Baby, it’s cold outside

Hot chocolate Heather Telford

I’m continuing my ‘Winter Warmth’ feature with a cup of hot chocolate and a steaming cup of tea. I had fun creating a couple more scenes with simple watercolour backgrounds and die cut focal images in the foreground. On today’s cards the background is rough watercolour paper so the ‘frosty day’ stamped images were speckled all over until I used a wet paintbrush to blend the ink over the sky area.

dsc_2932-hot-choc-sc

I die-cut the cup using the ‘what’s in your cup?’ die set. This set comes with the cup, cream, steam, teabag plus more detail pieces. I cut the pieces out of hot pressed watercolour paper, coloured them with distress markers and blended the colour with water.

Hot chocolate closeup Heather Telford

I added a silver heart, cream and cinnamon to the pink cup then attached them all to the background panel. Because the die set comes with all the cute little extras I decided to make a second card this time with a cup of tea.

hot tea Heather Telford

I stamped the background in black soot distress ink for this card and once again blended the sky area but left the rest textured.

hot tea Heather Telford

I coloured the cup with red distress inks then added a sparkly embossed snowflake, a teabag tag and some rising steam.

hot tea closeup Heather Telford

I have one more ‘winter warmth’ card to share tomorrow.

Supplies

Stamps: frosty day, festive snippets
Dies: what’s in your cup?
Ink: Chipped sapphire, black soot, festive berries, old paper, gathered twigs, picked raspberry, vintage photo, hickory smoke distress inks/markers (Ranger) Versamark, versafine majestic blue, imperial purple & onyx black  (Tsukineko)
Paper: hot pressed watercolour paper, rough watercolour paper
Paint:  Finetec Artist Mica watercolour paint
Also: Clear gloss embossing powder, Clear sparkle embossing powder


Let it snow

Sled n skis Heather Telford

I am writing this post from sunny warm Australia while my Ottawa family is sending me photos of the snow that has already fallen. I have a series of  ‘Winter Warmth’ posts this week featuring dies and stamps from the latest Penny Black releases. I chose to pair watercoloured die-cuts with watercoloured backgrounds to make some indoor and outdoor winter scenes. You might think that sledding or skiing is not a particularly ‘warm’ activity but consider the trudge up the hill with the sled or the energy expended cross-country skiing; you can end up quite heated!

I created my background forest on cold pressed watercolour paper by doing first and second generation stamping with memento northern pine ink. I then tore a few snow banks from the same paper and layered them in front of the trees.

sled-n-skis close up

I die-cut the sled and skis from hot pressed watercolour paper then coloured them with distress markers, blending with water to get shadows and dimension. I added some die-cut greenery and a little twine bow to both the skis and the sled then tucked them in behind the torn paper snow banks. I added some clear wink of stella to the torn edges to make the snow banks glisten a little.Sled n skis Heather Telford

Supplies

Stamps: woodland beauty, festive snippets
Dies: Sled ‘n’ skies, winter lantern
Inks: memento northern pine, tuxedo black (Tsukineko), festive berries, gathered twigs distress markers (Ranger)
Paper: hot and cold pressed watercolour papers (Fabriano), green cardstock
Also: clear wink of stella, linen twine

 


Holly Stencilling

Joy holly Heather Telford

I have a couple more stencilled and watercoloured cards to share today. I used the same technique to create these panels as I did to make the ‘stained glass‘ panel shared earlier in the week.

Joy holly close up Heather Telford

I began with the stencil taped to a piece of watercolour paper then spread molding paste over the stencil to fill all the little holly leaves and berries. While the paste was still wet I sprinkled brusho powder over the stencil then spritzed lightly with water. The water activates the brusho which spreads, blends and soaks into the paste. I removed the stencil and let the paste dry for quite a while before handling it. On the panel below I used a pearl paste instead of white to achieve a shimmery appearance. Water and colour did seep under the stencil in a couple of places but I trimmed the panel to utilise the best portion.

rejoice holly Heather Telford

I finished the cards with die-cut sentiments and mats. To make the ‘Joy to the world’ sentiment pop I traced around it with a gold gel pen. You can see in the photo below the shimmer from the pearl paste. When I sprinkled the brusho over and spritzed, it really did not look good; it was more of a dirty mustard colour. Once it dried, though it looked pearly with shades of yellow, green and gold peeping through.

rejoice holly closeup Heather Telford

I apologize if I did not answer your questions about the last post; I’ve been travelling around a bit this week and visiting family in Canberra and Newcastle. When the choice was computer time or duplo with my delightful three year old great nephew, well really, there was no choice!

Supplies

Dies:  Joy to the World, Rejoice(PB)
Stencil: Holly Medley (PB)
Paints: Red and green Brusho (Colourcraft)
Paper: Fabriano watercolour paper, red cardstock
Also: molding paste, texture luxe pearl paste, gold gel pen


Peerless skies

O holy night Heather Telford

Yesterday I posted the first card painted with my new Peerless Watercolour paints along with a video showing how I organized my paints into a palette. The cards I have today feature deep blue skies also painted with Peerless watercolours.

O holy night Heather Telford

Peerless watercolours are unusual as the paint is concentrated in a dry sheet of cardstock. To use it you have to add water to the cardstock. I am only just beginning to use mine but I am already impressed by the intensity of the colour and the ease with which they blend. For both these cards I used a mix of blues and purples and blended them on the watercolour panel. I was happy with the mix of colour as I painted but was even more impressed when I returned to the panels after they had dried and saw how they colours had continued to blend resulting in soft smooth variations.

O holy night close up Heather Telford

I kept the design simple as far as elements were concerned but fancy when it came to texture and sparkle. I embossed both the sentiment and church with WOW Diamond white embossing glitter giving a second coat to the church for maximum bling. I can’t imagine the circumstances under which a church would be so sparkly but it looked so pretty against that sky I had to let it bling!

Peerless sky Heather Telford

I was far more traditional with this card adding a sentiment and tree in black ink.

Peerless sky close up Heather Telford

I added a little interest by stamping the tree on both the card base and the feature panel which is popped up on a layer of foam.

Peerless sky Heather Telford

I received my peerless watercolour paints from the kind people at The Foiled Fox online store. The store has a wonderful mix of art, paper craft and calligraphy supplies and in my opinion they are carrying all the cool stuff! They also have a blog showcasing their own design team and guests from around the world.

Supplies

Stamps: Woodland beauty, Holy Night (PB)
Dies: Chapels,  O Holy Night
Ink: Versafine onyx black (Tsukineko)
Paint: Peerless watercolours
Paper: hot pressed Fabriano watercolour paper
Also: WOW diamond white embossing glitter


Forest grove

fall forest Heather Telford

As you might know I use hot pressed watercolour paper 90% of the time because it is smooth and takes stamping so well, giving me a complete images. Occasionally, however, I like to pull out some cold pressed or even more occasionally some rough watercolour paper because the texture gives a whole different look. The labels hot, cold and rough, when attached to watercolour papers refer to the way the paper is pressed. Hot is flattened with heat and pressure making it the smoothest of all three. Cold is flattened with pressure but not heat and rough is flattened with less pressure than cold, making it the most textured of the three types.

close up fall forest Heather Telford

I stamped the ‘snowy grove’ stamp on cold pressed paper in vintage photo ink. I then used the image as a starting point for painting some of the trees more distinctly. In some cases I joined a few trunks together with extra ink to create wider trees. I painted some foliage plus the forest floor with crushed olive and peeled paint distress stains and spritzed with water to blend and blur both the ground and the canopy. I cut the ‘serenity’ die from brown cardstock to add some framing and give the impression of looking into a grove of trees. The tiny tag is cut with the ‘gift card pocket’ die.

The trees around here still have plenty of green on them but we are beginning to see gorgeous colour too. Have a great weekend and Happy Thanksgiving Canadians!

Supplies:

Stamps:  Snowy GroveSnippets  (PB)
Dies: Serenity, gift card pocket
Inks: vintage photo, crushed olive, peeled paint distress inks & stains(Ranger)
Cardstock: Cold pressed watercolour paper, brown  cardstock, green textured cardstock


Wintry Trail

Wintry Trail Heather Telford

The new ‘Wintry Trail’ stamp from Penny Black is one that you can add a lot of colour step by step or a little colour behind black silhouette stamping. I chose the silhouette style for this winter scene. I painted a deep blue sky and a paler snowy or icy ground. As I painted I intended the ‘ground’ to be covered in snow but as I look at the photos I think it looks a little like the ice of a frozen pond reflecting the colour of the sky.

Wintry Trail closeup Heather Telford

I have seen skies as blue as this one while ski-ing in the Gatineau hills. The contrast of  snow and trees is dramatic and beautiful. To make my version I stamped the scenic stamp on hot pressed watercolour paper in versafine onyx black ink.  I painted the sky first in turquoise and cobalt blue brusho and let that dry. I used a more diluted turquoise and diluted black brusho to paint the ‘ice’ and shadows. You can see there are little dots of white over the panel which means I started by flicking masking fluid over the panel.

Wintry Trail Heather Telford

The tiny tag is from the Gift Card Pocket die set and was just the right size for one wee word!

Thank you so much for all the lovely comments about this week’s winter watercolours. I’m glad you enjoyed them and would love to hear if you tried any of the same techniques.

Supplies

Stamps: Wintry Trail, Holiday Snippets (PB)
Dies: Gift Card Pocket
Ink: Versafine onyx black ink, blue lagoon ink (Tsukineko)
Paper: hot pressed watercolour paper, Neenah epic black paper
Paint: Turquoise, Cobalt Blue, Black brusho powder
Also: Daler Rowney masking fluid, Silver cord


Vintage poinsettia

vintage poinsettia Heather Telford

Today’s card is a contrast to the sparkly bright poinsettias earlier in the week. I returned to a style I have featured on the blog several times this year, a vintage appearance. To achieve the aged look I stamp first in vintage photo distress ink then blend the stamped ink with watercolour pencils. I worked one petal at a time and used a wet paintbrush to pick up colour from the pencils. I chose a couple of reds, and a light green for the petals and a dark brown for the berries. Once the whole image was painted I coloured around the edge with a grey pencil to help ‘lift’ it off the page a little.

vintage poinsettia closeup Heather Telford

I matted the panel with textured burgandy cardstock and added a sentiment on one of the handy tags from the gift card pocket die (a set that gives you way more than just a gift card pocket; its full of tabs, tags, flowers, scalloped shapes…).

vintage poinsettia Heather Telford

As I finished editing this post it occurred to me that the vintage look on my poinsettia does give it a bit of a ‘dried up ‘cos I didn’t get watered look’. Now, how would I know that look I wonder?

Supplies:

Stamps: Scarlet Majesty, Holiday Snippets (PB)
Dies: Gift Card Pocket
Inks:  Versafine Crimson Red ink (Tsukineko) vintage photo distress ink(Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Burgandy textured cardstock
Also: Faber-Castell Albrecht Durer watercolour pencils, Gold cord


Stacked die cuts

stacked die cut Heather Telford

When I first tried this technique I did it the same way many did, by cutting multiples die cuts from cardstock and gluing them on top of each other. I now use a quicker method where I  die-cut the image out of foam which replaces the stack of cardstock die cuts. I always find it a little tricky to stack the very fine stems and letters; the foam stretches a bit and the cardstock is very hard to line up. Despite these fiddly factors I managed to get it all in place to create this subtle floral design on another abstract watercoloured panel.

Dancing die cut Heather Telford

This was one of those panels where the brusho patterns turned out to be very pretty so I didn’t want to lose much by stamping over it or cropping. Raising a die cut image is a great solution when you want to preserve some pattern but still have a focal image.

stacked die cut flat Heather Telford

Supplies:

Stamps:  Sprinkles & Smiles (PB)
Die: Shall we dance
Paints:  Brusho powders (Colourcraft)
Inks:  Deep Lagoon ink (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: stick it adhesive sheet, adhesive backed fun foam

 


Round the watercolour world

DSC_2206 Watercolour world Heather Telford

I have more watercolour die cuts to share. This card has a much higher fiddliness factor than the previous ones and has convinced me that I should never video myself making a shaker card! Rather than trying to describe my trial and error process for making this shaker card I will just list the layers I used from little die cuts right down to the card base. The mini community and ‘the world’ were cut from brusho panels.

watercoloured ‘mini community’ & ‘love to travel’ die cuts with stick-it adhesive on the back
black cardstock panel
acetate
foam with circle die cut from centre
watercolour panel to be ‘the world’
card base

DSC_2210 Watercolour world flat Heather Telford

I saved the little die-cut bus and cars to put inside the shaker area with the glitter, sequins and micro beads. It wasn’t until I started shaking it that I realised the bus and cars would end up in countless pile ups!

Supplies:

Stamps:  Sprinkles and Smiles (PB)
Die: Mini community  Love to Travel (PB)
Paints:  Brusho (Colourcraft)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah solar white, Neenah epic black
Also: stick it adhesive sheet, glitter, sequins, micro beads


Watercolour Fuchsias

watercolour fuchsia Heather Telford

I’ve been cutting up watercolour panels again; it really is a great way to use up experiments or abandoned projects. Sometimes I have panels that were my ‘practice’ for something else or part of a class where I demonstrated a technique but then moved on. The colours in the panels are pretty but the pattern might be a bit random or unattractive. Using a die cut means I can cut from the sections where I really like what the colours are doing. These panels were painted with Gansai Tambi paints.

watercolour fuchsia Heather Telford

I put stick-it adhesive on the back then cut all these fuchsias from a couple of panels featuring the same blue green tones. I arranged them then attached them all to a white panel and then to a white card base. My photography didn’t pick up the texture on the white panel as it is quite subtle but it is a cute trick if you want to try it. The cutting base panel for my die-cutting machine is very well used all over so when a piece of cardstock is run through the machine the base transfers an intricate pattern of intersecting lines which creates subtly textured cardstock. I am going to include this card in the Casology ‘Watercolour’ challenge. 

d06c1-week2b2092b-2bwatercolor

Supplies:

Stamps:  Sprinkles and Smiles (PB)
Die: