This week I am sharing my top three tree stamps from Penny Black’s new ‘Magic of the Season’ release. You know I love tree stamps so you wont be surprised that they were the first image I looked for when the new release arrived. The pretty spruce silhouette stamp immediately caught my eye and I knew it would be in my top three tree stamps. I have four stamped landscape cards to share this week and this little tree stamp features twice, today in a night time snowscape and tomorrow in a day time scene.
You will probably recognise another favourite tree stamp of mine in the background of this scene, it’s the little tree from the ‘Prancers’ set. I created a video to show you how I made this scene which features some watercolour effects along side some pigment ink stamping. I chose to pair pigment inks, which are waterproof, with watercolour painting so I could have pretty blends in the sky and snow but sharp tree images in the foreground and background.
It is over a year ago since I completed a page in my art journal so it was a good thing when I was asked to create an art journal video for the Penny Black blog. The latest release from PB, Artistic Endeavors includes some beautiful stamps designed with journaling in mind. The page I created last year was a Narnia page so I decided to stick with the literary theme and make another book inspired page. My inspiration this time is ‘A Girl of the Limberlost’ by Gene Stratton-Porter. I read the book quite a few years ago but really enjoyed it and could see the butterfly and figure stamp working well on such a page.
The main character, Elnora, catches moths to sell to collectors in order to support herself through high school. She lives on the edge of the Limberlost, a forested and swampy region where she finds the moths she later sells. I know these stamps depict butterflies but I chose to exercise some artistic license.
Because I wanted to watercolour both the butterflies and the girl I stamped them on watercolour paper, painted them, then cut them out so I could attach them to the page.
To add texture to the background I glued torn strips of tissue paper all over it then did partial stamping with a script stamp and a leafy stamp.
Journal pages take me a long time so despite the fact that I sped up just about all the footage, it is still on the lengthy side. I hope you enjoy it and, maybe like me, get inspired to pull out a neglected art journal. Or perhaps you’ll go and check the book out of the library…
Edited to add: In the video I mentioned learning a lot from Vicky Papaioannou; her videos are here:https://www.youtube.com/user/vickypgr
Stamps: Muse, Script, Verdure, Butterfly trio (PB)
Art Journal: Fabriano 24cm x 15.5cm
Art supplies: Faber-Castell gel medium , Tsukineko Versafine Onyx Black ink , clear embossing powder, Ken Oliver Colorburst powders (merlot, violet, ultramarine blue), Ken Oliver liquid metals (platinum, verdi gris, ultramarine blue), Faber-Castell Stampers big brush pen, lead pencil, Pigma 0.3 micron pen, Faber-Castell Albrecht Durer watercolour pencils (medium flesh, brown ochre, juniper green, ochre, burnt ochre, venetian red, delft blue, warm grey 3), tissue paper, Dr Ph Martin Hydrus liquid watercolours (Hansa yellow light, phthalo blue, phthalo green, carbon black) Art glitter designer dries clear adhesive, Ranger distress micro glaze.
The new scented beauty rose stamp from PB is such a pretty stamp. I have tried a variety of mediums and styles with it so far and will share a few different cards at the end of this post. First let’s talk about this card. Can you believe this is my second video this month? I’m hoping to continue this pattern, but I know I’ve said that before.
I am fairly new to tombow dual brush pens; I bought a few for lettering but recently I added to my collection and started using them for stamping as well. They blend nicely with each other and with water on watercolour paper. For this card I only used two colours but managed to vary the intensity of colour by diluting with water. As is often my habit I didn’t think about the sentiment until the end and felt that a stamped sentiment messed up the balance of the design too much. Instead I settled on one of the thinnest die-cut sentiments I have which stretched across the base of the card keeping things balanced left to right but maybe a little bottom heavy!
I used tombow dual brush pens in the video but you could use stamp pads or distress markers for similar results.
Stamps: Scented Beauty (PB)
Dies: Many Thanks
Inks: Light Olive-126, Dark Plum-679 Dual Brush pens (Tombow)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, olive green cardstock
Below are a few more cards featuring ‘Scented Beauty’. The technique is similar to that shown in the video but with different mediums. I varied the amount of water added and did not always ink the whole stamp.
Stamps: Scented Beauty, Treasured Sentiments (PB)
Inks: Picked raspberry distress marker (Ranger) Versafine onyx black (Tsukineko)
Cardstock: Fabriano 100% cotton cold pressed watercolour paper, black cardstock
Stamps: Scented Beauty, Treasured Sentiments (PB)
Inks: Mowed Lawn, Ripe Persimmon, Spiced Marmalade, Forest Moss, Spun Sugar, Weathered wood distress stains (Ranger)
Cardstock: Fabriano 100% cotton cold pressed watercolour paper, purple cardstock
I have a tutorial for you today (gasp) which I made for SplitcoastStampers. In it I show my technique for creating a vintage style watercolour. By vintage style I am referring to muted sepia tones in this case with some blurred script and watermarks to give it an even more aged look.
I chose a birdhouse from the Fly High set and paired it with the Playful stamp using masks to stamp all my elements before I started watercolouring.
The two examples above are fairly similar; I changed the sentiment and naturally the watercolouring is not exactly the same. If you visit Splitcoaststampers you can see the stepped out photo tutorial or you can watch my video tutorial below.
This video came together quite smoothly (with the help of my son and my husband) so here’s to more!
Thank you for being so kind in your comments. You really are such an encouragement to me. I hope you try some vintage style stamping; all you need is some brown ink and a few watercolour pencils. The fun of the elegant writer pen is entirely optional.
Stamps: Playful, Fly High, Soar (PB)
Inks: Vintage Photo distress ink (Ranger)
Cardstock: Hot pressed Fabriano watercolour paper, brown cardstock
Also: elegant writer (Speedball) Albrecht Durer watercolor pencils 142, 180 (Faber-Castell)
I hope you visited the Penny Black blog last week to enjoy a week of inspiration from our talented designer Jill Foster. This week I hope to inspire you with my projects featuring products from the new collection Sunshine and Smiles. Today’s project comes with a video tutorial. I know, unprecedented for me to have a video for you two weeks in a row! Last week I shared my technique for watercolouring with distress stains. Today I have a more traditional ‘keep within the lines’ approach using watercolour paints. The video is long so perhaps you should get a cup of coffee or tea and settle in. I have used the new slapstick cling set ‘Collage of Wishes’ and the pretty flourish die.
Stamps: Collage of Wishes (PB)
Creative Dies: Flourish (PB)
Inks: Versafine Smokey Gray (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Kazazz cardstock discontinued
Also: Kuretake Gansai Tambi watercolour paints, Faber-Castell Polychromos pencils, Stick it adhesive sheet
I created a tutorial for Splitcoaststampers showing how I use distress stains to do watercolouring with outline stamps. There is both a photo tutorial and video on the Splitcoast website and I have included the video below. I used the same technique to create two cards, the one above is the star of the video, the one below is featured in the photo tutorial.
Stamps: Fresh , Flower Sparks (PB)
Inks: Peeled Paint, Barn Door, Spiced Marmalade, Scattered Straw, distress stains & Forest Moss, Black soot distress markers(Ranger), Versafine Spanish Moss ink (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White cardstock
This is a favourite technique of mine; I used it for the following cards.