Hand painted veggie card

I’ve been painting again but took a break from florals. I pictured this veggie panel in my head before I sat down to paint it and realised part way through I should have been working bigger. I did the carrots first and as they were the biggest vegetable I regretted making them so small. All the rest of the veggies had to be pretty tiny to make it work.

I used Fabriano cold pressed watercolour paper and Sennelier watercolour paints. The card is one layer so I folded the piece of watercolour paper then masked the edges before I started painting. I had watched some youtube tutorials to glean hints including Jenna Rainey’s ‘farmer’s market‘ and Laurie Tsou’s ‘drawing fruits and vegetables‘.

When I had filled the panel with carrots, broccoli, beets, chiles and mushrooms it still looked unfinished so I had to include the peas. I am not a fan of peas but as you can see they are the perfect filler, for a painting mind you, not a meal. When I was a child I was required to eat the number of peas that matched my age at the time and yes my family still brings that up and amuses themselves by asking if the required number of peas are on my plate! After I’d added the peas, with a stylus not a paintbrush, I still needed more definition on the masked edges so I blended some bamboo branch memento ink lightly over the tape. The sentiment is from Altenew’s ‘leaf canopy’ set.

Stay awesome my friends and eat your veggies. Or paint them if that’s more your style. Or better yet, grow them, paint them then eat them!

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Birthday birdhouses

I hope your garden is full of birds and blooms right now, mine is getting there slowly. If  you are having a birthday during this season, it’s possibly a little different to past celebrations. My birthday is in the dead of winter but I do remember fondly when it was in the height of summer when birds, blooms and strawberries were in abundance!

To create this bright happy card I did some no line watercolour with distress inks. I stamped the PB ‘good neighbors’ outline stamp in antique linen then did all the painting with distress inks smooshed on my glass mat. For fine lines and tiny spaces I used distress markers.

I used cold pressed watercolour paper for this one; I switch back and forth between hot pressed and cold pressed, often choosing hot pressed for the ease of stamping detailed stamps. Once I was finished I decided to pop up the panel on a piece of foam but first I cut the panel with the new love of my card making life, Waffle Flowers ‘additional A2 layers’ dies. I love both their A2 layers dies and additional layers dies the same, no favouritism, in fact the reason I love them is because there are two sets making it possible to mat panels with a ⅛” border. I’m not demonstrating that feature on this card but I will be on future projects. I also love the fact that my rectangle is even and perfect first go. My cutter still does a great job just not sure if my steady hand and eye do the stellar job they once did.

I finished off the card by cutting two banners with one of Penny Black’s triple banner dies, two so it was raised up just a bit, not as much as foam tape would raise it. I stamped a sentiment from banner sentiments on the banner but if you know this set you might realise the stamp doesn’t actually curve that way; let me tell you it does when you snip it in two and arrange it on the door of your misti.

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Warm wishes circle

I am hanging out on the Foiled Fox blog today sharing a Darkroom Door project. I’m pretty happy to tell you Foiled Fox is carrying some Darkroom Door stamps now. I’m always happy when my favourite products come to my favourite stores! Today’s card features the DD ‘warm wishes’ set with it’s pretty clover flowers and sweet sentiments.

Before stamping I traced a circle on a piece of hot pressed watercolour paper then painted masking fluid around the edge of the circle to mask off the area inside. I also splattered some dots of masking fluid inside the circle. I used two distress inks to paint the background starting by smooshing the inks on my glass mat and adding a little water so I had a diluted ink to pick up with my paintbrush. I painted broken china ink on the top section of the  circle and bundled sage on the bottom blending them together a little while keeping the centre of the circle lighter than the edges. Once the background was dry I placed the panel in my misti so I could stamp the flowers multiple times if necessary. The flower heads are a mix of worn lipstick and spiced marmalade distress inks and the stems are stamped in forest moss distress ink.

I splattered a few water droplets over the finished panel and dabbed them away with a paper towel to leave watermarks. With all the stamping and painting complete I removed the masking fluid (so satisfying) and popped up the panel on a piece of foam before attaching to a luxe white textured card base. Make sure you pop over to the Foiled Fox blog and store today to see the other Darkroom Door products in stock.

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Disappearing lilacs

I keep returning to these lovely stamps because they handle watercolour effects so well. My other examples are more defined than this one but I like both techniques. I worked on cold pressed watercolour paper for this one and started by wetting the panel so I could stamp a pale washy background. I used only three distress inks, shaded lilac, blueprint sketch and mowed lawn. I inked the stamp with mostly shaded lilac and mowed lawn, spritzed it with water then stamped on the wet panel. The result is the pale disappearing images you see in the background.

I dried the panel before doing another impression with the lilac stamp, this time I added a few drops of water onto the panel and a spritz of water to the stamp. The ink blended on the stamp and pooled a little on the panel. My last impression was the more defined print on the right hand side. For this one the panel was dry but the stamp still got a spritz of water to move the ink.

I chose an area of stamping with very little definition as the spot for my sentiment stamped in versafine imperial purple.

Are your lilacs blooming? Mine are along with the first iris and some lupins so the blues and pinks are currently well represented in my garden. Yay!

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Masked hand painted circle

A few weeks ago I posted a floral wreath I’d painted and asked your opinion on adding a sentiment. In the end I didn’t risk stamping or writing one because I didn’t want to spoil the finished wreath with an inky mistake. So….can you guess why I have a large sentiment strip stuck across this floral circle I painted?

To create the floral circle I drew a circle in pencil on cold pressed watercolour paper then painted liquid frisket (masking fluid) to a width of about half an inch around the outside of the circle. I used my Sennelier watercolours to paint three large roses first then moved onto other flowers, leaves and berries until the circle was fairly full. With a random design like this one whether it is painted or stamped it makes sense to start with the largest images to make sure you can fit them in then finish off will little leaves, dots or tiny flowers to fill any spaces at the end.

Once the painted circle was complete I practiced a ‘happy birthday’ greeting on scraps of watercolour paper with my nib pen and some black ink until I was happy with the size and style. I had only written 2½ letters before a large blob of black ink landed on the panel where the letter ‘p’ should have been! As you probably guessed that is the reason I have a large birthday banner obscuring some of my pretty flowers.

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Masked Wildflowers Video

I have a simple design for you today and I turned on the camera while I was doing it. It’s probably something you have tried before but might be new to a few readers. I used washi tape to mask off a frame on a one layer hot pressed watercolour card base then created a watercolour background with distress inks and salt.

The stamps are some of my favourite silhouette stamps from the Darkroom Door ‘wildflowers vol 1’ set with a sentiment from a recent set ‘warm wishes’.

It was fun creating a one layer card again; some of you will remember when I was part of the ‘One Layer Wednesday’ challenge and ‘One Layer Simplicity’ challenge a few years back.

Let me know if you try this technique, I’d love to hear or see what you came up with.

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Alluring Cut Up

This watercoloured panel stamped with the PB ‘alluring’ stamp has been sitting around for a long time. I’ve been trying to come up with a slightly different way to turn it into a card. I create a great many cards with one large stamped and painted panel and little else so I wanted to mix things up a little with this one. I finally decided to slice up the panel then pop it up on foam backing.

I stamped the original panel on cold pressed watercolour paper and used one of my favourite watercolour techniques. Instead of stamping in a pale water soluble ink then painting with ink or watercolour paint I ink the different parts of the scene with different inkpads or markers, spritz the ink with water then stamp. With some extra ink handy on my glass mat I use a paint brush to blend the stamped ink into the petals, leaves and other shapes adding extra ink where needed.

When slicing it up I took care to divide it unevenly while making sure some elements carried across to adjacent sections. That way the eye moves across the panel and doesn’t come to halt in the middle. I’ve listed the inks I used below, all distress inks in either ink cube or marker form. Oh and by the way have you seen the new distress colour? ‘Speckled Egg’ looks like it might be a blue green or even better a grey blue; I wonder how it compares with tumbled glass and broken china. Regardless, it’s part of the blue family so yes, I will be getting it in a few different forms. How about you?

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Country Charisma

This rustic style card features a few stamps from the Penny Black ‘country charisma’ set. The clear set includes a jug, a watering can and four floral/foliage stamps to pop in the jug. I had a rough plan in my head as I started stamping but it didn’t work quite how I had hoped. I almost quit half way through but I remembered a tip I had heard from the talented Jenna Rainey in one of her recent videos where she recommended not stopping too soon. Sometimes a painting or card can look unappealing part way through but balanced and complete when more detail, colour or texture is added.

I worked on hot pressed watercolour paper with some masking fluid splattered on it. I stamped the jug first in papertrey ink cubes ‘smokey shadow’ and ‘cocoa bean’. I blended the inks to fill the jug, adding extra ink from my glass mat where necessary. I let the jug dry before adding flowers and foliage. The leaves and flowers I inked with bright buttercup and olive twist ink cubes. I spritzed them lightly with water before stamping and did minimal blending with a very small brush on the panel. At this point it looked a little ho-hum so I took a chance and stamped another flower in ‘royal velvet’ and ‘enchanted evening’. Can we take a second to wonder how these delightful ink names are chosen? I think I would have fun with that job!  The purple flowers definitely added some contrast but it was still a bit of a patchy design; it lacked depth. I ruled a line of black soot ink across the panel then blended the ink downwards adding cocoa bean and stormy sea inks I’d already used and a few drops of the buttercup and royal velvet.

With the jug grounded I felt I was almost there but the background needed a little something. Trying to watercolour around all those little leaves was not an option so I pulled out the blending brushes and blended some bright buttercup ink around the edges and a little bit over the flowers. It is possible to add a very pale layer with a blending brush which was exactly what I needed for this design. I removed the masking fluid to reveal the white blotches adding to the overall rustic look.

To finish off the card I added a very narrow mat in the purply blue colour and attached that to a new fave, ‘luxe grey cardstock’. I think I mentioned recently the lovely luxe white textured cardstock from the Foiled Fox; it’s a creamy colour that works well with my watercolour paper. The same textured cardstock comes in grey; I rarely use grey card bases but I think that might change with this lovely luxe grey.

Have a great weekend, friends.

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Hand painted floral wreath

It is a constant resolve of mine to do more painting. I love painting with stamped images but I want to improve my painting without stamps too.  I spent some free time recently painting this little wreath for a friend’s birthday. I worked on Fabriano cold pressed watercolour paper (100% cotton 140lb) and used Sennelier watercolour paints. As usual I kept my palette of colours limited concentrating on the same red, blue, purple, grey and mustard paints to get different hues and tones. I began by tracing a circle with a light brown watercolour pencil knowing that I would cover most of it up and it would dilute and disappear as I painted over it.

I started by painting the large flowers then moved on to the smaller ones and leaves. I kept adding little leaves or buds thinking the circle was unbalanced but eventually had to tell myself to stop. The decision about whether to stamp, hand letter or die cut some words is still unresolved. What to do you think?

 


Meadow blossoms

I attended a class not too long ago taught by my clever friend, Liane, where we used paint chips to make cards. Some paint chips have colours from the same family displayed but others have colour combinations that are suggestions when painting and decorating a room. I used one such card to choose the colours for this blue floral card. The paint chip featured colours called nautica, blizzard and tahini. I found similar colours on my peerless watercolour palette and did some no-line watercolour.

I started by stamping C&9 ‘meadow blossoms’ floral stamp in Gina K ‘whisper’ ink. The ink is a pale beige/grey dye ink which disappeared nicely as I painted with peerless watercolour paint over the top. I worked on non adjacent petals so the paint and water would not bleed from one area to the next. On the largest flowers I painted a dab of ‘Alice blue’ paint then blended it with water to fill the petal.

On the smaller flowers I switched the order and painted each petal with water first then dabbed in some blue paint. The second method resulted in slightly paler flowers. I painted all the leaves and stems in ‘warm sepia’ and the flower centres in ‘pearl grey’. Once all the paint was dry I used two inktense pencils to add veins and shading to the leaves and petals. I painted black dots in the flower centres then drew tiny stems to the dots with a very fine tip black pen. The black thank you die cut is from the PB ‘many thanks’ die set cut from black cardstock and stacked for extra dimension. I think it works well either side of the cute phrase from the PB ‘million thanks’ set which is stamped in nocturne black on a strip cut with the Taylored Expressions ‘simple strips’ die.

If you are stuck for a colour combo try some paint chip inspiration; I don’t think I would have thought up the blue, brown, grey combo without the inspiration on the chip. And call your bestie!

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