This lovely blue wheelbarrow filled with pumpkins is one of the new autumn products from Penny Black. It’s called ‘pumpkin season’ and I paired it with an older PB scenic stamp, ‘homeward’.
I worked on the wheelbarrow first while keeping it in my stamp positioner. I stamped the barrow in faded jeans archival ink, the base in hickory smoke archival and the pumpkins in fossilized amber archival. That gave me a base print to add to with distress inks which I could blend with water and a paintbrush. Still with the stamp in the positioner I inked different section with distress ink cubes and markers to build up the colours bit by bit. Once I was sure I didn’t have to stamp any more on the barrow I removed the panel, stamped the barrow on masking paper and masked the barrow in order to finish my scene.
With the panel back in the positioner and the barrow masked I stamped the ‘homeward’ scenic stamp over the top with ground espresso, spiced marmalade, barn door , peeled paint and wild honey inks. I blended the grass area immediately after stamping so I could extend the ground with peeled paint ink to fill the space around the wheel and base of the barrow.
I built up the colour of the tree with repeat stampings spritzed with water. Once the stamping and blending was complete I painted some shadows under the barrow with peeled paint ink and added some extra definition to the pumpkins with watercolour pencils. I blended the sky around the tree with stormy sky ink and a blending brush.
We harvested most of our tomatoes yesterday even though they are still green so now I am looking up green tomatoes recipes. The fried ones sound appealing (just like in the Fanny Flagg book) and a zucchini and green tomato relish could be good too.
I have some more scenic stamping to share and without meaning to I have used an autumn colour scheme. Fall is going to come too soon as it is I didn’t mean to hurry it along!
When creating my previous scenic cards I stamped and painted the trees and scenery first, clear embossed them and added the ground, sea and sky last. For this scene I painted the sky first then stamped over it. I used weathered wood, stormy sky, and fossilized amber inks to fill the panel and create the look of sunset or sunrise in the background. I kept the colour very pale and diluted at the bottom of the panel as I knew stamping would cover the foreground anyway.
I dried the panel before putting it in a stamp positioner to create the scene. I inked the base of the stamp with fossilized amber and along the horizon with rusty hinge distress ink. The tree trunk, branches and the fence I inked with ground espresso and black soot markers. The foliage is a mix of vintage photo and rusty hinge ink. I used rusty hinge to paint a foreground rise also.
Believe it or not there I still have more stamped scenes to show you. I will probably toss a floral into the mix here and there too as I did this week. I’m not quite ready to be showing you Christmas cards yet but it won’t be long!