Classic car

Posted: March 25, 2020 | Author: | Filed under: classic cars vol 1, Darkroom Door, diamonds, gelli plate, number medley, starry night, Stencils | Tags: , , | 7 Comments

I have some mixed media goodness for you today. I know it’s pretty flat and doesn’t involve any fibres or other funky textured things but it is mixed media and currently my favourite mixed media option – gel printing. I spent a day with a friend a few weeks ago, and we printed up a storm on our gel presses. This is one of my backgrounds patterned with Darkroom Door stencils then stamped with DD stamps.

The textures in the background were made with the DD small stars stencil, diamond stencil and some corrugated cardboard. This background was cut from a bigger panel and I chose a section that had a pop of yellow in the corner; it’s only a small thing but it provides some contrast and leads the eye from left to right.

Once I’d trimmed my panel I stamped one of the cars from ‘classic cars vol 1’ in versamark ink and embossed in white. The background is so busy I needed to do something to make the car stand out a bit more so I coloured it with a white pencil which softened the area inside the stamped car just enough to make a difference. I added numbers from the new ‘number medley’ set in black so they would subtle but noticeable. The sentiment also from ‘classic cars’ set is embossed on a strip of the gel print then matted in white and popped up on some foam tape.

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Butterfly mail

Posted: March 13, 2020 | Author: | Filed under: Darkroom Door, French Script, global postmarks, number medley, warm wishes, Wings | Tags: , , | 4 Comments

I started today’s card by creating a colourful watery background with distress stains smooshed on my glass mat. ( I am still using up my distress stain daubers but the spray stains will work just as well). I let the panel dry then added some water droplets which sat for thirty seconds before I dabbed them off with a paper towel to create pale watermarks.

To create the collage like background I inked Darkroom Door stamps with both distress stains and distress inks (salty ocean, mustard seed, crushed olive, broken china and hickory smoke). Some stamps I inked then spritzed with water, others I stamped then spritzed the panel with water and dabbed away colour with a paper towel. To create the collage background I used the new sets ‘global postmarks’ and number medley along with ‘French script’ background stamp. The butterfly stamp is from the ‘wings’ set and was stamped three times. I didn’t re-ink between impressions but I did spritz with water so each butterfly is paler than the previous one.

I swiped some of the same inks onto a scrap of watercolour paper before stamping the sentiment from the ‘warm wishes’ set and popping it up decorated with a bit of mustard cord.

Darkroom Door has some beautiful collage stamps but if you want to make your own collage prints then the recent global postmarks and number medley are perfect. Make sure you check out the rest of the latest release and all the inspiration on the blog.

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Global Postmarks et al

Posted: February 26, 2020 | Author: | Filed under: brick wall, Darkroom Door, diamonds, global postmarks, number medley, Stencils, tall flowers, warm wishes, Wildflowers Vol 1 | Tags: , , , | 4 Comments

The new Darkroom Door global postmarks set features on today’s cards, and if you look closely you can see I chose several Australian postmarks but there are different shapes and sizes from all over the world. It is a very cool set and once again these cards have made me want to create an art journal page.

I’ve had my gel press out after quite a break and I’m hooked again. In any one session I always end up with some duds and some winners but the more I print, the more I like what I;m printing. One of the lessons I learnt in my latest session was the beauty of restricting my paint colours. You would think I would know that by now considering how often I restrict myself to a limited palette when watercolouring.

The prints I turned into today’s cards were made with a turquoise, dark blue, gold, beige and purple palette. The first card was just beige, gold, turquoise and a bit of dark blue left on the gel press from the previous print. To create patterns in the print I used Darkroom Door stencils and stamps.

I won’t go into my gel printing process because there are videos aplenty that will show you. I brayered acrylic paints onto the press and used the new ‘brick wall’ stencil along with the diamonds and starry night stencils. I also pressed the mesh background stamp and the wavy line postmark stamp into the paint before pulling a print.

After pulling the prints I used black archival and black versafine clair inks to stamp the flowers, sentiments and dragonfly. I stamped several of the global postmark stamps in mermaid lagoon archival ink and tiny numbers from the new ‘number medley’ set lightly in black.

The flowers on the square card are from DD ‘tall flowers’ and are stamped in nocturne versafine clair then embossed in clear powder. The black stamping on the larger card is black soot archival ink. I tried popping up the sentiments from the ‘warm wishes’ set but it didn’t look right, the beauty of a monoprint is that it looks like it has depth and texture even though it is a single layer.

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Clover journal page

Posted: February 14, 2020 | Author: | Filed under: Art Journal, crackle, Darkroom Door, Nature Walk, number medley, Stencils, warm wishes, Wildflowers Vol 2 | Tags: , , , , , | 7 Comments

Are you wondering if I’m repeating myself? Didn’t I post this a few days ago? Indeed, I posted something similar on Monday, a card featuring the new ‘warm wishes’ set from Darkroom Door. At the end of the post I mentioned that I’d like to transform the design into a journal page…so I did!

I kept my colour scheme with the addition of more green and added a few extra stamp images and a bit of texture. I used a Fabriano ‘Venezia’ art journal, with drawing paper not watercolour paper. The weight of the paper is decent but if I’m going to be spritzing and adding water and ink I paint a layer of absorbant ground on both pages first.

I began by inking up the clover stamps with worn lipstick, aged mahogany and peeled paint markers, spritzed them so the ink started blending on the stamp then stamped randomly across the pages. I spritzed the images lightly so the ink moved and softened and also dabbed colour and water away with a paper towel. I inked the number/account book stamp from ‘number medley’ set with stormy sky distress stain and stamped it randomly around the pages. After stamping I spritzed the images so the ink spread, diluted and ran across the page. I dabbed some of it dry but left other bits to make watermarks. I also splattered the stain around with a paintbrush. Once the first layer of stamping was dry I switched to stormy sky distress ink and a blending brush to add colour to all the page edges. Also on the dry page I added a bit of texture by applying modeling paste through the DD stencil, ‘crackle’. The crackle was not very obvious but showed up a bit more after I added more stamping.

At this point I considered the background complete and started on the more distinct stamping. As I was working in the journal I couldn’t place it in the MISTI so I placed my ‘staytion’ magnetic board under the left hand page and added some acrylic blocks underneath the board to balance the left side of the journal with the right. I used an acrylic block to stamp all the clover and positioned a stampa-ma-jig against the block a couple of times just in case I didn’t have a complete image. I was able to do touch ups with a paintbrush and extra ink if the stamping was too pale.

I wanted some clover-ish leaves to stamp around the flowers so I grabbed a stamp from the DD ‘wildflowers vol 2’ and stamped foliage all around in peeled paint and forest moss inks. I added some green splatter too because journal pages always need splatter! At this point I was almost finished but I wanted a little more blue on the page. Rather than add more of the number stamp I used a very delicate floral stamp from ‘nature walk’ in faded jeans archival ink so I would have fine detailed lines that wouldn’t blend or blur. To balance mass of colour at the base of the pages I added more blue across the top edges. The blending brush was going to take too long so I swiped the ink pad over the edges and some water droplets also.

My journal is nowhere near full but it has become bulky with uneven pages because some have been glued to each other, others have been collaged. When I started the journal I glued pages together for sturdiness because that was what Vicky Papaioannou did and Vicky is an art journal wizard! She doesn’t always do that any more and neither do I because some of the pages just don’t want to be joined to each other, it makes it difficult to open them or flatten them. If you are an art journaller I would love to know if you prep your pages in some way so they can take a bit of water and liquid ink.

 

I hope you enjoyed seeing how a card inspired a double page spread; I definitely enjoyed working on the large scale with less pressure to keep things neat and contained!

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Banner Blooms

Posted: February 13, 2020 | Author: | Filed under: banner blooms, boxes, Darkroom Door, Penny Black, sennelier watercolours, Stencils | Tags: , , , | 3 Comments

Recently I blended through a stencil to create square grid backgrounds for some floral silhouette stamping. Today’s card uses a similar technique but I wanted the squares to be less neat, a little imperfect but still recognisable as squares. I guess I could have freestyled them entirely but I wanted them to be evenly spaced and I didn’t trust myself to do that without the stencil as a guide. To achieve this look I once again taped a grid stencil (DD boxes 6 up) to a piece of cold pressed watercolour paper but instead of blending the squares then painting over them I just painted squares inside the stencil squares. I didn’t paint right up to the edges of the stencil because then liquid would have seeped underneath and made a mess. I used the stencil as my placement guide and painted a square inside each space.

I used Sennelier watercolour paints but you could use any watercolour paints or inks. I started each square with a stroke or two of mustard yellow then added some blue, red or orange and blended it with the mustard. After it dried I flattened it in my minc then transferred it to the stamp positioner to stamp five different images from the PB banner blooms set in versafine clair nocturne ink. Simple but quite effective. I chose a sentiment from the PB ‘strength’ set for the last square.

I really like the simple ‘shadow frame’ created by popping up the panel on a piece of foam; that’s why you keep seeing it!

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Sending Love

Posted: February 10, 2020 | Author: | Filed under: Darkroom Door, number medley, warm wishes | Tags: , , , | 11 Comments

I posted a clean and simple two tone card last week featuring a new Darkroom Door set, ‘warm wishes’. The detail of the stamp was very apparent in my earlier card but this time I am showing it off with a watercolour look. The set includes five flowers ( I think they are clover) of different shapes and sizes. I have used a rounder flower on this card and stamped it several times to create a blurry background then twice with detail in the foreground.

I began by taping some hot pressed watercolour paper to my glass mat then spritzing it unevenly with water. When it was fairly wet I inked the flower stamp in worn lipstick, aged mahogany and peeled paint distress inks then stamped it repeatedly over the wet panel. I re-inked the stem to stamp several times in the bottom left hand corner.  To frame the design I painted some stormy sky distress stain around the edges. After the panel dried I transferred it to a stamp positioner so I could add a couple more flowers. I used the same three distress markers to ink the flower and stem then added darker green with a forest moss marker.

For some added interest I used a number stamp from another new Darkroom Door set, ‘number medley’. I know I am going to enjoy using this set to add texture and detail to a whole lot of projects. You probably wouldn’t have guessed the stamp is made up of numbers because I stamped with distress stain and did some spritzing to make the ink move a little.

To complete the card I added a sentiment from ‘warm wishes’ in faded jeans archival ink then popped up the whole panel with some white foam. I feel like transforming this design into an art journal page; what do you think?

For more inspiration with this new set head over to the Darkroom Door blog.

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Warm Wishes

Posted: February 2, 2020 | Author: | Filed under: Darkroom Door, Nature Walk, warm wishes, Wildflowers Vol 1 | Tags: , , | 5 Comments

Hot off the presses and ironically cold out of my mail box here are some brand new stamps from Darkroom Door. Rachel Greig creates incredibly artistic stamps and these new flowers are no exception. The feature image and sentiment on today’s card are from the new set, ‘Warm Wishes’ which contains five flower stamps and eight sentiments.

I decided not to watercolour them this time (but you know I will), instead I chose a crisp pigment ink so you would see the incredible detail of the flower head. I created a background by stamping some fave florals from DD ‘nature walk’ and ‘wildflowers vol 1’ in memento London fog ink. It is a light enough grey to show up but not take over. On the card above I stamped the feature flower from ‘warm wishes’ in versafine clair ‘shady lane’ ink and added the sentiment in the same colour.

Both the stamped panel and the card base are neenah solar white cardstock and the panel is popped up on a piece of foam to create some subtle framing.

Make sure you pop over to the Darkroom Door blog for more inspiration with the new ‘warm wishes’ set. And check back here too because I’ll be giving these stamps the watercolour treatment very soon!

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Stencils & watercolour

Posted: January 20, 2020 | Author: | Filed under: boxes, carved flowers, carved flowers, Darkroom Door, ferns, Stencils, Wildflowers Vol 1 | Tags: , , | 7 Comments

Some recent art from Kathy Racoosin inspired me to use my stencils a little differently. I used four stencils from Darkroom Door and my ever useful distress inks.

All these cards are one layer; I often attach a one layer panel to a card base and keep the layers minimal that way but this time I cut card bases from cold pressed watercolour paper and did all the stenciling and painting on directly on the card base. I taped the stencil to the card base using the grid on my glass mat to make sure the stencil sides and card sides were parallel. I used a large blending brush to transfer antique linen to the watercolour paper. Whatever ink you use through your stencil will lend some colour to the final images as it will mix with the ink painted on later.

On the twelve square background I painted peeled paint and pine needles ink using the blended antique linen as my guide. On the card below I used wilted violet, abandoned coral and blueprint sketch inks to fill the six blended squares.

After both cards had dried I used a stamp positioner to stamp the flowers in versafine clair nocturne ink. There is texture in the cold pressed watercolour bases so I stamped and restamped a few times. After stamping a couple of sentiments also from Darkroom Door I embossed all the stamping with clear powder. (I’ve listed and linked all the stamp sets and stencils at the end of this post.) I used one or two of the same distress inks  to stamp matching envelopes.

For the next two cards I used the same ‘blend then paint’ method. Once again I blended antique linen ink through the stencil then for the ferns painted a section at a time switching between cracked pistachio, peeled paint and pine needles inks.

I smooshed the ink pads on my glass mat and added a little gold shimmer with a few drops of Ken Oliver’s ‘yellow gold’ liquid metals. The shimmer isn’t very obvious in the photos but in real life it adds a little pizazz!

On the cone flowers I also added shimmer and used peeled paint for the stem, and fossilized amber with abandoned coral for the flower and petals.

Techniques like this make me take a second look at my stencils. I want to try it with a different base colour next time. Take a look at Kathy’s video to see her step by step technique.

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Pinecones & joy

Posted: December 19, 2019 | Author: | Filed under: Darkroom Door, Ink to Paper, jumbo joy, Penny Black, pine cones, season of joy stamps | Tags: , , , , , | 11 Comments

The pine needles and pine cone stamps I used for this card are from Darkroom Door and I love how realistic they are. The stamps are quite large and there are several sizes and shapes of cones which makes for lovely feature images and fillers as well. I used one pine cone stamp but two of the pine needle stamps and worked on hot pressed watercolour paper which had been splattered with masking fluid. If you look at the close up below you can see large white dots as well as tiny ones; they’re all made by the masking fluid.

I stamped the pine cone three times using a stamp positioner and four different brown distress inks. A spritz of water started the browns blending and I did a little blending with a paint brush as well.

I stamped the green pine needles with forest moss and evergreen bough distress inks and the fine needles in the background with iced spruce. I added some green splatter then some gold splatter using one of the gansai tambi starry colours. I used the ‘jumbo joy’ die from Penny Black to cut out the word joy from the stamped panel and cut three layers from shimmer gold cardstock as well so I could stack them up just a little offset so the gold peeps out on the side.

I stamped the rest of the Christmas carol lyric using a stamp from Ink to Paper’s ‘season of joy’ set and some gold embossing powder. The overall pattern may be a little messy but it reminds me of what I see if I look up into the branches of the very messy pine tree in my front yard, which is currently covered with snow but not gold splatter!

I have been blessed to receive some beautiful handmade Christmas cards in the mail this week and I am enjoying them on my window ledge. I hate to say it but as yet I have not sent a single one! As I’ve said before there are twelve days of Christmas so I haven’t run out of time yet!

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Time for tea

Posted: November 6, 2019 | Author: | Filed under: Cup of tea, Tagged, teacups | Tags: , , | 10 Comments

I love this little stack of teacups from Darkroom Door. I have some pretty teacups that belonged to my Nanna, some from my Grandma and some from my mother. I don’t often use them because I like a much bigger cup of tea but I love having them. There are intricate details on the cups on this stamp but I have chosen not to colour the patterns individually, instead colouring each cup a different colour. I kept my colour scheme muted sticking with inks I have been using to stamp forests and trees lately.

I used a stamp positioner so I could ink one cup at a time. I kept a wet cloth handy to wipe off any ink that ended up on the adjacent cups. after stamping I blended the stamping with a damp brush to gently spread ink into the cup but not dilute the pretty patterns.

The stamp has its own frame so I trimmed with scissors right next to the frame and ran a peeled paint marker along the edge to make sure it was all inked. I chose my sentiment from another DD tea themed set, ‘Cup of tea” and cut it out with a PB tag die. I had hemp twine which exactly matched so I added a little bow to the tag. The stamped panel is popped up on adhesive backed foam on a textured cardbase.

Hope you have time for tea today, unless of course you are all about the coffee, but that’s a card for another day!

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