Yes, I’ve got more flowers to share today from the new Penny Black release, ‘Nature’s Art‘. This one is a large rubber cling outline stamp. I decided to try a combination I’ve heard about numerous times but never attempted: zig clean color real brush pens on bristol paper. I work on watercolour paper a lot of the time as you know but I’ve heard that blending the zig pens is easier on bristol. Well, it is. I embossed the image with clear powder on bristol paper then used five different colours to fill in the flowers and leaves. I started with purple pen at one end of each petal and tea rose at the other end (in this case the end closest to the centre of the flower). I blended the two colours together with a damp brush then added orange dots down the centre of the petals. I added a small amount of brown to the centre of the flower also.
I coloured the leaves in green then added brown here and there before blending with a damp brush.
As a finishing touch I die cut the ‘scrolls half edger’ decorative piece out of purple cardstock which had double sided adhesive on the back. I matted the panel in the same purple then snipped pieces of the die-cut to lay over the base of the panel.
I’m looking forward to seeing irises pop up in my snow-free garden before too long; there is no snow on it now!
Stamps: summer glow 40-610 (PB)
Die: scrolls half edger 51-446
Markers: zig clean colour real brush pens (tea rose, brown, green, violet, orange)
Paper: bristol, neenah solar white, purple
Also: clear embossing powder, double sided adhesive sheet
Today I am featuring the new brushstroke stamp, ‘ravishing’. I have chosen to colour it with distress inks and markers in a couple of my favourite colours. Once again I worked in a stamp positioner so I could add one colour at a time. First I inked the petals of ‘ravishing’ stamp with tumbled glass distress ink and stamped. Next I added dusty concord ink to parts of the petals, spritzed them then stamped. The centre I inked with a mustard seed distress marker, spritzed and stamped then finally added some black details on the stamp with a black soot marker. Once all the ink dried I drew some more details on the panel with the black soot marker.
For a sentiment I die-cut ‘fantastic’ twice from purple cardstock backed with double sided adhesive. I stacked the die cuts together and attached them over the stem. I pulled out an older but very handy set called ‘word express’ and stamped a few words in black ink on watercolor paper. I popped them up with adhesive to create an encouraging message for a mother I know.
I cut the floral panel to exactly the size of my card base so it appears to be almost a one layer card.
Stamps: ravishing 40-589 (PB), word express 30-106
Die: fantastic thank you 51-427 (PB)
Paper: hot pressed watercolour, purple cardstock
Ink: nocturne versafine clair
Distress inks & markers: mowed lawn & forest moss inks, tumbled glass, dusty concord, black soot and mustard seed markers
Also: double sided adhesive sheets, foam adhesive, stamping platform
There are an unusual amount of processes involved in today’s card and I will say there are definitely ways to cut corners and get the same effect. It’s a bit like my approach to cooking; if I look at a recipe and the list of ingredients is more than 10, I’m reluctant, if there are multiple processes then I’m not interested! I’m very much a fan of the ‘one pot dinner’. My husband, on the other hand, will create all manner of elements from scratch before even starting the main recipe.
In the case of this card you might happen to have some black and white chevron cardstock to add to the card front. I did not, so I made my own with the Penny Black zigs & zags stencil. My chevron does have the bonus features of texture and shine. I taped my stencil on watercolour paper ( the same type I used for the floral panel) and spread transfer gel over it. I let that dry then lay black foil over it and ran it through the minc. I also ran some adhesive tape over a strip of cardstock and added black foil to that too so I would have a bold strip to position between the chevron and flower panels.
To create my bright and breezy flower panel I put the Penny Black ‘flower field’ stamp in my stamping platform and worked one colour at a time with zig clean color real brush pens. (I remember last time I posted about these pens I hinted that I might just need a few more colours. When I was in Toronto a couple of weeks back I picked up a few more.) I coloured directly onto the flowers with the pens and was able to add colour over colour as the brush tips are easy to clean off by drawing on a piece of scrap paper. I did spritz the stamp a little before stamping on the hot pressed watercolour paper so the images would be soft and blended. I added some black to the centres while the panel was still damp but dried it before adding fine details with a pigma micron pen.
My little sentiment strip is embossed white on black to tie in with the zigs & zags.
Thank you for dropping in.
Stamps: flower field 40-594, radiant 30-481
Stencil: zigs & zags (PB)
Markers: kuretake zig clean color real brush pens (violet, pink, olive green, carmine red, green, yellow, black), black pigma micron .01
Paper: hot pressed watercolour, natural white, black
Also: transfer gel, black foil, white opaque embossing powder
Tools: minc, stamping platform
I am sharing floral cards this week here and on the Penny Black blog. This particular one makes me happy. It took me an age to complete but I think it’s bright and sunny. I’ve been wanting to create a card where the design continues across the back and front; my next challenge is one where the design covers back, front and inside!
I used the large floral stamp from the transparent set ‘radiant’; it’s part of the new Nature’s Art release from Penny Black. I used my stamping platform and antique linen ink to stamp three prints across the panel. I wanted them to fit nicely together but not look like a repeat pattern so I changed the direction each time. If I had been really diligent I would have masked the first before I stamped the next but I just let them overlap a little. When it came to adding colour I decided which petals or leaves would be in front and painted accordingly. You can’t tell now can you?
I used quite a few colours but I mixed and matched a bit. Basically I chose a yellow and orange for the large flowers, a peach and a pink for the medium flowers then did some smaller flowers with the orange and the pink (not new colours) I added a purple to the mix but shaded with the pink used earlier. On each flower I painted the lighter colour first then dropped in some of the darker one where I wanted shadow. I painted half the leaves with green and the other half with blue green then added shading to all with a darker green. When the same colour pops up in a few different mixes on your design it keeps things cohesive and visually appealing. Once all the painting was completed I used coloured pencils here and there to darken shadows and add more definition
The set includes solid centres in two sizes for the flowers so I stamped them in black and created my die cut stacked sentiment in black also. And I almost forgot to mention I stamped and painted a couple of flowers inside too.
I’ll be back with more bright and breezy florals tomorrow.
Stamps: radiant 30-481 (PB)
Die: congratulation 51-439 (PB)
Inks: antique linen distress ink, nocturne versafine clair
Paint: Peerless watercolours
Paper: hot pressed watercolour, neenah black
Pencils: Faber-Castell polychromos pencils
I have a couple more shimmery leafy cards to share today. I created these with leaf stamps from Darkroom Door and Shimmerz spray paints. The panel started out as a square that I intended to turn into a large square card but when it was complete I decided to slice it up!
I began by stamping the two smallest leaf stamps from the Darkroom Door ‘fine leaves’ set in gold ink on hot pressed watercolour paper. I stamped in gold so I could see where I had stamped, versamark makes it tricky to do that. After I had filled three quarters of the panel I embossed with gold powder and started spritzing the panel with heliotrope shimmerz spritz spray. Can I point out right how that heliotrope’s full name is ‘Walking a Tight Heliotrope’ Shimmerz Spritz Spray! I also spritzed with Bamboo Leaf shimmerz spritz spray and let them blend and pretty much flood the panel. I dried it before adding more spray a couple of times then splattered some droplets over the dried panel.
I wanted the leaves to stand out just a tiny bit more so I used a dark blue and an olive green pencil to shade around each leaf so they appear to be lifting slightly off the paper. Once I’d decided to create two cards I matted both panels in gold shimmer cardstock and added embossed sentiments.
The chipped sapphire ink was exactly what I needed for the little sentiment above so I stamped in versamark first then over the top with chipped sapphire which made it possible to emboss in clear powder and get a blue sentiment.
Stamps: fine leaves (DD), all occasions (DD)
Ink: versamark, chipped sapphire, encore gold
Shimmerz Sprays: Walkin’ on a tight Heliotrope, Bamboo Leaf
Paper: hot pressed watercolour paper, neenah natural white, gold shimmer cardstock
Also: WOW gold metallic rich embossing powder, Faber Castell polychromos pencils
It’s all about experimentation on the blog today. I have some new inky products and some freshly cut stamps. The Foiled Fox team was kind enough to send me some Shimmerz sprays to play with so I teamed them up with the emboss resist techniques and the fine leaves stamps from Darkroom Door.
To make the panel above I embossed the leaves in gunmetal embossing powder; it’s a new one from Ranger which is not as shiny as silver but shinier that just grey. I like it. I sprayed some shimmerz sprays on my craft mat and swiped the embossed panel through it to pick up colour. I dried it then repeated with a couple of different colours which built up some variety and depth around the leaves. I wanted the leaves to be more prominent so I picked up shimmerz blue and yellow with a paint brush and painted inside some of the leaves. The spritzed background was also done with shimmerz, just heliotrope and blue.
I found a scrap of light blue cardstock to mat the panel then added all the layers to a natural white card base.
The sprays are quite strongly pigmented but the colours dry with a softness to them. As I was creating these panels I was wiping excess spray onto a couple of journal pages to build up some background colour. I’m excited to try a few more colours and techniques.
My second panel was completed in a similar way but I added way more shimmerz spray both by swiping off my craft mat and spraying directly on the embossed panel. The leaves and sentiment are embossed with white powder this time.
It’s a shame you can’t see how pretty the shimmer is on the painted panel and also the gold shimmer cardstock I used to mat it. I love the way embossing catches colour in confined spaces making that one central leaf a mix of dark blue, light blue, yellow and green
As you can probably imagine I did more experimenting, so I’ll be back with a few more ideas later in the week.
I have ‘Butterflies – Two Ways’ to serve up to you today. The butterflies in the both cards are from the Darkroom Door set, ‘Butterflies’. As the stamps from Darkroom Door arrive uncut I decided to stamp the whole sheet of butterflies a few times before I cut it into thirteen separate butterflies. I stamped it in versamark then embossed in clear powder on watercolour paper to make this card.
All the colour for this emboss resist design is from my beloved brusho paints. I mixed them in a palette rather than sprinkle and spritz and built up the colour with several layers. Working with prussian blue, yellow, rose red and orange brusho I was able to create some bold contrasts between the primary colours as well as with the white embossing. After completing the painting I dropped some water over the panel, let it sit then dabbed it up with a paper towel. The result is pale odd shaped watermarks. I also splattered some white gesso over the panel to break up the background colour a bit.
To finish the card I popped up a blue banner with a white embossed sentiment from the ‘Thank You’ set.
Then I went all minimal for my second card made once the set was cut into individual stamps. I have seen similar paintings and cards all over pinterest featuring three watercolour butterflies in a vertical arrangement. I decided to use zig clean color real brush pens to create the watercolour effect. The pens are pretty juicy so I had no trouble applying enough colour to blend nicely on the stamps and panel.
I limited my choice to light green, cobalt blue, blue and olive green, however as I write this post and look at the finished card I wonder if I actually used the light green. If I did I think it got overwhelmed by the darker colours. I applied the ink directly to the stamps, spritzed and stamped. That is it. I wanted the blending to occur on the stamp rather than spritzing the watercolour panel after stamping so the butterflies would keep their clean edges. I debated blending inside the butterflies but the white space in the wings looked pretty so I told myself I don’t need to blend everything.
I trimmed the panel so it was ¼” smaller than the card base and once again added an embossed sentiment on a popped up banner.
Which do you prefer, colour & paint everywhere or a simple neat little butterfly trio?
Paint: brusho prussian blue, yellow, rose red, orange (bold card)
Markers: light green, cobalt blue, blue, olive green Kuretake Zig clean color real brush markers (CAS card)
Paper: hot pressed watercolour paper, dark blue cardstock, green cardstock
Also: white ep, dimensional tape, MISTI