I have some happy flowers to share today. I stamped them with distress stains for a loose watercolour look.
Using a yellow and an orange stain I inked the petals and stamped one flower at a time. To overlap the flowers so that one appeared in front of the other I wiped stain off parts of the stamp before stamping next to the previous image. While the stain was still a little damp on the paper I inked only the centres of the flowers in brown and the stems in green then stamped over the yellow and orange. That way I was able to get soft blends but not lose too much definition.
You can see in my two examples I have varied the amount of colour and the amount of time between adding colours. When all the stain was dry I added some splatter around and over the flowers.
I added framed one panel with some orange cardstock and left the other filling the whole card base.
I think they are rather cheery.
This card was inspired by one included in my August class; that one was more of a lakeside silhouette where this one is a little less rustic. I began with a piece of watercolour paper splattered with masking fluid. Once it was dry I taped it down to prevent warping and painted the whole panel with distress stains. I wanted the sky to look star-filled but it could just as easily be snow-filled. I die cut birches and a picket fence and then a sad thing happened. My die cutting machine sits on top of a cube storage cabinet which is quite good because I don’t have to bend to use it and it makes me get up from my work table and move around. The cube storage cabinet houses a lot of my supplies and sits flush against the wall. Apparently not so flush that a die can’t fall down behind it. So let me just say you won’t be seeing those birch trees on a card any time soon. To retrieve the die I will need to empty a lot out of my cabinet and that’s just not going to happen right now!
Glad I got this little card made though.
Dies: picket fence, beneath the birches (PB)
Stamps: just a note (PB)
Inks: scattered straw, chipped sapphire, worn lipstick distress stains (Ranger) versafine onyx black (Tsukineko)
Paper: hot pressed watercolour paper (Fabriano), epic black & solar white cardstock (Neenah)
I have another brusho sky to share, this time a backdrop for this lovely new scenic stamp from Penny Black. I was playing with this stamp all morning as I worked on designs for my October class. We won’t be making this card but the stamp is in the line up. I used three colours of brusho powder on photo paper and the speckly, spotty effect of the brusho did all the work in creating a snowy sky. I used jet black stazon to stamp the image and sentiment. I have found it easier to ink the stamp and lay the photo paper down onto the stamp and press the back of the paper rather than the other way round. It is also possible with such a large stamp to peel one side of the panel up to check ink coverage, re-ink if necessary, then press down again without moving the other half of the panel. (thanks, Liliuska for that tip).
When I was making this card it was easy to make a few and of course each one is different; some have quite stormy skies, other more serene. I finished off the card with a thin black mat and a simple black sentiment.
Stamps: dressed in snow, peace and love (Penny Black)
Paper: glossy photo paper (Kirkland) epic black cardstock, solar white cardstock (Neenah)
Ink: black stazon (Tsukineko)
Paint: turquoise, violet, cobalt blue brusho (Colourcraft)
Brusho skies and stazon flowers. I have had fun playing with brusho on photo paper and it is one of the techniques we’ll be using in my upcoming autumn leaves class.
I used warm colours for the panel above then stamped the flowers several times in a burgandy and a yellow ink before framing with co-ordinating cardstock.
My colour scheme for the second card is a bit more dramatic as I played with two primary colours and ended up with the secondary purple for a dramatic sky and black silhouetted flowers.
There are so many ways to colour backgrounds then turn them into cards with some simple foreground florals. If you are looking for a gorgeous way to create a background, check out Kathy Rac’s beautiful underwater background here and get inspired to join in her Daily Marker 30 day coloring challenge.
Stamps: Wildflowers vol 2 Thank you (Darkroom Door)
Inks: claret, orange zest, jet blackStazon ink (Tsukineko)
Paper: Neenah solar white, Kirkland glossy photo, burgandy & blue cardstock
Paint: brusho (Colourcraft)
I have new tree stamp to introduce to you today. You know how I feel about tree stamps. I kept the technique quite straightforward for this card but I’m looking forward to trying a few more of my favourite mediums ie. distress stains, inks and markers, memento inks and my new favourite for photo paper – stazon. On this sunlit panel I used versafine onyx black with a clear embossing powder. Embossing the image first made it possible to keep all the trees are dark silhouettes when I painted the sunset behind. I used distress stains and a wet on wet technique to blend yellow into pink then blue. I kept the foreground white for snow then painted some shadows loosely on the watercolour paper.
The stamp is called ‘winter’s forest’ but I know it will be just as handy as spring, summer and autumn’s forest! I had a very relaxing time away last week and enjoyed painting a few pages from Kristy Rice’s Summer Cutting Garden watercoloring book. None of the pages are quite finished but I plan to share them with you soon.
Stamps: winter’s forest (Penny Black)
Inks: broken china, scattered straw, worn lipstick distress stains (Ranger) versafine onyx black (Tsukineko)
Cardstock: hot pressed watercolour paper, aqua cardstock
Also: clear embossing powder
This peaceful wilderness path is a scenic stamp from Darkroom Door. I’ve used it in three different ways to create some seasonal backgrounds. For the card above I created an alcohol ink background on yupo in the blues and greens of summer. I stamped the path stamp over the alcohol ink panel in stazon jet black ink. I hand wrote the little sentiment with a fine micron pen.
To create my golden fall scene I used distress oxide inks on glossy photo paper. I pressed the orange and yellow inks onto a craft mat, spritzed them and swiped my photo paper panel through the ink. Most of the colour soaked into the paper immediately but I set it aside to dry for a while and found there was a chalky residue that stayed on top. I wiped that off and was left with a background to which I stamped over with stazon jet black ink.
My chilly winter scene was created using brusho powders on a craft mat. I sprinkled some blue and purple on the mat, spritzed it then swiped some photo paper through the colour. The first print is usually quite intense so I think the one below must have been a second impression.
These cards are also on the Darkroom Door blog today so pop over there for all the complete supply list.
I think this quiet little scene is going to be a popular one this Christmas. It looks so peaceful and pretty, just like it does around here after a fresh snowfall (which will be welcome in four months time and not before!) I kept my colour scheme simple for this one and stamped first in Paris Dusk memento ink. I then did some blending with a wet brush over the scene to solidify the image a bit before adding black ink. I did some partial inking of the stamp to get shadows on parts of the trees and houses.
I wasn’t sure about the navy blue die cut sentiment because it does get a bit lost. In real life however it is popped up on a couple of white layers and sparkled with a clear wink of stella pen so I let it stay!
Stamps: Santa’s visit (PB)
Die: Blessed night (PB)
Inks: Paris dusk, Tuxedo black memento inks (Tsukineko)
Cardstock: hot pressed watercolour paper (Fabriano), navy cardstock
Also: clear wink of stella brush pen, stick it adhesive