Circle sky

Today’s card is a bit of an experimental piece. I don’t think I would do it quite the same next time but it turned out ok. I used a stamp positioning tool so I could stamp inside my circle mask and outside my circle mask with different colour schemes. I die cut a circle from frisket film (a removable adhesive backed plastic film) and used both the positive and negative pieces for this card. I positioned the negative piece first on hot pressed watercolour paper then stamped the tree stamp from the PB ‘snow covered’ set in forest moss and chipped sapphire ink. I blended the forest moss ink to fill the tree shapes and the chipped sapphire to colour the snow banks then painted the sky with diluted chipped sapphire ink. I dried the painted area then placed the circle mask over the stamping and removed the negative mask. With the painted section covered I inked the stamp in versafine onyx black ink and stamped the rest of the scene. Basically what was inside the circle was in colour, outside the circle was black, white and grey.

I added a sentiment then popped up the panel with some foam.


Stamps: snow covered, happy snippets

Ink: versafine onyx black, forest moss distress, chipped sapphire distress

Hot pressed watercolour paper

Also:  foam, frisket film


Polar bears

I stamped and embossed four panels of this Penny Black mosaic background recently for a project you’ll see in a few days but then I got another idea and painted over one. When I started painting it I totally forgot that I had not stamped it on watercolour paper but neenah solar white cardstock. I dabbed it dry fairly quickly and although it curled the surface of the paper, it did not end up looking pilled or damaged.

Even though the ‘sky’ is very patterned I still think it gives the impression of northern lights for this little family of bears to wander under. The polar bears die from Penny Black cuts only at the top so the bears appear to be walking across the snow.

Even though I initially did not plan to do watercolour with this panel I did and it meets the challenge at CAS watercolor this month. As always there is tons of beauty to be found if you check out the team samples and challenge entries.


Stamp: mosaic pattern

Die: polar bears

Versamark ink & clear embossing powder


Berry bramble


Sometimes it is fun to rediscover and incorporate some techniques you haven’t used for a while. I love to splatter masking fluid over watercolour paper to create the look of falling snow but sometimes I don’t think about it in advance or just don’t want to wait long enough for the masking fluid to dry. Salt to the rescue! While salt does not create bright white dots it does make lighter areas and pretty patterns that look a little like snow or fairy lights.

You can see some pale pink and brown pattern in the background of the scene; to create this I wet the whole panel, inked the stamp with festive berries and ground espresso distress markers and stamped it onto the damp paper. I dabbed at the inky impression immediately with a paper towel so I would have soft shapes that would not overpower the foreground image.After drying the panel completely I put it in my stamping platform for all the berry work. First I inked and stamped the whole stamp with festive berries distress ink.

Next I switched to markers and added shading to the berries and darker colours to the twigs and calyx. (yes, of course I had to look that up!) I used barn door and aged mahogany to add depth and shadow to the berries. I used chipped sapphire and ground espresso to darken the stems and calyx. After I had added colour I used a small paint brush and water to blend the stamped colour.  Once the panel dried I embossed the berries with versamark and clear powder which gave them a frosty, shiny look. The embossing made them waterproof so I was able to add weathered wood stain to the panel without diluting the berries. I kept the stain dark on the left and diluted it with water on the right then sprinkled salt to created the speckled effect. I decided not to add a sentiment yet as I think this one might be a winter birthday card not a Christmas card. I popped up the whole panel on some foam and added it to a natural white card base.


Stamps: berry bramble

Inks: festive berries distress ink, versamark

Distress markers: barn door, chipped sapphire, aged mahogany, ground espresso

Distress stain: stormy sky

Hot pressed watercolour paper

Also: Tonic stamping platform, WOW clear gloss superfine embossing powder, salt

Fine baubles

Today I have three pretty baubles out of the ‘Fine Baubles’ set  from Darkroom Door. I stamped them on hot pressed watercolour paper in versamark and drew a cord from the top of each one with an embossing pen. I embossed in gold powder then coloured with zig clean color real brush markers. The ink in these markers is so vibrant you need very little on your paper; it is possible to blend it easily with water, or as I did, with a clear wink of stella marker for some sparkle. I used blue, turquoise and green markers for each bauble.

After colouring and blending the baubles I roughly coloured the background with a yellow and an olive green marker. I didn’t need to cover the whole area, rough shading with plenty of gaps was enough. I blended the shading with water to fill the whole background then sprinkled salt over the wet ink to create patterns.

To finish off the card I matched the blue of the baubles with a narrow blue mat and attached to a white card base. I think I’ll be pulling out my tree and baubles any day now.


Stamps: Fine baubles (Darkroom Door)

Ink: versamark, versamarker

Paper: hot pressed watercolour, neenah solar white, blue card

Markers: zig clean color real brush markers, clear wink of stella

Also: WOW metallic gold rich embossing powder, salt

Journey home

I pulled out of few old favourites for this card, both stamps and techniques. I began by tearing a post-it note mask and positioning it across the bottom of the watercolour paper panel. I then stamped the large tree in onyx black versafine overlapping the mask at the bottom and the boy and sled also in onyx black just above the mask (the stamps and supplies are all listed below). I cut a circle from frisket film and placed it firmly over the tree branches then painted water across the panel from left to right where the sky would be.

I sprinkled yellow brusho sparingly into the water and blended it to create a ‘glow’ in the sky. Above and below the yellow I painted blue brusho then, while it was still wet, stamped trees in memento Danube blue ink. As the background was damp the impressions have soft blended edges. I mixed a little blue brusho with water on a palette then painted a line of blue below  the stamped boy to create a shadowy area where he was walking. I used water to dilute the colour as I extended the colour up towards the horizon. I added more blue below the boy and the tree and diluted that with water.

To create the shadow of the boy and his sled I inked the stamp with memento Danube blue and stamped it onto an acrylic block. I stamped the block into the damp watercolour paper where it created a blurred mirror image. I painted straight shadow for the tree also in Danube blue ink. When the ink and paint were dry I removed the moon mask and attached the panel to a natural white card base.


Stamps: spread cheer, nature’s friends, joy to all

Inks: versafine majestic blue, memento Danube blue ink

Brusho paints: lemon, cobalt blue

Hot pressed watercolor paper

Also: stamping platform, frisket film, post-it note

Frozen field

I have another frosty winter scene to share today, and of the three I’ve shared this week, this one might be my favourite. The reason is that the scenery round here sometimes looks like this in winter. I will admit the moon is rarely that big but when freezing rain creates a layer of ice on top of snow the fields look very shiny and reflective.

As with the previous two projects I used hot pressed watercolour paper. I placed the panel in my stamp positioner 1mm from the top edge then stamped the ‘restful’ stamp in versamark ink. Next I moved the panel up so it was flush against the top edge of the stamp positioner and stamped the tree in versafine onyx black and the rest of the stamp in versafine smokey grey. I then embossed the panel in clear powder. By moving the panel just 1mm up between the two impressions I was able to create the look of snow on top of the branches and fences and uneven ground.

I decided to go for a super moon so I die cut a large circle from frisket film then sliced off a section to create a straight edge. I pressed it down firmly above the horizon. This time I used brusho to add colour to my scene but filled the sky area first with water then sprinkled prussian blue, dark brown and just a touch of yellow onto the damp paper. I tilted the paper or used a paintbrush to guide the colours to where I wanted them then let it dry completely.

I used same method and colours below the horizon but kept them more diluted especially in the area below the moon. Once that was dry I removed the mask and added diluted blue paint to the moon. I almost didn’t add a sentiment but I ended up using two little stamps from ‘festive snippets’embossed in white powder. To finish I added stars with white gel pen then attached the panel to a white card base. If you are a local you might see why this reminds me of the farmer’s fields along Fallowfield…


Stamps: restful, festive snippets

versafine onyx black, versafine smokey grey

Uniball signo white gel pen

Hot pressed watercolour paper, neenah solar white cardstock

Brusho paint: prussian blue, dark brown, yellow
Also: clear embossing powder, white embossing powder, frisket film

Snowy Village

The second of my winter landscapes this week combines two outline stamps, the little village in the background is from the ‘snowy village set’ and the trees and fence stamp is from the ‘snow covered’ set. I stamped both stamps in versafine onyx black ink onto hot pressed watercolour paper. To make sure the two stamps created a cohesive scene I extended some of the snow bank lines with a black embossing pen both to the right of the village and to the left behind the trees then added some mountains in the background. I embossed all the stamping and pen work with clear embossing powder.

To add colour to scene I used the ‘wet into wet’ technique, painting water first into sky area filling all the space above the mountain tops. I worked with peerless watercolours to next add blue paint, then purple and grey to the wet area gradually filling the sky with colour. One by one I painted water into each hill shape then added blue and purple paint from the bottom blending to pale at the top of each hill. I did the same on all the snow banks.

To colour the trees I also painted water over them and added small amounts of green paint while preserving some areas as white. I used grey and red paint to fill the buildings taking care to keeping the snowy roofs white or with minimal grey shading. I splattered white gesso over the sky using a small brush and a toothpick then attached the panel to a white card base.

As the sky filled almost half the panel I decided to create a large sparkly sentiment. I cut the ‘peace’ die from white cardstock three times and embossed one with clear sparkle embossing powder. I added glue to the back of each die cut and stacked them on top of each other. I have found the easiest way to get them to line up is to squeeze the layers together from above with a pair of tweezers. It is a quite large card so I did a side fold rather than my usual top fold.


Stamps: snowy village, snow covered

Die: peace

Inks: versafine onyx black, black embossing marker

Paint: Peerless transparent watercolors, white gesso

Paper: neenah solar white cardstock, arches hot pressed watercolour paper

Also: WOW clear sparkle embossing powder, clear gloss embossing powder