I’ve been playing with scenic stamps again, this time combining sections of two stamps to create a new scene. The Penny Black ‘farmland’ stamp forms the background scenery and the PB ‘homeward’ stamp makes up the foreground.
Out of habit (a successful one!) I used distress inks and markers to ink the stamps and add detail to the design. I kept the palette limited using two blues for the sky and several greens and browns for the rest of the scene. To see the process take a look at the video below.
I know some people find scenic stamps a bit daunting but the detail in the stamps themselves makes it possible to add a little or a lot of your own artistry. I hope you find the techniques shown in the video helpful.
I mentioned in the video that although I think the fields look authentic I have no idea what the crops might be. If you know of crops that would appear to be rust or olive coloured mention it below!
(Compensated affiliate links used when possible)
This lovely blue wheelbarrow filled with pumpkins is one of the new autumn products from Penny Black. It’s called ‘pumpkin season’ and I paired it with an older PB scenic stamp, ‘homeward’.
I worked on the wheelbarrow first while keeping it in my stamp positioner. I stamped the barrow in faded jeans archival ink, the base in hickory smoke archival and the pumpkins in fossilized amber archival. That gave me a base print to add to with distress inks which I could blend with water and a paintbrush. Still with the stamp in the positioner I inked different section with distress ink cubes and markers to build up the colours bit by bit. Once I was sure I didn’t have to stamp any more on the barrow I removed the panel, stamped the barrow on masking paper and masked the barrow in order to finish my scene.
With the panel back in the positioner and the barrow masked I stamped the ‘homeward’ scenic stamp over the top with ground espresso, spiced marmalade, barn door , peeled paint and wild honey inks. I blended the grass area immediately after stamping so I could extend the ground with peeled paint ink to fill the space around the wheel and base of the barrow.
I built up the colour of the tree with repeat stampings spritzed with water. Once the stamping and blending was complete I painted some shadows under the barrow with peeled paint ink and added some extra definition to the pumpkins with watercolour pencils. I blended the sky around the tree with stormy sky ink and a blending brush.
We harvested most of our tomatoes yesterday even though they are still green so now I am looking up green tomatoes recipes. The fried ones sound appealing (just like in the Fanny Flagg book) and a zucchini and green tomato relish could be good too.
I have some more scenic stamping to share and without meaning to I have used an autumn colour scheme. Fall is going to come too soon as it is I didn’t mean to hurry it along!
When creating my previous scenic cards I stamped and painted the trees and scenery first, clear embossed them and added the ground, sea and sky last. For this scene I painted the sky first then stamped over it. I used weathered wood, stormy sky, and fossilized amber inks to fill the panel and create the look of sunset or sunrise in the background. I kept the colour very pale and diluted at the bottom of the panel as I knew stamping would cover the foreground anyway.
I dried the panel before putting it in a stamp positioner to create the scene. I inked the base of the stamp with fossilized amber and along the horizon with rusty hinge distress ink. The tree trunk, branches and the fence I inked with ground espresso and black soot markers. The foliage is a mix of vintage photo and rusty hinge ink. I used rusty hinge to paint a foreground rise also.
Believe it or not there I still have more stamped scenes to show you. I will probably toss a floral into the mix here and there too as I did this week. I’m not quite ready to be showing you Christmas cards yet but it won’t be long!