I have a quick and easy technique for colouring these tulips so they have a little depth and variation in both petals and leaves. Sometimes I spend quite a bit of time with brushstroke stamps, adding depth bit by bit in a stamp positioner. This time I added all the colour then stamped once.
I inked the tulips with shaded lilac and wilted violet distress inks, just dabs of colour to cover the flower head. The leaves I did with markers, a peeled paint and a pine needles. Then, before stamping I spritzed the stamp with water then stamped on hot pressed watercolour paper. In a few places I blended the inks with a paint brush afterwards but really not much at all. You can still see plenty of white space on the tulips and a little on the leaves.
I kept the whole layout clean with just a sentiment from ‘magical friendship’ stamped in versafine nocturne ink.
To see a totally different look with this stamp click over to a couple of cards I posted last month.
Hi there, this pretty stamp, ‘nature’s glory’ is making its second appearance on the blog and I’ve paired it up with Arteza real brush pens. I did all the inking with the brush pens and made a video to give you an idea of the process. One of the tricky steps when creating watercolour cards with stamps is when, where and how much water to add, hopefully the video will give you an idea.
You probably noticed in the video the way the brush pen bristles were able to easily get into small sections of the stamp so I could ink the flowers, berries and leaves. I spritzed the stamp before pressing onto the hot pressed watercolour paper so the inks would blend on the stamp rather than me blending them on the paper. I love the softness of the blends including the areas that get more water and the ones that look a little dry because they got less water.
The soft background leaves and flowers were all stamped with ink left on the stamp after doing the bold images. The ink is certainly intense enough that an extra spritz of water is all you need in order to stamp the pale images that appear to be further back between the branches. Dabbing these pale images with a paper towel after stamping makes them even paler and removes any liquid sitting on the surface.
I even had enough ink on the stamp to get a pale print on my envelope then finished with splatter as you know I like to do.
The card below was done with the same stamping technique but I created the soft coloured background at the beginning of my process. I scribbled the blue, yellow and green pens on my glass mat first, spritzed with water then swiped the hot pressed watercolour panel through the ink picking up sections of diluted colour which I dried before transferring the panel to my stamp positioner to do all the flowers. If you are wondering about the sentiment, it is for one of my friends who was told this by a student! When she relayed the experience to me I knew it had to become a card. I did a bit of partial stamping with MFT ‘birdie brown greeting stamps’ then cut the letters b, a, b, y from dark green cardstock (I know it looks black ) with MFT ‘little lowercase dies’.
If you are a teacher connecting with your students on line, encouraging them and trying to come up with methods that work in the current situation please know I think you are the best of the best…baby!
A while back I posted three cards all painted with the same three brusho paint colours and my Welsh friend, Karen requested a video. Well this is it, a different stamp and three different colours (Brusho sunburst lemon, prussian blue, rose red) but the same technique. Here is the one that prompted the video request.
As with the card above I embossed the outline stamp, ‘flutterby’ in gold powder then swiped up a brusho background by sprinkling brusho on my glass mat then spritzing water over it to activate the powders and turn them into liquid watercolour paint. From there I moved onto painting petals and leaves with individual colours and secondary colours. Take a look at the video and you will see what I mean.
After all the painting was done I added some extra shading in shadow areas with Faber-Castell polychromos pencils and some gold thread detail. The sentiment is from PB ‘banner sentiments’ gold embossed and die cut with a die from the PB ‘tagged’ set.
One of the things I like about this technique is the way the background works with the painted images even though the are painted right over the top of a multicoloured panel. The colours work because they are the same colours and because the background is not too bold. You can see in the tulip on the left what the true colour of the rose red brusho is, but the ones that are painted over the blue background still look red, just a deeper red perhaps in shadow not full sun.
Happy Easter my friends. Stay home, stay healthy, stay hopeful and maybe try a new art or craft technique!
I got together with some friends a while back for a crafting afternoon, seems like an age ago now! While there I stamped the two panels you see here. For a while they were forgotten as I was working on other projects then I fiddled around to create two quite different cards. The basic technique is the same for both panels and involves stamping and restamping without reinking in between impressions. The card above began as a vintage looking panel stamped in antique linen ink. I smooshed some antique linen distress ink on my glass mat, spritzed with water then swiped my panel through it to pick up inky stains. I dabbed some areas with paper towel which makes them dry a more yellowy colour. I partially inked the Penny Black script background stamp in antique linen and stamped on one side.
Once the background was dry I used the PB stamp, ‘exhilaration’ to stamp some coloured flowers. I inked the flowers with a Papertrey Americana ink cube and chipped sapphire distress ink then the stems with a gathered twigs distress marker. I wiped ink off the stamp in some areas so the image would be patchy on purpose, spritzed then stamped on the panel. I did both the left hand side and right top corner then, without cleaning the stamp spritzed it again and stamped paler images which immediately appear to be in the background. I stamped a sentiment on an ‘antiqued’ scrap in versafine vintage sepia ink, added a twine bow and popped it up on some foam tape.
Now that I have described my process for the first card you can probably see that I used the same technique for the blue card but only used one colour, Papertrey ink ‘blueberry sky’. I didn’t start by making a vintage style background, I just jumped right on in with the first stamping. I spritzed the stamp and did another print, then another and one more very pale one and that was it! I added some splatters but nothing more to this pretty blue panel. It was very quick and probably took longer to find a matching cardstock. Once I found a co-ordinating blue I stamped part of a sentiment from the PB ‘sentiment’ set and embossed in alabaster powder. I finished the sentiment by stacking three die cut ‘amazings’ from the PB OMG die set.
I love this technique for adding depth and dimension to flat stamped panels. I have a video coming next week demonstrating a similar process so stay tuned!
Thanks for visiting here today, I hope you are safe and well where you are and thanks again if you are on the front lines taking care of health, food and safety needs. You are nothing short of amazing!
The Penny Black stamp featured on the above card is called ‘springtime sigh’. I think I can admit to a few springtime sighs lately, mostly appreciative sighs I might add. The days are warmer, the snow is disappearing and I saw the promise of a daffodil, a star flower and a tulip out in the garden yesterday.
To achieve the layout above I stamped springtime sigh twice on hot pressed watercolour paper then coloured with Arteza real brush pens and blended with water. I didn’t note down the names of the different pens I used but I kept the number small. Rather than add an orange to the mix I added red to the yellow poppy petals and I blended from dark to light with one red pen on the red blooms. After colouring I matted with a co-ordinating colour and added a two part sentiment from PB ‘million thanks’ set. If you have been wondering whether some Arteza real brush pens should come and live at your house make sure you use the coupon code they provided so my readers could have a 10% discount HeatherTelford1 (here are affiliate links for the Arteza US store and EU store.) I did a review of the pens on YouTube; you can see me try some of my favourite techniques
The flower arrangement above is from the PB transparent set ‘wings & vases’. Once again I stamped with versafine clair nocturne then coloured with Arteza real brush pens. I love the variation of colour from the gray markers when diluted. I used a gray (sorry not sure which one) marker for the vase and added a little blush red at the top. To ground the vase I created background line by drawing a single line in gray or black which I then diluted with water and again dropped in a little red as if it was reflecting the blooms.
I finished the card with a co-ordinating mat and sentiment, this time from ‘blooming sentiments’.
Now before you go, Penny Black is hosting a big giveaway and to cheer and encourage. Head over to the Penny Black blog to see how to enter to win a $100 shopping spree!
I am so happy to have a video for you today especially as so many of us are staying home to stay healthy. I hope this simple technique and pretty card featuring Penny Black’s ‘lovely lilacs’ set will inspire you in your creating. Check out the video below and then read further for the different colour combinations I came up with. They all require a light and a dark colour in the same ‘family’ for the flowers and a green for the stems. That’s it; so simple and so pretty!
The inks are listed in the video and linked below but just for reference while you are reading, on the card above I used milled lavender distress ink, seedless preserves & peeled paint distress markers and shady lane versafine clair ink for the sentiment. All the cards are stamped on Fabriano hot pressed watercolour paper. The sentiments are from two different PB sets, ‘carefree wishes’ and ‘magical friendship’.
As I have been home a lot more than usual I have been spending quite a bit of time making videos. I’ve said before they take me a long time and that is still true but I am feeling more confident with the editing software since I’ve spent days sitting in front of it! Other than the mammoth grocery runs ( I did one today that I am hoping will feed the four of us for two weeks) and some outdoor exercise, I haven’t been out and about at all. I am sure it is the same for many of you.
The card above is the first one I did with this technique and it was stamped with shaded lilac distress ink, blueprint sketch & forest moss distress markers. I think this might be my favourite colour combo.
This red and pink one ended up with splatter and was stamped with worn lipstick distress ink and aged mahogany & forest moss distress markers.
I’m not sure that lilacs come in all these colours but when has that ever stopped me. The colour pairs are spun sugar + worn lipstick, tumbled glass + salty ocean and milled lavender + dusty concord.
I hope you find this technique appealing; please let me know if you try it and if you come up with new colour combinations.
I have another card featuring colouring with Arteza real brush pens today. I completed several cards weeks ago as I tried out the pens but waited until now to feature them on the blog because I wanted to group them with the product review I did with the Arteza pens. The review shows me trying some of my favourite techniques with the pens. Even if you haven’t watched the review video you probably won’t be surprised to hear I was happy with the results on this scooter. You know I don’t tend to branch out much from the ‘nature themed’ projects; it’s trees and flowers, flowers and trees 80% of the time round here. This cute scooter did grab me though, so I made it part of my brush pen trials.
The scooter is stamped in versafine clair nocturne. When it came to the colouring I did not take the time to make sure all the highlights and shadows were in the right place; I just made sure there were some highlights and shadows! I stuck with three main colours, the ‘blush red’ I used for the splendiferous tulips, elephant gray and noir, then added in a pink, an orange and a green for the little flower arrangement on the front.
I coloured one section at a time blending with water then letting it dry while moving on to a non-adjacent section. The shadow was done with a few swipes of grey pen, diluted and then a touch of blush red dropped in. Those flowers were a bit high on the fiddliness factor scale for me but I persevered. I know they’re only little but when the flowers get too small my eyesight and my patience doesn’t like it. The cute sentiment is from ‘carefree wishes’.
If you do get inspired to try the Arteza real brush pens (or anything else Arteza for that matter) here is a discount code for you HeatherTelford1 and here are affiliate links for the Arteza US store and EU store. Using these links means at no extra cost to you I receive a small commission. Arteza has a giveaway happening right now too so you could win a little spending spree (and by little I mean $100!) Check it out here
At the risk of experiencing your utter disbelief I want you to know I have another video for you on Friday! Stay home, stay healthy and stay hopeful everyone.
This bunch of tulips is called ‘splendiferous’ which sums up their elegance well I think. ‘Splendiferous’ does sound a little bit like a made up word so I had to look it up and check. It is in fact a real word a bit like fantabulous, also a real word. I stamped these splendiferous tulips in nocturne versafine clair ink then coloured them with Arteza real brush pens. I posted a video a few days ago about the real brush pens, here’s the link if you’d like to see me trying them out on my favourite watercolour techniques.
I blended the colouring with water after stamping them with versafine, a waterproof ink. Even though the petals have quite a variation of pink tones it was all done with one real brush pen, the blush red, from the 96 set. I coloured near the base of the petals or edges in shadow then blended the colour with water to fill the petal. I tried to work one petal at a time so the depth of colour in one section would not spread into an area I wanted lighter.
The leaves are also coloured with only one brush pen, emerald green. Once again I blended with water to get the variation of colour. The sentiment from ‘magical friendship’ is a lovely one and is stamped in versafine crimson red. To finish the card I matted in red and attach to a cream card base. I mentioned the other day that Arteza provided a discount code for my readers to use and then I forgot to provide it!! It is HeatherTelford1 and is worth 10% off. Arteza is also hosting a giveaway right now, you can find out how it works on their youtube channel.
As I mentioned yesterday I am very happy to be connecting with you in the comments. If you would also like to connect through snail mail, please use the ‘CONTACT ME‘ button to send me your name and address. I will put a card in the mail to you.
Today’s blog post is a little different from the usual. The cards in today’s post are coloured with Arteza Watercolour Real Brush pens. Arteza contacted me and asked if I would be interested in doing a product review video for them. I’ve seen Arteza products popping up on many blogs and youtube channels so I was interested to try them out. They sent me Watercolour Real Brush Pens, an Expert Watercolour Pad and a set of six Water Brushes Pens.
To see how I used them check out the video below. It is a long one because I put the products through their paces with a bunch of my favourite techniques. I did speed up the footage through out the video so I could show you all that I tried. Believe me you would not have wanted me to leave it at normal speed! If you want to slow something now that is an option on Youtube.
The video isn’t a how-to for today’s cards but there is footage of some of the process included. You may find some other techniques you’d like to try in my review also. Just so you know I have two more videos in process which are more project tutorial style. I’m trying to keep the inspiration coming as we all cope with our quarantine situations.
I was very happy with the results using the brush pens, watercolour pad and waterbrushes, but the real brush pens are the main focus of my review. I was particularly impressed with the results when I did no-line watercolour with the real brush pens. It can be a tricky technique but the pens made it easier in my opinion.
The range of colours in the set of 96 is wonderful and the intensity of the colour means a little goes a long way. I have cards coloured with the real brush pens which will be appearing on my blog in the next few weeks.
Arteza gave me a coupon code to share with you in case you are interested in trying the products and there are affiliate links below. The coupon code is HeatherTelford1. At no extra cost to you I will receive a small commission. (The Arteza products appear on the list twice, top ones are first ones are US, last ones EU)
Today’s card features a large outline stamp from Penny Black called ‘unforgettable’. When I read the stamp name I can’t help but start singing the Nat King Cole song, even if only in my head. I positioned the stamp to cover half the card front but if used on a landscape oriented card it would almost fill the whole front. I used one of my tried and true techniques to watercolour the image with distress inks.
I worked with a panel of hot pressed watercolour paper in the stamp positioner and inked components of the design with distress inks and markers. I ink the outlines as accurately as possible with the ink colour I’m going to paint that section with. I inked some of the flowers with seedless preserves and others with wild honey. The leaves are bundled sage with some forest moss ink. When painting the petals I blended ink from the outline, and when that wasn’t enough picked up some from my glass mat where I smoosh the inkpad.
I enjoy doing no-line watercolour with a pale ink like antique linen distress but I also like this method. It can be fiddly inking each flower and leaf in different colours but if you use a mix of markers and ink cubes you can pretty good coverage. I always have a wipe or sponge on hand to wipe ink off the stamp if it’s gone out of bounds.
The sentiment is from the new ‘million thanks’ set which features two large versions of ‘thank you’ and two of ‘thanks’. The rest of the set is phrases to be paired with ‘thank you’. I have much to be thankful for right now as I am safe at home with most of my family knowing my eldest is safe at home elsewhere. We have what we need and know that isn’t the case for everyone. I hope you are staying healthy, hopeful and home!