Thoughts and Prayers

These pretty orchids are another new stamp from Penny Black. This one is called ‘purity’ and it is tall and thin featuring three flowers and a bud. I stamped one flower a second time to fill and balance the left hand side of the panel.

I used the same method I described for a recent floral card inking the flowers with distress inks and markers, spritzing, then stamping on hot pressed watercolour paper. Instead of spritzing water over the stamped image I added dabs of gold paint then pressed the stamp down again to spread the gold into the petals.

To complete the panel I stamped a partial print of the letter background stamp in antique linen distress ink and added some splatter with the same ink. I switched to archival ink for the sentiment to get a bold sharp impression with words from the new PB ‘thoughts and prayers’ set. One of my favourite ways to complete a card or an art journal page is to ‘fill’ with a bit of text. Sometimes I add it at the beginning and stamp over it, other times I added it at the end. To you have some favourite finishing touches?

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Beach Squares

I am having fun with the Foiled Fox again today showing you all four stamps from the Simply Graphic’s seaside set. I used the lighthouse and the beach huts stamps in Wednesday’s cards. Today I arranged all four stamps in the stamp positioner then stamped with versamark on cold pressed watercolour paper before embossing in gold powder.

I used zig clean color real brush pens for all the colouring in the squares. The pens are highly pigmented so a little dab goes a long way. It doesn’t matter so much the exact colours I used to paint the squares but I took care to repeat the same colours in more than one square so the group looks cohesive. I used the same blues in all four squares, yellow in three of the squares and grey on the lighthouse and the bird. (Zig pens used: light blue, cobalt blue, blue, green, yellow, light brown, brown, light gray, carmine red)

Once all the colouring was done I popped up the square panel on a few pieces of cardstock then attached to a 4¾” square cardbase. Make sure you pop over to the Foiled Fox blog and shop for inspiration and more lovely clean designs from Simply Graphic.

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Fleeting Moment

This orchid is from the new Penny Black release. It’s a large cling stamp called ‘fleeting moment. I think it is an orchid or perhaps a lily.

I used distress inks, worn lipstick, festive berries, to ink the petals while in a stamp positioner. I inked the stems and leaves with forest moss and peeled paint. Once stamped on hot press watercolour paper I lightly spritzed the flowers.

I dried the panel before adding details to the petals with markers. To fill in the panel I inked part of the music background stamp with weathered wood distress ink. After stamping I added splatters of water and ink.

The new ‘Blooming’ release is full of flowers, as the name suggests so there will be blooms aplenty over the next few weeks.

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Beach Scenes

This sweet little beach hut is from Simply Graphic, the set is called ‘the little squares – seaside’. Shauna, from the Foiled Fox introduced me to Simply Graphic and when I saw this set of beach themed squares I was delighted. There are four stamps in the set and I have featured two in today’s cards. Make sure you pop over to the Foiled Fox to hear more about these cards and see other elegant stamps from Simply Graphic.

For both cards I completed the watercolour backgrounds first by smooshing distress inks on a glass mat, spritzing water and swiping hot pressed watercolour paper through the ink. I swiped more than once and tilted the panel so the inks could move. I tried to keep the yellow and the blues apart to avoid making green so there are a few gaps between the inks which looks like sea foam.

The second background was completed using the same method but I made sure the ink covered the whole panel and while dry I dabbed some off with a kleenex to make the appearance of clouds.

The images I have added over the seaside backgrounds are stamped in paradise versafine clair ink onto hot pressed watercolour paper.

I cut the stamped squares out by hand as the edges are not straight then popped them up on a couple of layers of cardstock. I was tempted to colour the beach huts because they are generally painted in beautiful bright colours. I saved that idea for another card and kept these ones simple with sentiments added from the Simply Graphic ‘English sentiments’ set.

Make sure you drop in to see the Foiled Fox blog for more info inspiration

Before I end this post I will mention the Cape Wickham lighthouse on King Island. You might not have heard of either the lighthouse or the island but I was born on King Island and the CapeWickham lighthouse is the tallest in the southern hemisphere. Here’s a pic of me in front of the light.

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Distressed Gel Print backgrounds

Last week I taught a couple of gel printing classes and had a blast seeing others fall in love with the process and results. As you might imagine I have many prints now, a big box waiting to be used. I thought I would use a few scrappy patchy prints as backgrounds. Some of these prints are ghost prints where I pick up a patchy layer of paint left on the gel print after a more distinct print has been taken. I also have some patchy distressed looking prints taken from a damaged gel plate. I don’t know how the surface got damaged but I still use it as a place to roll out paint before brayering on the main plate or to clean off excess paint after brayering on the main plate. The little dots you see on today’s prints are from imperfections in the damaged plate.

On the print above you can see not only the specks of black paint from the plate but also the leftover paint from the border of the plate. Most gel printers love being able to pick up some of those colourful leftovers on a future print.

Both the print above and the one below were made from excess paint so there is very little defined pattern but instead some lovely specks, blends and blobs.

I chose to make cards from these prints not just because I wanted distressed backgrounds but also because it shows how even the scrappy, incomplete, messy prints can be worth saving.

The only colour on the background print above was some black. I used rustic wilderness, wild honey and frayed burlap archival inks to stamp flowers and grasses from Darkroom Door sets, nature walk and wildflowers vol 2.

The ghost print above was pulled with rice paper. When I stamped the purple flowers in versafine clair they soaked through the paper and spread to give the image a halo surrounding it. Although it was an interesting effect I switched to archival inks for the rest of my stamping as they sit of the surface and dry quickly.

I used similar colours to stamp flowers from DD sets, tall flowers and art de fleur vol 1 over the purple ghost print.

The print above was by far the busiest one I used so a bright contrasting colour seemed like a good idea. I used thistle, wild honey and faded jeans archival inks to stamp flowers from DD sets, nature walk and wildflowers vol 2. I also added some text with a stamp from the nature walk set

To attach the cards to the neenah card bases I used double sided adhesive sheets. I added some black and white paint splatter and Darkroom Door sentiments.

If you have read right to the end you are a champion. If you are a gel printer I hope you are inspired to use a few of those patchy prints you might otherwise discard. I have been using them in my art journals but it is nice to see them on cards too and it’s not as if I am going to run out anytime soon!

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Floral Mix

I think I told you my one tulip bloomed already but I was still inspired to stamp more. My many lupins are yet to bloom so the idea of a floral mix card appealed to me. I have teamed up Penny Black’s ‘distinctive, ‘fresh spring’ & ‘sweet sprouts’ stamp on this card.

Once again I worked on hot press watercolour paper with distress inks. I usually spritz the stamp lightly with water before stamping then use a paintbrush to blend the inks or dilute them. The inks I used are listed below; I had seedless preserves as the main colour on the tulips and the highlight colour on the lupins. The technique for this card is featured in my online class Floral Faves which is still on sale for 30% off as part of my Moving Day Sale.

What’s blooming in your garden or neighbourhood right now?

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Grape Hyacinths

My garden seems to have lost its grape hyacinths; I used to have quite a few that would pop up year after year but I only saw a couple this year.

We had three days above 30°C last week so there is plenty happening in the garden. The crab apple is blossoming and the last of the daffodils are hanging on. I bought some annuals and started filling pots yesterday.

The stamp featured is from the Darkroom Door set ‘fine flowers vol 2’ designed by Godelieve Tjiskens. I inked the petals with seedless preserves and blueprint sketch distress inks then blended with water after stamping. The stems are rustic wilderness distress and the sentiment rustic wilderness archival.

Hope you are enjoying some colour in the world around you; perhaps you’re seeing warm tones if you are in the southern hemisphere.

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Blue Florals

I spent a little while painting florals the other day. My watercolour paints were on my table so I painted two precut card panels with a few blues. I started the flowers on both cards by putting five little dabs of paint in a circle then blending them out with a wet paint brush. After blending I added dots to the centres with black and yellow markers.

Both the bold and the soft florals looked ok but the leaves I’d added didn’t work. I set the panels aside, happy that I had practised but not planning to use either pieces. When I came back to them a day or so later I did some extreme cropping which took out the leaves I didn’t like and left me with some nice blends and a configuration which had some balance.

Even if I had not cropped them and put them on cards the exercise was worthwhile. Even after years of making, practising and learning I still have the niggling feeling that everything I work on should ‘work out’! I know it is unrealistic and I am getting better at spending time practising and playing just to grow and enjoy.

The pale blue ‘washy-er’ panel is my favourite but I love the colours in both. After cropping them I added them to an embossed panel (SU scripty) and popped up some Taylored Expressions sentiments over the top.

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Fresh Spring

Now that May has arrived I feel it is the right time to post tulip cards. My one tulip is blooming and the tulip festival is a week away. I have used the Penny Black ‘fresh spring’ stamp on hot press watercolour paper with distress inks.

Sometimes I stamp then blend with a paintbrush after stamping. This time the blends from a spritz of water on the inked stamp were almost enough without adding anything. I did a little blending on a few tulips and a few leaves but some of the blends just happened so I let them be.

I inked the tulips with wild honey distress ink and added festive berries over the base of the petals with a marker. Same with the leaves but using rustic wilderness with added forest moss for depth and variation. I know the distress markers are discontinued but they are so useful for adding ink selectively I will keep using them ’til they give up! The sentiment is from the PB set ‘special sentiments’.

My friend Jan recently sent me some more floral inspiration pics so I have added the inspiration for today’s card below. Thank you Jan.

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Green Truck in the City

This little green truck card was made on request, and probably not a focal point I would have come up with myself. The end result however made me very happy and all but the kraft buildings and road sign were cut from gel prints.

I could have cut all the components from coloured cardstock but I chose instead to use gel prints and mixed the green and blue paints on the gel plate in order to match the green of the truck requested. I love the added texture a gel print gives. The sky is very textured because it was printed on my damaged gel plate. I use it mainly as a palette where I mix colours or roll off excess paint. I pull prints off it now and again during a session and the patchy blue and white print made a perfect sky. I don’t have a truck die but I did some mods to a van die-cut and ‘ta-da’ I had a little green truck on its way to graduation!

Would this be a good time to mention there are a couple of spaces left in next Friday’s gel printing workshop?

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