When it’s -25°C outside the best thing to do is stay inside and make pretty things. The weather here continues to be bitterly cold and I keep reading of places in the states where the kids have had a week of snow days. A week! No snow days here. My daughter caught the bus to work this morning and said if she kept her eyes open they froze but if she closed them the skin on her eyelids stung too much!
I used the rose from the new transparent set ‘Efflorescence’ to make this card and it will be a bit tricky to give you all the how-to details. I stamped and painted, left it, came back, spritzed it, left it, came back, stamped again…you get the idea. Basically I stamped with distress stains to give me a wet outline image from which I pulled in colour to fill the petals or leaves. I spritzed the painted images to let some of the colour bleed into the background. I let it dry before masking the first rose so I could stamp a second behind it plus some extra leaves. I wanted a little rosebud in there too so I painted my own. I created the border with a watercolour pencil then added a splatters of blue and orange before adding a little sentiment and a matching mat.
I don’t know about you but I have had to look up a few of the new PB stamp names in the dictionary. Efflorescence means the action or process of developing and unfolding as if coming into flower. Effulgence means radiant splendor. Ebullient means having or showing liveliness and enthusiasm. So there you go; stamping is expanding my vocabulary.
Stamps: Efflorescence, Snippets (PB)
Inks: Ripe Persimmon, Iced Spruce, Chipped Sapphire distress stains (Ranger), Memento Paris Dusk marker (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Navy paper, Neenah Natural White 110lb cardstock
Perhaps the extremely cold weather we’re having at present is making me reach for warmer colours. The last three cards I’ve posted have featured warm golden tones. This card was stamped with two stamps from the new transparent set ‘flower sparks’. It is the first time I have used the set and I discovered it’s a clever little set. There are ten flowers in the set and each one is on a long thin stem which you can bend this way or that before you stick it on your acrylic block. With that kind of flexibility you end up with way more than ten stamps! Cool huh?
I used the same two stamps over and over but bent the stems different ways each time. I began with a piece of white cardstock flecked with masking fluid. Over that I stamped several flowers in antique linen distress ink. I chose a position for my light source and sponged antique linen, wild honey and vintage photo distress inks over the panel. When the sponging was done I added more flowers with the two darker inks. I grabbed a couple of watercolour pencils to flick spots of brown and honey colour in a few places before removing the masking fluid. It is matted in a textured brown cardstock then popped up on a natural card base.
Hope you’re staying warm.
Stamps: Flower Sparks, Heartfelt, Footnotes (PB)
Inks: Antique Linen, Wild Honey, Vintage Photo distress inks(Ranger)
Cardstock: Neenah Natural White 110lb cardstock, Neenah Solar White 110lb cardstock, Brown textured cardstock
Also: Winsor & Newton masking fluid, white organza ribbon
If you have browsed through the new Penny Black release you would have scene some lovely Asian motifs in both the stamps and the dies. In this card I was trying to create an Asian themed card by using the ‘geometrics’ die and the gorgeous large orchid stamp, ‘gentle whisper’. I began by stamping a very subtle background pattern using Memento Desert Sand ink and the ‘Oh Spring’ brush stroke stamp from years ago. I then inked the orchid stamp with markers, spritzed it, stamped on the watercolour panel and then spritzed the panel. I blended the colour here and there with a brush, adding a little more in a few places. To create the gold details and mat I cut up a couple of envelopes that had shiny gold linings. I stuck scrapbook adhesive sheets to the back of the gold paper then die cut my word and circle motifs. With the adhesive already attached I was able to adhere them easily onto the watercolour panel. I cut a gold mat to completely cover the front of my card base then attached the panel.
The stamp is quite large so I think I made this card a bit bigger than my usual A2. I hope you have been checking out all the wonderful projects on the PB blog lately. The designers are still showcasing the many new products from the new release, ‘Bring on the Happy’. Last week there was all sorts of clever paper cutting and piecing from the incredible Peet Roven. This week it’s all about the new creative dies.
Stamps: Gentle Whisper, Oh Spring!(PB)
Creative Dies: Envision, Geometrics(PB)
Inks:Cantaloupe, Tangelo, Olive Grove, Bamboo Leaves, Desert Sand Memento inks and markers(Imagine Craft/Tsukineko)
Cardstock: Fabriano hotpressed 100% cotton watercolour paper, Shiny gold paper, Neenah Natural White cardstock
Also: Scrapbook Adhesive sheets
My husband and I both have February birthdays which meant hot summer days for the first 35 years of our lives. Now we celebrate in the bleak mid-winter!
For his birthday card this year I have gone with the warm tones of summer for inspiration. I managed better with this card than the anniversary card; I wrote in it and gave it to him before posting it here on the blog. To create this scene I started by flicking masking fluid onto my small watercolour block. Even though this isn’t a wintery scene some little flecks of white add interest and dimension to the scene. After the masking fluid dried I wet the whole panel and painted the trees and reflections in the distance, the sky and the water with brushes. In the foreground I stamped several stamps from the ‘sprigs’ set onto the wet paper and let them bleed into the surrounding area. When the paper dried a bit I stamped a couple more sprigs which stayed more distinct. I die cut a tag and splashed some of the same colour over it before adding a sentiment and ribbon.
Stamps: Sprigs , Sprinkles & Smiles (PB)
Creative Dies: Tagged (PB)
Inks: Dried marigold, forest moss, frayed burlap, crushed olive distress inks (Ranger) Versafine Spanish Moss (Imagine Crafts/Tsukineko)
Cardstock: Fabriano hot pressed watercolour paper, Olive green cardstock & ribbon
When I posted the first card made with the ‘fresh’ stamp I mentioned another watercolour panel where I painted the same stamped poppies but had created a different effect. Once again I stamped the image with several different distress inks and then painted inside the petals by pulling colour from the outline as well adding extra stain with a paintbrush. I worked a petal at a time so I could preserve some of the stamped outlines of the image. If I had spritzed with water at this point I could have ended up with a loose image like the pink one I posted first, but who knows; watercolour is an unpredictable technique. I painted the blue background after the poppies had dried to restrict the bleeding from the petals and stems into the background.
CAS-ual Fridays has a ‘Must Love Watercolor’ challenge at the moment so I will link there and also at the Crafting Cafe where the challenge is to use your favourite technique. Not too hard to guess what that is…
Have a great week
Stamps: Fresh , Snippets (PB)
Inks: Peeled Paint, Barn Door, Spiced Marmalade, Scattered Straw, Tumbled Glass, Broken China distress stains (Ranger), Memento Tuxedo Black, Bamboo Leaves inks (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: Winsor & Newton masking fluid
‘Fresh’ is one of the new slapstick cling stamps from the Penny Black “Bring on the Happy” release. I have been chasing deadlines all week so yesterday after getting all my ‘dirty dozen’ projects finished I pulled this nbus stamp out. I created two separate panels in different colour schemes using slightly different techniques. I started both the same way by stamping on watercolour paper in distress stain. Because distress stain is a liquid the stamp does not always ink up evenly but once stamped it does stay moist for longer than it would with the average dye ink. This gives me longer to pull colour from the stamped outline in to fill the petals, stems and buds (or whatever image I’m stamping). As you see in the stamp image below this is an outline stamp and I began by painting each petal, blending the colour with water to create light and dark shades within the petals. Although you wouldn’t know it to look at it now all the colouring was inside the lines!
At this point I chose to go for a much freer look and spritzed the flowers with water several times. I waited until the image was almost dry before adding a little yellow and finally black to the poppy centres. You have probably guessed already that the white specks and spots were made by splattering masking fluid on the paper before I began.
I trimmed the panel so all that white at the top could to balance all that colour at the bottom. The current sketch from CAS(E) this sketch helped me position my sentiment and then I played around with the pink mat for a little while before settling on a very narrow strip on each side. I will turn my other panel into a card in the next few days so you can see the more controlled ‘inside the lines’ approach.
Stamps: Fresh , Sprinkles and Smiles (PB)
Inks: Worn Lipstick, Peeled Paint, Festive Berries, Scattered Straw distress stains (Ranger), Memento Tuxedo Black, Bamboo Leaves inks (Imagine Craft/Tsukineko)
Cardstock: Fabriano 100% & 25% cotton hot pressed watercolour paper, Coral Reef mix & match paper (PB)
I had a card idea in my head yesterday and I did several trials and variations with the stamps from the transparent set ‘Sprigs’ but my original idea did not end up working. I set the experiments aside and designed a totally different card. Today when I looked at yesterday’s experiment I came up with the card you see above. The problem with the panel before I die cut dragonflies and a sentiment out was that is did not really have a focal point. The colours were pretty and some of the watercolour effects were pretty (others were messy) but it all looked too similar. By cutting the dragonflies to reveal the blue cardstock behind, the focus is taken away from the watercolour panel and transferred to the bold images and letters. I could have just as easily popped dragonflies on top but I like the cut-away look. The features I liked in the original panel are no longer trying to be the stars, they work better as back up. Next time you cast aside a stamped panel because it’s not working the way you thought consider whether it just needs to be in the background and let another element take centre stage.
To create the panel I inked up three of the ‘sprigs’ stamps with a mix of blues and greens. I inked each stamp with one colour using a large stamp pad then added another colour with a marker. I spritzed each stamp, stamped them on watercolour paper then, when I had stamped all the images, spritzed the paper.
I can’t always turn my experiments into finished cards, often the watercolour panels just get turned over so I can use the other side. Sometimes I wonder if the recipients of my cards ever see the backs of some of my panels, hopefully the adhesive holds and the rejected side stays hidden!
Stamps: Sprigs (PB)
Creative Dies: Deco Frame, Flutters (PB)
Inks: Nautical Blue, Teal Zeal, Cottage Ivy, Bamboo Leaves Memento ink (Imagine Craft/Tsukineko)
Cardstock: Fabriano hot pressed watercolour paper, Blue cardstock