Would you believe some new tree stamps join my collection? You can never have too many! These two artistic silhouettes are not two halves of the same tree as you might first think but two separate stamps by Penny Black which come in a set of three, Snowy Village, including a little village stamp that would look cute in the distance between the two trees. My scene leans a little more to the whimsical side of things with a multicoloured starlit landscape.
I started by splattering masking fluid over a piece of hot pressed watercolour paper. When it was dry I used a stamp positioning tool to stamp the two large trees on either side of the panel. The stamp positioner made it possible to stamp several times with versafine onyx black ink so I had completely black images. Once the ink dried I began painting with a range of Ken Oliver’s colorburst powders. I tapped a tiny bit out of a bunch of bottles into a palette then added a drop of water when I was ready to use that colour. I began by painting a section of water in the middle of the panel which stayed fairly light as I added colour above and below. I used mainly blues and pinks above the horizon with a spot of yellow here and there. Below the horizon I added more green and painted some hard edges to suggest gullies and rises. I let the panel dry a bit but not completely before I stamped a strip of distant trees in memento northern pine ink. The strip of trees is from another new PB set, Peaceful winter. As the panel was still damp the background trees softened and bled into the surrounding area.
To finish the scene I splattered water then soaked it up again with a paper towel to get some ghostly dots then splattered a bit of black over the base area. It was tricky deciding whether to mat or not but I ended up popping it up over a white card base.
My inspiration for this bright scene was a painting I saw on Pinterest; you can see the artist’s work here.
Stamps: Snowy Village, Peaceful winter (made by Penny Black)
Inks: versafine onyx black, memento northern pine (made by Tsukineko)
Paint: Colorburst ultramarine blue, indigo, cerulean blue, tangerine, terre verte, pthalo green, chartreuse, burnt sienna, fuchsia
Papers: Neenah solar white 110lb, Fabriano hot pressed watercolour paper, white textured cardstock
Also: Pebeo drawing gum
It is nice to be back with my family in Canada, back in my workroom and back on my blog. Before I talk about today’s card, however, I would like to thank you, my blog readers for the outpouring of kindness I received in the comment section last month when I let you know my mother had died. I read every message; my dad did also and we deeply appreciate the time you took and the words you wrote to me and my family. I am grateful for your prayers, your thoughts and your words of understanding. Many of you shared that you have been through the same sadness. All you of you wrote to me with such kindness and concern that I feel very blessed to be part of such a caring community. I waited until I returned home to respond as I wanted to make a thank you card to post here on the blog along with my heartfelt thanks. I’m sorry it isn’t a real life card turning up in your mail box but it is made especially for you all the same. I recognised many names but there were many others who commented for the first time just to extend their sympathy to me; thank you all for taking the time. My father left his thanks to you, my blog readers, in a comment on that post; it is towards the end of the comments section if you care to pop back and read it.
While I was in Australia I enjoyed some warm weather extending my summer by a few weeks. When I returned to Canada I was surprised to find many trees with leaves still changing colour and a yard full of leaves still to be collected. My first full day back was delightfully warm – sandals weather actually – but that seems to be over now; the temperatures have fallen along with a whole lot of rain! My card is inspired by the season here at home and stamped with Darkroom Door stamps. I used a leaf from the Leaves set and the woodgrain background stamp.
I stamped the leaf three times on hot pressed watercolour paper without re-inking in between, that way I was able to get a dark red, medium and a pale red impression (inks listed below). I stamped the leaf on post-it notes also and cut them out to use as masks. With masks in place I inked the woodgrain stamp in three shades of brown and stamped over the leaves. With all the stamping done I switched to painting using a small watercolour brush and some water to blend the distress inks. As I blended I sprinkled some brusho into the leaves and later onto the woodgrain to add some extra shades of colour and appearance of texture.
The panel is matted with two different browns and the sentiment stamped then embossed with platinum embossing powder. Its the first time I’ve used platinum and it seems to have co-ordinated well with the brown tones. I hope its one of those magical tones that looks good with a whole range of colours. I finished off the panel by wrapping some vintage French twine around then attached it all to a natural cardbase.
Thank you, again for your kindness; I read through your comments again as I wrote this post and I’m sure will I return to them in the future.
Stamps: Leaves, Woodgrain, Thank you (made by Darkroom Door)
Distress Inks: frayed burlap, fired brick, antique linen, vintage photo (made by Ranger)
Paint: brusho sandstone & light brown
Papers: Neenah natural white 110lb, Fabriano hot pressed watercolour paper, brown toned cardstock
Also: versamark ink pad, WOW metallic platinum superfine embossing powder
Watercolour pencil: Faber Castell Albrecht Durer raw umber
I am happy to finally have a video tutorial to share with you today. It’s been a while I know. This one I created for Splitcoaststampers “Falliday Fest”.
The card designs are very simple, the intricacy is in the patterns the alcohol ink makes.
I included several different methods of making alcohol ink patterns and also a few ideas for making the patterned panels into cards by die cutting circles to turn into baubles or snow globes. Method one involved blending alcohol inks on a non-stick craft sheet then swiping a piece of yupo paper through the ink to create a pattern. In method two I used a felt applicator with dots of alcohol ink on it to apply ink to the yupo paper. Method three was alcohol ink applied directly to the yupo paper. You can see all three methods in detail on my video tutorial below.
This post includes affiliate links to The Foiled Fox online store. At no extra cost to you I will receive a commission if you make a purchase after clicking a link to The Foiled Fox from this blog. The affiliate links are a new feature on my blog. I have been working with The Foiled Fox for quite a while now and I can recommend their store wholeheartedly. They have an extensive range of art and craft products and prompt and helpful service (also lovely packaging!)
Stamps: holiday snippets (Penny Black)
Dies: baubles, tall trees, nature’s creatures, inspired, trees and hills (all Penny Black), circle dies
Inks: stream, pool, stonewashed, shell pink, cloudy blue, denim, silver, snow cap, eggplant, lemonade alcohol inks (made by Ranger) majestic blue versafine ink & deep lagoon versafine ink
Paper: yupo paper, neenah solar white paper
Also: silver cord
My dear mother passed away earlier this week and I am now in Australia with my family. She died peacefully with my father and brother by her side. My mother was a faithful, loving, wonderful wife, mother, sister, Nanna and friend. She is now in the presence of Jesus, her saviour whom she loved and trusted throughout her 82 years. I am so blessed to have had such a loving, prayerful, unselfish role model and friend.
Sometimes when I am planning classes or just trying new stamps or techniques I end up with a pile of ‘experiments’ which were not what I had hoped for but were still worth saving. They often go into the ‘pile of possibility’ to be used later. From time to time the ‘pile’ gets so big I have to throw some experiments away because I know I will never actually choose to do anything with them. Today’s cards were made from panels stamped with the ‘peaceful moments’ stamp.
This thank you card was created by stamping the peaceful moments stamp over a brusho background. I sprinkled brusho on a craft mat, spritzed and swiped my watercolour paper through it. I matted and stamped the sentiment three times in a co-ordinating colour.
The order for the just because card was a little different because I needed the image stamped first before I could paint the background. I stamped in versafine onyx black ink then painted a ‘V’ of yellow, a strip of pale blue then topped that with a darker blue. Once that was dry I painted grey hills below the sky. I matted in yellow then embossed a sentiment on a thin strip of cardstock to wrap around the panel. For added texture I attached some branch die cuts to the card base.
I used the embossed offset technique (described here)to create the thinking of you card then painted hills in blueprint sketch distress stain across the background, some were diluted and blended others I kept an hard edge and strong colour.
I hope these few cards give you a few ideas for working with silhouette stamps.
Stamps: peaceful moment, snippets
Dies: winter branch
Inks: versafine onyx black, versamark, danube blue memento ink (tsukineko) scattered straw, tumbled glass, weathered wood, black soot, blueprint sketch distress stains (ranger)
Paper: hot pressed watercolour paper
Also: white embossing powder, clear embossing powder
I have yet more snow on the blog today with this wintry berry branch over a snow dusted sentiment. The look is a little vintage again but with muted colours rather than lots of brown. I have some old Christmas cards of my mothers tucked away somewhere I should pull them out because this look reminds me of some of them.
I began with a splattering of masking fluid over a piece of hot pressed watercolour paper. Once dry, I positioned the panel in a stamp positioning tool and stamped the ‘tree & greeting stamp’ from ‘A Festive Season’ set in memento northern pine ink. I removed the panel from stamp positioner but left the stamp in place. In the top left corner I stuck a circle of frisket film to mask a moon shape then painted over the whole panel with water. Colour bled out of the northern pine ink and started filling the panel; I added faded jeans distress stain so I could cover the whole piece with diluted blue/green colour. Once the panel was dry I removed the mask and placed the panel back in the stamp positioner away from the ‘tree & greeting’ stamp so I could place the ‘berry speckled’ stamp to overlap some of the moon. I inked and stamped one colour at a time with the following markers: berries – candied apple distress marker, needles – northern pine memento marker, and branch & twigs – espresso truffle and rich cocoa memento markers.To soften the look of the branch I spritzed it and let some colour bleed into the surrounding area. When dry I added shadows on the berries with the bullet tip of the candied apple marker.
To finish the card I trimmed the panel, added a sentiment in black and attached to natural coloured card base.