Lakeside Wander

When I receive new scenic stamps from Penny Black I love creating a variety of scenes. I like to change mood and location first with colour and later with the addition of other scenic stamps. Both scenes in today’s post feature only one stamp, the new ‘wander’ cling stamp.

The stamp includes both the distant hills and the foreground with a tree. The space in between can be interpreted by the stamper to include whatever they wish. I have chosen to make it water in both my cards perhaps a river, a lake or ocean inlet.

To make both scenes I created a smooshed ink sky first. For the sunny sky and water above I smooshed salty ocean, scattered straw and mowed lawn on my glass mat then swiped the watercolour panel through the diluted ink. For the moodier panel below I smooshed faded jeans, mowed lawn and tea dye to create my background.

Once the sky dried I stamped the scenic stamp inking it with a mix of distress inkpads and markers. I add colours a bit at a time to build up dimension sometimes spritzing the stamp to move the inks and other times blending the stamped inks with a paint brush

To add reflections to the second scene I painted over the water with hmmm, water so I could drop ink into the wet area below the land and trees.

When I had finished the panel above I gave it some texture with the ‘subtle’ embossing folder so it looks like it has a canvas finish. The two cards definitely show different moods, the first being bright and sunny, the second darker but with drama in the water and sky. Which do you prefer?

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Seashells

Penny Black recently came out with new stamps that had me daydreaming of the beach. I was a shell collector as a child and still love wandering the shore looking for seashell beauty when I get the chance.

To bring these clear stamps to life I stamped initially in various colours of Catherine Pooler ink then blended out the colours to fill the shells. I smooshed the inks on my glass mat so I could use it as a palette and featured brown inks in all four shells but added different colours to make each one stand out a little. After blending colours for a while some of the initial detail was lost so I used a few distress markers to add some lines back in.

Once the shells dried I used a warm grey Karin brush marker to add shadows below the shells. I drew around the base of each shell in grey then blended it out with water before adding extra grey right beside the shell for depth.

I popped the panel up up an embossed background made with the ‘mod squares’ folder from Altenew.

Oh I would like to be beside the seaside!

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Gouache skies

Some of you may remember me mentioning a while back an interest in trying gouache paint. The Foiled Fox kindly sent me some to try and I have been learning and practicing the techniques over the last couple of months. I am sharing over on their blog today so make sure you visit to read more about my process. Gouache is an opaque acrylic paint with some similarities to watercolour paint. It is possible to dilute with water until it becomes somewhat transparent but it is more common to see it used in its opaque form. I watched several videos to learn what to do (and what not to do!) and will continue to experiment.

One key fact I learnt after trying to paint with several colours right out of the tube is the need to mix with a little water to get a creamy consistency. Another important thing to note is that unlike watercolour, where I add water to get a lighter shade, with gouache I add white paint. In the photo above you can see two panels side by side. I taped the watercolour paper with washi tape and painted the one on the left without adding white paint to the red and orange paints used. For the one on the right I added white to both the red and the orange increasing the amount of white to get the lighter colour at the bottom.

I also included the photo of the uncut panel so you could see how well the washi tape masked against the paint but was not thick enough to keep out all the versafine clair nocturne ink.

To turn the painted panels into scenes I used PB ‘soulful silhouettes’ stamped in nocturne versafine clair ink. It stamped really well on the gouache.

I popped up the panels and added sentiments using the PB ‘only you’ sentiment set.

After some success with the warm toned panels I taped off a larger one and used blues and red to create a gradated purple sky. Although it is quite dark I did mix white paint with each of the colours used. ( I listed the paint colours used on the Foiled Fox post)

Once the background sky paint dried I splattered white gouache for stars then painted a circle for the moon. Once again the nocturne ink worked beautifully over the painting as I stamped trees from the PB ‘snowy village’ set.

I finished all three panels by painting some black foliage along the base to look like grass and plants.

Let me know if you use gouache either for cards or other purposes. I have a few projects I hope to try as I continue to learn more about the medium. Thanks for dropping by.

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2021 BuJo – August theme

This might be a first, having my month theme set up and ready to share before the month has even started! I wanted to include butterflies as the garden has been attracting quite a few. I’ve been enjoying both blooms and wings.

I masked the circle with an ‘express-it mask it sheet then stamped butterflies and flowers from the PB ‘perfect pairings’ set with soft stone ink. Before colouring I added memento summer sky ink with a blending brush.

As I did the last two months I used markers to colour the flowers and butterflies; I am still new to (non-blended) colouring with markers. Usually when I use markers for colouring I add a little ink then blend it with water to fill a space. As the bullet journal pages do not handle water in the same way as watercolour paper I’ve avoided water blending.

On both the title page and list page I filled the wings with blue first then added all the details over the top with black and white gel pens. I switched to a pilot fineliner to do the numbers and lettering.

After prepping my August pages with flowers and butterflies it is time I headed out to my garden and did some real life tidying up. Thanks for dropping by.

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Work & Relax

Are you surprised to see another critter post? Regular programming will resume I promise but first let’s enjoy Scooter and her friends working from home and pampering themselves!

Once again I stamped the images with Papertrey ink’s soft stone. It is great for no-line watercolour. I used Peerless watercolours to paint the little scenes concentrating on a few main colours for each card. For the hedgehog I switched to brown distress markers, easier for getting all those spikes!

If you didn’t read it in my earlier post, Penny Black is donating some of the proceeds from the Scooter release to Muttville a rescue program for senior dogs.

Hope you get to ‘paws & relax’ this weekend. It’s a long weekend here in Ontario!

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Hot Diggity

I have another cute Scooter card for you today. Once again I watercoloured, this time with distress inks. I think this is my favourite set from the release; what’s not to like about a canine mariachi band?

I stamped some images with soft stone ink then painted with distress inks. Other images, including the hedgehog I stamped in brown distress inks and blended them to fill the image. I painted the background with distress inks smooshed and diluted on my glass mat.

The second card I stamped in antique linen distress inks and stamped on masking paper also so I could create the scene with cacti in the background and one musician behind another.

I painted with peerless watercolour paints and added gold details with a gel pen. I used the masks a second time so I could blend ink over the background.

These Scooter scenes were definitely a departure from my nature (and book) themed projects but as a friend said to my yesterday, ‘always good to step out of your comfort zone!’

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Scooter

If you have visited the Penny Black blog lately you will have met Scooter; that’s her on the right. The Scooter release features a pup and her friends. The real life Scooter was part of the Penny Black family and now there is a range of stamps featuring her real and imagined activities. Penny Black is donating a portion of the proceeds from Scooter stamp set sales to Muttville a senior dog rescue program.

Unaccustomed to painting cute critters like Scooter it took me a while to get in the groove. For this little scene featuring stamps from the Puptastic set I stamped the outline images in papertrey soft stone ink then watercoloured with Karin brushmarkers. The sky and grass is also diluted ink from the Karin markers.

To complete the card I stamped the sentiment from the same set on a label cut with a tag from the PB ‘gift card pocket’ die set, tied it with twine and popped it up on dimensional tape.

Thank you for all your kind words about my garden pics. It really has become a relaxing pastime for me. I think because it is finally under control I can enjoy working on a patch for a short time or strolling around trimming off deadheads. It is no longer just about weeding!

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Landscapes from leftovers

In my recent gel printing video I kept a piece of heavy weight paper off to the side for cleaning my brayer. I turned it around half way through the printing session so it ended up browns on one side and blue/grey/yellow on the other.

The colour and texture was too yummy to waste so I cut two rectangles which both spanned the centre or ‘horizon’ line of the large sheet. Because the panel above has a dark sky I punched a circle moon from another area and made it a night scene with the addition of black silhouette trees die-cut with the PB ‘into the woods’ die.

Not only is there plenty of visual texture in these panels the brayered paper is also very rough to touch. There is no trick to making these papers; I definitely don’t keep the clean up sheets every time but I find if I work with the same colours for a while and flip the sheet around when it has plenty of paint on it the combination of colour and texture can be beautiful.

The second card is more of a late afternoon scene. The colour of the sun is similar to what we saw two days ago when the sky was hazy due to bushfires in northwestern Ontario.

The trees blend into the landscape somewhat as there is not a lot of contrast between the die cuts and the base. I used the PB ‘tall trees’ dies and cut them from the left over edges of the panel.

This is not the first time I’ve used scraps and scratch paper for cards and journal pages. This cityscape is made from gel printing masks and two of these cards are from a clean up sheet. Today I glued a large ‘clean up’ sheet into my art journal as a background for a future page. I don’t know what to do with it yet but I liked it too much to toss it away.

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Gel print backgrounds – stripes and grid

Yesterday I posted a gel printing video where I used both an egg carton and a piece of corrugated cardboard to add texture to my prints. I used a couple of the corrugated cardboard prints to make today’s cards.

You can see how I printed this panel in the video. To turn it into a card I used a couple of new stamps from Penny Black. I stamped the mountain stamp five times in browns and blue then inked the rushes with a brown and a blue ink. I love the way it looks like a sunset or sunrise because of the background print. It wasn’t something I tried to create but a possibility I saw when looking at the prints.

The print below was made with the same piece of corrugated cardboard pressed down on the gel press twice to create a grid pattern. You can see the process in yesterday’s video. I decided to stamp flowers on it as an experiment. I knew it might be too much pattern but I wanted to try. I stamped and embossed the Penny Black ‘companions’ stamp in versafine clair nocturne ink and it looked bold just as an outline.

By painting inside the flowers I was able to separate them from the background enough to make them a feature not a competitor with the very busy grid pattern. I used a couple of layers of pearlescent paint on the flowers but quite diluted pearlescent black on the leaves and jug.

Tell me what ‘recycled’ items you have used for gel printing. I am keen to print with ‘all the things’! To be honest gel printing is top of my list of techniques right now. I hope you enjoyed the two recent gel printing videos. I will definitely make more. Tomorrow I have a couple of cards made from the piece of cardstock I used to clean my brayer. I showed a glimpse of it at the end of the video.

See you soon.

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Gel Printing with recycled cardboard

I posted a video last week featuring gel prints with stencils. In today’s technique video I use cardboard found at home. One piece was the packaging for eggs and the other a piece of corrugated cardboard.

The huge snowballs falling in the card above were printed using the large circles on the egg carton. I could have done more on the gel plate with extra colour or texture but I kept it simple which works well behind the more intricate sleigh. You can see my process in the video below.

The card below also features a gel print background made with an egg carton but I pulled two prints on the one panel both with green and white paint and egg carton circles.

The card below also features a gel print background made with an egg carton but I pulled two prints on the one panel both with green and white paint and egg carton circles. I stamped leaves from the Darkroom Door stamp set, ‘carved leaves vol 1’ over the bokeh-like circle background. To get the right tones of green in the stamping I used both shady lane and rain forest versafine clair inks one over the top of the other. The sentiment is from the ‘happy birthday’ sentiment strip.

In the video I also made prints with a piece of corrugated cardboard pressing it down on the gel press once for a striped pattern and twice for a grid pattern. I’ve turned a couple of those prints into cards which will be on the blog tomorrow. I hope you try gel printing with some recycling you find at your place. See you soon.

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