little flowers in the set so spring would be easy to put together too. The stamp set includes a bare branch then a bunch of different shaped leaves, berries, flowers and sweet sentiments. For both cards I stamped the bare branch in versafine vintage sepia ink which is waterproof. Even though I was planning to blend the leaves with water I didn’t want the branch to blend or bleed at all.
For the leaves I used Catherine Pooler inks, spruce, shea butter and green tea. I inked a roundish leaf with either shea butter and green tea or green tea and shea butter. I inked the whole leaf in the lighter colour first then rolled the edge of the leaf over the darker colour. I spritzed the stamp lightly then stamped over one of the little twig ends on the branch, gradually filling the branch with round leaves. After stamping each leaf I blended it with a paintbrush and water. I also stamped some second generation leaf images and blended them with water to create very pale leaves.
I dried the panel before adding the berries in CP juniper mist ink and blended them with water also. To finish the design I splattered some green tea and juniper mist inks over the panel but then noticed a leaf vein stamp in the set, designed to go with the round leaf. I didn’t want the veins to dominate the design so I stamped them in green tea and re-stamped without re-inking to get even paler impressions. The last thing I did was add a sentiment from the same set in versafine majestic blue ink.
I decided to use the same technique for my winter branch but didn’t have a red CP ink so I pulled in festive berries distress ink which also blends nicely with water. I chose a longer thinner leaf stamp and inked it with spruce and juniper mist which, when blended made a deep bluey green. Once again I blended with water on the paper after stamping. The darker leaves are all first generation stamping and the others second and third generation. I started, as in the fall card, with a cold pressed watercolour panel splattered with masking fluid. I finished by splattering with juniper mist ink, dried it, then splattered embossing fluid and sprinkled silver powder over the top. My sentiment, from the C&9 Very Merry Sentiments set is stamped in Juniper Mist.
I was so happy with the possibilities of this set and the juicy goodness of the CP inks I almost went on to make the summer and spring cards right away but I do have more pressing projects so I’ll leave that for another day.
Let me know if you’ve found a stamp set that spans the seasons like this one.
Stamps: beautiful branches, very merry sentiments (C&9)
Inks: Catherine Pooler spruce, shea butter, green tea, juniper mist & Versafine vintage sepia, majestic blue & festive berries distress ink
Paper: cold pressed watercolour paper, neenah natural white, red cardstock
Also: emboss it dabber, masking fluid, emboss it dabber, silver embossing powder, cutterpillar crop, cutterpillar glass mat
Happy Thanksgiving to all my Canadian friends. We celebrated both Thanksgiving and my son’s birthday last night as he will be off at the crack of dawn on the actual day to write an exam with another one the next day. Our first Thanksgiving was eighteen years ago after we had been in Canada for seven weeks. After Thanksgiving dinner with a kind and welcoming neighbour we took off for the hospital where our son was born just before midnight! We were reminiscing last night about his sisters coming into our room the next morning to see the new little brother asleep in a basket at the end of the bed! I have so many things to be thankful for including friends who have become like family to us here in Ottawa. Living so far from our family it has been a great blessing to be welcomed into the families of friends.
This subtly coloured card is embossed in silver powder and painted with shimmer paints. Most of the painting was done with Shimmerz sprays; I spritzed a bit of each colour onto my glass mat and picked it up with a paintbrush to fill the leaves and flowers. For some added depth I used bolder colours from my finetec pearlescent watercolour palette. The background is painted with colour from a grey watercolour pencil.
I was happy to find a copper shimmer cardstock in my stash that matched well with the copper highlights from the finetec palette. I matted the panel and added a die-cut sentiment also from Concord & 9th.
Make sure you pop back in tomorrow when I will announce the winners from the gratitude week giveaway I hosted with the Foiled Fox.
In creating this card I didn’t quite follow the directions properly for a turnabout stamp. I didn’t attach my piece of watercolour paper to a 6’x6″ square of cardstock but my piece was close to 6″ so it wasn’t a waste of paper. (It is worthwhile to watch one of the Concord & 9th videos explaining how the turnabout stamps work. You know, if all else fails read the instructions, ha!) I also chose not to ink all the leaves on the turnabout stamp so as to feature the line images more than the solid ones. I inked the line images in versamark, stamped, rotated the watercolour panel and repeated. Once I had oriented the panel in all four directions I embossed all the line leaves in gold powder. I also inked some of the small leaves in forest moss distress ink. I used distress inks pressed onto my glass mat as paint to fill in all the embossed leaves.
As I hadn’t stamped all the images on the turnabout stamp I had a bit of space between leaves so I loosely painted antique linen distress stain around the leaves. I stamped one of the sentiments included in the set on a square of hot pressed watercolour paper, painted some antique linen around it and dragged the edges across a rusty hinge distress ink pad to frame the panel.
Rusty hinge is my current fave distress ink colour. I have been through a few favourites which remain in my top ten. Chipped sapphire is a long time favourite; it is deep blue after all. Spiced marmalade changed my mind about orange; I used to pick it last. Stormy sky is such a beautiful grey blue and gets along with all the colours. Forest moss tends to be the colour of all my leaves; I have to remind myself that leaves come in light green and bright green too. Seedless preserves is the prettiest deep pink around, dark or diluted it’s a winner. What are your favourite ink colours? Let me know; I might have to add to my collection.
I’m so thankful you dropped in today; take care.
Stamps: thankful leaves turnabout stamps
Inks: forest moss, dried marigold, rusty hinge distress inks, versamark
Stain: antique linen distress stain
Paper: hot pressed watercolour, neenah natural white
Tools: cutterpillar glass mat, misti stamping positioner
Also: gold embossing powder, Ken Oliver gold liquid metal