Baby, it’s cold outside

Hot chocolate Heather Telford

I’m continuing my ‘Winter Warmth’ feature with a cup of hot chocolate and a steaming cup of tea. I had fun creating a couple more scenes with simple watercolour backgrounds and die cut focal images in the foreground. On today’s cards the background is rough watercolour paper so the ‘frosty day’ stamped images were speckled all over until I used a wet paintbrush to blend the ink over the sky area.

dsc_2932-hot-choc-sc

I die-cut the cup using the ‘what’s in your cup?’ die set. This set comes with the cup, cream, steam, teabag plus more detail pieces. I cut the pieces out of hot pressed watercolour paper, coloured them with distress markers and blended the colour with water.

Hot chocolate closeup Heather Telford

I added a silver heart, cream and cinnamon to the pink cup then attached them all to the background panel. Because the die set comes with all the cute little extras I decided to make a second card this time with a cup of tea.

hot tea Heather Telford

I stamped the background in black soot distress ink for this card and once again blended the sky area but left the rest textured.

hot tea Heather Telford

I coloured the cup with red distress inks then added a sparkly embossed snowflake, a teabag tag and some rising steam.

hot tea closeup Heather Telford

I have one more ‘winter warmth’ card to share tomorrow.

Supplies

Stamps: frosty day, festive snippets
Dies: what’s in your cup?
Ink: Chipped sapphire, black soot, festive berries, old paper, gathered twigs, picked raspberry, vintage photo, hickory smoke distress inks/markers (Ranger) Versamark, versafine majestic blue, imperial purple & onyx black  (Tsukineko)
Paper: hot pressed watercolour paper, rough watercolour paper
Paint:  Finetec Artist Mica watercolour paint
Also: Clear gloss embossing powder, Clear sparkle embossing powder


Forest grove

fall forest Heather Telford

As you might know I use hot pressed watercolour paper 90% of the time because it is smooth and takes stamping so well, giving me a complete images. Occasionally, however, I like to pull out some cold pressed or even more occasionally some rough watercolour paper because the texture gives a whole different look. The labels hot, cold and rough, when attached to watercolour papers refer to the way the paper is pressed. Hot is flattened with heat and pressure making it the smoothest of all three. Cold is flattened with pressure but not heat and rough is flattened with less pressure than cold, making it the most textured of the three types.

close up fall forest Heather Telford

I stamped the ‘snowy grove’ stamp on cold pressed paper in vintage photo ink. I then used the image as a starting point for painting some of the trees more distinctly. In some cases I joined a few trunks together with extra ink to create wider trees. I painted some foliage plus the forest floor with crushed olive and peeled paint distress stains and spritzed with water to blend and blur both the ground and the canopy. I cut the ‘serenity’ die from brown cardstock to add some framing and give the impression of looking into a grove of trees. The tiny tag is cut with the ‘gift card pocket’ die.

The trees around here still have plenty of green on them but we are beginning to see gorgeous colour too. Have a great weekend and Happy Thanksgiving Canadians!

Supplies:

Stamps:  Snowy GroveSnippets  (PB)
Dies: Serenity, gift card pocket
Inks: vintage photo, crushed olive, peeled paint distress inks & stains(Ranger)
Cardstock: Cold pressed watercolour paper, brown  cardstock, green textured cardstock


Skyward

Autumn Skyward Heather Telford

You know how much I like tree stamps, so you can imagine how delighted I was to see this delicate branch silhouette appropriately called ‘Skyward’. I created a thank you card I’ll be linking to Susan Raihala’s Gratitude Campaign

Autumn Skyward closeup Heather Telford

I chose to keep my design simple by adding colour with brusho. I sprinkled gamboge, lemon and dark brown brusho on a piece of watercolour paper, spritzed with water then dried it immediately with a heat tool. By limiting the amount of water and drying it quickly I was able to halt the blending of the colours. The resulting bursts of colour do a good impression of fall foliage, I think. I wanted the branches to almost fill the sky so I stamped twice overlapping some of the branches.

Autumn Skyward Heather Telford

For the second card I used the same technique but went for a summer look. It is not clear whether my colour is sky or foliage so I am happy for it to be both.

Summer Skyward Heather Telford

You would think I had used blue brusho but I sprinkled leaf green, sea green and lemon. I love the way brusho is never one single colour but a mix of different coloured powders; it’s different every time.

.Summer sky close up Heather Telford

Supplies

Stamps: Skyward, Snippets, Heartfelt (PB)
Ink: Versafine onyx black ink (Tsukineko)
Paper: hot pressed watercolour paper, orange cardstock, teal cardstock
Paint: gamboge, lemon, dark brown, sea green, leaf green brusho powder


Northern winter sky

northern blessings Heather Telford

Some times watercolour paint does the work for you. I added a few stamped branches to turn this pretty sky into a scene but really, the blended colours were almost enough by themselves.

northern lights blessings Heather Telford

I did have a basic plan but the blending was magic that happened when I walked away. I positioned a frisket film mask in the top right then sprinkled four colours of brusho on the panel of watercolour paper. Using a wet brush I blended the colours creating a hard edge at the bottom and adding water to the upper part of the panel. Once I had wet the whole upper area I tilted the panel so the colour blended from yellow to pink to purple and blue. At this point I had to go and teach a mini class so I was gone for an hour.

northern blessing close up Heather Telford

When I returned my panel was dry and all blended in the pretty pattern you see above – magic! I added the berry branches here and there, an extra shadow for a snow bank and a sentiment.

Supplies

Stamps: Woodland Beauty, Nature’s Gifts, Festive Cheer (PB)
Ink: Versafine onyx black ink (Tsukineko)
Paper: hot pressed watercolour paper, Neenah epic black paper
Paint: Violet, ultramarine, crimson, yellow brusho powder


A day of woodland beauty

 woodland beauty day Heather Telford

As this tree is one of my favourite stamps from the new Christmas release I decided to create a day scene and a night scene as part of my ‘Top Three’ feature on the Penny Black blog this week. For the night scene I painted the sky before stamping the tree, on this panel I did the opposite.

I began as I often do by splattering some masking fluid on a piece of hot pressed watercolour paper.  I did some partial stamping with the tree stamp so I could make the base of each tree look like it was stuck in a snow bank. To do partial stamping or ‘faux masking’ I ink the stamp then remove some of the ink with a wet wipe, in this case I removed the base of the tree so no trunk showed and the bottom edge was a little different each time I stamped it. I chose memento northern pine ink again because the colour separates when I spritz a little water over it (which I did each time before stamping).

woodland beauty by day Heather Telford

I let the trees dry then painted the sky in three blue stains blending and removing colour to make it look like there were clouds. I used a small round watercolour brush and painted right up to and sometimes over the edge of the branches so there would be some blending of colour as well as some white spaces which end up looking a bit like snow.

 woodland beauty day closeup Heather Telford

Once all the sky was dry I stamped a single tree in the foreground and made it darker by re-stamping in the same colour. I painted a snow bank either side of the foreground tree with stain then added some shadows at the base of the trees using diluted northern pine ink as my paint. To finish I removed the masking fluid, added a sentiment in brown then popped it up on a cream card base.

If you didn’t catch my night time scene with this stamp, you can find it here along with a video tutorial.

Supplies

Stamps: Woodland beauty, Nature’s Silhouettes (PB)
Ink: memento northern pine (Tsukineko) tumbled glass, broken china, salty ocean distress stain(Ranger)
Paper: hot pressed Fabriano watercolour paper
Also: Daler Rowney masking fluid


A night of woodland beauty

DSC_2196 Christmas watercolour Heather Telford

This week I am sharing my top three tree stamps from Penny Black’s new ‘Magic of the Season’ release. You know I love tree stamps so you wont be surprised that they were the first image I looked for when the new release arrived. The pretty spruce silhouette stamp immediately caught my eye and I knew it would be in my top three tree stamps. I have four stamped landscape cards to share this week and this little tree stamp features twice, today in a night time snowscape and tomorrow in a day time scene.

You will probably recognise another favourite tree stamp of mine in the background of this scene, it’s the little tree from the ‘Prancers’ set. I created a video to show you how I made this scene which features some watercolour effects along side some pigment ink stamping. I chose to pair pigment inks, which are waterproof, with watercolour painting so I could have pretty blends in the sky and snow but sharp tree images in the foreground and background.

DSC_2330 Christmas watercolour Heather Telford


Supplies


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Round the watercolour world

DSC_2206 Watercolour world Heather Telford

I have more watercolour die cuts to share. This card has a much higher fiddliness factor than the previous ones and has convinced me that I should never video myself making a shaker card! Rather than trying to describe my trial and error process for making this shaker card I will just list the layers I used from little die cuts right down to the card base. The mini community and ‘the world’ were cut from brusho panels.

watercoloured ‘mini community’ & ‘love to travel’ die cuts with stick-it adhesive on the back
black cardstock panel
acetate
foam with circle die cut from centre
watercolour panel to be ‘the world’
card base

DSC_2210 Watercolour world flat Heather Telford

I saved the little die-cut bus and cars to put inside the shaker area with the glitter, sequins and micro beads. It wasn’t until I started shaking it that I realised the bus and cars would end up in countless pile ups!

Supplies:

Stamps:  Sprinkles and Smiles (PB)
Die: Mini community  Love to Travel (PB)
Paints:  Brusho (Colourcraft)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah solar white, Neenah epic black
Also: stick it adhesive sheet, glitter, sequins, micro beads


Pastel Poppy Gems

pastel poppy gems Heather Telford

This week my colouring has grown softer each day. I changed mediums for this card and pulled out my tried and true watercolour pencils. I have added to my set lately but the originals are still the set I bought in university for my art subjects. I remember my parents thinking they were quite an expensive purchase then but I would say we got our money’s worth!

pastel poppy gems side Heather Telford

I embossed the poppy gems stamp in clear powder then painted each petal one at a time. I applied two pinks from the pencils and blended from dark to light, keeping some watermarks and blending others out. On yesterday’s card I kept the blending very smooth but sometimes I like to have a few watermarks here and there.

poppy gems close up Heather Telford

Colouring three times in a row is great practice for Kathy Racoosin’s upcoming 30 day colouring challenge.  The next one starts on  July 5th and lasts until August 3. I will share more details closer to the time but it is a great challenge, no pressure to colour every single day, plenty of wonderful inspiration from Kathy and some prizes along the way.

Supplies:

Stamps: Poppy gems(PB)
Inks:  Versamark (Tsukineko)
Pencils: Pine green 267, Chromium green opaque 174, Dark red 225, Madder 142, True blue 148 (Faber Castell Albrecht Durer watercolour pencils)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper


Bright Poppy Gems

Bright poppy gems Heather Telford

I’m sharing some more colouring today and yes, more poppies too. Poppies just keep on popping up on this blog don’t they!? Believe it or not I used the same medium on today’s card as yesterday’s very bright and bold card. The colours today are still bright but are blended out to much paler shades.

Bright poppy gems side Heather Telford

I stamped the large ‘poppy gems’ stamp in versafine onyx black and embossed in clear then used zig clean color real brush pens. Yesterday I pretty much filled the petals with colour and blended one colour over another. On today’s card I started with a little pink at the centre edge of each petal and a little yellow at the outside edge and blended the two colours with water to create a softer effect.

 bright poppy gems flat Heather Telford

I spied the raised panel layout on a couple of pretty cards recently and chose to do it on this one with a piece of orange fun foam. I have an even paler more pastel poppy card up next. See you soon and thanks for dropping by.

Supplies:

Stamps: Poppy gems, (PB)
Inks:  Versafine Onyx Black (Tsukineko) Zig Clean Color real brush markers (Kuretake)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: orange fun foam, spellbinders square die


Vintage Flower Box

Vintage flower box Heather Telford

I’m continuing my vintage watercolour theme today with the square ‘flower box’ stamp. I completed this panel using the technique shared in my video tutorial. I stamped the image with vintage photo ink and added black here and there with the ‘elegant writer’ pen from speedball.

Vintage flower box 2 Heather Telford

Most of the leaves and the centres of the large flowers have a black/green tinge to them; this is what happens when you add water to the elegant writer ink. I also spread it around the corners with a paint brush.

vintage flower box closeup Heather Telford

The orange and purple colouring is from watercolour pencils. I pulled colour from the pencils and filled the petals and flower shapes drawing in brown from the stamped outlines at the same time. I added splatters of colour from the pencil and water droplets for an aged look.

 vintage flower box flat Heather Telford

The word ‘smile’ is laser cut from matboard and glazed with crackle glaze.  Thanks for joining me this week; I’m so pleased you are enjoying my vintage theme.

Supplies:
Stamps: Flower Box (PB)
Inks:  Vintage Photo distress ink,Vintage Photo distress stain (Ranger) Elegant writer pen (Speedball)
Cardstock: Hot pressed Fabriano watercolour paper
Also:  Albrecht Durer watercolor delft blue, raw umber, dark orange pencils (Faber-Castell), Rock candy clear crackle paint(Ranger)