Introductions are necessary, I have a new crafting surface to share with you. Opaque black craft plastic has just been released by Grafix and I found it to be a perfect base for pearlescent paint. It was tricky to photograph but I think you can see the shimmer in the both the paint and the gold card base. Here is a video of my process.
The craft plastic also comes in white which I’ve used successfully with alcohol inks. I can’t wait to try the new Ranger Alloy inks on the black.
Grafix gave me the opportunity to try the black craft plastic and I had fun with the alcohol inks and paint markers as well as the pearlescent paints shown here. I’ll be sharing more projects in the future and I will be asking my favourite stores if they can carry this new product.
The fun continues around here with pearlescent paints and black watercolour paper. I just wish the photos would show better how pretty the shimmery paints are. The Foiled Fox sent me some yummy new paints from Coliro, I used the ‘ocean’ and the ‘vintage’ sets for this card. I also tried out the ‘penny’ embossing powder from Brutus Monroe. It is a copper colour which worked nicely with the paints I chose. I embossed part of the Penny Black ‘floral medley’ stamp in one corner of my black watercolour paper panel then flipped the panel and moved the stamp around a little before stamping more flowers on the other corner. I paired up a couple of stamps from the PB ‘strength’ sentiment set to emboss a sentiment in between the florals.
Coliro (or Finetec) paints are full of shimmer and look amazing on dark paper but can also be used on light or white paper for more subtle effects. I have painted them on neenah black cardstock before, the colours looked great but I like the way watercolour paper gives me more flexibility with blending from dark to light. When attempting light and dark areas on black paper I have to think about the direction of my blending. On white watercolour paper I paint strong colour then blend it with water to decrease the intensity and so end up with a lighter area. On dark paper I paint an area in bright pearlescent paint and then dilute it with water to get a darker or shadow area. Shading isn’t really necessary of course, the colours look great painted as solid sections without shading.
To finish off the card I die-cut a frame from copper coloured shimmer paper. I have two frame dies from the PB ‘square frames’ set still linked together so I get a plain frame when I run the two decorative dies through the machine together.
I am teaching a ‘Watercolour on Black’ workshop in Ottawa at the end of March where we will be playing with these lovely shimmer paints and creating stamped and painted panels that really shine. Click over to my upcoming classes page for more details.
Today’s cards are my first experiment with black watercolour paper. I have already learnt a few things I will take into consideration on my next projects. I could have waited until I had played with the paper more but I decided to jump right in with these rather unusual valentine/friendship cards. The card with purple flowers does have a valentine sentiment but the other two could be used anytime to send a friendly message. Unfortunately the photos don’t convey how shimmery the paint is and the colours are brighter in real life.
I’ve seen a few people on the interwebs using this new Stonehenge black cold press watercolour paper so I had to give it a try. As you can probably see I’ve paired it with pearlescent paints this time. I plan to try oxides next time. Because it is new to me I tried three different embossing powders wondering how much they would show up on black. On the card above I embossed PB ‘winsome wreath’with WOW silver pearl; it looks a bit silvery. On the card below I used WOW white pearl on PB ‘rose romance’: it also looks a bit silvery. On the final card I used Ranger gun metal with a wreath from PB ‘key to kindness’ set, it is a bit darker but still looks a bit silvery.
To paint the flowers I used both my Finetec pearlescent paints and pearl paints. I don’t find the two sets all that different but I think there might be a bit more shimmer in the pearlescent ones. I also have some Ken Oliver liquid metals so I used the verdi gris for the leaves above. I carried through the shimmer theme by cutting mats from copper shimmer cardstock and I made card bases from black shimmer and quartz shimmer.
What do you think about predominantly black cards? I know some would find them too dark and sombre, some may be reminded of the painted velvet pictures from the 70’s but maybe you like the added drama. Will you try the black watercolour paper if you get a chance?