I have new MFT stencils and oxide inks in the house, a good combination for sure as the oxide inks blend so very nicely. The stencils are the focus on today’s cards but I’m sure I’ll have them providing subtle backgrounds on cards in the future. I’m over on the Foiled Fox blog today talking about these cards and my choices for each one. The first card features MFT ‘geometric stars’ stencil. The next two cards are made with the MFT ‘Moroccan mosaic’ stencil.
I used mini ink blending tools and Neenah solar white cardstock to create all the cards.
I have some of the new oxide colours so I was keen to try them out. Above are all new stormy sky, spun sugar and dusty concord. (Ahh stormy sky, you are so perfect)
I paired the new crushed olive with the older forest moss. (There is also some antique linen in the middle there but it’s covered up by the HAPPY!) I had fun mixing and matching with some MFT sentiment sets to create all my messages and I love the way the stencilling underneath affects the stamping over the top.
For my final card it was again new oxides, tumbled glass and crushed olive. If you have never blended with oxide inks, you probably should; it’s very satisfying.
I was happy with these colour combos; I’d love to hear which oxides you like to put together.
Stamps: Happy Birthday to you, Yay for you (MFT)
Stencils: geometric stars, Moroccan mosaic (MFT
Inks: spun sugar, stormy sky, dusty concord, crushed olive, forest moss, antique linen, tumbled glass oxide inks
Paper: neenah solar white cardstock
Also: cutterpillar glow premium, mini ink blending tool, mini ink blending foams
I have a new glass mat on my work table and it’s been fun trying some of my favourite techniques on the glass surface. To create the backgrounds for these two cards I swiped distress oxide inks on the glass, spritzed some water over the ink then swiped hot pressed watercolour paper through it.
For this card the oxide inks were wild honey and lucky clover. I topped the panel with the scrolls half edger die cut and a stacked sentiment. I backed the white cardstock with adhesive sheet first before cutting to make it easier to attach.
The second background was made by swiping watercolour paper through wild honey, lucky clover and abandoned coral oxide inks then splattering some more ink and water over the top.
This one I decorated with the ‘floral half’ die cut edger. Both decorative dies cut all the intricate detail on one side and leave the opposite edge uncut
The cutterpillar glass mat worked beautifully for smooshing ink onto. I managed to spill half a bottle of glue on it while putting these cards together and ended up leaving it to dry for a day or two then peeled it off with ease. I have linked to the glass mat below so you can take a look (in the photo it is shown on top of the Cutterpillar Glow light pad). I really like the size as I can complete inky-painty projects on it but it doesn’t take over my whole work table. I will share more about it as I put it through its paces with other techniques.
Happy Australia Day! What better to feature on the blog than a card made with Australia’s own Darkroom Door designs. The fact is though, by the time I get out of bed on Australia Day the festivities over there are practically over. I am currently sixteen hours behind my family on the east coast of NSW!
I’ve been pairing stencils with a few different things lately. For today’s card I sponged through the Darkroom Door stencil, wildflowers, with black soot distress oxide ink. You can see the watermarks on the stenciled flowers, a chalky white effect particularly obvious with the oxide inks. But before I did that I began by sprinkling brusho over a panel of watercolour paper. I spritzed with water and let the patterns happen. Once that was dry I sponged the black soot oxide through the stencil then splattered some droplets of water on top. I dabbed them up fairly quickly to create the watermarks.
I cut a black mat to be a very narrow frame around the panel and added a black sentiment from the Darkroom Door Happy Birthday set.
Stamps: happy birthday
Paint: brusho paints sunburst lemon, leaf green, ost blue brusho
Ink: versafine onyx black, black soot distress oxide
Paper: hot pressed watercolour, solar white, epic black
Also: clear embossing powder
Stamps: Darkroom Door Correspondence set, Darkroom Door World Map
Ink: Versafine Ink Onyx Black
Distress Oxide inks: Fossilized Amber, Broken China, Cracked Pistachio
Also: gold paint, Nuvo Black ebony crystal drops, black foam sheet, craft mat
Paper: Neenah solar white, Hot pressed watercolour paper
I taught a class a while ago where we created distress oxide backgrounds similar to this one. I began with a piece of hot pressed watercolour paper, swiped my salty ocean and fossilized amber distress oxide inks across the panel then spritzed it generously while holding the paper upright which enabled the ink to run down towards the bottom of the panel. I held it the opposite way so the lighter colour ran back into the darker. I kept doing this until I had a fully covered, blended background.
It’s hard to see in the photo but I spritzed with pearl-ex spray which created a sparkly sheen over everything. (I create my own pearl-ex spray by adding less than ¼tsp pearl-ex powder to a small spritzer full of water) Once the panel was dry I splattered some more spray over the background and dabbed it off with a paper towel to created the patchy light and dark effect.
I stamped the Queen Anne’s lace stamps from the Penny Black Flower Sparks set in fossilized amber, salty ocean and black soot distress oxide inks. To finish I attached to a white card base and added a white on black embossed sentiment. All the supplies are listed below; some include affiliate links which give me a small commission but add nothing to your costs. Anytime you feel like browsing in The Foiled Fox online store, clicking through from the Foiled Fox promo in my side bar will send some commission my way if you make a purchase. And while we are chatting about the lovely folk at The Foiled Fox I have an inside scoop: they are starting a loyalty program where you will earn ‘foxy dollars’ every time you make a purchase there. Even though it hasn’t officially begun any November purchases will count towards your future foxy dollars!
Stamps:Flower Sparks, Happy Snippets (made by Penny Black)
Inks: fossilized amber, salty ocean, black soot distress oxide inks (Ranger) Versamark (Tsukineko)
Papers: hot pressed watercolour paper, Neenah solar white cardstock, Neenah epic black cardstock
Tools: heat tool
Added extras: interference blue pearl-ex powder
This peaceful wilderness path is a scenic stamp from Darkroom Door. I’ve used it in three different ways to create some seasonal backgrounds. For the card above I created an alcohol ink background on yupo in the blues and greens of summer. I stamped the path stamp over the alcohol ink panel in stazon jet black ink. I hand wrote the little sentiment with a fine micron pen.
To create my golden fall scene I used distress oxide inks on glossy photo paper. I pressed the orange and yellow inks onto a craft mat, spritzed them and swiped my photo paper panel through the ink. Most of the colour soaked into the paper immediately but I set it aside to dry for a while and found there was a chalky residue that stayed on top. I wiped that off and was left with a background to which I stamped over with stazon jet black ink.
My chilly winter scene was created using brusho powders on a craft mat. I sprinkled some blue and purple on the mat, spritzed it then swiped some photo paper through the colour. The first print is usually quite intense so I think the one below must have been a second impression.
These cards are also on the Darkroom Door blog today so pop over there for all the complete supply list.
I’ve been playing with distress oxide inks again and its all because of the wonderful folk at the Foiled Fox. I loved the first 12 colours released but when I saw salty ocean, peacock feathers and seedless preserves in the second release I was pretty happy. I am guest blogging over on the Foiled Fox blog today with all the details about this card.
Our family has been enjoying a visit from my sister-in-law, Dale for a few weeks. She came from Australia via Alaska and we have had the chance to do a few little trips around Ontario and Quebec while she’s been here. One afternoon while we were home I was downstairs in my workroom trying to nail this card. I loved the soft blends in the background but deciding on features for the foreground was not happening. Dale came down to see what I was doing and we ended up collaborating to complete the card.
Stamps:Sweet Perfume, Butterfly Trio (PB)
Die: Many Thanks (PB)
Inks: spiced marmalade, abandoned coral, wild honey distress oxide inks (Ranger) versamark (Tsukineko)
Papers: hot pressed watercolour paper, Neenah natural white cardstock, brick red cardstock
Also: clear embossing powder (WOW)
The newest distress oxide inks are in the house (thank you Foiled Fox) so I decided to do some stamping with them along with a basic background. So far in my experiments with distress oxides and my recent class I have used distress oxides to create dramatic and rich backgrounds. In using them for stamping I had to think about what characteristics of the ink I wanted to take advantage of.
I began by making a background. I pressed the salty ocean ink on my impermeable craft mat, added water then swiped my watercolour panel through it. I dried that completely then did a similar thing with lucky clover and twisted citron inks. Next I pulled out the MISTI so I could stamp the tree colour by colour. I inked the foliage in lucky clover, stamped, peeled paint, stamped, spritzed to let it blend then inked the trunk and a few areas within the foliage with vintage photo and stamped that. To get a nice blend I kept stamping patches of colour here and there with the help of the misti. What I didn’t end up liking was how pale and ‘oxidised’ the foliage became. It got the chalky look where I wanted more bold colour. The fix for this I felt, would be to add undiluted ink over the top so I dried everything and stamped more lucky clover and peeled paint over the top of the blended colour. There is still plenty of chalky oxidised colour but also some darker areas.
Only the grass remained to be stamped so I picked ‘lucky clover’ on account of its name and stamped that across the bottom of the panel. I kept the stamp in place but moved my paper to extend the grass from one side to the other. The overall effect is more like a tree painted in acrylic over a watercolour sky. Rather than switch to my usual versafine for the sentiment I kept it all in the DiOx family and used black soot then framed the panel in black and attached it to my cream card base.
Stamps: Shade Canopy, Faith (PB)
Inks: salty ocean, lucky clover, peeled paint, twisted citron, vintage photo, black soot distress oxide inks (Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
I have a couple of distress oxide backgrounds to share today, topped with a whimsical line stamp from Penny Black. To create the backgrounds I applied spiced marmalade and worn lipstick diox inks to watercolour paper then spritzed them enough to make the colours blend but not so much as to flood the colour off the page.
I stamped the ‘happy bliss’ stamp in versafine onyx black ink over the coloured background and popped up the panels on white card bases. I die cut the little black banners and added a stamped sentiment on one and a handlettered phrase on the other.
Hope you are having a fabulous day.
Stamps: Happy Bliss (PB)
Dies: Tagged, Shades (PB)
Pens: Exclusive Calligraphy nib holder (Foiled Fox)
Ink: Spiced marmalade & worn lipstick distress oxide inks (Ranger) Versafine onyx black ink (Tsukineko)
Papers: hot pressed watercolour paper, Neenah epic black and solar white cardstock
Ink: DrPh Martins bleedproof white for calligraphy