More than once I have created cards that inspire me to make art journal pages. This time it was the other way around; I created an art journal page that inspired this card. Perhaps I should be showing you the journal page first but it contains as yet unreleased stamps so I have to keep it under wraps for a little while longer. (just in case you hadn’t seen them yet, Jill has been sharing some sneak peeks of new PB products over on the PB blog). The panel is stamped on cold pressed watercolour paper. I kept it in the stamp positioner so I could add some detail once all the paint was completed.
I stamped PB ‘Springtime Sigh’ in antique linen distress ink then painted the flowers with Sennelier watercolour paints. To keep the panel cohesive I used the same red and blue paints to create a variety of reds and burgandies for the four large flowers. The blue showed up in the purple flowers and the green stems. Once all the painting was finished I partially stamped the rose with ‘aged mahogany’ distress ink and added little details to the other flowers with a chipped sapphire distress marker and a black soot marker.
The combination of antique linen outline and faded burgandy petals gave the painted flowers a vintage look so I filled the rest of the panel with the same image stamped in antique linen, then chose crimson red versafine to stamp the sentiment from PB ‘special sentiments’.
Are all your tulips gone? None of mine flowered this year, not even the faithful two that predated our move into this house! I have planted quite a few over the years but I believe they became squirrel lunches. These ones are coloured with zig clean colour real brush pens. I chose an orange and a yellow then coloured some in just orange, one just yellow and a few with a mix of the two pens. The whole image was first stamped in antique linen distress ink which is so good for no-line colouring.
Once again I really enjoyed painting the bucket to give it an aged look with a mix of grey and brown pens. I drew the black centres in after colouring.
To frame the tulips I used two dies, a smaller one from the Waffle Flower A2 layer dies to cut the stamped panel and the other from Waffle Flower additional A2 layers to cut a very narrow green ⅛” mat.
The sentiment is from PB ‘birthday humor’ set but I stamped only part of the phrase and cut it with a die from the PB ‘pocket full’ die set.
This card is a combination of things I have been meaning to try but hadn’t got around to yet. The sentiment featured on today’s card has popped up on a few projects already; I like the size and clean font. Each time I’ve used it I have thought, ‘I must use the flower stamp some time’. Today’s the day. The set is from Penny Black and it’s called ‘wildflowers’; it’s a mini set made up of one floral stamp and one sentiment, both featured on this card.
The other products that have been waiting patiently on my work table are the bright happy inks on this card. Rachel from Darkroom Door kindly sent me these Wendy Vecchi’s ‘Make Art Blendable Dye inks’ to try out. That’s quite the title isn’t it? I am happy to say they blended well on the cold pressed watercolour panel in the centre and stamped beautifully on the card base. They beaded a bit on contact but soaked into the paper to make a smooth complete outline. I stamped the painted panel in sunflower and green fern then smooshed both inks on my glass mat along with ‘poppy’ for painting all the flowers and stems. You can’t tell from my card but the floral stamp is made up of a group of flowers on stems all pointing upwards. I stamped my panel on both ends so the flowers are actually coming in from the corners. Once I had painted all the petals and stems I put the panel back in my MISTI and stamped the centres in black soot distress ink.
I matted the panel in green cardstock added the sentiment on the same green then decided to create my own patterned card base by stamping the floral stamp twice on the bottom and twice at the top.
Hope you have a sunshiny weekend! Thanks for dropping by.
I’ve been painting again but took a break from florals. I pictured this veggie panel in my head before I sat down to paint it and realised part way through I should have been working bigger. I did the carrots first and as they were the biggest vegetable I regretted making them so small. All the rest of the veggies had to be pretty tiny to make it work.
I used Fabriano cold pressed watercolour paper and Sennelier watercolour paints. The card is one layer so I folded the piece of watercolour paper then masked the edges before I started painting. I had watched some youtube tutorials to glean hints including Jenna Rainey’s ‘farmer’s market‘ and Laurie Tsou’s ‘drawing fruits and vegetables‘.
When I had filled the panel with carrots, broccoli, beets, chiles and mushrooms it still looked unfinished so I had to include the peas. I am not a fan of peas but as you can see they are the perfect filler, for a painting mind you, not a meal. When I was a child I was required to eat the number of peas that matched my age at the time and yes my family still brings that up and amuses themselves by asking if the required number of peas are on my plate! After I’d added the peas, with a stylus not a paintbrush, I still needed more definition on the masked edges so I blended some bamboo branch memento ink lightly over the tape. The sentiment is from Altenew’s ‘leaf canopy’ set.
Stay awesome my friends and eat your veggies. Or paint them if that’s more your style. Or better yet, grow them, paint them then eat them!
I am hanging out on the Foiled Fox blog today sharing a Darkroom Door project. I’m pretty happy to tell you Foiled Fox is carrying some Darkroom Door stamps now. I’m always happy when my favourite products come to my favourite stores! Today’s card features the DD ‘warm wishes’ set with it’s pretty clover flowers and sweet sentiments.
Before stamping I traced a circle on a piece of hot pressed watercolour paper then painted masking fluid around the edge of the circle to mask off the area inside. I also splattered some dots of masking fluid inside the circle. I used two distress inks to paint the background starting by smooshing the inks on my glass mat and adding a little water so I had a diluted ink to pick up with my paintbrush. I painted broken china ink on the top section of the circle and bundled sage on the bottom blending them together a little while keeping the centre of the circle lighter than the edges. Once the background was dry I placed the panel in my misti so I could stamp the flowers multiple times if necessary. The flower heads are a mix of worn lipstick and spiced marmalade distress inks and the stems are stamped in forest moss distress ink.
I splattered a few water droplets over the finished panel and dabbed them away with a paper towel to leave watermarks. With all the stamping and painting complete I removed the masking fluid (so satisfying) and popped up the panel on a piece of foam before attaching to a luxe white textured card base. Make sure you pop over to the Foiled Fox blog and store today to see the other Darkroom Door products in stock.
I keep returning to these lovely stamps because they handle watercolour effects so well. My other examples are more defined than this one but I like both techniques. I worked on cold pressed watercolour paper for this one and started by wetting the panel so I could stamp a pale washy background. I used only three distress inks, shaded lilac, blueprint sketch and mowed lawn. I inked the stamp with mostly shaded lilac and mowed lawn, spritzed it with water then stamped on the wet panel. The result is the pale disappearing images you see in the background.
I dried the panel before doing another impression with the lilac stamp, this time I added a few drops of water onto the panel and a spritz of water to the stamp. The ink blended on the stamp and pooled a little on the panel. My last impression was the more defined print on the right hand side. For this one the panel was dry but the stamp still got a spritz of water to move the ink.
I chose an area of stamping with very little definition as the spot for my sentiment stamped in versafine imperial purple.
Are your lilacs blooming? Mine are along with the first iris and some lupins so the blues and pinks are currently well represented in my garden. Yay!
A few weeks ago I posted a floral wreath I’d painted and asked your opinion on adding a sentiment. In the end I didn’t risk stamping or writing one because I didn’t want to spoil the finished wreath with an inky mistake. So….can you guess why I have a large sentiment strip stuck across this floral circle I painted?
To create the floral circle I drew a circle in pencil on cold pressed watercolour paper then painted liquid frisket (masking fluid) to a width of about half an inch around the outside of the circle. I used my Sennelier watercolours to paint three large roses first then moved onto other flowers, leaves and berries until the circle was fairly full. With a random design like this one whether it is painted or stamped it makes sense to start with the largest images to make sure you can fit them in then finish off will little leaves, dots or tiny flowers to fill any spaces at the end.
Once the painted circle was complete I practiced a ‘happy birthday’ greeting on scraps of watercolour paper with my nib pen and some black ink until I was happy with the size and style. I had only written 2½ letters before a large blob of black ink landed on the panel where the letter ‘p’ should have been! As you probably guessed that is the reason I have a large birthday banner obscuring some of my pretty flowers.
I have a simple design for you today and I turned on the camera while I was doing it. It’s probably something you have tried before but might be new to a few readers. I used washi tape to mask off a frame on a one layer hot pressed watercolour card base then created a watercolour background with distress inks and salt.
The stamps are some of my favourite silhouette stamps from the Darkroom Door ‘wildflowers vol 1’ set with a sentiment from a recent set ‘warm wishes’.
It was fun creating a one layer card again; some of you will remember when I was part of the ‘One Layer Wednesday’ challenge and ‘One Layer Simplicity’ challenge a few years back.
Let me know if you try this technique, I’d love to hear or see what you came up with.
I’m not sure if I have ever posted a baby card on my blog; if I have it was so long ago I can’t remember! This one is a commission for a friend; she asked me months ago and I totally forgot. When she texted the other day to see if it was ready I admitted it was not but I would make sure it was by the next day! I was happy to have thought up a concept all those months ago and my idea came together without hiccoughs.
I painted pink, yellow and orange paint on watercolour paper, added water then let it blend and bleed together. Once it was dry I used the Penny Black ‘Balloons!’ die set to cut three balloons then cut the strings and bows from unpainted watercolour paper. I added stick-it adhesive to the back of some peach coloured cardstock then cut two sets of letters to stack for the words using the C&9 ‘simple serif alphabet’ dies.
To create the cloudy sky I cut post-it masks using the cloud die from C&9 ‘city stacks’ die set then blended over the edges on a background panel and an envelope using Papertrey ink cubes in ‘sweet blush’ and ‘lovely lady’. I cut a very narrow mat of pale rose cardstock to frame the panel and attached everything to a cream card base.
I wondered about cutting more balloons to put inside but instead painted some of the same pink, yellow and orange paint on my glass mat, spritzed it generously to dilute it then placed an extra panel of watercolour paper on top to pick up a pale wishy-washy print.
Seeing that I rarely make baby cards this might become my design of choice when I do need one; I’ll just change the colour scheme to keep things interesting.