Folk Flower

folk flower Heather Telford

Having so many alcohol ink experiments on hand is helping with my resolve to try new layouts and sketches. The colours and patterns that appear almost magically when working with alcohol inks need little or no adornment. This panel was mainly aqua with some splotches of coral pink here and there until I added silver and scraped it across the panel with the coffee stirrer. I ended up with the rock formation style patterns which were kind of cool but the silver had taken over.

I played around with several ideas for using the panel including tossing it but finally settled on a layout inspired by this card on JJ Bolton’s blog. I chose the coral coloured cardstock for the die cut to bring out the few patches on the panel. The assembly of this layout did not go smoothly for me, (there is more than one reason I stick to the portrait gallery layout!) I cut a piece of light weight cardstock to stick behind the circle to keep everything together. When I ran my finger over the edge of the circle to press it firmly onto the backing, the silver ink smudged onto my clean white card base. I managed to transfer silver ink via my die cutting plates also. The metallic alcohol inks sit on the surface and therefore need some sort of fixative; (I have watched a tutorial about this just haven’t looked into whether I have the right fixative) Rather than make the same mistake three times I decided to polish the patterned circle with a paper towel as someone had done successfully in class to see how much silver would come off. I removed quite a bit which revealed more aqua and left the panel less smudgy. The rest of the assembly was more straight forward; I used ‘stick it’ adhesive on the back of the folk flower die cut and embossed the sentiment on black cardstock for contrast.

 folk flower side Heather Telford

When I visited JJ Bolton’s blog to look at her card layout I read about the clever wax crayon technique she used on her card…something to try another day.

Supplies:

Stamps:  Happy Snippets (PB)
Dies: Folk Flower (PB)
Ink: Alcohol inks,  Versafine ink (Ranger)
Paper: glossy photo paper, Neenah Epic Black 100lb cardstock, Neenah solar white cardstock, coral cardstock
Also: stick it adhesive, white embossing powder


Blue bird houses

blue birdhouse Heather Telford

It’s all about blue on my card today.  I used chipped sapphire distress ink  for all but the sentiment and managed to get different blues by diluting some areas more than others. I inked the stamp with distress stain which made the print very juicy and perfect for the watercolour effect. I used a wet paintbrush to pull the colour in from the stamped outline. I also stamped the music in chipped sapphire ink and splattered a few drops of water to soften the notes and staff. To frame the panel I sponged around the edges. I stamped the sentiment in versafine majestic blue because versafine does sentiments so very nicely. I had some polka dot ribbon on hand so cut the sentiment strip and ribbon ends to match and layered them with a die cut flower on top.

 blue bird with china Heather Telford

The colour scheme reminded me of the willow pattern china bowl my mother often used for fruit salad (probably still does) I wasn’t sure whether I owned any willow pattern but I checked my tea cups and saucers and found one which I popped in the background of the second photo.

Supplies:

Stamps: Good Neighbors, Happy Snippets, Footnotes (PB)
Dies:  Layered Flower (PB)
Inks: Chipped Sapphire distress stain and ink (Ranger) Majestic Blue Versafine ink
Cardstock: Fabriano 100% cotton cold pressed watercolour paper, Neenah patriot blue cardstock
Also: Polka dot ribbon


Alcohol ink backgrounds

 in the garden Heather Telford

Yesterday I shared some alcohol ink abstract panels; today I have more abstract panels but these ones have become backgrounds for dies or stamps. The one above looked so forest-like I had to pair it with trees. It is a fairly dark mix of colour so I think it must be dusk or dawn. The ‘in the garden’ die was perfect for turning the blue-green panel into a scene and the new ‘serenity’ tree die just added to the woodland feel.

in the garden close up Heather Telford

Supplies:

Dies:  Serenity, In the Garden (PB)
Ink: Alcohol inks (Ranger) 
Paper: glossy photo paper, Neenah Epic Black 100lb cardstock, blue cardstock

green and gold day Heather Telford

The colours in this panel again determined what I would add. Orange, yellow and green patterns seem an appropriate background for a daisy. I used archival ink which gave a crisp fast drying print. There was another card made from this background but I made the mistake of laying a stamp on top of the panel for positioning before inking the stamp. The natural stickiness of the stamp on the glossy paper lifted the surface off the paper removing the alcohol ink (not in a cool resist type way!). It didn’t happen on the daisy card because I just inked, stamped and hoped for the best.

Supplies:

Stamps:  Love Art, Special Thoughts (PB)
Ink: Alcohol inks,  Jet black archival ink (Ranger)
Paper: glossy photo paper, Neenah Epic Black 100lb cardstock, Neenah solar white cardstock

 


Layouts and sketches

blue celebrate Heather Telford

Recently I noticed how often my card designs involve a simple square or rectangle. Sometimes the panel is matted in black or a co-ordinating colour; other times it is popped up on the card base which creates a type of shadow mat. A matted panel with little embellishment is my most used layout. I’m not saying there is anything wrong with the matted panel approach; I often try to create a mini painting so framing it seems like an appropriate way to turn it into a card. However, there are many clever card makers who never default to the square or rectangular layout; each new card features angles, diagonal lines, curves, cutouts and all manner of creative designs.  I’ve decided I need to mix things up a little in the sketch and layout area. Take the card above for example, the alcohol ink design reminded me of the ocean from beneath the surface with light above and bubbles all around. I really didn’t want to loose much of the blue pattern so I cut the sentiment out of the blue panel and popped it up. I like how it turned out but it was very much my usual style.

blue pattern Heather Telford

When I put this next card together I was working with a similar panel; the alcohol inks had done cool things creating a pattern I wanted to save if possible but not in yet another rectangular layout. By cutting a curve across the patterned yupo panel I was able to add some interest and bend a transparent sentiment stamp to hug the curve.

warm tones well done Heather Telford

Once again I wanted to retain most of this warm toned alcohol ink design so I chose a cool new border die with curves that created a contrast with the angles of the stenciled pattern.

circle hooray Heather Telford

I have a board on pinterest where I am saving inspiration for new layouts.   The card above was inspired by Paula Dobson’s bright happy card, pinned recently. Sketch challenges are another source of inspiration I hope to make use of more often. You may have noticed all the cards in this post were made from patterned panels, which of course, are easier to adapt to interesting layouts than pictures of real things! I may get adventurous and creative with my scenic or floral panels too, who knows?

Supplies:

Dies:  Celebrations, Border Edges (PB)
Stamps: Happy Snippets, Sweet Wishes
Ink: Alcohol inks (Ranger) Versafine inks (Tsukineko)
Paper: Yupo paper, Neenah SolarWhite 110lb cardstock, Neenah Natural white cardstock


More vintage watercolour

vintage watercolour butterflies Heather Telford

Thank you for your encouraging response to yesterday’s technique video. Please let me know if you give it a try. I have another card done in the same style today so if you missed the instructions yesterday, check out the tutorial here. The painting on this one was more straightforward as there was no masking. The butterflies are all on one large stamp, ‘Butterfly Charmer‘, and their botanical look makes them perfect for the vintage treatment.

 watercoloured butterfly closeup Heather Telford

As with yesterday’s card I stamped in vintage photo distress ink; this provides the sepia tone which I want to carry through the whole image as well as the water solubility necessary to blend the ink with the added colour from the watercolour pencils. I chose a blue, a purple and a pink pencil and switched from one to another as I coloured each butterfly.

vintage butterfly closeup Heather Telford

The assembly was more time consuming with this card partly because it had fiddly little lace and charm elements. The main reason putting this card together took a while though was because I didn’t know what I wanted. I glued down some lilac ribbon and added a bow to the butterfly charm only to decide I didn’t like it. Thankfully the ribbon pulled off without ruining the watercolour panel.  I did want the lace and the charm so I paired them with an embossed sentiment on a tag plus a little flourish die cut . The whole shebang is matted with the same pale brown as the tag and popped up on a natural coloured card base. I know for some of you this constitutes a fairly simple layout but for me this is high on the fussy-fiddly scale!

Supplies:
Stamps: Butterfly charmer, Happy Snippets (PB)
Dies: flourish & butterflies, a pocketful
Inks:  Vintage Photo distress ink (Ranger) Versamark (Tsukineko)
Cardstock: Hot pressed Fabriano watercolour paper, brown cardstock
Also:  Albrecht Durer watercolor pencils (Faber-Castell), lace, butterfly charm


You’re Sweet

you're sweet Heather Telford

Earlier today I was admiring yet another fabulous card by Ardyth Percy-Robb, who is not only clever and creative, but also a faithful challenge participant. The card that caught my eye was for the May Pinterest Inspired Challenge featuring the image below:

pinterestinspiredchallenge

Even though I love watercolour and the image above is full of lovely soft blends and bleeds I chose to use my recent arty crush, alcohol inks. I dropped sunshine yellow, pool, raspberry and juniper one colour at a time so I could squirt air at each drop before it dried. You can see how some inks create a new colour when they intersect but others cover or push the other colour. I matted in black and attached my panel to the card base askew before adding a die cut sentiment.

Supplies:

Die:  You’re Sweet (PB)
Alcohol Ink: sunshine yellow, pool, raspberry, juniper (Ranger)
Paper: Kirkland photo paper, Neenah SolarWhite 110lb cardstock, Neenah epic black cardstock


Poppy Pattern Party

 peach poppy panel Heather Telford

It’s the poppy pattern stamp’s turn to be featured today. I have a variety of colour schemes but only two mediums. The most subdued version is the one above done with forest moss, worn lipstick and scattered straw distress stains plus a black marker to add definition to the poppy centres once the stains had dried a little. I used a MISTI to add colours one at a time.

Poppy pattern party Heather Telford

The remaining cards were all done with colour burst powders dropped onto water stamping. You lose a lot of definition with this technique but you achieve some gorgeous bold colours and in some cases some magical blending. Above I used phthalo green, lemon yellow and merlot (I think). Below it was probably alizarin crimson.

Poppy bursts Heather Telford

The bright purple panel below was the one section I saved from the large stamped image. I stamped it with water but when I went to sprinkle violet colorburst powder I got a little more than I bargained for.  I let it dry, then chose one section to touch up, trim and turn into a card.

Purple Poppy pattern Heather Telford

Supplies:

Stamps: Poppy Pattern, Special Wishes, Friendship, Sentiment Collection (PB)

Dies: Deco Frame (PB)
Mediums:  Versafine onyx black (Tsukineko) distress stains (Ranger) Colorburst powders (Ken Oliver)
Cardstock: Fabriano 100% cotton hot & cold pressed watercolour paper, Neenah Epic Black cardstock


Out to Sea

Out to sea Heather Telford

Is this not a stunning new die? I thought it was perfect to lay over my bright blue alcohol ink panel. Blue panels are the most challenging for me to photograph accurately. In real life there is more purple and the light blues are lighter. The speckled bits that conveniently look a bit like ocean spray or foam are silver accents.  I created the panel by dropping some blue alcohol inks on yupo paper and blending. I added some silver alcohol ink and moved it around with extra blue ink and blending solution; the metallic inks don’t move much until another ink is added to them.

boat closeup Heather Telford

This die is also going to be beautiful over a watercoloured panel. If I am feeling patient and steady I might do the inlaid die technique but it really doesn’t need it; the overlay approach works just fine.

Supplies:

Die:  Out to Sea(PB)
Alcohol Ink: denim, indigo, silver, alcohol blending solution (Ranger)
Paper: yupo paper, Neenah SolarWhite 110lb cardstock


Timely bookmarks

watercolour bookmarks Heather Telford

This week the design team at Penny Black are sharing some book mark designs cut using the elegant ‘bookmark’ die. I guess it’s no surprise that I decided to cut my bookmarks out of watercoloured panels, the orange and green one shows a portion of the ‘Bejeweled’ image.

 orange flower bookmark Heather Telford

The pink and orange one below features ‘The Unfolding’ which just might be my favourite stamp from the last release.  I used distress stains for both images, inking with the lighter stains first, then the darker ones over the top. I sometimes add a spritz of water if the stains were not so juicy it helps the colours blend softly into each other. Once I have stamped the image I do further blending on the paper with a paintbrush. And of course there is the small matter of splatter added at the end if desired.

pink flower bookmark Heather Telford

The die punches the little hole for the cord so I twisted some matching colours of embroidery floss and threaded them through. A book mark project is quiet timely actually as I have stepped up my reading over the past few months. I have a few books on the go right now and am enjoying some audio books also.

Have you read or listened to any good books lately? Do you read more than one at a time? Do you reread favourites? I just finished reading ‘The Invention of Wings’ by Sue Monk Kidd and ‘A Homemade Life’ by Molly Wizenburg. I’m also rereading the Mitford series by Jan Karon.

Supplies:

Stamps: The Unfolding, Bejeweled (PB)
Dies: Bookmark (PB)
Inks: Mowed Lawn, Bundled Sage, Vintage photo, Mustard seed, Spiced Marmalade, Worn Lipstick, Dried Marigold distress Stains (Ranger)
Paint: Phthalo blue Dr Ph. Martin Hydrus
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: Embroidery thread


CAS Mix up Challenge

CAS Mix up Heather Telford

There is a new challenge on the block and it is definitely worth a look. It has been dreamed up by the very talented, Bonnie Klass and Loll Thompson and it’s called the CAS Mix up Challenge.
In their words:

Is CAS your style??  Do you love the look of clean and simple designs with lots of open space??  And have you seen all those fabulous mixed media techniques and products popping up all over and want to give them a try??  Then this is the challenge for you!
There are three elements to each challenge and for this one I had to use
  1. stamping – no problem
  2. watercolour – absolutely
  3. my choice – a die cut

watercolour background & daisies Heather Telford

I splashed some water on my watercolour paper then added some Tangerine colourburst powder and some Copper liquid metal. I let the colour move and blend and tilted it to almost fill the paper then let it dry. I had to do a little fussy cutting to mask one daisy before I stamped the other but I seemed to have survived the ordeal. I used the notebook die from the ‘pocket full’ set to cut  the top of the panel then popped it up on the card base before adding a sentiment. I tried to do the artistic-messy-thread-stuck-behind-the-panel trick but did not succeed. Maybe it was just as well because the challenge specified three elements not four!

daisies detail Heather Telford

Pop over to the challenge and check out the entries; it is a feast of inspiration.

Supplies:
Stamps: Love Art,  Soar (PB)
Die: A Pocket full (PB)
Mediums:  Colorburst powders, Liquid Metal (Ken Oliver) Versafine Onyx Black ink (Tsukineko)
Cardstock: Cold pressed Fabriano watercolour paper