Christmas Filigree

I am pretty excited about these new images. I think filigree patterns are very pretty and once I got the gist of it had a lovely time designing a bell, a star and a finial ornament. I thought it made sense to have a solid background to show off the filigree and, tada, the Christmas filigree digital stamp and cut file set came to be! This set is now in the Echidna Studios store along with three more new sets and some updated Christmas sets from last year. It’s beginning to look more like Christmas every day.

I think the bell is my favourite of the three images and will come in handy making wedding cards as well as Christmas. I wanted to show off the designs on dark backgrounds but when in comes to photographing shimmery gold, embossing on dark green or navy and the high contrast of cream cardstock as well, I can’t always nail it.

So let me tell you the bells are sitting on dark green panels embossed with Spellbinders ‘forever green’ folder. The green panel on the left below is also embossed with that folder but the one on the right is embossed with the Anna Griffin ‘regal braid’ folder. The star cards at the end of this very long post are on navy blue backgrounds and it is again a little tricky to see one base is embossed with the ‘speckles/snowfall‘ folder and the other with the Taylored Expressions ‘sheet music‘ folder.

I decorated the finials and bells with a mix of die cut foliage from Penny Black including the ‘joy of giving‘ set.

As the finial is such a long thin shape I made the card a little larger than usual, around 6″x4.5″.

I created the star cards without foliage but found suitable sentiment from PB and Taylored Expressions.

I think all three designs would make lovely tree ornaments either stacked to give them extra stability or cut from thick acrylic or thin board on a laser cutter. I don’t have a laser cutter but it is possible to book time on one at the library; if get some cut I will definitely show them here on the blog.

Thanks for scrolling all the way through this long post; I really appreciate you visiting the blog. Have a great day!

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Stripes and strips

If you have scraps of patterned or solid coloured paper today’s post is for you. I made a panel of striped cardstock by cutting thin strips of patterned paper and gluing them to a piece of light cardstock. From my homemade ‘striped cardstock’ I cut a hand drawn tree, a hand drawn bird and some simple triangle trees. You could use dies for all the elements I was just playing with ideas and decided to sketch and cut myself.

I used an embossed snowflake background for the card at the top of the page, a stamped kraft background for the tree above and then plain kraft for the bird. The little stars that decorate each card I did not hand cut of course! They are cut with the PB ‘starry night die’ and applied with the help of one of those sticky ended tools. Little embellishments have a high fiddliness factor which I don’t appreciate but these tiny stars were necessary!

I added outlines to both the bird and the tree with white or black gel pen along with some dots and a handwritten sentiment.

Cutting my own shapes was fun and put some of the many paper scraps to good use!


More Alcohol Inks on the Gel Plate

Using alcohol inks and stencils on the gel plate is a bit of an addiction for me right now so I filmed another one to show you. A friend let me know that if you receive my blog posts by email the video doesn’t show up in the email. To see the video just click on the title of the blog post and it will take you to my blog. If you would like to subscribe to my youtube channel too that would be delightful.

I started this print with the Lavinia pods stencil already covered in ink and then added more ink and isopropyl alcohol when it was on the gel plate. Take a look at the video below to see the process.

I would love to hear if you try this technique. As I mentioned last week I like pulling the prints with paper or cardstock because they are surfaces that I wouldn’t normally use with alcohol inks.

The finished card does include most of the print; it is a larger size than my usual A2 cards. I decided to add the Penny Black dragonflies in the wine colour which matches the alcohol ink I added very sparingly. In retrospect you will probably agree I could have added more. The sentiment is from Taylored Expressions ‘In and Out Birthday’ stamped in Chianti versafine clair ink.

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Alcohol Inks + Stencil on the Gel Plate

Recently I posted a card featuring a gel print made with alcohol inks and a stencil. You can check out that card here. There was quite a lot of interest in seeing a video of my process so that is what I have for you today. One of the bonuses of this technique is the way I can make more than one print from the same initial application of alcohol ink. I worked with T-Rex alcohol inks on a 5″x7″ gel plate.

As you will see in the video the first card (shown above) is made from the first print pulled from the gel plate.

The second print pulled from the gel plate features the same inks but they are more muted because I diluted them to move them from the stencil to the plate. I quite like the softness of the second print.

If a print works for me and honestly, they don’t all work, I often don’t want to cover them up with extra decoration or die cuts. That’s why I kept these card designs very simple with just a die cut ‘hello’ added to the first card. The second print which I made into the card below features an even smaller birthday sentiment and one thin strip of the same cardstock.

One of the reasons I like to work with alcohol inks on the gel plate is the fact that I can pull the prints with a piece of paper, in the case of these prints I used printer paper. When I work with alcohol inks apart from the gel plate I generally use a thicker plastic surface such as yupo or craft plastic. The inks move beautifully on those surfaces but the plastics are bulkier and a bit more expensive so it is nice to have the gel plate + paper option. The featured prints from today’s video were done on a 5″ x 7″ gel plate which meant I could get a 5.5″ x 4.25″ card front as well as a left over strip to add to the envelope.

If you are new to gel printing in general and would like to know more about creating a range of patterned prints please consider my online class, Gel Print Journey, where I cover all the basics with acrylic paint and all sorts of patterned and textured items. If you purchase any of my online classes before the end of September use the code: ENDOFSUMMERSALE for a 20% discount.


Wishing you comfort

I’m always looking for ways to use my gel prints because I have many and want to make more! I found this two panel idea on Victoria Wilding’s instagram. I chose not to stamp on my prints but instead added the Penny Black ‘whisper’ die-cut over the top, a strip of cardstock along the edge and a sentiment from the PB set ‘strength‘.

If you don’t have gel prints you could use any kind of patterned paper but I would encourage you to check out my online course ‘Gel Print Journey‘ if you are interested in learning or trying new techniques.

I thought the muted tones of the gel prints lent themselves to a sympathy card as did the dark brown cardstock rather than bold black.

These gel prints are not very bulky as I printed on paper not cardstock. I added double sided adhesive to the back then attached the strips to the card base and trimmed off any overhanging paper.

You might recognise the same greeny brown print on this second card but this time paired with a print featuring the PB background stamp, ‘bed of roses’.

I cut both the Moda Scrap ‘branch 9‘ die and the edge strip from dark green cardstock and used a similar coloured ink for the sentiment. I know the cardstock looks black in the photo but it is truly dark green in real life.

I liked the clean but pretty effect of two gel printed strips together and was able to make several cards using bits of 6″x6″ prints. I kept all the left over scraps too; you will see them in an upcoming journal page.


Gel Printing with the Strands stencil

A stencil gel print for you today. I created this distressed print on a large gel plate so I could pick up a card front and an envelope print at the same time. If you don’t have a large plate you could just use the same paint colours and stencil on a second print. Just in case you didn’t catch my news yesterday, my new online course Gel Print Journey is now available! (And there is a discount for blog readers TEAMBLOG10)

The stencil is called ‘strands’ and it is a digital design I created and have made available in the Echidna Studios etsy store. The bold print shown on the card above was made with copper, burgandy and purple paint so I chose a dark burgandy cardstock to cut dragonfly elements and a sentiment strip. Printing directly on the envelope is a easy way to co-ordinate with your card and I placed a sticker on the white envelope before printing to preserve white space for the address. I think I might make a video of this process because it’s quick and effective, a combination I like.

The pattern on the second card is very muted because it is a ghost print, the leftovers on the plate after I pulled the one above. I cover this technique in my new online class using a range of different stencils and colour combinations.

Even though ghost prints are often patchy I like using them for collage or backgrounds as I have here. The line between cream and grey ended up looking like a path or lawn and I just like the unique grungy texture.

The dies and stamps I used to finish the cards are all Penny Black, those dragonflies on the first card are some of the first dies I ever got and they’re still a favourite.

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Gel Print Mandala Thank You Card

Gel printing continues to entice and delight me. This brown and burgandy print was done with a mandala mask from The Crafter’s Workshop; it’s called ‘beaded mandala’.

This print is a good example of the bonuses you pick up when you don’t start with a perfectly clean gel plate. If you look closely you can see some tiny remnants of text from an image transfer as well as the more obvious grey leftovers. I chose burgandy for the stacked PB diecut ‘thank you’ because there are some patches that look more burgandy than brown.

This technique with stencils is one of my favourites and is included in my upcoming online class Gel Print Journey. I am excited to be talking about it again despite the months that have passed since I began. I am back on it and excited to release it soon!

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Turning

As you know I have recently been featuring some designs from my daughter’s etsy store Echidna Studios. They are available as digital stamps/cutting files. What I haven’t mentioned is that some of the designs in her store are designed by me! She has just added a batch of digital images that I designed as stencils but they can also be printed. The circle masked on the card above and the half circle on the second card are from a digital set called ‘turning‘. The beauty of digital designs is that they can be cut or printed in any size. I cut both stencils from Grafix matte duralar using my cricut.

I blended three distress inks through the stencil onto neenah solar white cardstock then added the PB delicate daisies die-cuts and a PB sentiment.

To create the half turn stenciled card I worked on Grafix white craft plastic with three alcohol inks. I dropped isopropyl alcohol and alcohol inks on the panel then dropped the stencil into position. I tried to be patient so the inks would dry and give me a complete impression of the stencil. I did help it along with an air blower and managed not to lift it too early! I splattered a little isopropyl over the top for extra interest.

Once again I finished the card with black elements: the PB daisies and a sentiment strip from Paper Rose Studio. I hope you visit Echidna Studios store and check out the designs there. I will be featuring more in the weeks ahead. See if you can guess which of the stamp sets I designed, they are different from my daughter’s very realistic style. If you are on IG we would love you to follow Echidna Studios there too. And if you do happen to be on Instagram check out Gina Ferrari and see if you recognise anyone among her portraits.

By the way, a while back I showed a sneak peak of a squares stencil I had designed and cut. You can see I used it on the card below and in the video here. The stencil is called skewed squares and it is now available as a digital file in the Echidna Studios store.

Thanks for dropping by today. I hope the sun is shining where you are; it is peeping through the clouds here.

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Tea, Coffee, Art Journalling?

Today I am posting a few pages from last year’s Art Journal Adventure workshops. I taught seven different ‘episodes’ last year and one month the theme was coffee and tea. I did a few pages before the sessions and then created a different page during each class. I don’t like replicating the same spread in my art journal so each one had a different colour scheme and style.

Even though I am more of a herbal tea drinker than a coffee drinker I ended up creating three coffee themed pages and two tea themed. You can see the first coffee themed page here. As you can see from the three spreads featured here I use a variety of techniques, papers and elements in my pages. The common technique on these pages is a watercolour background and the common element is the chipboard cups. Both the coffee themed pages feature photos from an old coffee themed diary. In both cases I took my colour scheme from the photo and added browns.

This tea themed page could also be called ‘these are a few of my favourite teas!’ I used packaging from boxes and sachets, embossed the teacups to match and add snippets from old books and magazines.

These pages show how I gather elements and papers from here, there and everywhere when creating a page. I used inks, embossing powders and glazes, stamps and stencils for these pages but I also used an old diary, packaging, pages from a vintage recipe book, and old teabags!

I almost didn’t finish this last spread but once I had stamped then glazed the cute chipboard cups I knew I had to finish. Now I want a mug with vintage newsprint on it!

Art Journal Adventure for 2023 kicks off this week. There is still space in the Friday class and the Monday class. We will be creating with semi- transparent papers.

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Snowflake Cards

Apparently we are getting 10-20cm of snow tonight. So these cards are appropriate for late February! I teamed up with Grafix to complete these projects. I love using liquid frisket to create a scattering or a storm of snowflakes or stars across a watercolour background.

I splattered the liquid frisket on hot pressed watercolour, let the droplets dry then used dye inks to colour the panels. You can see the process in the video below.

I cut intricate snowflakes from lightweight white linen cardstock to add to the watercolour panels. All but the die-cut snowflakes on the final card are designs from Echidna Studios. I used snowflakes from the Snowflake Digital Stamp set. I have used them as stamps on previous cards but this time I cut them on a cricut.

Because the snowflakes are quite intricate gluing them on with artist tac was very straightforward. I also use artist tac when I am attaching individual letters to create a word or sentiment.

I used a few of the cards as thankyous and left a few blank.

I used smooshed distress inks to create the watercolour backgrounds but you could use watercolour paints or powders to make soft blended backgrounds.

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