Remember when we all had library cards?

I have always loved the library, perhaps now more than ever. I remember as a child having my own library card at the Civic Library in Canberra as well as library cards at school. Filling a library card with date stamps seemed a worthy achievement and then I would get a fresh new card. If only I had kept those cards for forty years later when I wanted to put one in an art journal! I worked in my 9″x 6″ ‘literary themed journal’ for this one not the 6″x 6″ I’ve been sharing a lot lately.

The library card on this journal page I made with a new Darkroom Door stamp, but I’m guessing you already knew that! The new set ‘library books’ includes a library card stamp, two stacks of books, an open book and three quote stamps. What can I say; it’s a delight.

This page was not a delight most of the way through but as I tell the participants in my art journal adventure classes this is often the case. Many pages really do not pull through until the very end. It is an example of a collage page which is what we will be doing in Art Journal Adventure Episode #3. All the dates are listed and linked on my Classes page including a couple of Episode #2 sessions next week.

I began this spread by gluing down pieces of old book pages. If you look at the top right corner of the photo above you will see the aged rounded corner of an old page. It has been become one of my favourite collage tricks to stick the book corners over my page corners then cut away the journal page behind to leave that soft round corner. I did it on all four corners of this page. After the old book pages I added stamping, paint and a couple of photos of books from magazines. More paint then more books using stamps from the DD set ‘bookworm’. I had already stamped my library card, distressed it and set it aside.

The stacks of very old books I made by stamping the DD ‘bookshelf’ border stamp on some gel prints. I cut them out (fussy) and defined some edges and spine details with markers. Once everything was glued down I added splatter and ink blending and some partial stamping with the DD world map stamp. Last but not least a wonderful quote.

I couldn’t end a post like this without asking for a couple of book recommendations. You have helped me before so please leave a recent favourite in the comments below. A few months back I read the first two books in a trilogy and now I am very keen for the third to be published. They were The Lost Queen and The Forgotten Kingdom by Signe Pike. I also enjoyed The Salt Path by Raynor Winn and have The Wild Silence, her second book, waiting for me at the library. I’m in the middle of Roots & Sky by Christie Purifoy which introduced me to her story telling podcast. That’s enough from me; I want to hear from you.

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Circle Flowers journal page

Last week I spent several happy hours gel printing. One of the prints I completed has ended all over this art journal spread. If you are a gel printer you know you can sometimes pull a couple of prints of the same design. The first one is full of colour and pattern and the second is often called a ghost print as it displays outlines and left over bits of paint.

For this journal page I used both the bold blue and green print and the ghost print. The ghost print can be seen on the top left and bottom right corners and is peeping out in a couple of other places. The first print which was very geometrical has been turned into circle flowers. It also had traces of a new stencil called ‘pods’. You will see more of it here on the blog because it is fabulous!

Also in the background you might see some black ink stamping (DD mesh and alphabet medley) and the texture of paste through the DD ‘checkered stencil. The text you see is a fabric tape with dictionary definitions of happiness; it is the first 49 & Market product I have bought and it is going to be handy!

There is plenty of white gesso over the background to pull it together and mute some of the bold elements.

The flowers are all cut with Penny Black ‘abstract flowers’ dies which basically cut slightly wonky circles so I could have cut them myself but why bother when the machine will do it. The print was on rice paper so I could cut a few layers at once. After drawing an edge on each circle with a silver paint pen I stuck a small circle on a larger one, then sewed a cross in the centre with silver thread. There are stems in the set of dies but I doodled mine with a black marker. The blue splatters and pops of pink are from inktense pencils which are coming in handy for art journalling.

I know that was a lot of photos and chit chat but that is the way with some art journal pages especially the collage ones which involve different papers, paints, stencils, and mediums. I probably haven’t mentioned everything I used but if you are still here now I’m sure you’ve heard enough!

If you are in Ottawa and feel like doing a little art journalling of your own, there are still spaces left in my next Art Journal Adventure workshop where we will be creating a watercolour green and leafy spread similar to what you see below. All the details are on the Crop A While website.

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Birches on Kraft

These two pages began as ‘clean up’ pages after completing pages in another art journal. I had some pink and brown paints left over and also some blue with brown. I used an old key card to lift the excess paint and swiped it onto the pages in my 6×6 kraft journal.

I didn’t have a plan straight away but a few weeks later I pulled out an Alexandra Renke stencil which I’d never used and decided to do a couple of simple landscape pages.

The stencil exposes only the edges of the birch trees which I wanted to be black so I mixed some black gesso with some black texture paste to make it thicker then spread it through the stencil onto the painted pages. Once it dried I painted the white spaces first with white gesso but it wasn’t opaque enough so I used Dr Ph Martin’s Bleedproof white paint.

After completing the trees I painted some snow covered hills with the same white paint and diluted them with water to reveal the land underneath. This is the opposite technique to my usual watercolour technique where I paint the shadows or hills and dilute the tops.

So far I have tried distress sprays, gel pens, acrylic paints and texture paste on the kraft pages. As long as I include some light colours in my designs the brown background words really well. Next experiment? Collage, stamping or maybe coloured pencils.

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A Wintry Introduction to Art Journalling

My Art Journal Adventure workshops kicked off last Saturday with this wintry page. As I mentioned yesterday I thoroughly enjoyed myself. It was great to be in the room as the creating happened. I know not all my readers live near me but if you are in Ottawa and would like to do some art journalling there are still a few places in the next two Wintry Introduction sessions (March 4 & March 12). Hope you are not too tired of seeing all things winter but at least I have titled the above pages ‘winter’s end’!

This is another take on the wintry theme. If you haven’t tried art journalling before you will not be alone. Click over to the Crop A While website to learn more or register. If you drop into Crop A While one of my journals is there to give you an idea of what we’ll be doing this week and in future episodes of the Art Journal Adventure.

Tomorrow we will return to regular programming…


Doodle on Kraft

As you know I’ve been enjoying the 6″x 6″ white Dina Wakley journal; I have two on the go now full of experiments and ideas for my upcoming Art Journal Adventure workshop. Ranger has also made a kraft journal the same size so yes, I had to try it.

As you can see in these photos working on a kraft background tones down the colours used on top. I could paint the pages white before starting but I am interested in experimenting with kraft backgrounds for now. I also bought a few distress oxide sprays the other day. I love the traditional distress sprays but hadn’t tried the oxide sprays before. They are a good match for the kraft journal as a little ink soaks in while plenty of pigment sits on the surface.

I used prize ribbon and worn lipstick sprays on this page then doodled with a black gel pen. For inspiration I looked at zentangle pages I’d saved on pinterest and instagram and adapted them to spread across the pages. I also found pink and blue metallic gel pens from years ago and did some colouring in. I used a white gel pen to highlight parts of my design.

As I worked I wanted to make everything brighter to compensate for the brown background but that is an experiment for another page. If I had started my doodling in white the overall effect would be brighter but I like the opacity of the black.

I found the quote in a book I am currently reading and it seemed to fit my meandering pattern.

The art journal workshops that were originally planned for January have been rescheduled in late February and early March. You can find out more on my classes page or on the Crop A While website where you can register for either the March 4th or 12th workshop.

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Crumple & Colour journal page

While creating art journal pages lately I’ve noticed that they often look a bit rubbishy until the end or just before the end! It’s a good thing to keep in mind throughout the process, especially as the process sometimes stretches over a few days.

I started this page while I was at Crop A While and a friend looked over at me and said, “Heather is having fun playing with toilet paper!” For the record I was having fun with tissue paper not toilet paper! Working in the 6″x 6″ Dina Wakley journal I glued crumpled tissue paper over the whole spread with gel medium, scrunching it as I went to make folds and texture over the pages. (it didn’t look at all special at this point)

Later I used my Dr Ph Martin’s hydrus watercolours to drop blue, yellow and red ink over the pages. I worked one ink at a time tilting and diluting the ink so it would spread over and around the crumpled paper. (still underwhelming)

I let the watercolours dry and left the page for several days. The colours were bright and there were some nice blends and patterns but too bright for me so I painted over the spread with white gesso. My aim was not to totally cover the watercolours but to soften their impact and highlight the texture of the paper. I used my fingers to move the paint and a baby wipe to remove it where it was too thick. (looking better but still messy)

Settling on a focal point for an art journal page is sometimes hard; I don’t always begin with one in mind. You won’t be too surprised to see I chose flowers. I have a box of gel printed panels, some on rice paper and some on light card or computer paper. I found several prints on rice paper that matched the colours on the page and doodled flowers and leaves on them with a permanent black marker. I cut them out and started arranging them on the pages. (it was beginning to show promise)

After quite a few rearrangements I glued down the flowers and leaves making sure I didn’t cover up all the yummy colour and texture but also didn’t cover up the important white space. (it was finally looking ok) With the elements in place I continued to doodle more foliage on the pages including a border around the whole spread. I scribbled some thoughts around the flowers then splattered gold paint over the finished pages.

I am very happy with the final result but had no idea it would end up like this. At one point during the process I thought, “hmmm, I don’t think I’ll do this technique again…”

But I will.

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Beauty of the Earth journal page

I have another double page spread in the 6″x 6″ journal today. Don’t tell the others but this one seems to be getting all the attention at present!

The pages in this journal are thick watercolour paper so I wanted to take advantage of that and use watercolour techniques. Most of the pages I have completed up until now have had a base layer of gesso or acrylic paint.

As you can see I taped the edges of the pages with tape before starting. I added some stamping in black here and there using a stamp from the Darkroom Door ‘number medley’ set. Next I used the DD ‘honeycomb’ stencil and modeling paste to add a texture strip from left to right down the centre of the spread. I added a small section bottom left also. Once the paste was dry I began painting colour around the honeycomb and across both pages. I spent a while doing this so as to see the blends and build up some depth of colour.

Other than some black stamping I used only three colours of distress ink, both spray stain and from the ink pads. I took care to keep some white space; sometimes I realise too late that I have colour all over the pages. I stamped some grasses in peeled paint archival ink so they would not dilute and broken china distress ink so they would dilute. I also stamped sections of the world map in rusty hinge. Although I loved the combo of peeled paint, rusty hinge and broken china I thought a bit of metallic shine would be nice so I added some wildflowers embossed in Brutus Monroe ‘penny’ powder.

With a copper coloured gel pen I wrote the first verse of ‘For the Beauty of the Earth’ in the lower right hand corner then added the embossed word ‘beautiful’. And of course there is some copper splatter to finish it off. This is a style and look I have been hoping to create so you’ll probably see a few more like this one.

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Butterfly Gold journal page

I have a new spread in the 6 x 6 art journal today though not a seasonal one this time. These pages include a couple of photos from a magazine along with some layering of stamped tissue paper, book pages, stamping and some transfers.

I began by stamping butterflies on white tissue paper in black archival ink then ripped up the paper before gluing it to the pages. I also ripped up some old book pages and accidentally ended up with a strip mentioning butterflies

Over the paper layers I painted with white gesso and acrylic paint before stenciling gold paint through the Darkroom Door honeycomb stencil.

I glued the butterfly photos down and painted over the edges to soften the transition from journal page to photo. I used a black fineline pen to sketch over some of the stamped butterflies and added random texture using the DD mesh stamp.

The page was almost finished at this point but the two butterfly photos were at opposite sides of the spread with a lot of space in between. A visit to Crop A While ended up helping me out. I wasn’t there looking for anything butterfly related but after talking about transfer sheets Carole showed me the Vintage Butterflies sheet from ‘Dress my Craft’ and I had the final elements for this page.

I had not used transfer sheets in a very long time, they work just like the temporary flag tattoos my children applied to themselves on Canada Day years ago. Unlike the temporary tattoos these ones should stay stuck rather than gradually looking rattier and scrappier over a period of weeks!

I used three of the transfer butterflies to create a visual path across the two pages then finished things up with quotes from the Darkroom Door ‘Wings’ set and of course some black, white and gold splatter!

Thank you for all the kind and generous messages about the cardinal card; it is always lovely to hear from you.

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Winter Tree art journal page

I continue to create and experiment in my 6×6 art journal, definitely inspired by the current season and view. When I started this page I had a technique in mind but no picture in my head of how it might turn out. I couldn’t be happier with the end result!

I am trying a range of techniques and methods in my art journals because that is what they’re for and because I have a series of workshops coming up this year (temporarily postponed until restrictions change). On this spread I started by layering and gluing torn papers on the pages. I pulled blue pieces from my considerable stash of papers, some old (Penny Black 6×6 packs) and some new (decorative rice paper) along with Dina Wakley printed white collage paper. After gluing the strips here and there I added modeling past through a stencil and let that dry.

Over the papers and paste I painted white gesso and then a couple of blues from Dina Wakley’s acrylic selection. You can see some of the patterns show through from the papers and in real life you can also see the texture from the stencilled paste. I added stamping in blue and white with Darkroom Door background stamps, ‘snow flakes’ and ‘French Script’.

I had started the page with a vague idea of adding a picture from a Christmas card or magazine. In choosing the tree picture you see included I fell down a rabbit hole of memories going through boxes of saved cards! I have saved cards since childhood and I was sorting and reading for quite a while. I didn’t open every single card but I found some adorable and hilarious cards made by my children and some I taught in school, I also found many sweet notes in cards from my parents, aunts, uncles and grandparents. The picture I chose of the single tree on a snowy hill was in a Christmas card from a sweet friend.

It is worth noting at this point that I didn’t plan this layout or have this card on hand when I started the painting so the colours did not match perfectly. You know how I feel about the matchy-matchy so I ended up adding paint to the sky around the tree to make the blue a bit more purply and less aqua. I also extended the scene by turning a white area that was already on the page into a clearly defined snowy hill. I used a white gel pen to add more foliage to carry the scene off the little square onto my page. I finished off the page with some die cut Penny Black snowflakes.

I know that is a lot of description that would be better understood with video footage but it didn’t happen this time. As I continue to make pages I will try to capture some of them on film.

Do you save the cards you are given? Do you put them to use making something new? Just wondering…

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Gingerbread Journal page

Six years ago I was given a delightful and incredibly thoughtful gift. Four friends I met through teaching card making classes gave me an art journal. It’s a large Dylusions 9″x11″, a very generous gift in itself.

The journal was just part of the gift. What amazed and touched me deeply was that these friends worked on individual pages in this journal far enough in advance to have completed four different spreads before they gave it to me. Each person completed a 2 or 3 page spread describing Christmas traditions they were familiar with.

I have in my journal pages about Polish and German Christmas traditions along with a description and illustration of Mummering in Newfoundland and a depiction of the carol, ‘I Saw Three Ships’. The depiction is set in Bass Strait with a view of a King Island lighthouse, a nod to my birthplace! I was speechless when I opened the gift and it still brings me joy whenever I look at it.

After Christmas that year I began two different spreads in the journal having decided it was to be filled with Christmas themed art journalling. Although I began soon after receiving the journal I didn’t finish a page until last week. I am embarrassed to have let it sit so long but in the interim I have completed many journal pages in other books and have ideas aplenty dancing around in my head – like sugarplums!

Gingerbread baking and decorating is a tradition for me and a fitting choice for my first Christmas spread. I started making gingerbread in Australia in 1995 after hearing a radio interview with Jill Dupleix whose recipe I use to this day, more often than not with gluten free flour now. This year I made several batches, a couple with friends on a Sunday afternoon where much mixing, cutting and decorating was enjoyed.

I used my own cookie cutters to trace the shapes onto watercolour paper painted with dark brown and light brown brusho. The background ‘check tablecloth’ I painted with a mix of Dr Ph Martin’s deep red rose and hansa yellow. The gingerbread shapes sat for years with pale white patterns on them and it was only this year after trying quite a few white paints and pens that I was able to make the patterns bolder with a posca paint pen.

I finally added the recipe, glued the cookies down and added a title using MFT little lowercase letters (I think they are retired now but they worked to look like little gingerbread letters).

So that is the story of a wonderful journal, four kind and generous friends and an adventure started in 2015 which I am happily continuing even though I made a very slow start.

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