After making a Christmas card with the new Darkroom Door Christmas Bush stamp set I was keen to use the silhouette stamps for a different project. I decided to fill a journal page spread with them and chose a different colour scheme to do so. I think they look a bit like violets.
I taped the edges of the pages which frames the layout, keeps the pages flat and protects any pages underneath which are poking out. I painted absorbant ground over the whole area as a base before stamping and painting.
I wanted to have layers of flowers and so I tore a ripped edge on some masking paper and attached it across both pages. I used blending brushes to apply colour over the torn edge then did generational stamping in blueprint sketch, shaded lilac and peeled paint distress inks. Once the top section was completed I masked again, further down the page this time and repeated the process twice.
For highlights and details I used markers and gold paint to add details to the petals and centres to the flowers. I also used gold embossing to make a print border and title with the Darkroom Door ‘torn text’ and ‘sketched alphabet’ stamps. The Christmas Bush stamps proved to be very versatile as I thought they would when I first saw them.
This card is the cardmaking version of going down a rabbit hole. I know how easy that is on the interwebs, but apparently it is possible with a card as well. What started out as a vintage style two layer card became a little more than that. I just kept thinking of stamps and papers and techniques I wanted to add.
I decided an insert would be nice; I don’t usually put anything on the inside of my cards so an insert is quite the departure. An insert turned into two inserts which is more like a little book when you count both sides of the pages!
The front panel, which was initially going to be the whole deal features several Darkroom Door stamps: scratches background stamp, sheet music background stamp, global postmarks, art de fleur vol 1.
For the whole card I stuck with four Papertrey ink cubes (listed below); I used them for stamping, watercolouring, splattering and blending with a blending brush.
The inside pages are not watercolour paper but handmade paper from a Hanji gifts in Toronto. It is handmade paper with rose petals embedded in it. It was very white straight out of the packet so I smooshed some brown and pink inks on my glass mat, diluted with water then swiped the paper through the ink. This resulted in the colour I wanted but removed the sizing and wrinkled the paper. I ironed it, which did the trick then added little bits of stamping on every page. I used a couple of sentiments and some quote stamps, all from Darkroom Door and reused the same background stamps plus the floral stamps from the Art de Fleur set.
To join it all together I poked holes and used some fine twine for a little ‘book binding’. With all the ‘vintaging’ I did on the front panel and pages the card base itself looked very stark so I swiped that through some smooshed ink too so everything would co-ordinate.
I was so deep down the rabbit hole by this point I realised an ordinary envelope was just not an option so I pulled out another sheet of the handmade rose petal paper, inked it, ironed it and used my envelope punch board to create an custom envelope, which I failed to photograph. All in all a very satisfying but surprising creative project. Now, back to work!
Christmas Bush is a both a plant that grows in Australia and a new stamp set from Darkroom Door. This is my first project featuring the set but there will be more. I’m not sure if my parents ever had a Christmas Bush in their garden; I don’t remember one in any of my own gardens. I have just read about the plant and apparently it has white flowers which are not that prominent but the sepals grow large and red and they provide the drama.
I worked on hot pressed watercolour paper that I’d splattered earlier with masking fluid. I wasn’t wanting the look of snow; I know the Christmas bush blooms in summer. I wanted the white splatter to add some texture and variation to the design. I started by stamping one of the large sprays of flowers on the panel with plenty of water spritzed on both paper and stamp so it diluted and bled into the surrounding area. Once the background dried I stamped the flowers several times in festive berries and peeled paint distress inks.
Rather than mat the panel I used two Waffleflower A2 layer dies taped together to cut a narrow frame from red cardstock then embossed a sentiment from the ‘Christmas Bush’ set on the same cardstock.
I must admit it was the floral silhouettes that first drew me to this stamp set not the plan of making Christmas cards. Now that I have made one with the bold contrast of red and green I will be designing some more. My dad usually asks me if I’m going to make some Australian Christmas cards because I tend to make many wintery looking ones. Here is my first one for 2020 and it has an Australian theme, so that’s a good start.
I paired the new DD ‘sketched alphabet’ with leaves again, this time from the set ‘fine leaves’ which have a hand drawn sketch style of their own.
I had left over ink on my glass mat the other day after creating a dramatic sky in greys and blues. Rather than waste the ink I swiped a piece of watercolour paper through it picking up as much as possible and spritzing with water to move the ink around. The watercolour panel already had masking fluid splattered over it hence the white dots over the finished design.
I stamped the letters first in hickory smoke archival ink then covered a couple with masks I made for a previous card before stamping leaves from the fine leaves set in iced spruce and stormy sky. I filled most of the panel with leaves and painted them with both ink colours. I added some ink splatter and then coloured the letters with a blue watercolour marker to help them stand out a bit more. I stamped one of the sentiments from the DD ‘baby sentiment set’ to complete the card. I think this one could have several uses, maybe retirement, new house, new job or the like.
This book themed page has been in my mind for quite a while and that little open book stamp on the right side of the spread pushed me to make it happen. All the stamps are from Darkroom Door; I used ‘mini open book’ once, ‘book spines’ several times and the ‘scratches’ background stamp for the wall behind the books.
I taped the edges of the double page spread before doing anything; it really helps keep the book open and stable while I work, it protects the other pages from paint and ink and I think it frames the finished design really nicely.
I embossed all the books on hot pressed watercolour paper in either gold or copper powder then coloured them with markers, distress stains and distress inks smooshed on my glass mat. I really just played with techniques until I had a good selection of colours and patterns. I stuck to jewel tones featuring dark green, bright blue, red and aqua. I’ve listed all the distress inks below. I also painted over the inking on a few books with Coliro pearlescent paints so they have a bit of shimmer.
I painted the background with ‘absorbant ground’ as I usually do when I want to work with liquid inks and water then I smooshed some ‘peacock feathers and ground espresso inks on a piece of acetate, spritzed it and dragged it across the page multiple times. That gave me some abstract colour but not enough so I used distress stain sprays in the same colours. After it dried I stamped the scratches background stamp a few times in ground espresso stain. When that dried I used a piece of tape to mask edges to sponge vertical lines across the pages.
Arranging the books on the page took a little while. I cut them all out first then cut some of the groups into smaller groups to play with the layout. Once I had it settled I glued them down and started adding titles and decoration with gel pens, embossing pens and embossing powder. I wrote quite a few of my favourites on the spines, nothing particularly new even though I have read some great new books lately. I guess they just haven’t stood my test of time yet. I have some empty spines left that I will probably fill another day.
I finished by balancing that open book on one of the piles and added the name of my favourite podcast, ‘What Should I Read Next?’ I get a large chunk of my book recommendations from Anne Bogel, the host of WSIRN. I could talk about books for several more paragraphs but if you’ve made it this far you’re a champion so I’ll save the book chat for another book themed project. I think there will be a spin off card from this journal page.
Oh, and one more thing, please feel free to leave book recommendations in the comments; I’d love to hear your favourites.
I’ve been creating with Darkroom Door products over the weekend including the new ‘sketched alphabet’ set. I thought the sketched letters looked a bit like pieces of wood which set me thinking about branches and leaves, which made me think of the eucalyptus leaves in the DD ‘ leaves’ set which made me want to have the letters hidden among some leaves, which led to this card.
I can tell you it wasn’t a quick card to make. A fair amount of time was taken working out how I would make the concept work. On the back of this panel there is an unfinished attempt which helped me simplify my concept a bit. I stamped all the letters I was using on masking paper and cut them out. Then I stuck them out on the watercolour panel to get the spacing right. I removed a few of the masks and stamped some leaves in faded jeans and peeled paint distress inks, just a few which would appear to be in front of the letters. I stamped the leaves then, masked them and stamped and embossed the letters with versafine vintage sepia. Once the letters were embossed it wasn’t too hard to paint around them with bundled sage and stormy sky distress stains.
Once the background was dry I masked all the letters and leaves and stamped more leaves to fill the panel. I painted all the leaves in peeled paint, faded jeans and forest moss distress inks then added some splatter. After I removed the letter masks I decided to colour them in with a brown marker to make them stand out more. I blended some faded jeans around the edges of the panel to frame the design.
I was just about finished by this point but thought some gold splatter would be nice, which it was, but that led to gold edges on one side of all the letters. There were a couple more steps in there somewhere but you get the idea and I think I would be able to do it faster a second time!
I’ve dones some more experimenting in my art journal with Darkroom Door stencils and stamps. As with some of my previous pages I finished and wished I done a few things differently but on the whole I was happy with the bright, happy look.
I began by taping the edges of the double page with painter’s tape which helps keep the pages flattish and creates a clean frame for the design. I painted the pages with absorbant ground in case I wanted to do some watercolour techniques then, when it was dry I painted the top of the page with dylusions pure sunshine paint and the bottom of the page with a mix of dylusions lemon zest & blue lagoon.
I blended oxide inks through the new small sun stencil to make sunflowers, the small wildflowers stencil to make stems and extra flowers and the brick stencil to fill in background. I also traced inside the flower stencil with a black gel pen to make the flowers stand out a little more.
Although I worked mainly with stencils I filled the centre of the sunflowers with texture stamps, added extra leaves around the stems with a fern stamp from the ‘leaves’ set and stamped some script along the lower edge of the page. After adding all the different textures to the centre of the sunflowers, I wished I used the ticket one on all the flowers; it really does look the cutest.
I added splatters of black and white gessos over the panel and wrote the words of the ‘Irish Blessing’ along the sunflower stems. It was the line ‘may the sun shine warm upon your face’ that I thought fitted with the page but decided to include the whole blessing.
There is a collection of fabulous new stamps and stencils in the latest Darkroom Door release so pop over and check them out. You will be seeing more of them around here over the next few weeks.
This card was inspired by @jenny_illustrations a watercolour artist I follow on instagram. She painted her scene but I used a selection of Darkroom Door stamps and some wet into wet techniques.
I worked on a panel of hot pressed watercolour paper splattered with liquid frisket. I wasn’t necessarily wanting the look of snow, more the interest or vintage look of little dots over the panel. It could be snow, an early snow or a first snow but that is not something I am thinking about right now. Not for a minute am I wishing summer away, I would never do that. Summer is definitely my favourite season and it is still officially summer for another 18 days!
But back to the card. I taped it down to my glass mat which I also used as a palette where I squished my distress inks to provide me with ink to paint with. I spritzed the whole panel with water then painted weathered wood and faded jeans distress ink in the sky then tea dye and gathered twigs distress ink in the foreground. It was not meant to be gathered twigs; the lid said ‘fossilized amber’! The lid was wrong but the colour, surprisingly worked maybe even better than amber would have giving me a gradation from light to dark brown.
While the whole panel was wet I stamped the large mountain stamp from DD ‘majestic mountains’ in faded jeans ink then, after a pause, the small trees from the same set in ‘hickory smoke’ then. after a longer pause, in ‘black soot’ ink. I used a small floral stamp from DD ‘wildflowers vol 1’ to stamp and restamp flowers in the foreground, first in ‘tea dye’ then in ‘gathered twigs’. I dried the panel rather than wait and finished it off with tea dye and gathered twigs splatter.
I was pleased to see my taping sealed the edges well resulting in no leaks. I am trying a different painter’s tape so it scored points on this project. I’m not sure why but this panel needed to be a side fold card. It has a little sentiment from DD ‘nature walk’ that says ‘ walk through the wildflowers’; you might not be able to read it but the recipient will.
I’ve done very few scenic cards lately so I enjoyed the process and result. I am pondering my next online class… scenic cards or Christmas cards? Feel free to weigh in with your thoughts.
Last week I posted a card featuring gel printed leaves from herbs I grew. I tried to explain my process but a few of you wished for a video so I picked some more leaves and had some fun printing them.
I used two different methods in the video, the leaf printed in yellow at the top of the page uses a two step method. The blue + green leaf above uses three steps and has one technique layered over the other technique.
I think the part of gel printing that gives me most inconsistent results is the way I apply ink. I’m getting better but I still get unwanted lines from the edge of the brayer. That wasn’t so evident on these prints as I was working on little gel plates called ‘petites’ from Gel Press.
I did a bunch of prints for this video on the square and the circle ‘petite’ plates as shown on the top cards. For the ‘slimline’ card I used three of the square prints but die-cut them smaller so I could fit them side by side on a 8¾” x 3¾” card.
I hope you give this a try, it’s quite satisfying and addicting once you get going!
I’ve had oxide inks out on my desk the last few days so I put them to use on a journal page.
I taped the edges of the pages with painter’s tape which gave me a border and held the pages flattish while I worked and painted the page area inside the tape with absorbent ground so I could add water to the inks and move them around a little.
Because the journal pages do not lie flat any more I was only able to pick up sections of ink from my glass mat. To get more coverage I squished ink on a piece of acetate, spritzed it and dragged it across the pages spreading ink as I went.
I added visual texture with two stencils from Darkroom Door then stamped feathers from the DD ‘feathers’ stamp set in black and then in the oxide inks. When it came to doodling on the page I used black and gold gel pens and wrote the verse with the same pens. I finished it off with gold and black splatters then removed the tapes to reveal an uneven but quite artistic border.
This was an unplanned experimental page as many of my pages are. I was inspired mainly by what was on my desk and a desire to doodle some of the design and not just stamp.
I am rather frustrated by the paper in this journal. It is good paper but not made to handle wet media so I am limited in creating the kind of blends and wet into wet designs I love to do. The question is do I persevere and learn some new techniques that don’t rely so much on watercolour (gasp) or do I buy a good watercolour journal?