When I tried a bit of hydrangea painting the other day it got me thinking about hydrangea stamps and I’m not sure if I have ever inked this PB one before. As you know I tend to go for the blues and purples (like my mother before me) but I decided to go more for the pinky red you can find in some hydrangeas. As you can see I didn’t end up with pinky red; I have orangy red which I have never seen on a hydrangea! My mother always wanted her hydrangeas to be blue, purple or pink so she and my dad added something to the soil to make that happen.
Before I began stamping I scribbled rouge pink and punch pink Arteza real brush pens on my glass mat, spritzed it with water then swiped my hot pressed watercolour panel through it. I dried the panel before beginning the stamping. In the stamp positioner I inked the hydrangea first with Papertrey ‘pale peony’ ink then dabbed the arteza pens on the stamp as well to get a variegated print. I spritzed then stamped and repeated the process to get three hydrangeas. To colour inside the petals I used three arteza pens (rouge pink, punch pink, apricot) to dab a little colour then blended to fill the petals with a paintbrush and water.
I decided to try a fancy drop shadow greeting and it kind of worked; don’t look too closely. I stamped first in versafine clair tulip red, dried that, powdered it with the anti-static-thingy, dried it again and powdered it again and then moved the panel ever so slightly left before stamping with versamark and embossing with gold. Despite all my efforts gold powder still stuck to the supposedly dry tulip red ink. As a fix I used a red marker to make the shadow to the left a little more prominent. Then in another fit of fanciness I cut the panel with a dainty dashes die. I don’t know what came over me! Maybe it’s because it’s Friday or maybe it’s because I am getting increasingly excited about opening my online class on Monday.
Thank you to all of you who have signed up already; I am thrilled by the response so far. If you don’t know what I am talking about pop over here and find out!
I want to thank everyone who participated in the ‘Refreshing’ giveaway I hosted with the Foiled Fox. I enjoyed reading your preferred ways to find refreshment and noticed many of you head to your garden during the cooler parts of the day, sit by the water if you have some nearby, or on your porch or patio. Some find doing something creative refreshing and there were quite a few mentions of drinks and good books. I would love to be sitting by the water these days but as that is not possible right now I am doing many of the things you are. Thanks so much for sharing those snapshots of your life. Without further ado, I would like to congratulate Martha and Kathy.
You have won a gift certificate to go shopping at the Foiled Fox online store. I am sure you can find some refreshment there! Shauna from the Foiled Fox will be in touch with more details.
Today’s card features a technique I’m going to call emboss resist masking. It involves embossing in order to resist the application of ink over the top but I wanted the finished project to look as though I masked the butterflies and flowers rather than have shiny raised images at the end. The trick is to iron off the embossing powder once the project is completed.
I know this isn’t a new technique but I was looking at some inspiration pics on pinterest and decided it was a good way to get the effect I wanted.
I stamped the PB ‘script’ background stamp in hickory smoke archival ink so the print would not attract embossing powder or be blurred when I added others inks or water. The archival ink is fast drying and permanent.
I used a stamp positioner to stamp a flower and some butterflies from the PB ‘soulful silhouettes’ set in versamark then I embossed in clear powder. To cover the panel with colour I chose four Catherine Pooler inks (listed below) and applied them with blending brushes. I gave the whole panel a couple of spritzes with water which resulted in the lovely pattern you see on the finished card. I didn’t dab it with paper towel or dry it with a heat tool. I was actually patient and let it air dry on the desk because the spritz looked like rain on a window.
Once it was dry I got some scrap paper and lay the panel face down on the scrap paper and ironed it without steam. I changed the scrap paper several times because the embossing powder transfers to the scrap. Eventually there is none left on the original panel. I chose a couple of sentiments from the million thanks set and stamped them in CP spruce ink.
There is a lovely new clear set of silhouette stamps in the latest Penny Black release. I’ve used it to create a set of co-ordinated cards in a simple clean style.
I chose some of my favourite distress inks to create slightly blended prints.
All the stamped images are from ‘soulful silhouettes’ and the sentiments are from the ‘trust me builder’ set.
I used hot pressed watercolour for all the stamped panels and white luxe textured cardstock for all the bases.
After inking the silhouette stamps for each design I gave the stamp a very light spritz of water, just enough so there would be blends and watermarks on the stamped image. I couldn’t predict how each would turn out so there are some dryer areas with no blending and some parts where ink has bled into the adjacent ink quite distinctly.
I often pop up my stamped or painted panels on pieces of foam but this time they are raised on just one piece of cardstsock cut a little smaller than the main panel.
The ‘trust me builder’ set is designed so we can make sentiments that begin with the words ‘trust me…’ then finish with one of seven different phrases. I kept the sentiments short using only the endings which are in a smaller simpler font.
Groovy greenery is the name of this set; it’s full of cute plants and pots, seven of each that you can mix and match.
I stamped all the plants and containers with Papertrey ink cubes. I mixed and matched with four different greens making sure I used a combination of two greens in each plant. I stamped the greenery in one ink then blended the inside of the leaves with the stamping ink plus one other. I did some basic masking with post it notes so I could have leaves overlap the leaves of the plant beside and some leaves overlap the pots.
The pots are all narrower at one end than the other so they are designed to be tall not wide but I decided to have some looking a little wonky and wide, kind of like I might have made them myself.
The sentiment is from the new PB ‘trust me builder’ set. There is a large ‘trust me’ stamp and seven phrases to finish the sentence. I just used one of the phrases. I stamped the sentiment in dark green and matted the panel to match.
Just a reminder to enter the giveaway I am hosting with Foiled Fox right now. You need to go back to Monday’s blog post and leave a comment letting me know what you are doing for refreshment these days. Thank you everyone who already let me know, I enjoyed reading all your refreshing tips and past times, some of them are exactly the same as mine and there are a few involving sitting by the water that I wish were mine!
This washtub full of flowers is called ‘barrel of blooms’ and it’s a beauty from the new PB release. I worked on cold pressed watercolour paper in a stamp positioner so I could ink a section, stamp it, blend that section, wipe the stamp then ink another section.
I stamped colour by colour, inking with distress ink cubes and markers. Once I’ve stamped a section I blend it with a paintbrush pulling out the ink of the outline and adding extra where necessary. I used a couple of different green inks for the leaves, candied apple, spiced marmalade and dried marigold for the flowers then a mix of brown and grey for the barrel. All the inks are listed below. Because I do all the stamping and painting with the panel in the stamp positioner I am able to re-stamp a section after I’ve painted to add some of the detail back in.
To ground the image I painted some faded jeans and hickory smoke ink around the base and behind the barrel. I used a dark blue inktense pencil and the Wendy Vecchi stay-tion + ruler to add the look of wood wall behind then matted the panel with co-ordinating blue cardstock.
I don’t have a barrel tub like this one for my flowers but I have three old galvanised tin tubs filled with herbs and they are thriving in the current summer weather.
I’m excited to show you some new summery plant goodness from Penny Black and it’s happening here and on the Foiled Fox blog! I used the new cling stamp ‘illustrious‘, a stamp from the clear set ‘soulful silhouettes‘ and a sentiment from the ‘just like you‘ mini set.
The new release is called ‘Refreshing’ so I have teamed up with Shauna from the Foiled Fox to provide a little refreshment through a giveaway!
All you need to do to enter is comment on this post telling me what you like to do for refreshment these days.
I used distress inks and cold pressed watercolour for this card. I definitely seem to be drawn to blues and greens right now; they’re a little cooler than my oft used pinks and orange combo. You can read more about my process on the Foiled Fox blog but let me say the MISTI was very helpful in creating this leafy panel. I worked on the large leaves first, inking them in mowed lawn then painting them with bundled sage. I moved onto the fern shaped plant which I inked with mowed lawn and faded jeans then did the tiny flowers last in candied apple and hickory smoke.
The illustrious stamp is stamped once on the left then partially stamped on the right and to fill the top edges I just inked and stamped the tip of the fern a few times. I used one stamp from the soulful silhouettes set as filler in bundled sage ink.
I would love to hear some of your most refreshing ideas or past times. Do you have a recipe, a book recommendation, a past time or favourite get away? We are still staying close to home here in Ottawa but I am enjoying my hammock in the backyard, oodles of audio books and the occasional iced coffee or tea.
I am happy to have a stamped and painted scene to share today. I often create scenic cards and panels in winter but I used liquid frisket on this panel to create a summer vista seen through a frame of birches. I teamed up with Grafix , used their liquid frisket kit and filmed the process.
With a technique like this it would be easy to make a card for any season. The birches could frame a snow scene, autumn foliage or even some mountains in the distance.
Painting the sky was fun, you can see in the video I painted the whole sky area in blue then added all the clouds by dabbing colour away with a kleenex tissue.
You can see in the video I stamped the house and trees with archival ink first then built up colour, depth and shadow with distress inks for the watercolour look. Because the Dr Ph Martin inks used on the sky are permanent once dry I was able to stamp and blend over the house and trees without affecting the sky at all and of course over the masked trees too.
What better subject for shimmer on black than a shiny little scooter. ‘The Ride’ is a PB rubber stamp. Once again I had trouble catching the real shine on camera but there is shimmer and shine in real life when the light catches it. I embossed with alabaster embossing powder from Brutus Monroe and made sure I kept the heat tool moving while I embossed so as to not buckle the craft plastic.
I used the new black craft plastic from Grafix to show off the little scooter and painted with pearlescent paints from the Finetec Artist Mica Watercolor Pearlescent paint set.
Painting on the craft plastic is very smooth and particularly straightforward with an embossed image. I also did some detail on the tires and black sections with a grey pencil but it was hard to capture that in my photo.
I wanted to highlight the little orange flowers so cut a mat and a sentiment strip from orange cardstock. The words are from the MFT ‘All About You’ set.
I completed another page in my art journal a few days ago; not the one that inspired a recent card, that one is still to come. This one I started, stopped and restarted again.
You can see there are some shadowy flowers in the background. They are the first flowers I stamped and painted straight on the journal page. The journal isn’t watercolour paper so diluting and painting with ink didn’t work well. I tried to fix it by drawing black outlines and then white gel pen highlights but that didn’t look good either. I like to think of the art journal as a place I can try techniques but sometimes those experiments don’t end up looking pretty.
When I’ve wanted to paint on other pages I have prepped the pages with absorbent ground first; it makes the surface more conducive to ink and water blending. Adding one layer of absorbent ground covered the surface but not the images underneath. When it dried though, I liked the misty images in the background and decided not to do another layer. Instead I proceeded to stamp again with the same inks (listed below) and this time blending the inks with water was more successful. To stamp on the uneven book pages I used acrylic blocks and the Wendy Vecchi ‘perfect stamp positioner’.
Once I finished stamping and painting the PB floral stamps ‘unfolding’ and ‘dainty whispers’ I stamped the delicate ‘a little secret’ stamp repeatedly in old paper distress ink to fill in some grass. I blended broken china ink directly onto the pages to fill the sky area and splattered water over it to break up the flat blue expanse.
Finally I chose the quote from a favourite author, C.S. Lewis and used the C&9 ‘simple serif’ alphabet stamps and some tiny stamps I bought long ago at Hanji gifts in Toronto. I’ve since found out C.S. Lewis did not say this; I guess I should have done a fact check before stamping it all in my journal.
I do like the effect of coloured images under a layer of white. I might do it on purpose next time!