Fine Baubles

To make these cards I pulled out some gel printed paper and the Darkroom Door ‘fine baubles’ stamp set. I have a box of gel printed pieces longing to come out of the box and into the world.

Last year I resolved to make a few Christmas cards every month of the year but that didn’t happen. This year I have resolved no such thing and look what happened: two done already! I embossed the large baubles on the gel print panel in a gold powder which is slightly chunky; it’s not my usual gold but there is a whole jar of it and I am committed to using up what I have where possible. It worked well for these baubles because I needed it to stand out against the patterns of the gel prints. I cut the baubles out which, although simple, still counts as fussy cutting in my book.

I embossed three of the smaller baubles on the other end of the gel print and did not cut them out because in doing so I would have lost the pretty stars on the print. It was hard to capture the gold of the stars in the photo but it is subtle and pretty in real life and is not blue as it appears below.

I attached gold cord behind the larger baubles as well as bows from cord too. The smaller baubles also got the bows but the cord is drawn with a gold gel pen.

No sentiments at this stage but that might change before I send them out in eleven months time!

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Butterfly Gold journal page

I have a new spread in the 6 x 6 art journal today though not a seasonal one this time. These pages include a couple of photos from a magazine along with some layering of stamped tissue paper, book pages, stamping and some transfers.

I began by stamping butterflies on white tissue paper in black archival ink then ripped up the paper before gluing it to the pages. I also ripped up some old book pages and accidentally ended up with a strip mentioning butterflies

Over the paper layers I painted with white gesso and acrylic paint before stenciling gold paint through the Darkroom Door honeycomb stencil.

I glued the butterfly photos down and painted over the edges to soften the transition from journal page to photo. I used a black fineline pen to sketch over some of the stamped butterflies and added random texture using the DD mesh stamp.

The page was almost finished at this point but the two butterfly photos were at opposite sides of the spread with a lot of space in between. A visit to Crop A While ended up helping me out. I wasn’t there looking for anything butterfly related but after talking about transfer sheets Carole showed me the Vintage Butterflies sheet from ‘Dress my Craft’ and I had the final elements for this page.

I had not used transfer sheets in a very long time, they work just like the temporary flag tattoos my children applied to themselves on Canada Day years ago. Unlike the temporary tattoos these ones should stay stuck rather than gradually looking rattier and scrappier over a period of weeks!

I used three of the transfer butterflies to create a visual path across the two pages then finished things up with quotes from the Darkroom Door ‘Wings’ set and of course some black, white and gold splatter!

Thank you for all the kind and generous messages about the cardinal card; it is always lovely to hear from you.

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Trilling Trio

Trilling Trio from Penny Black arrived on the scene late last year and features three different birds. My card today uses just the cardinal stamp but I have coloured it two ways so as to have the male and the female on my panel.

I worked with distress inks and watercolour pencils on hot pressed watercolour paper and I kept the panel in the stamp positioner so I could build the colours gradually. I stamped the female cardinal first in antique linen ink so it gave me a pale outline then I used tea dye, vintage photo and barn door inks to add colour. I spritzed the stamp lightly before stamping so the colours would blend but then did more blending with a paintbrush. I added black around the eye and beak both by stamping and by colouring directly on the panel. To add texture to the feathers I used sharpened watercolour pencils. I added the male cardinal behind using more barn door ink along with the tea dye and black soot inks.

Once the birds were completed I drew a small branch with watercolour pencils, blended it and then used a blending brush and a torn piece of post-it note to add shadow in the background. I ran the panel through with the ‘subtle’ embossing folder from SU; it adds such nice canvas texture! There are two more delightful bird stamps in the set which I hope to feature soon!

We are getting much snow today so I will be hunkered down in the work room or maybe taking a turn clearing the path and driveway!

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Winter Tree art journal page

I continue to create and experiment in my 6×6 art journal, definitely inspired by the current season and view. When I started this page I had a technique in mind but no picture in my head of how it might turn out. I couldn’t be happier with the end result!

I am trying a range of techniques and methods in my art journals because that is what they’re for and because I have a series of workshops coming up this year (temporarily postponed until restrictions change). On this spread I started by layering and gluing torn papers on the pages. I pulled blue pieces from my considerable stash of papers, some old (Penny Black 6×6 packs) and some new (decorative rice paper) along with Dina Wakley printed white collage paper. After gluing the strips here and there I added modeling past through a stencil and let that dry.

Over the papers and paste I painted white gesso and then a couple of blues from Dina Wakley’s acrylic selection. You can see some of the patterns show through from the papers and in real life you can also see the texture from the stencilled paste. I added stamping in blue and white with Darkroom Door background stamps, ‘snow flakes’ and ‘French Script’.

I had started the page with a vague idea of adding a picture from a Christmas card or magazine. In choosing the tree picture you see included I fell down a rabbit hole of memories going through boxes of saved cards! I have saved cards since childhood and I was sorting and reading for quite a while. I didn’t open every single card but I found some adorable and hilarious cards made by my children and some I taught in school, I also found many sweet notes in cards from my parents, aunts, uncles and grandparents. The picture I chose of the single tree on a snowy hill was in a Christmas card from a sweet friend.

It is worth noting at this point that I didn’t plan this layout or have this card on hand when I started the painting so the colours did not match perfectly. You know how I feel about the matchy-matchy so I ended up adding paint to the sky around the tree to make the blue a bit more purply and less aqua. I also extended the scene by turning a white area that was already on the page into a clearly defined snowy hill. I used a white gel pen to add more foliage to carry the scene off the little square onto my page. I finished off the page with some die cut Penny Black snowflakes.

I know that is a lot of description that would be better understood with video footage but it didn’t happen this time. As I continue to make pages I will try to capture some of them on film.

Do you save the cards you are given? Do you put them to use making something new? Just wondering…

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Winter Wildflowers

The bright and beautiful flowers of spring and summer delight me as you know but so do those left standing through autumn and winter. On a snowy walk recently I was happy to see the brown tones that show up bold and contrasting against the snow. Queen Anne’s Lace closes up and dries out after summer but that makes it all the better to balance some snow like icing.

For this wintery image of dried stems against aged wood paneling I stamped the flower stems from Darkroom Door’s ‘nature walk’ first in brown archival inks so they wouldn’t blend when I worked on the background. I stamped the DD ‘woodgrain’ stamp over the top first in hickory smoke distress ink then a few more times adding black soot, forest moss and barn door distress inks. I blended as sparingly as I could to retain the texture of the stamp.

I added a sentiment from the DD ‘happy birthday’ set and now I am wondering if I can recreate the same aged wood effect on a journal page. This seems to be the way I roll at present; a journal page inspires a card then a card inspires a journal page.

By the way my Art Journal Adventure class has been postponed for now due to current restrictions here in Ontario but we will reschedule when possible. In the interim I will continue scheming and dreaming up themes and techniques!

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Gingerbread Journal page

Six years ago I was given a delightful and incredibly thoughtful gift. Four friends I met through teaching card making classes gave me an art journal. It’s a large Dylusions 9″x11″, a very generous gift in itself.

The journal was just part of the gift. What amazed and touched me deeply was that these friends worked on individual pages in this journal far enough in advance to have completed four different spreads before they gave it to me. Each person completed a 2 or 3 page spread describing Christmas traditions they were familiar with.

I have in my journal pages about Polish and German Christmas traditions along with a description and illustration of Mummering in Newfoundland and a depiction of the carol, ‘I Saw Three Ships’. The depiction is set in Bass Strait with a view of a King Island lighthouse, a nod to my birthplace! I was speechless when I opened the gift and it still brings me joy whenever I look at it.

After Christmas that year I began two different spreads in the journal having decided it was to be filled with Christmas themed art journalling. Although I began soon after receiving the journal I didn’t finish a page until last week. I am embarrassed to have let it sit so long but in the interim I have completed many journal pages in other books and have ideas aplenty dancing around in my head – like sugarplums!

Gingerbread baking and decorating is a tradition for me and a fitting choice for my first Christmas spread. I started making gingerbread in Australia in 1995 after hearing a radio interview with Jill Dupleix whose recipe I use to this day, more often than not with gluten free flour now. This year I made several batches, a couple with friends on a Sunday afternoon where much mixing, cutting and decorating was enjoyed.

I used my own cookie cutters to trace the shapes onto watercolour paper painted with dark brown and light brown brusho. The background ‘check tablecloth’ I painted with a mix of Dr Ph Martin’s deep red rose and hansa yellow. The gingerbread shapes sat for years with pale white patterns on them and it was only this year after trying quite a few white paints and pens that I was able to make the patterns bolder with a posca paint pen.

I finally added the recipe, glued the cookies down and added a title using MFT little lowercase letters (I think they are retired now but they worked to look like little gingerbread letters).

So that is the story of a wonderful journal, four kind and generous friends and an adventure started in 2015 which I am happily continuing even though I made a very slow start.

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2022 BuJo – January theme

My plan for the new year was to take a different artistic route with my bullet journal themes but here I am with the same mask, stamp, blend approach. I still have fifty pages left in my current journal so I will continue in a similar style for now and make some changes when I switch to a new one.

I masked the edges of the page with painter’s tape for delicate surfaces but it was still a bit sticky for the smooth bullet journal page. I did press it on my clothes first but I think post it tape is a much better choice.

As well as a masked frame around the page I tore tape to mask snow hills across the page. I used the pinecones and needles from Darkroom Door’s ‘pine cones’ set and trees from the DD ‘majestic mountains’ set.

The inks are all distress inks (listed below) and you can see a bit of bleed through the paper. The juicier the ink the more likely it is to show through. None of the ink went right through the page so it doesn’t bother me or stop me from using the pages. I used a black fineline pen to rule the lines and letter the headings.

After a year using this particular dot journal I am still a big fan of the quality but havent’ settled on the best way to keep track of work projects past, present and future. I also want to come up with a workable chore tracker, not nearly as fun as the project tracking but necessary!

As I look at my ‘to do list’ page above I’m not so keen on the little trees to mark the list items; they look like tree shaped rain drops falling from a pinecone!

I’ll be setting up a new booklist for my 2022 reading and plan to put all the birthdays on one spread too. That won’t guarantee that I will remember to send greetings but it might help.

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Rustic Birdhouse

When I do any art journalling these days I do so with a large sheet of watercolour paper on my work surface. It is not the most expensive brand and it does have a bit of texture, currently I am using Canson XL. As I create any blending off the edge of an element ink ends up on the large sheet. Excess paint or ink is wiped off on the sheet. I try out a pen, ink or marker on the sheet to make sure it is the colour I want and has plenty of juice left in it. Consequently pattern and colour builds up on the sheet over time as journal projects are finished.

The most recent page I made involved brown and black paints so I often wiped the brush off on the large sheet. When painting strips of paper for tree trunks I lay those strips on the large sheet. I ended up with a rough painted area resembling woodgrain so I cut it off the larger sheet and die cut birdhouses from it with the PB ‘rustic birdhouse’ die.

I die-cut the frames from deep red and petrol blue, blended ink on white die-cut birds then put together two birdhouses.

The large piece of ‘clean-up/practice’ paper provided me with unique patterned paper for the birdhouses. The embossed background was created with the ‘evergreen forest 3D folder’ from SU.

Happy New Year everyone, I’m looking forward to sharing all sorts of things here on the blog this year and I can’t wait to chat with you along the way.

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Wintertide Blue

This beautiful ‘wintertide’ stamp from Penny Black is a scene in itself and the first time I stamped with it I didn’t add to it at all. This time I painted extra trees in the background for a bit more depth and atmosphere.

I began by punching a little circle mask from masking tape and placing it on the hot pressed watercolour panel. I wet the panel then painted a mix of dark blues and grey paint over some areas, leaving a few white patches. While the paint was wet I painted trees in the background which ended up with soft edges because I was working wet into wet. I sprinkled salt over the sky area and let the paint dry.

Once the paint dried I removed the salt and used a stamp positioner to stamp the ‘wintertide’ image in black soot and faded jeans ink. The little trees to the right of the feature tree were too small in comparison to the painted background trees so I painted taller trees over the top. I did a little blending of ink here and there but the stamp is so detailed with its branches and white space I tried not to fiddle with it too much. This will be the last post for 2021, I look forward to sharing projects, ideas and conversation with you here on the blog in 2022. Happy New Year!

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Woodsy Winter

A winter scene for a winter birthday. Makes perfect sense especially when the recipient loves nature and spends as much time as possible enjoying the outdoors.

This card was a commission and I did plan it in my head before I began. I ended up making it twice, not because it didn’t work but because I smudged the black ink (final stamping step) before it dried! I started by blending the sky in evergreen bough and speckled egg distress ink then stamped background trees in speckled egg ink. There are three trees in the Woodsy set from Penny Black so I repeated them to fill the top of the panel then changed to iced spruce to stamp another line of trees further down and hickory smoke to stamp another line. Each colour was darker than the previous and the trees more prominent and forward in the design. Once all but the black trees were stamped I painted all their trunks just by blending the stamped ink. I used the same inks to paint shadowy dips at the base of the trees then when that was dry stamped the final foreground trees in black soot ink.

To finish I splattered white paint over the scene. The origin of this card goes way back to a card I made in 2012 using the famous Stampin Up set ‘lovely as a tree’.

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