This week I have a couple of painted die cut cards to share. To create this one I first sprinkled leaf green, sunburst yellow and rose red brusho over a piece of hot pressed watercolour paper and spritzed with water to activate the paint. The colours did blend together a little but I was able to keep some distinct red, yellow and green areas. Once dry I used the ‘bodacious’ die from Penny Black to cut several flowers. I also cut white flowers with the same die. When creating my layout I glued down a few white diecut flowers first then coloured ones over the top. I trimmed stems and buds so I could arrange the flowers at different heights and facing different directions.
I embossed a sentiment from the ‘smile today’ set in platinum, trimmed the white background panel and attached it to a white card base.
Here are some more blooms to spur on the spring feelings. I worked on an abstract brusho background, one of the panels I mentioned back in an earlier post created with some sprinkled and spritzed brusho. I took my colour cues from the brusho and stamped the stems and leaves in forest moss distress ink and petals in spiced marmalade.
Next I sprinkled very small amounts of gamboge brusho in the tulips and activated it with a damp brush. I did one petal at a time to stop them all just blending into the same shade. I made sure some areas stayed dark and others were more diluted and light. I did the same thing for the stems and leaves but used turquoise and olive green brusho.
The panel is cold pressed watercolour paper so there is some texture to it. Have you tried stamping over a brusho background? I enjoyed the way the brusho dictated the colour scheme for me but didn’t take over the whole panel.
Stamps: tulip bouquet, smile today!
Paper: cold pressed watercolour paper, neenah natural white
Inks: spiced marmalade distress ink, forest moss distress ink, olympia green versafine ink
Paints: gamboge, turquoise, olive green brusho
Tools: Stamping platform
I decided to try a couple of methods for colouring a peacock feather stamp, my first experiment with the ‘Feathers’ set from Darkroom Door. I look forward to trying all of them eventually but the gorgeous colours of the peacock feather prompted me to pick that one first.The colouring on this first card was zig clean colour real brush markers directly on the stamp. I used the stamping platform so I could add one colour at a time. I blended the centre a little with a brush to get solid colour then spritzed the stamp with interference gold pearl-ex spray and stamped over the marker image. This gave everything a little shimmer and blended the colours into each other a bit. My pearl-ex spray is homemade; I add a small amount (about 1/8 tsp into a small spritzer filled with water). I stamped ‘thanks’ over the feather with majestic blue versafine then embossed with clear powder. The border panel looks black but is actually blue to co-ordinate with the centre of the feather and the sentiment.
My second colouring method was brusho. I spritzed the stamp with the same gold pearl-ex spray then stamped on hot pressed watercolour paper. I dropped a tiny amount of ultramarine brusho at the top of the feather, also a little turquoise then olive green down the shaft of the feather then stamped again to activate the brusho with pearl-ex spray. I embossed a birthday sentiment in gold and framed the panel in gold shimmer cardstock.
My final colouring method was with Sakura Koi colouring brush pens. I kept the stamp in the stamping platform so I could ink then stamp a colour at a time. The Sakura pens are very bright so I thought they were a good match for the gorgeous colours of peacock feathers.
Once again I stamped the colours one or two at a time so I could keep the centre of the feather distinct. Once I had stamped both feathers I spritzed the gold pearl-ex spray over the whole panel which ended up doing two things: the barbs softened to look a little ‘hairy’ and the droplets of spray created a pattern of watermarks over the ‘eye’ of the feather.
I ended up using majestic blue versafine ink again to add a sentiment from ‘botanical script’ set and cut a mat in the same colour. This card also has a slight shimmer to it so I added a gold cord for a finishing touch.
Stamps: Happy Birthday, Thank you, Feathers, Botanical Script
Inks: Versamark, Majestic Blue Versafine
Markers: Zig clean color real brush markers, Koi Coloring Brush Pens
Paint: Brusho (ultramarine, turquoise, olive green)
Paper: hot pressed watercolour paper, blue cardstock, gold shimmer cardstock
Also: stamping platform, gold embossing powder, clear embossing powder, gold cord, pearl-ex interference gold spray
I am sharing this card over on The Foiled Fox blog today. It’s a simple one but I think, a clever one. And by clever I’m not talking about my artistic skills; I’m talking about the wonder of black brusho. If you have some brusho paint and you’ve been avoiding the black container then you are missing out! You can see in the close up below black is made up of a bunch of different colours and this cheesecloth stamp from My Favorite Things keeps those colours divided like tiles.
You can find my step by step process on The Foiled Fox blog and my supply list below. Thanks for dropping by; now go and play with your black brusho!
Edited to add: sadly this stamp is no longer available but you can find an equally fabulous mesh stamp here.
Happy Australia Day! What better to feature on the blog than a card made with Australia’s own Darkroom Door designs. The fact is though, by the time I get out of bed on Australia Day the festivities over there are practically over. I am currently sixteen hours behind my family on the east coast of NSW!
I’ve been pairing stencils with a few different things lately. For today’s card I sponged through the Darkroom Door stencil, wildflowers, with black soot distress oxide ink. You can see the watermarks on the stenciled flowers, a chalky white effect particularly obvious with the oxide inks. But before I did that I began by sprinkling brusho over a panel of watercolour paper. I spritzed with water and let the patterns happen. Once that was dry I sponged the black soot oxide through the stencil then splattered some droplets of water on top. I dabbed them up fairly quickly to create the watermarks.
I cut a black mat to be a very narrow frame around the panel and added a black sentiment from the Darkroom Door Happy Birthday set.
Stamps: happy birthday
Paint: brusho paints sunburst lemon, leaf green, ost blue brusho
Ink: versafine onyx black, black soot distress oxide
Paper: hot pressed watercolour, solar white, epic black
Also: clear embossing powder
For today’s rather bold card I started, as I often do with a masking fluid splattered panel. I continued, as I often do by sprinkling brusho powder over the panel then spritzing with water to activate it. I do tend to be a ‘chap of one idea’ at times don’t I? (Can you place that quote from one of my favourite book series?) This time the brusho was rose red and terracotta. Once dry, I splattered gold finetec paint over the panel and let it dry. I removed the masking fluid, trimmed the panel to a square then painted the edges with gold paint.
That was the easy part; after that the fiddliness factor rose considerably. I attached adhesive sheet to the back of the panel and die cut ‘hearts in circle’ from the centre of the panel and from a red adhesive backed foam sheet. I carefully saved the little hearts in formation on a piece of ‘press n seal’. I peeled the backing off the watercolour panel and attached it to the card front. Next I pressed the die cut adhesive backed foam hearts into each space in the die cut panel. Finally I peeled the backing off the die cut watercolour hearts and attached them on top of foam hearts. This was a little like completing a jigsaw puzzle.
Ah, brusho, how I love thee! My cards on the Penny Black blog and here on my blog this week are all ‘love themed’ so it shouldn’t matter that it’s a paint that I’m in love with, should it? Brusho paint powders do such magical things I never tire of putting them to use.
To create this simple card I started with a piece of hot pressed watercolour paper already splattered with masking fluid. I sprinkled rose red brusho on one end of the panel and a mix of leaf green and olive green brusho over the other end. I spritzed with water to activate the paint and added more water and moved the paint around to create a varied coverage. Once it was completely dry I die cut a couple of roses using the Penny Black ‘rose’ die. I kept one die-cut complete and trimmed the rose and leaves off the other to arrange separately on a panel of linen textured cardstock.
I popped up the panel on a natural white card base and left it sentiment free to keep my options open.