Filling in the florals
Posted: September 6, 2019 Filed under: big thanks, filled in florals, fine line florals, simple serif alphabet, simple serif alphabet dies | Tags: Concord & 9th, Ranger Distress inks 3 Comments
I’ve been playing with Concord & 9th’s co-ordinating stamp sets ‘filled in florals’ and ‘fine line florals’. For this first card I stamped the large ‘fine line floral’ stamp twice in versamark then embossed in gold powder. To fill in the flowers I switched to the ‘filled in florals’ stamps. I inked the large flower in wild honey ink then added abandoned coral ink around the centre. I spritzed the stamp then pressed it over the matching embossed flower. Because I had spritzed before stamping I got a nice blend of colours which loosely filled the outline. I repeated this step with the blue flowers (blueprint sketch) and burgandy flowers (aged mahogany) I diluted some aged mahogany to paint inside the remaining flowers.
I stamped black soot ink in the centres and bundled sage for the little leafy bit below the petals. I stuck with the gold highlights when adding the sentiment, embossed ‘miss you’ in gold then popped the shimmer gold ‘simple serif’ die-cut letters with white foam. I thought it need just a little something more so added three gold half pearls. Usually I would add splatter but I guess I was feeling fancier!
The inspiration for the second card came as I was stamping off the ‘filled in floral’ stamps after I’d stamped the embossed areas. I grabbed another piece of watercolour paper then inked the flower stamps with the same colours used on the first card, spritzed the stamp then stamped one flower, spritzed again, a second flower, spritzed again and got a third paler flower. Once the panel was fairly full I switched to the leaf stamp, bundled sage and peeled paint ink and added some leaves. I used acrylic blocks for the stamping; there was no need for a stamp positioner with such a loose watery technique.
The watery technique did mean I lost much of the definition of the stamp so I drew some veins on the petals with a spiced marmalade marker once the ink dried. I used the simple serif stamps this time (they match the dies used on the other card) to stamp ‘thanks’ along with one of the sentiments from the C&9 ‘big thanks’ stamp set. This time I did want some black splatter but not all over the place so I chose the safe option of stamping black dots using two stamps from the fine line florals set then drew extra dots with a black marker. A black mat finished it off.
Are you a ‘stay inside the lines’ kind of painter or are you happy to be a bit loose and messy like I was with these cards?
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Wanderlust
Posted: September 3, 2019 Filed under: Penny Black, Stamped Landscapes, wanderlust | Tags: distress oxide inks, Penny Black stamps, Ranger Distress inks, Ranger Distress stains 7 Comments
Wanderlust is the perfect name for this stamp; I would love to be walking down that lane in Provence! I have a friend with a house in Provence so I am curious to hear whether if I’ve managed to capture the look. To create this lavender themed panel I started by painting the watercolour paper in pale distress stains. I wet the whole panel then painted the bottom half in mustard seed stain. I was way too heavy handed and the result was bright yellow! I quickly whisked the panel to the sink and rinsed it off which resulted the pale yellow you see in the centre of the road. With the panel still wet I painted the sky area in broken china distress stain. I dried the panel and placed it in a stamp positioner to do all the stamping. There was a certain amount of back and forth with my stamping, blending, over-stamping etc but I will try and give you the gist of it. All the stamping is done with oxide inks on this panel so I would have more of an oil or acrylic painting look (something like this beauty by Maria Bertan). I stamped the trees and roadside grasses in peeled paint and forest moss distress oxide ink, wiping off the tips of the grasses on the right hand corner so I could ink with dusty concord oxide ink.
As I built up colour on the trees it was sometimes easiest to ink a large area with the oxide ink then wipe ink off the stamp where I didn’t want that colour. I also pressed the oxide ink pads down on my glass mat so I could pick up colour with a paint brush and apply it to the panel that way. As oxide inks are part dye ink and part pigment I was able to clear emboss over the stamping part way through the process to ‘lock’ in the colour on the foreground trees, grass and background trees. The ‘lavender field’ area is blank when stamped so I painted the rows of lavender with dusty concord and some spots of peeled paint oxide ink, the far fields in crushed olive and the road edges in diluted vintage photo. I loved the pops of purple so much I brought them into my second version also but not in the same way.
The second card is a looser watercolour look done with no oxides just the original distress inks and markers. I stamped the trees and grasses with forest moss, peeled paint and candied apple (roadside poppies). I was able to get some variety on the trees and grass by blending with a paint brush and re-stamping over the top.
The adjacent field is painted in wild honey distress ink then there is a dusty concord field further back. To get the blended effect I also spritzed my stamp not the panel so water was transferred from the stamp to the paper in certain areas not over the whole scene. While the inks were still damp I painted a tumbled glass and dusty concord sky around the tree tops and down to the hill edges. Some of the green ink bled into the sky but not too much. Finally I painted the road with vintage photo distress ink.
Have you been to Provence? Does it look a bit like this? Or, like me, do you want to go there now?
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Homeward
Posted: August 30, 2019 Filed under: homeward, Penny Black, Uncategorized | Tags: Penny Black stamps, Ranger Distress inks 6 Comments
I have some more scenic stamping to share and without meaning to I have used an autumn colour scheme. Fall is going to come too soon as it is I didn’t mean to hurry it along!
When creating my previous scenic cards I stamped and painted the trees and scenery first, clear embossed them and added the ground, sea and sky last. For this scene I painted the sky first then stamped over it. I used weathered wood, stormy sky, and fossilized amber inks to fill the panel and create the look of sunset or sunrise in the background. I kept the colour very pale and diluted at the bottom of the panel as I knew stamping would cover the foreground anyway.
I dried the panel before putting it in a stamp positioner to create the scene. I inked the base of the stamp with fossilized amber and along the horizon with rusty hinge distress ink. The tree trunk, branches and the fence I inked with ground espresso and black soot markers. The foliage is a mix of vintage photo and rusty hinge ink. I used rusty hinge to paint a foreground rise also.
Believe it or not there I still have more stamped scenes to show you. I will probably toss a floral into the mix here and there too as I did this week. I’m not quite ready to be showing you Christmas cards yet but it won’t be long!
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Poppy background watercoloured
Posted: August 29, 2019 Filed under: Ink to Paper, My Favorite Things, poppy background | Tags: Faber-Castell Polychromos Colour Pencil, Ink to Paper, My Favorite Things, Ranger Distress inks, sennelier watercolours 10 Comments
I did not plan to post this stamp two days in a row but it was there on the desk within reach and you have to admit it is perfect for no line watercolour because the outlines are so clear. So, instead of working on my to do list I painted on this card.
I stamped on hot pressed watercolour paper with antique linen distress ink for a pale but easily seen outline image. I decided to use my sennelier watercolours because they are lovely to work with. I used a red, a yellow, and a green. To make brown I mixed the red and green, then to make the black I added more red and green. The green I used for the stems and buds was not straight from the pan I mixed in a little red first to make it more olive toned. Once again I was happy with the results from sticking to a limited palette. You can definitely try the same approach with whatever watercolours you have on hand. If your green is a little bright, as mine was, add in a bit of red.
I painted the petals one at a time with diluted red and while each was wet I added more red where I wanted depth or shadow. I paid attention this time to whether I was painting buds or pods. I painted the buds with green blended into red and painted the pods in browns. I added a little of the mixed green to my yellow before painting the poppy centres and used my red+green=almost-black to paint the little black dots around the poppy centres.
After all the painting was done I added a bit more shading and veins on petals with polychromos coloured pencils.
I decided to use another of the lovely little sentiments from my new Ink to Paper ‘tagged’ sentiments set. To achieve a matching olive green on the sentiment I stamped with versafine clair shady lane ink but I stamped on a scrap first so I could get a pale ‘second generation’ print.
I hope you see how versatile this stamp is; it worked beautifully with the loose distress stain watercolour and the more precise no-line watercolour. I have an idea for a third look too.
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Poppy Background split
Posted: August 28, 2019 Filed under: Ink to Paper, My Favorite Things, poppy background | Tags: Ink to Paper, My Favorite Things, Ranger Distress stains 10 Comments
While I was a way this lovely MFT poppy background stamp arrived. (Thank you Foiled Fox) It has lovely detail which I will try to paint more realistically later but I thought I’d start with some emboss resist loose colour.
I embossed the large stamp on hot pressed watercolour paper with versamark and clear embossing powder. Next I sprayed some tattered rose, scattered straw and spun sugar distress stains on my glass mat then spritzed some homemade gold shimmer spray (interference gold pearl-ex mixed with water) to blend the three colours. I swiped my panel through the stains and discovered the spun sugar was not showing so I added more tattered rose and swiped again. Once it dried I had a panel with patches of blended colour, some yellow some pink, some blends of the two.
I painted all the poppies and buds by picking up undiluted stain from my glass mat with a paint brush. I did a few layers letting them dry in between coats so I could see how dark they were. I used frayed burlap to paint the stems, buds and pods and splattered a few dots of tattered rose over the finished panel.
Rather than make a big square card I cut the panel in two pieces and paired them with some blush coloured cardstock and cream card bases. The sentiments are from an ‘Ink to Paper’ set called ‘tagged’. It is a sweet little set featuring several different fonts and nine sentiments. To make my sentiments match my watercoloured panel I stamped them first in versafine clair golden meadow but it was too yellow so I stamped over the top with tattered rose until it was a little more peachy. I think these new stamps are peachy don’t you?
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Lake Wanaka
Posted: August 26, 2019 Filed under: Darkroom Door, Lake Wanaka, Nature Walk, Stamped Landscapes | Tags: Darkroom Door stamps, Ranger Distress inks 4 Comments
I have been creating with the new ‘Lake Wanaka‘ stamp from Darkroom Door. When I first saw this stamp I searched ‘Lake Wanaka tree’ and up came a range of inspiring images. Then I waited for the stamp to arrive so I could try to recreate some of the seasonal shots of this lake and tree in New Zealand.
For this first summer scene I worked with a hot pressed watercolour panel in my stamp positioner because I knew I was going to add inks step by step. I started by inking the lower (lake) portion of the stamp with stormy sky distress ink and the top portion of the stamp with tea dye distress ink. Next I worked with forest moss marker and ground espresso distress markers to add colour to the tree. This took a little while as the tree is made up of fine detail so I was only transferring a little ink at a time. Once the tree was defined I painted the lake with stormy sky and weathered wood ink. (smooshed onto my glass mat – I know you’ve probably got that step by now!) I switched to earth tones to paint the mountains and followed some of the definition of the stamp with rusty hinge, frayed burlap, vintage photo and tea dye inks. I painted a little stand of trees in the left corner with forest moss ink and added some reflections in the water. Once the mountains were dry I painted the sky with weathered wood, stormy sky and faded jeans ink.
For the sunset look below I used did less painting and worked with a base of one colour ink. I used faded jeans archival ink to stamp the whole image then painted more faded jeans distress ink into the shadows of the mountains, black soot ink over the foreground hills and faded jeans and spun sugar inks over the lake.
I used forest moss and ground espresso markers to ink the tree and stamp over the initial print and painted over the trunk also with ground espresso ink to make it bolder against the background. The sky is a mix of worn lipstick and spun sugar inks.
I decided to make a co-ordinating background panel by painting some worn lipstick, spun sugar and faded jeans distress stains onto my glass mat then swiping a piece of watercolour paper through it. I popped my stamped panel up on some dimensional tape.
My autumn Lake Wanaka panel features the main tree and stand of trees in fossilized amber ink. I inked most of the stamp with a stormy sky marker but avoided the tree so I could use a fossilized amber marker to ink the foliage. I wanted to leave snow on the mountain tops so I did very little to that area but painted stormy sky and chipped sapphire shadows further down the mountains. Once again I painted the foothills in black soot ink. I used diluted stormy sky ink for the lake and chipped sapphire for a bold sky. When I was stamping the tree I spritzed the stamp to help the fossilized amber ink spread further.
I finished the card off with white and navy mats and a little sentiment strip. I think you can probably guess why the sentiment is positioned right there. You’ve done the same I’m sure to cover a little bit that didn’t go the way you wanted it to!
Thank you for joining me today. I hope to be back before too long with more Lake Wanaka interpretations. Make sure you visit the Darkroom Door blog to see other creations featuring this stamp.
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A Teddy and a Present
Posted: August 22, 2019 Filed under: a present, Penny Black | Tags: Alexandra Renke cardstock, Penny Black stamps 4 Comments
Can you believe there is a teddy bear card on my blog? I am having trouble believing it myself. Not that I have anything against teddy bears, in fact I have a soft spot for Winnie the Pooh in particular, but I have never done any teddy bear stamping and colouring before!
I kept things simple with this sweet stamp from Penny Black, it’s called ‘a present’ and I’ve paired it with a sentiment from the PB ‘peaceful time’ set. I worked on hot pressed watercolour paper and did the initial stamping with antique linen distress ink. I decided to keep my colour scheme simple; it could almost be called a primary colour scheme except that the ‘yellow’ component is more of a brown. I smooshed rusty hinge, blueprint sketch and candied apple distress inks onto my glass mat and diluted them as needed with a paintbrush and water. To paint the image I worked on one section at a time and never on adjacent sections one after the other, that way I let each section dry before painting beside it.
I didn’t do anything too fancy on this, my first teddy bear panel. The whole bear is painted with rusty hinge ink, I just use undiluted ink in places where I wanted shadow or definition. I used markers at the end to add detail that had faded with the painting.
The little bit of string peeping out the side I went over with a gold gel pen and the sentiment is stamped in versafine red satin ink. To complete the card I matted in red cardstock and attached it to an Alexandra Renke polka dot paper. Then, because I thought it would be cute, I used my 3-in-1 punch board to make a matching polka dot envelope.
Don’t look too closely at teddy, he seems to have tanned one arm way more than the other!
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Sunset
Posted: August 19, 2019 Filed under: paradise, Penny Black | Tags: Penny Black stamps 15 Comments
More scenery! Wouldn’t you like to be there right now? Maybe you are…
This stamp is from Penny Black, it’s called ‘paradise‘.
If you have read about how I made my recent scenic cards (outback, canoes, oceanside, sailboats) then you already know the drill for this one. I inked and stamped the trees , ground and horizon landmass in a combination of fossilized amber, tea dye, rusty hinge, gathered twigs, ground espresso and black soot distress inks. Basically I started by stamping the whole image in fossilized amber then adding the next darkest ink to sections I wanted darker, stamping that, then adding the next darkest ink to even less of the stamp, stamping that and so on until I had the gradation of sunlit palm frond yellow to thick silhouetted dark brown and black shadows. Once I had done all that inking and stamping I embossed the whole stamp with versamark and clear powder so the colours were ‘sealed’ on the watercolour paper. The clear embossing step yeilded a bonus effect this time. See those white lines on the top of the palm fronds that look like the light hit them? I think my panel might have moved ever so slightly so I ended up embossing a little bit of un-inked white paper. Happy accident folks!
After the embossing was done I painted the sky with abandoned coral, salty ocean and wilted violet inks. I went all out tropical sunset mode and when that dried used the coral and ocean colours on the water as well. I painted the sandy beach in fossilized amber ink but then wanted it darker in the foreground so blended some rusty hinge and tea dye ink over the sandy area with brushes.
The sentiment kind of chose itself from the Penny Black ‘destinations’ set. I stamped it in distress archival ground espresso ink. Thanks for dropping by today, hope your week is off to a good start.
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Some kind of wonderful
Posted: August 16, 2019 Filed under: some kind of wonderful, The Stamp Market | Tags: Ranger Distress inks, The Stamp Market 11 Comments
First project back in the workroom after many weeks away! Turns out I haven’t completely forgotten how to stamp or watercolour. That’s a relief as I am teaching a class tomorrow!
This pretty flower is from ‘The Stamp Market’ and the set is called ‘some kind of wonderful’ which is the cute sentiment included in the set. I decided to do some no-line watercolour to get myself back in the zone. I used antique linen distress ink because it works well to provide a pale outline to paint over and blends fairly well with most colours I might choose to paint with. It disappears better when painted with some colours than others. I added green to the leaves and the stamping turned green; I added lilac to the petals and the stamping remained light brownish. So it’s not perfect but I’m happy with the results.
I painted the leaves first with diluted peeled paint distress ink. I just smoosh the inkpad on my glass mat, add a little water and there’s my ‘watercolour paint’. I can make it lighter by adding more water or darker but not diluting it at all. I painted over the stem with undiluted ink and a brush that came to a nice pointy tip. Don’t try this if your brush doesn’t come to a nice pointy tip, you won’t be happy. Alternatively you can go over the stems with a matching marker.
I kept the stamp and hot pressed watercolour panel in the misti as I worked so I was able to re-ink the middle of the flower with aged mahogany ink and stamp that for a dark centre. I blended the mahogany ink a bit with water but not too much because I wanted to keep some of the stamped detail.
I let the leaves and centre dry completely while I ate lunch then returned to work on the petals. I painted them all with shaded lilac, let them dry then added some depth with a mix of shaded lilac and wilted violet. When the petals were almost dry I drew little ‘carpels’ (maybe?) with a black soot distress marker. Drawing them in made it possible to neaten up the area between the flower centre and the petals which was a little scrappy and untidy.
I decided to use the sentiment included in the set and in doing so discovered something very nifty. The sentiment that I thought was all joined together is actually four different stamps! I know! How handy is that? I occasionally do stamp surgery or tricky masking to get the word ‘you’re’ to be part of a sentiment combo. Now I have a stamp that says YOU’RE! (and one that says SOME and one that says KIND OF and one that says WONDERFUL) Isn’t that wonderful? I am thinking of all possibilities… Anyway I stamped the sentiment boldy in versafine onyx black and then added some black enamel dots to balance out that black boldness.
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Sweet sails
Posted: August 14, 2019 Filed under: Penny Black, sweet sails | Tags: Penny Black stamps, Ranger Distress inks 10 Comments
It is all about the scenery on the blog right now, I hope you don’t mind. I made five scenic cards back in June not knowing I would be making an unscheduled trip to Australia. I haven’t made any cards since June! I hope I remember how. This lovely sailboat stamp from Penny Black is called ‘sweet sails’ and I created a scene following a similar procedure as for my previous cards. With my watercolour panel in a stamp positioner I first inked the horizon line and water area in versamark and coloured the sailboats with distress markers (black soot, candied apple, fossilized amber) then stamped. I embossed the water with clear powder so the little dashes in the ocean would look like white caps. I painted over the embossing to cover the ocean area with salty ocean ink. Moving on to the tree, I inked with old paper, peeled paint and forest moss inks to build up depth and shadow. I used gathered twigs and ground espresso markers for the trunks and branches then did the grass with forest moss, mowed lawn and peeled paint inks.
As with my recent scenic cards I let all the image stamping dry then inked the stamp with versamark and embossed in clear. This ‘seals’ in all the colour so I can paint sky and sand over the top. I used diluted salty ocean ink for the sky and fossilized amber, tea dye and gathered twigs inks for the sand.
I’m back in Canada now fighting off my jetlag one coffee at a time. Thank you for the kind messages many of you left in my comments over the last few weeks, I very much appreciate your thoughts and prayers.
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Heather Telford 