Marbled hearts

These hearts were cut from another alcohol inked panel, this one done with only pitch black ink from Ranger. The ink was diluted with rubbing alcohol and moved around on the panel with air and tilting. I also added some bubbles or circles by splattering some rubbing alcohol over the pattern.

I didn’t add foil straight away after completing the panel instead I came back to it days later and ran the panel through the minc with some red foil over the top. The red foil stuck to some nice fine lines as you can see as well as some chunkier sections. What you can’t see is an area where a large blob of foil attached itself. I avoided that area when cutting six hearts using a small heart die from the Penny Black set ‘all my hearts’. I cut six hearts from red foam to pop the hearts up on the card base.

I tried several times to take a photo which would show the dry embossed background behind the popped up hearts but I didn’t succeed. It seems you’re not going to see the shine of the foil and the dimension of the background in one photo. If you click on the photo above you might be able to see the texture a bit better. I used the embossing folder that came with the Gemini Junior, it’s called ‘Regency Swirls’ and it is one of those very detailed 3D folders. I am wanting to add to my embossing folder collection, I’d love to hear your suggestions for some subtle ones and some really fancy ones.

I completed the card with a sentiment from Penny Black’s ‘trust me’ set stamped in red ink and popped up on a narrow banner. Thanks for dropping in today; I will be back tomorrow with an alcohol ink tutorial video.

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Winter Wonder art journal page

After my son and I finished filming the stop animation intro for my Winter Wonder online class I didn’t know what to do with the painted background and all the die cuts we’d used. They lay on a tray still in their snowy formation for a few months gathering dust until I realised I could keep the scene if I transferred it to my art journal.

The initial spread was bigger than art journal page so I cut down the watercoloured background panel, cut new snowdrifts out of lighter weight cardstock and added ink blending to help them stand out. I saved the trees, sled, skis, mitts, snowflakes and bird all cut using the Penny Black dies listed below and glued them on. Yes the gluing almost finished me but I persevered and even glued the outline letters from Pink Fresh studio. I found that I do have a glue pen that works if you are patient and take note that enough glue if coming out.

If you haven’t scene the stop motion animation it is part of the promo for my WINTER WONDER class which teaches my methods for making cards with a northern winter theme. I’ll include the promo below just for fun and in case you’re new around here.

The scene shown in the journal page is mirrored outside right now; we have plenty of snow, we’ve been skiing and enjoying winter wonder all around us. Back in October-November when we filmed the class there was little to no snow!

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Stockings are hung

When I was making knitted panel cards a few weeks back I thought I should create a knitted stocking card at the same time. I also decided to try and make at least one, but hopefully more than one Christmas card each month. Usually I don’t feel like making Christmas cards after Christmas but I’m happy to right now so I made this little stocking and hung it by the chimney with care.

I stamped the Darkroom Door knitting pattern in versafine clair ‘glamorous’ ink, embossed in clear powder then painted over it with festive berries distress ink. I cut out a stocking with one of the Penny Black Christmas Stocking dies. To fill the stocking I cut foliage from watercolour paper using the PB layered wreath set then coloured the die-cuts with festive berries, pine needles and ground espresso distress inks. The stocking needed a bit more trim so I cut out a white cloud shape to and blended some brown ink around the edges.

To create a chimney I used a stencil and a stamp from Darkroom Door, the woodgrain stamp for the mantle and brick wall stencil for the bricks. I worked on hot pressed watercolour paper for both so I could blend distress inks and add watermarks. I stamped the wood with ground espresso archival ink so it wouldn’t blend then painted and blended ground espresso, black soot and rusty hinge distress inks over the top. I blended the same three distress inks through the stencil then spritzed some water over it before lifting the stencil. I blended some of the bricks with a paintbrush and added some black soot splatter.

The mortar around the bricks looked too white so I blended antique linen ink over the whole panel and used some to blend above the mantel too. To finish of the card I added a gold bow and a sentiment from the DD Christmas sentiment strip stamp.

So that’s one Christmas card done so far in 2021! Do you make Christmas cards all year?

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Alcohol ink + foil

When I get the alcohol inks out I always have a stack of panels at the end of the session. Some sit around and never amount to much but others wait for inspiration to hit. This one was created on white craft plastic (Grafix dura-bright white) with ginger and burgandy Ranger alcohol inks and Pinata magenta. I added gold foil using the minc well after the inks had dried.

Sometimes it is possible to make the foil stick soon after finishing the inking. There is a sweet spot as far as letting the ink dry enough that it is not gooey but not so much that it is dry to touch. The sections that will hold the foil are the ‘seams’ between colours where the ink is thicker. If you press foil on these areas when they are a bit tacky you can get it to stick with just a bit of burnishing. If the panel has dried it sometimes possible to get foil to stick by running the panel through a minc or laminator using some heat. This can be risky as sometimes the foil sticks to more of the panel than you expected.

When I ran this panel through the minc I was happy with most of the foiling but there were a few sections that didn’t look great so I just used the part that looked good and covered the rest with this pretty poppy edger from Penny Black. I finished the card with a gold embossed sentiment from the PB ‘only you’ set.

This second panel amazes me because it was created with only black alcohol ink plus rubbing alcohol. The blue and burgandy tones appeared when the black ink was diluted. Cool huh? I pressed the blue foil onto this panel at just the right time to get it to stick when the seams were tacky. It is hard to get it to show in the photo but there are small sections of blue foil here and there across the sky.

The inking on both panels was pretty experimental, a drop here and there some rubbing alcohol and tilting and blowing the ink to make a random pattern. I cut the Penny Black metropolitan die from both black and blue cardstock then stacked blue on black without removing all the window cut outs. I ended up using spray adhesive on the back of the blue die cut because gluing is not my gifting.

The sentiment is from the Concord & 9 ‘all the birthdays set stamped in black and embossed in clear then stacked up on two layers of black cardstock. More alcohol inks next week; I’m having fun.

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Snowflake Skies – Video

I teamed up with Grafix to create a couple of snowy projects on their Duralar plastic films. The card you see on the left and below was inked on white craft plastic, also know as DuraBright white. It is totally opaque and has a bit of weight to it. For the votive wrap I used Dura-Lar matte film which is lighter weight and has a frosted transparent appearance which was what I wanted so the light from a votive would shine through.

I used stream and denim alcohol inks and felt to apply the inks to the plastic films. To create the snowflake patterns I die-cut a Penny Black snowflake from felt and stuck it to the wooden back from a old stamp. You can see the whole process in the video below.

I cut the Penny Black neighborhood border from Dura-Bright white for both the votive and the card.

You can see in the video and the photo above how the colours in the votive surround look different with a light inside; I guess it would depend too whether your battery votive candle was a white one or more of a yellow glow.

I’m really enjoying working with the Dura-bright white for alcohol ink projects and will be trying more techniques on the Dura-Lar matte in the future. If you are looking for the bright white remember it also goes by the name white craft plastic. Crop A While might have some and Deserres does carry it.

I’ve been working on a few different alcohol ink techniques so there will be more cards to share and another video next week.

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Wish upon a star

Shaker cards are very very rare around here: I think I’ve only put one on the blog before today. I bought the nesting star dies recently on whim (I think they are discontinued but other companies make similar dies ). This card is for a little girl who turns five next week so I thought a little shimmer and shake might be fun.

I had the plan in my head with a starry sky watercolour panel for either the front of the shaker panel or the background then decided both would be best. I had pretty micro beads in six different colours so I thought it would be cool to co-ordinate the sequins, beads and inks.

Making the watercolour panels was very straightforward; I smooshed Papertrey ink cubes on the glass mat, spritzed shimmer spray (homemade water + gold pearlex powder) on the inks then swiped the panel through the ink several times until it was mostly covered. I finished the coverage using a paintbrush to add ink here and there. There was masking fluid already on the panel before I started so that added to the night sky look.

Once I started doing the ‘shaker card’ steps I remembered why I don’t make shaker cards. For me this one had an extreme fiddliness factor! I will happily spend hours no-line watercolouring an intricate flower but taping around all the points of five stars to seal the shaker area of each one was above and beyond! But then I put the micro beads, sequins and stars in each section, attached the watercoloured background, turned it over and…happy sigh, it was as cute as I’d hoped.

I won’t describe the process for making a shaker card; I think you would be better off watching a video from someone who has made more than two! I know there are many ways to build them up but my layers were: die-cut star watercolour layer, acetate layer, foam layer with star die-cuts then watercolour background layer. When I had all the layers stuck together I attached it to a square of shimmer blue cardstock and die cut the PB ‘make a wish’ sentiment from the same cardstock three times for stacking. I realise now I should have cut it from a brighter colour but the glue is stuck!

I’m happy with how it turned out and I love how it shakes (the micro beads move a lot while the sequins cling to the acetate) but I think it might be another five years before I make another one. How about you, do you whip up the occasional shaker card?

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Pretty fantastic

Children’s cards are something of a rarity for me but this one ended up being so much fun I might try them more often. I’ve had this gold embossed giraffe image sitting round for a while. The stamp, from Pink Ink Designs is called ‘giraffe’, no surprises there! It’s a large stamp so I cropped a bit of the neck off so it would fit on a 6×6 card.

I used Staedtler watercolour markers and papertrey ink cubes to watercolour the giraffe and the amethyst ink cube for the blended background. I decided on the stencil background after I’d finished watercolouring the giraffe so I cut a giraffe shaped mask and positioned it over the giraffe while I used blending brushes and the Paper Rose studio ‘fragments’ stencil.

The giraffe stamp set comes with a pair of glasses stamp but I went bigger and sparklier with a die cut from Penny Black. I embossed the purple glasses in clear sparkle powder first then clear gloss ultra high to seal the sparkle and make them shiny. The sentiment is from the PB set ‘perspective’. Pink Ink Designs has some beautiful big animal and fantasy stamps. They totally captured my imagination when I saw them. I’ve already shared a card with the dragon stamp and have one with a sea turtle still to come. Not my usual themes that’s for sure.

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Frozen Vista

This lovely window stamp is from a Penny Black set, frozen vista which includes two arched window stamps. I stamped it on hot pressed watercolour paper in versamark then embossed in white powder. I used three distress inks to paint over the embossing, chipped sapphire in the sky, scattered straw at the horizon and stormy sky on the snowy ground.

To make a swag below the window I added double sided adhesive to some neenah solar white cardstock then die cut the PB juniper dies, holly from the layered Xmas set and pinecones from the winter lantern set.

Because of the subtle colours and abundance of white and offwhite I popped up the painted panel on a couple of layers of cardstock to give it a shadow frame on the same coloured card base.

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Winter Window

Sometimes I get inspired by the detailed and delicate foliage dies from Penny Black. The new ‘juniper’ die set got me started for this design along with a navy panel of cardstock splattered with white paint.

I gathered other dies to combine into a winter window scene. I could have chosen brighter reds and greens but I am in a muted vintage style phase right now so forest green and burgandy were my picks for the juniper and berries. All the dies are listed below; I picked from a few sets and added double sided adhesive to all the cardstock before die cutting. The window die is designed to open but I chose the adhesive backing so it would be stuck down firmly to keep the snow outside and the candle from blowing out!

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Wreath & Wings

I’ve combined a new PB stamp, ‘wreath & wings’ with a new PB die, ‘mirthful’ for simple elegant style Christmas card.

I used distress inks and markers to ink the wreath elements and birds, keeping the stamp in the positioner so I could work a bit at a time. I inked the stamp, stamped the image then did a bit of blending with a paintbrush to fill the leaves, berries and birds.

I used a gold gel pen to colour some of the berries then continued the gold highlights in the die cut word. The die has decorative diamond cut outs so I cut gold ones to add to the burgandy letters and framed the panel in the same burgandy cardstock.

For the second card I decided to use the curve of the wreath as a hanging garland. Using a centering ruler to help me with positioning I stamped half the wreath on the centre top edge of the watercolour panel, then stamped another part loop either side.

Once again I worked on hot pressed watercolour paper so I could blend the ink on the leaves. I used ocean coliro pearlescent paint on some of the leaves and berries for a little shimmer.

I wrote the sentiment for this one using the darkest blue marker from the Staedtler watercolour 36 brush pen set and matted the panel in a dark blue cardstock.

Even though I don’t like to over do my designs I’m wondering if the blue card is a bit sparsely decorated. What do you think?

Burgandy Card Supplies

Blue Card Supplies

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