Winter Barn

We’ve been having such warm pleasant weather lately this scene seems like a very distant prospect. The tide is turning though; it was rather chilly out today, not snow-covered-barn chilly but, could-have-worn-a-jacket chilly. This stamp is called winter barn and it’s new from Penny Black. I worked on hot pressed watercolour paper in a stamp positioner and started by stamping the whole scene in soft stone ink, a pale grey which gives me the whole scene in a pale tone which won’t interfere with the colours I add over the top. I used barn door distress ink (of course) for the barn, black soot archival and distress ink for the trees, ground espresso distress for the fence and uncharted mariner for all the sky and shadows in the driveway.

I stamped the barn with just the red ink first then as I blended added brown shadows both by re-stamping and with a paint brush. I stamped the tree in archival ink and amalgam ink (both waterproof) so I could paint the sky over the stamping. I did paint carefully around the snow laden branches to leave some areas white. I stamped the fence in ground espresso but used black soot when blending the ink to give shadows to the fence posts. I blended some areas of the driveway but left some sections unblended which seemed to work well to suggest the ruts in the snow after it’s been driven on.

When I was happy with the scene I splattered on some white paint to look like snow.

Just a quick question for those of you with barns or experience with barns, do they often have chimneys? I would have thought the hay might be a fire risk…

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Autumn Berry Beauty

As I mentioned in my last post, the colours are beautiful around here at the moment. At certain times of day there seems to be warm golden light coming through a few of our windows. When I look closer it is sunlight hitting orange and yellow leaves and reflecting into the room. It’s a little bit magical. Even though this new Penny Black ‘berry beauty’ stamp was probably designed with winter in mind I decided to put it to work on an autumn card first. I was hoping to create a little golden magic.

If you look closely you can see some white spots; I worked on a panel splattered with masking fluid. I kept the stamp in a postioner and inked the leaves and berries with fossilized amber distress ink, the stems and parts of each leaf with a pine needles distress marker and sections of the berries with spiced marmalade ink. I did the leaves first, spritzing the stamp lightly before stamping and blending the yellow and green with a paintbrush after stamping. I worked on the berries in the same way picking up extra orange ink to darken some berries to create depth and shadow.

To create the golden glowy background I blended some fossilized amber ink into the spaces with a blending brush then painted over it with water to blend it further. Once the background was dry I splattered some spiced marmalade ink and removed the masking fluid to reveal the white dots and splots. The sentiment from PB ‘always thankful’ set is stamped in rustic wilderness archival ink.

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Maple Leaves

The colours around here are beautiful this year. Everywhere I go I see the gorgeous leaves that glow when the sun hits them and contrast with the wet tree trunks when it rains. This year’s colours seem to be some of the best I’ve seen but I think we say that every year.

This stunning stamp is from Darkroom Door and it is called ‘maple leaves’. I have two large maples in my yard so there are plenty of leaves to pick up but it is worth it for the weeks of splendor.

To create this card I put the stamp in a positioner to allow multiple pressings on the hot pressed watercolour paper. I randomly applied four different distress inks, gave the stamp a spritz of water then stamped. After one impression I could see where the stamp had no ink so I corrected and, bit by bit, made sure the whole leafy background was stamped.

I blended the inks with a paintbrush and water but didn’t blend every scrap of leaf. I used a light hand so as to make colour blend into colour but still leave the texture detail showing through here and there. Thanksgiving has come and gone here in Canada but there are autumn birthdays coming up so I used a stamp from the DD happy birthday set, stamped in vintage photo archival ink.

Hope the colours are beautiful out your window.

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Loose winter watercolour

A few weeks back I posted a very neat and carefully painted card with this pretty ‘scarlet’ stamp from Penny Black. For that one I stamped in a pale ink so I could do some no-line watercolour. For this card I worked in a much looser style. Some have called in my wishy-washy style.

I enjoy working in this style because I can end up with some very organic and serendipitous blends. Sometimes I end up with muddy unappealing blends also but on a big enough design those sections can be cropped away.

To create this panel I splattere masking fluid on hot pressed watercolour paper. Once the masking fluid was dry I worked in a stamp positioner while applying distress inks to sections of the stamp. I did the red petals first, blended the stamping with a brush and water then once the petals were dry moved onto the leaves and berries. There is a little ink blending from the red into the green but not so much as to create brown areas.

I painted around the petals, leaves and berries with Payne’s grey watercolour paint then when it was almost dry stamped the pine needles in weathered wood distress ink. The sentiment in stamped in hickory smoke archival ink.

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Watercolour decorations

There are some delightful new Christmas themed dies from Penny Black and sneak peaks have started of more to come. I love the ‘stocking stuffers‘ die set which features the stocking, trim and various bits of foliage. I used one watercolour panel to create this stocking card and the decorated bauble below uses jumbo bauble and foliage from stocking stuffers.

As you can probably tell from the mottled look of the watercolour panel I sprinkled salt over a wet panel coloured with distress inks. When you sprinkle salt over a wet panel you can achieve different results depending on how coarse the salt is.

The trimmings for both the bauble and the stocking were cut from shimmer cardstock in silver and quartz. The stamped message on the bauble is from the PB shine God’s glory set using versafine clair paradise ink.

The card bases and embossed panels are Neenah solar white cardstock embossed with TE sheet music and Spellbinders plaid company. All the links are below.

Today’s cards are similar to the cards we will be making in my October Collage Christmas card workshops in Ottawa. Click over to the Classes page to learn more and register.

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Bulb Basket

This sweet basket of Christmas balls not only makes a pretty card, it’s inspiration for a decorative arrangement in a few months time. The stamp is ‘bulb basket’ from Penny Black. I stamped it on hot pressed watercolour paper first in soft stone papertrey ink and then section by section with distress inks.

It is not clear in the photos but I used pearlescent paints to colour the balls so each one has a shimmer to it. The rest of the design is painted with a mix of distress inks and Sennelier watercolour paints. Once the painting was dry I added metallic tops to the Christmas balls with a gold gel pen. If you have this stamp or are planning to get it you might notice that there is a ribbon on the basket handle but no bow. The stamp features a bow but for the size of card I decided it was better to leave the bow loops unstamped.

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Snowy Settlements – one blue

You can find me and this study in blue on the Foiled Fox blog today. Recently I received the new uncharted mariner distress ink from the Foiled Fox and, as expected, I love the new blue. I decided to work with only the new ink for this card and see what tones I could get as I diluted the ink. You will probably see different depths of blue depending on the device with which you view this post but in real life the blues range from pale sky blue to deep teal blue.

This stamp is a lovely winter scene from Penny Black called ‘snowy settlement’. I stamped on hot pressed watercolour paper and painted the sky first with diluted uncharted mariner ink. While the ink was wet I sprinkled salt over the area which resulted in patterns once dry. When the sky was dry I painted over some of the village images with water so I could spread the ink a little and add variation to the trees and buildings. I finished the card with a sentiment from the PB ‘jolly snippets’ set also stamped in the same blue.

Make sure you pop over to the Foiled Fox to browse their inspiring blog and lovely store.

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Winter Gem

This lovely pinecone stamp is a new one from Penny Black called ‘winter gem’. The stamp has one pinecone plus groups of needles but I stamped it several times to fill my card front. The way I oriented the pine cones makes it look a little breezy with all the needles pointing to the left. I have a large and not very attractive pine tree in my front yard. It drops things all. year. round! There are always needles on the lawn, driveway and flower beds and most of the year there are pinecones too. It isn’t a tidy tree.

The one time the pine tree looks beautiful is after a fresh snowfall when all the snow is balancing on pinecones, needles and branches. For this panel I worked on hot pressed watercolour paper with masking fluid splattered over it before starting. I worked in a stamp positioner and inked the pinecone with three browns. I spritzed the stamp with water before stamping and spritzed again after before stamping a second generation image. I decided to stamp the pinecone a couple more times on the edges of the panel. I used a slightly wet paintbrush to blend the browns on the pinecones and touched up some of the pine needles also with a fine tip paintbrush.

Once the panel dried I blended speckled egg ink around the pinecones. Because there was masking fluid spots all over the panel little white dots of snow appeared after the masking fluid was removed.

Penny Black has come out with a few clever sentiment dies which pair a large word with a one sided outline. I cut the outline from the stamped panel but it looks fresh and snowy if you cut the outline from white cardstock and place it at the base of the your panel. My word is cut from dark green cardstock but looks black; it’s always the way with dark colours in my photos.

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It’s all about the sky

I recently returned to a favourite technique for a couple of card classes. We made a bunch of watercolour backgrounds ready to be turned into cards. This background is one of my favourites. I love the blends and the hint of a sun-kissed hill which just happened as I swiped my watercolour paper panel through smooshed ink.

The pale splats are from splattering water onto a distress ink background then dabbing it up with paper towels. The silhouette flowers are once again from the beautiful darkroom door set, wildflowers vol 1. Often I would use a larger panel or even cover the whole card front. I created this background on a larger panel but trimmed it down to use the best part. That’s why I usually work on watercolour panels larger than I need. By the way we have seen some beautiful skies lately, hope you are catching some too.

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Amaryllis Bundle

This sweet amaryllis bundle is another new stamp from Penny Black. I kept things simple using the same technique used on the pinecone poetry card.

Keeping the stamp and watercolour panel in the stamp positioner I inked the stamp with a mix of distress inks and distress markers to colour the petals, stems and twigs. I worked one colour at a time so I could wipe ink off the stamp where I didn’t want it before stamping. The petals and bow are stamped and painted with saltwater taffy ink. The stems are a mix of mowed lawn and pine needles and the twigs are vintage photo and gathered twigs.

The panel was very clean and bright when I finished it so I decided to balance the amaryllis blooms with a strip of matching cardstock on the other side and stamp the sentiment to match the twigs.

Have you ever grown amaryllis? I have received them as Christmas presents twice and I could not believe how beautiful and big they were when fully open. One appeared to have shimmery petals. One also became too top heavy to hold itself up which was a sad discovery one morning.

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