This peaceful scene from Penny Black is called snow blanket and such scenery will be welcome in a month and a half but right now my back yard could aptly be named leaf blanket! I mowed less than a quarter of the leaves yesterday before the rain set in. The leaves have been incredibly vibrant this year; every where I’ve turned has been a treat for the eyes.
As you can imagine the stamp positioner was my friend for this scene, I worked on the tree first, then the fence and finally the background trees. I inked only the large tree to start with; I used a versafine clair nocturne ink for the centre and finished off the extremities with an embossing marker. I embossed in black powder then put the panel back in the corner of the stamp positioner so it would line up again for the rest of the inking. I stamped the whole scene with stormy sky ink so I could see all the elements and add colours over the top. With the tree complete it was time to add a mask for the moon; I used frisket film which is waterproof then I painted the whole sky in stormy sky, weathered wood and chipped sapphire distress stains. Once that was dry I used ground espresso and black soot distress markers to stamp the fence and the same colour inks on my glass mat to paint over the stamping to get solid coverage and blended colour. Painting blue shadows over the snow was a little tricky but the stamped image has lines to show piles of snow on the fence so I used them as my guide and left the snow untouched. Finally I stamped the background trees in forest moss ink.
I decided against a sentiment but can add one on the inside if needed. I’ll be back tomorrow to chat about another Christmas tradition. Thanks for dropping by.
Before we talk about Frosty, I just want to say how much I am enjoying reading about your holiday traditions; thank you for commenting on my gingerbread post to tell me about them. Make sure you visit the Foiled Fox blog this week to read about some more holiday traditions and I will be sharing another tradition on Friday.
Now back to Frosty from the PB ‘Frosty’s Flakes set. I have not created a snowman card in a long, long time but after creating gingerbread on kraft cardstock and poinsettia cards on kraft cardstock (in a recent class) I thought why not try a snowman. I stamped in black this time which looks just as striking on kraft as white does. All the white elements are added with a white gel pen or white pencil.
I coloured the leaves in a green pencil, I used polychromos pencils but I imagine any dark green pencil will do. I did the berries, hat ribbon and scarf in red, nose in orange and hat in black. I was halfway through colouring the hat when I realised I needed a highlight strip to show the curve of the hat. I was able to leave a gap on one section but it looked odd where it didn’t continue across the whole hat. Sand eraser to the rescue! If you don’t have a sand eraser for sanding off little errors you should get one. It worked brilliantly on the coloured pencil but I have also used in on stray bits of ink or paint.
I finished all the pencil colouring without colouring the snowman at all. I decided to try some cross hatching with the white gel pen and I think it does the trick. White coloured pencil would probably work also. I protected Frosty with a post-it and splattered white gesso over the rest of the panel. I stamped a sentiment from the PB ‘thrill of hope’ set and die cut it with a tag die. The stitching around the card panel and tag is hand done with the white gel pen. I added a white pencil drop shadow on the sentiment, popped it up on dimensional tape with some twill tape to co-ordinate.
Making a snow man with the first snow might be a tradition for some but we have learned since coming to Canada that there are many types of snow and not all types are suitable for snowmen! In Australia if we had snow staying on the ground we would make a snowman however small and odd looking! I remember a time when I was a child my family drove up Mt Wellington in Hobart and there was snow at the top; we built a snow man on the bonnet (hood) of our car. It melted or fell off by the time we got back down the mountain.
Here in Canada Thanksgiving is behind us but in the US it is about a month away; Christmas is exactly two months away! With that in mind Shauna, from the Foiled Fox, and I have teamed up to host a ‘Holiday Traditions’ giveaway.
Like me you probably have some Thanksgiving or Christmas traditions, perhaps they were handed down to you or maybe something new you have recently come up with. Either way, we want to hear about them. For the next two weeks you can comment on a holiday tradition post on my blog or the Foiled Fox blog and be entered into a giveaway.
If you haven’t guessed already the first tradition I want to share with you is my gingerbread making tradition. We have been making gingerbread for years. It was not my mother’s Christmas baking tradition, she made yoyos (melting moments), Christmas cake and forcer biscuits (pressed butter cookies). I started making gingerbread when I lived in Australia and the recipe I use is from an Australian chef, Jill Dupleix. Now that we have three people in the family eating gluten free I make gf batches too, usually with a packet mix. I used to mix a gf gingerbread dough but the packet one saves me so much time which I can spend decorating instead. Decorating is the best part, well maybe equal best with eating!
We make stars, hearts, trees, snowflakes, bells, gingerbread men, women and children but we also have a a set of Aussie animal cutters and, would you believe, a ‘gingerdead man’ which cuts out the person shape and then stamps a skeleton impression on the cookie! We have also made gingerbread houses and other structures over the years. If you click over to my other blog you can see gingerbread houses, a church and a tank from years gone by.
Making gingerbread cards was a bit quicker than the edible version. I used Neenah desert storm kraft cardstock and stamped on it in versamark then embossed with bright white opaque embossing powder. To create the snowy hill I cut a post-it note mask and sponged white delicata ink in a hill shape. The delicata was too delicate, not bold enough for a snow hill so I embossed with more white embossing powder.
After completing all the stamping and embossing I blended tea dye distress ink around the edges of the panels to give everything a nice baked not burnt look. Believe me I have burnt plenty of batches over the years!
The last step was a sprinkling of icing sugar aka splatter of white gesso to complete the snowy look. All the stamps are from Penny Black and are linked below along with the other supplies.
Now it’s your turn. I would love to hear about some of your holiday traditions. What do you do for Thanksgiving or Christmas? It doesn’t have to be something you make; it could be a place you visit, a story you read, songs you sing, food you eat. Let me know in the comments and you’ll be entered in the giveaway. Make sure you visit the Foiled Fox blog also as there will be holiday tradition posts on both of our blogs during the next two weeks.
If you are new around here you might not know that I love tree stamps, tree scenes and wintry tree scenes in particular. ‘You can never have too many tree stamps’ are words I live by! So it will come as no surprise to see four different but similar tree cards today. All four are on hot pressed watercolour paper and all had masking fluid splattered on the panels before I began.
To create these first two cards I used the same method, stamping first, spritzing with water second. I stamped the PB ‘winter tree’ stamp in chipped saphpire, shabby shutters and pine needles distress inks then spritzed water generously over the panel so the colours bled into each other. Any where the ink and water was pooling too much I dabbed away with a paper towel. Once the panel was dry I stamped PB fragile branches around the edges to so it appeared that we were looking through to a clearing.
I used the same method for this card but used iced spruce, stormy sky and forest moss distress ink before spritzing with water. After the panel had dried a little but not totally I stamped a foreground tree in forest moss (or maybe a different ink, I’m not sure). After the panel was completely dry I added the fragile branches in black archival ink and in a stamp positioner so I could stamp a few times for a bold impression.
For these last two cards I used the same stamps but switched to a magic ink! Yes, it’s truly a magic ink; on the two cards below I used only one ink (other than the black for sentiment and fragile branches.) The dark green, pale blue, olive green and brown tones all come from the magic ‘northern pine’ memento ink from Tsukineko.
On the panel above I stamped the trees repeatedly in northern pine getting first, second and third generation images then I spritzed the panel so the ink would separate and bleed into the rest of the panel.
On the panel below I wet the panel first and then stamped the trees in northern pine memento ink. The result is blurrier images but beautiful blends of green, brown and blue.
Once the panel above was dry I stamped the tree again in northern pine ink in the right hand corner. One ink, one magic ink!
Once all the panels were totally dry I rubbed off the masking fluid to reveal the snow falling, you can use your fingers or an adhesive eraser. I added the sentiments from PB sets (linked below) in black archival ink.
Thanks for dropping by; make sure you come back tomorrow to see what the Foiled Fox and I have dreamed up for you.
If you haven’t seen the incredible artistry of Peet Roeven you need to click over to her blog right now. Her attention to detail and precise fussy cutting is impressive. My card today is inspired by a recent card of Peet’s, mine is nowhere near as detailed as hers but I was able to show off this pretty ‘winter garden’ stamp in a circular setting just as she did. I never think of doing circle cards but the stamp is circular so it does make sense and Peet’s beautiful card nudged me to give it a try.
I worked on Koh-I-Noor Bristol Smooth Bright White Paper and embossed the image in platinum embossing powder. I was keen to see how the Zig clean color real brush pens worked on bristol as many artists prefer bristol to watercolour paper for the zig pens. The results were very pleasing the pens blend beautifully on bristol. I wanted pale pink flowers and tried light pink and tea rose then ended up using both for a blend from the slightly bolder pink to the paler tea rose. The berries I coloured with wine red, the rounded leaves with light green and the holly leaves with a blend of wine red and light green. I used brown for the pine cones and blended it with water for variation in depth. The needle leaves are olive green. The zig pens are very highly pigmented so a little goes a long way. I was able to colour the elements on the panel by applying a small about of ink then blending it to fill the space with a wet brush.
I die cut the image with a large circle die, used the next size up for the pale pink mat and the next size for two circles to form the card base. The back of the card base has a score line less than a centimeter (half inch) from the top so the card can be opened without the patterned panel having to bend at all. I also cut a very small margin off the bottom of the back panel so the card would stand upright on a small flat section. I embossed the sentiment from PB ‘Christmas Sentiments’ set, matted it then die cut with a circle die so it would line up with my circle panels.
What is the most unusual shape you have used for a card? I have to admit it is just about always rectangles and squares for me.
Let me introduce you to ‘ruby trill’ a cardinal stamp from PB; isn’t he a beauty? I wasn’t sure about my colour choices when I started painting these holly leaves but by the time I had finished the whole panel everything seemed to work together. I kept my colour range small as I often do. First I stamped the bird and branch with antique linen so I could do some no-line watercolour. Before painting I stamped some of the leaves with pine needles distress ink so that I could blend the green ink with water as well as add extra if needed. I worked one leaf at a time and also dropped in some blueprint sketch ink for added depth. This is where I doubted my choice; the blueprint sketch looked too blue and I wondered if I should start again. I decided to keep going and painted the berries in candy apple distress ink and the branch in gathered twigs.
It wasn’t until I started painting the cardinal that the colours looked like they would work. I used the same candy apple distress ink to paint the cardinal but added shadows with the blueprint sketch and the gathered twigs inks. I know I keep saying this but the limited palette really does work! I added the brown on the tail and behind the wing and blue along the back and crest. As I had kept the stamp and watercolour panel in the stamp positioner I was able to ink the black area around the eye and stamp it before blending it with water and extra ink.
I had reference photos of cardinals on hand to check the colour of the legs and beak. Once all the painting had dried I re-stamped the body of the cardinal in candied apple to darken the details on the back and wings. At this point I had to decide whether I was adding a background or not. In the past I’ve ruined several focal images by adding a background around them. I decided I wanted a grey snowy look so I painted around holly with water and dropped in weathered wood distress stain as I went along. It was fiddly getting in and around the legs and leaves but it’s a loose cloudy look so no fussing about precision. While the background was still wet I inked just a few holly leaves and berries and pressed them onto the wet panel in a few places to look soft and shadowy. I dried everything before splattering some white paint over the whole panel and some black soot in the corners. Even though the mats look black in the photo they are actually teal and the little patterned strip behind is a PB snowflake paper in just the right grey/green colour.
Before I begin to chatter on about today’s card I want to thank all of you who left a comment under my Thanksgiving post. It was so lovely to hear from you; I really enjoyed your messages.
As I mentioned the other day every year I create new snowy forest scenes, often then include starry skies or the northern lights. This first card features a very easy way to make a ‘northern lights’ background for die cut trees, houses, reindeer, etc.
I picked three distress inks, the originals not the oxides but you could use the oxides for a slightly different look. I rubbed a cracked pistachio mini inkpad across a third of the hot pressed watercolour panel, then a blueprint sketch mini across another third (with some overlap) and finally a chipped sapphire mini across the remaining area. The panel looked like it had been roughly shaded with crayons or pencils. I then spritzed the whole panel so the colours would move and blend and used a paintbrush in a couple of places so the coverage was complete. I left the panel to dry leaning against a bottle so the ink drained down in patterns to give the look of the northern lights. The funky trees are cut using ‘peaceful forest’ dies from Ink to Paper. The snow banks I cut from a piece of cardstock with a craft knife in one continuous curvy stroke. I cut my curve with equal amounts of cardstock on each side so I could layer them and have a foreground and background snowy hill.
On the second card I began the same way and created my tricolour panel then die cut five trees from it and a little round moon. Once again I cut the hills by hand with a craft knife then layered them before tucking in the little trees all around.
Pretty easy-peasy wouldn’t you say. Just pick a few distress colours that would blend nicely, swipe them across your panel and add water!
The cute little sentiments are also from ‘Ink to Paper’ and there is a stamp set that co-ordinates with the tree dies but you will have to wait for another day to see that.