Forest grove
Posted: October 7, 2016 Filed under: gift card pocket, Serenity, Snowy Grove, Stamped Landscapes | Tags: Fabriano Watercolour Paper, Penny Black creative dies, Penny Black stamps, Ranger Distress inks, Ranger Distress stains 7 Comments
As you might know I use hot pressed watercolour paper 90% of the time because it is smooth and takes stamping so well, giving me a complete images. Occasionally, however, I like to pull out some cold pressed or even more occasionally some rough watercolour paper because the texture gives a whole different look. The labels hot, cold and rough, when attached to watercolour papers refer to the way the paper is pressed. Hot is flattened with heat and pressure making it the smoothest of all three. Cold is flattened with pressure but not heat and rough is flattened with less pressure than cold, making it the most textured of the three types.
I stamped the ‘snowy grove’ stamp on cold pressed paper in vintage photo ink. I then used the image as a starting point for painting some of the trees more distinctly. In some cases I joined a few trunks together with extra ink to create wider trees. I painted some foliage plus the forest floor with crushed olive and peeled paint distress stains and spritzed with water to blend and blur both the ground and the canopy. I cut the ‘serenity’ die from brown cardstock to add some framing and give the impression of looking into a grove of trees. The tiny tag is cut with the ‘gift card pocket’ die.
The trees around here still have plenty of green on them but we are beginning to see gorgeous colour too. Have a great weekend and Happy Thanksgiving Canadians!
Supplies:
Stamps: Snowy Grove, Snippets (PB)
Dies: Serenity, gift card pocket
Inks: vintage photo, crushed olive, peeled paint distress inks & stains(Ranger)
Cardstock: Cold pressed watercolour paper, brown cardstock, green textured cardstock
Vintage poinsettia
Posted: September 22, 2016 Filed under: gift card pocket, Scarlet Majesty | Tags: Faber-Castell Albrecht Durer Watercolour pencils, Penny Black creative dies, Penny Black stamps, Ranger Distress inks, Tsukineko Versafine inks 8 Comments
Today’s card is a contrast to the sparkly bright poinsettias earlier in the week. I returned to a style I have featured on the blog several times this year, a vintage appearance. To achieve the aged look I stamp first in vintage photo distress ink then blend the stamped ink with watercolour pencils. I worked one petal at a time and used a wet paintbrush to pick up colour from the pencils. I chose a couple of reds, and a light green for the petals and a dark brown for the berries. Once the whole image was painted I coloured around the edge with a grey pencil to help ‘lift’ it off the page a little.
I matted the panel with textured burgandy cardstock and added a sentiment on one of the handy tags from the gift card pocket die (a set that gives you way more than just a gift card pocket; its full of tabs, tags, flowers, scalloped shapes…).
As I finished editing this post it occurred to me that the vintage look on my poinsettia does give it a bit of a ‘dried up ‘cos I didn’t get watered look’. Now, how would I know that look I wonder?
Supplies:
Stamps: Scarlet Majesty, Holiday Snippets (PB)
Dies: Gift Card Pocket
Inks: Versafine Crimson Red ink (Tsukineko) vintage photo distress ink(Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Burgandy textured cardstock
Also: Faber-Castell Albrecht Durer watercolour pencils, Gold cord
Stacked die cuts
Posted: August 14, 2016 Filed under: Brusho, shall we dance | Tags: Brusho, Penny Black creative dies 9 Comments
When I first tried this technique I did it the same way many did, by cutting multiples die cuts from cardstock and gluing them on top of each other. I now use a quicker method where I die-cut the image out of foam which replaces the stack of cardstock die cuts. I always find it a little tricky to stack the very fine stems and letters; the foam stretches a bit and the cardstock is very hard to line up. Despite these fiddly factors I managed to get it all in place to create this subtle floral design on another abstract watercoloured panel.
This was one of those panels where the brusho patterns turned out to be very pretty so I didn’t want to lose much by stamping over it or cropping. Raising a die cut image is a great solution when you want to preserve some pattern but still have a focal image.
Supplies:
Stamps: Sprinkles & Smiles (PB)
Die: Shall we dance
Paints: Brusho powders (Colourcraft)
Inks: Deep Lagoon ink (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: stick it adhesive sheet, adhesive backed fun foam
Round the watercolour world
Posted: August 8, 2016 Filed under: Brusho, love to travel, mini community, Watercolour | Tags: Brusho, Fabriano Watercolour Paper, Penny Black creative dies 5 Comments
I have more watercolour die cuts to share. This card has a much higher fiddliness factor than the previous ones and has convinced me that I should never video myself making a shaker card! Rather than trying to describe my trial and error process for making this shaker card I will just list the layers I used from little die cuts right down to the card base. The mini community and ‘the world’ were cut from brusho panels.
watercoloured ‘mini community’ & ‘love to travel’ die cuts with stick-it adhesive on the back
black cardstock panel
acetate
foam with circle die cut from centre
watercolour panel to be ‘the world’
card base
I saved the little die-cut bus and cars to put inside the shaker area with the glitter, sequins and micro beads. It wasn’t until I started shaking it that I realised the bus and cars would end up in countless pile ups!
Supplies:
Stamps: Sprinkles and Smiles (PB)
Die: Mini community Love to Travel (PB)
Paints: Brusho (Colourcraft)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah solar white, Neenah epic black
Also: stick it adhesive sheet, glitter, sequins, micro beads
Watercolour Fuchsias
Posted: August 5, 2016 Filed under: Fuchsia, Watercolour | Tags: Penny Black creative dies, Penny Black stamps, Tsukineko Versafine inks 10 Comments
I’ve been cutting up watercolour panels again; it really is a great way to use up experiments or abandoned projects. Sometimes I have panels that were my ‘practice’ for something else or part of a class where I demonstrated a technique but then moved on. The colours in the panels are pretty but the pattern might be a bit random or unattractive. Using a die cut means I can cut from the sections where I really like what the colours are doing. These panels were painted with Gansai Tambi paints.
I put stick-it adhesive on the back then cut all these fuchsias from a couple of panels featuring the same blue green tones. I arranged them then attached them all to a white panel and then to a white card base. My photography didn’t pick up the texture on the white panel as it is quite subtle but it is a cute trick if you want to try it. The cutting base panel for my die-cutting machine is very well used all over so when a piece of cardstock is run through the machine the base transfers an intricate pattern of intersecting lines which creates subtly textured cardstock. I am going to include this card in the Casology ‘Watercolour’ challenge.
Supplies:
Stamps: Sprinkles and Smiles (PB)
Die:
Watercolour Dance
Posted: August 3, 2016 Filed under: Brusho, CAS, shall we dance, Watercolour | Tags: Brusho, Penny Black creative dies, Penny Black stamps 21 Comments
It’s really quite hot here at present and this card some how makes me feel a little cooler. It’s either the watery splatter or the cool blues and greens. I used up another abstract watercolour panel to make this card; there is quite a pile of painted or stamped panels sitting on my desk waiting to be turned into something. As you can probably guess this panel was mainly green but had a bit of purply pink on it. I am pretty sure it was done with brusho because there are little bits of other colours mixed in which is one of the nice features of brusho paint – the colours are not purely one pigment.
I used the new ‘shall we dance’ die from Penny Black to cut as many flowers as I could. I didn’t need them all to be complete die cuts as I wanted some tall and some short. Before I cut them I put ‘stick it’ adhesive on the back of the whole panel to make things easier later. Once I had all the flowers I could squeeze out of the panel I played around with positioning until I was happy. I did it all on a plain white panel assuming that I would keep the background blank and let the colours in the flowers pop. It would have been ok that way but I decided to use my watercolour pencils to try a little splatter in similar colours to the flowers. It may not be strictly white space any longer but it is pretty.
I am going to let this card play along with not one, but two challenges.
The CASology cue card is
and the CAS Mix Up challenge is
I read the fine print and discovered that if you didn’t have sprays then splatter is just fine so we’re in!
Supplies:
Stamps: Words of Kindness (PB)
Die: Shall we dance
Paints: Brusho powders (Colourcraft)
Inks: Cottage Ivy Memento ink (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: stick it adhesive sheet
Strange things are happening
Posted: August 1, 2016 Filed under: Field of Dreams, Zigs & zags | Tags: Kuretake Gansai Tambi watercolour paints, Penny Black creative dies, Penny Black stencils 9 Comments
Strange indeed to see me enter a challenge, follow a sketch, use a chevron pattern and texture paste! I would not be surprised if you thought someone else had taken over my blog. There are two signs, however that this is my card, those watercoloured poppies might look familiar and the placement of that little sentiment is pretty standard for me also.
How did this happen? Well, I have been meaning to try adding texture to cards for a while so I picked up some molding paste and applied it through a couple of stencils. In this experiment I mixed liquid metal into the paste before spreading it through the ‘Zigs and Zags’ stencil from Penny Black. It didn’t end up with a metallic look but it took on the green of the ‘verdi gris’ liquid metal. It has been a while since I did a challenge other than One Layer Simplicity (new one is up today) so I checked a couple of my favourites and found the sketch on “Case this Sketch“.
The die-cut poppies were sitting on my desk along with some other left over watercolour painted panels. (I will share projects featuring the other panels later this week.) This card really is an exercise in contrasts, the soft blends of the paint against the sharp corners of the zigzag, the pops of red over the stripes of green and the tiny black letters in the midst of a large expanse of white space.
As Joan Bardee would say:
MOOD WHEN DONE: Surprised but satisfied!
Supplies:
Stamps: Snippets (PB)
Dies: Field of Dreams (PB)
Stencil: Zigs & Zags (PB)
Inks: Versafine onyx black (Tsukineko)
Mediums: Molding paste (Golden) Verdi gris liquid metal (Ken Oliver) Watercolour paint (Kuretake Gansai Tambi)
Cardstock: Hot pressed Fabriano watercolour paper, Neenah solar white cardstock
Stamping with alcohol inks
Posted: June 4, 2016 Filed under: Alcohol Ink, Autumn Jewels, Pinwheel | Tags: Penny Black creative dies, Penny Black stamps, Ranger Alcohol Ink 11 Comments
A few months ago I tried all sorts of fun techniques with alcohol inks and I am keen to get them back off the shelf to try some more. Today’s cards are all examples of stamping with alcohol inks, using die-cut felt as the ‘stamp’.
I did all the stamping on glossy photo paper which allows the inks to move and blend a little but nowhere near as much as the on yupo paper. Yupo paper is a synthetic paper which is totally waterproof so the ink does not soak into it at all but spreads across it as it dries. The photo paper does absorb ink even as the glossy surface lets it spread and blend a little.
By varying the amount of ink you drop on the felt die-cut you can get a lacy effect or a full print. By adding a little blending solution to the felt you can dilute the colour and get a blurry effect within the shape. The possibilities are extensive with this technique.
Supplies:
Stamp: Words of Kindness, Sentiment Collection, Happy Snippets (PB)
Die: Autumn Jewels , Pinwheel (PB)
Ink: Alcohol inks (Ranger)
Cardstock: Glossy photo paper, coloured cardstock, Neenah solar white & natural white
Sun and sea
Posted: May 24, 2016 Filed under: Brusho, Out to sea, Serenity | Tags: Brusho, Fabriano Watercolour Paper, Penny Black creative dies, Penny Black stamps 4 Comments
Over on the Penny Black blog this week ‘Father’s Day’ cards are the feature. My card could definitely be used for Father’s Day (if I remember to post it!) but it could be just as easily used for any friend or family member. The colour scheme and the lack of floral images does make it a good choice for a masculine card.
Four different painted panels were cut up then layered to create my sunny seascape. The background blue panel is one piece of cold pressed watercolour paper; I taped masking tape across the horizon about 2/3 of the way up then painted some masking fluid in lines to suggest waves and light on the sea. Once the masking fluid was dry I painted the sea with cobalt blue and turquoise brusho. Once that dried I repositioned the tape to mask the edge of the sea so I could paint the sky with turquoise brusho.
All the remaining pieces were painted on hot pressed watercolour paper. For the tree and grass I used three greens (listed below) and dark brown brusho. I used a large piece of watercolour paper adding brown just in the area where I would die cut the tree. After die cutting the tree I used a craft knife to cut a hill from the rest of the green area. To keep the tree sitting flat on the background I used the bottom of the tree die to cut into the green hill then inserted the tree in the space when assembling the scene.
I used the ‘Out to Sea’ die to cut a yacht from a yellow brusho panel then painted red over the hull of the boat. The only other piece to cut was the sun which came out of a piece I painted with yellow and a sprinkle of red.
To make assembly a bit easier I applied ‘stick it’ adhesive to the tree panel before cutting it out. I embossed the little sentiment in white before putting it all together. My husband just walked past and was surprised that this was one of my cards; it is a bit of a departure from my usual.
Supplies
Stamps: Happy Snippets
Dies: Out to sea, Serenity
Paints: leaf green, sea green, emerald green, cobalt blue, turquoise, yellow, ost. red, dark brown brusho
Ink: Versamark ink
Paper: hot & cold pressed Fabriano watercolour paper
Also: white embossing powder, masking fluid
Folk Flower
Posted: May 17, 2016 Filed under: Alcohol Ink, CAS, folk flower | Tags: Penny Black creative dies, Penny Black stamps, Ranger Alcohol Ink 7 Comments
Having so many alcohol ink experiments on hand is helping with my resolve to try new layouts and sketches. The colours and patterns that appear almost magically when working with alcohol inks need little or no adornment. This panel was mainly aqua with some splotches of coral pink here and there until I added silver and scraped it across the panel with the coffee stirrer. I ended up with the rock formation style patterns which were kind of cool but the silver had taken over.
I played around with several ideas for using the panel including tossing it but finally settled on a layout inspired by this card on JJ Bolton’s blog. I chose the coral coloured cardstock for the die cut to bring out the few patches on the panel. The assembly of this layout did not go smoothly for me, (there is more than one reason I stick to the portrait gallery layout!) I cut a piece of light weight cardstock to stick behind the circle to keep everything together. When I ran my finger over the edge of the circle to press it firmly onto the backing, the silver ink smudged onto my clean white card base. I managed to transfer silver ink via my die cutting plates also. The metallic alcohol inks sit on the surface and therefore need some sort of fixative; (I have watched a tutorial about this just haven’t looked into whether I have the right fixative) Rather than make the same mistake three times I decided to polish the patterned circle with a paper towel as someone had done successfully in class to see how much silver would come off. I removed quite a bit which revealed more aqua and left the panel less smudgy. The rest of the assembly was more straight forward; I used ‘stick it’ adhesive on the back of the folk flower die cut and embossed the sentiment on black cardstock for contrast.
When I visited JJ Bolton’s blog to look at her card layout I read about the clever wax crayon technique she used on her card…something to try another day.
Supplies:
Stamps: Happy Snippets (PB)
Dies: Folk Flower (PB)
Ink: Alcohol inks, Versafine ink (Ranger)
Paper: glossy photo paper, Neenah Epic Black 100lb cardstock, Neenah solar white cardstock, coral cardstock
Also: stick it adhesive, white embossing powder
Heather Telford 