Stillness

stillness Heather Telford

After a week of balmy temperatures hovering around zero, we are back to real winter weather again and bright scenes like this one. Winter here is often prettiest when it’s the coldest.

stillness Heather Telford

I stamped and embossed this scene using ‘winter ledge’ and a stamp positioner so I could get the thin layer of snow on the branches. The trick to this is to stamp first in versamark then move the cardstock up ever so slightly then stamp in pigment ink, in this case versafine onyx black. Once the panel is stamped twice you can emboss both images at once. The embossing resists ink once you sponge or paint over the top. I sponged this scene in memento Danube blue ink creating snowy hills behind the branches with post-it note masks.

stillness close up Heather Telford

I hesitate to say that I hope you are all staying warm as I know our family in Australia have been wishing for a little respite from the heat. I hope you are enjoying the weather, whatever the weather, whether you like it or not!

Supplies

Stamps: winter ledge, snippets (PB)
Inks: versamark, versafine onyx black, memento danube blue (Tsukineko)
Papers: Neenah solar white
Also: clear embossing powder


Lovely Neighbourhood

Neighborhood love Heather Telford

These cute little dies are part of a set called Neighborhood love; I love the little house and building dies Penny Black has brought out even though they challenge my fear of the fiddly factor. I started this card by positioning a frisket film circle mask on a piece of watercolour paper. I sprinkled ultramarine blue powder and a tiny bit of merlot over the panel and spritzed it lightly from above. I spritzed only until I could see some patterns appearing but stopped before all the spots of colour started joining together. I used a heat tool to dry it, pointing the tool down at the panel not from the side to reduce the chance of the wet paint moving across the panel. It reminds me of a mosaic.

neighbourhood love Heather Telford

I painted another small piece of watercolour paper with merlot colorburst powder then die cut the buildings from the piece and attached them across the bottom of the panel.

neighbourhood love Heather Telford

I removed the mask then wanted to hand letter a sentiment inside the moon; I ended up not being game and chose this sweet sentiment from the ‘forever & always’ set.

Supplies:

Stamps:  Forever & Always (PB)
Die: Neighborhood Love (PB)
Paints: Merlot &  Ultramarine Blue Colorburst powders (Ken Oliver)
Inks:  Versafine onyx black ink (Tsukineko)
Cardstock:  hot pressed watercolour paper, neenah epic black cardstock
Also: Grafix frisket film


Gold love

gold love Heather Telford

I’m thrilled to be a guest on The Foiled Fox blog today. If you have never visited The Foiled Fox  you absolutely should; their blog is full of delightful projects and their shop is stocked with all the good stuff, paints, inks, stamps, markers, tools…and so much more.  To find out more about this card just pop over to The Foiled Fox where there are some more pics and details.

Supplies:

Stamps: effulgence, all about love(PB)
Paint: Merlot & Tangerine Colorburst watercolor powder (Ken Oliver)
Cardstock: hot pressed watercolour paper, gold shimmer
Ink: versamark (tsukineko)
Also:  gold embossing powder


Elephant congrats

 

elephant congrats Heather Telford

With fond memories of the One Layer Simplicity challenge I decided to make a one layer card for the current Case This Sketch challenge.

I masked my card base and stamped the ‘tribal’ stamp from Darkroom Door in distress inks. I stamped one colour after another just inking part of the pattern each time. With the mask still in place I sponged over the stamping in the colours listed below. Next I repositioned my first mask and added a second mask to reveal a thin strip of cardbase above the pattern then sponged with fired brick distress ink. To complete the design I stamped an elephant and a sentiment in fired brick ink.

elephant congrats Heather Telford

Some goals are reached with much elephant-like plodding rather than the speed of a gazelle!

Supplies:

Stamps: All Occasions,  Tribal,  African Trees (Darkroom Door)
Inks:   Distress wild honey, spiced marmalade, fired brick, vintage photo inks (Ranger)
Cardstock: neenah natural white cardstock


Stencilled breeze

stencilled breeze Heather Telford

Earlier this week I posted a card made out of a leftover, the negative print from a stencil used for watercolouring. Today’s card is a positive print made through a stencil (not using the same stencil as the earlier card). I created the stencil for this card myself by die-cutting the shape from a piece of stencil plastic. You could use an old plastic folder as long as it is not too thick for your die cutting machine to handle. The die I used is ‘fresh breeze‘ from Penny Black. I taped my home made stencil to a piece of cold pressed watercolour paper and spread moulding paste over it, keeping the layer fairly thin with a palette knife. Next I sprinkled yellow and green brusho powder over the stencil then spritzed with water to activate the brusho. Too much water and it seeps under the stencil, not enough and the brusho doesn’t activate. Once the brusho appeared a little blurry I removed the stencil and let the panel dry for quite some time.

stencilled breeze Heather Telfor

I chose the angled rectangle layout and messed it up by attaching the panel upside down on my card base. I had to cut it out of the cardbase and attach it to a new one so it is a tad bulky under the stencilled panel! I matted in green and trimmed off the top of the die cut word so it would appear to be attached to the mat. I inked just two words on a sentiment stamp so I could turn it into a phrase.

I’m going to add this one over at the Sweet Stampin’ Dies and Punches challenge. Thanks for dropping by.

Supplies:

Stamps:  Heartfelt (PB)
Die:  Fresh Breeze  , OMG (PB)
Inks:  Cottage ivy memento (Tsukineko)
Paint: Brusho (Colourcraft)
Paper: Canson 100% cotton cold pressed watercolour paper, green cardstock
Also: moulding paste


Poppy quarters

poppy quarters Heather Telford

This poppy panel was left as an extra from a class I taught last year. I didn’t want to create the class card again so I divided the poppy image into quarters using square dies.

poppy quarters Heather Telford

I layered the quarters on a burgandy mat and also die cut a sentiment which matched the deepest red in the poppy, seed pod and bud. The poppy itself was embossed in silver then painted with a mix of brusho and liquid metals so it has a shimmery look when tilted to the light. The green background was made by stamping one of the ‘twirls’ stamps in peeled paint distress stain then painting over it to dilute and spread the green around the poppy.

poppy quarters close up Heather Telford

Won’t be long now before the poppies appear, only four or five months!

Supplies

Stamps: Poppy Time, Twirls (Penny Black)
Die: Wishes (PB)  Shapeabilities squares (Spellbinders)
Inks:  versamark (Tsukineko) peeled paint distress stain (Ranger) 
Paints: brusho (Colourcraft)  platinum liquid metal (Ken Oliver)
Cardstock: Fabriano cold pressed watercolour paper, Red cardstock
Also: silver embossing powder


Stencil negative

dsc_4373-stencil-negative-s

The technique I have to share today is one of those ‘don’t waste all that pretty paint’ techniques. Sometimes I will be creating something and paint or ink ends up all over a mat, stamp or in this case, a stencil after the initial project is completed. Rather than simply rinse the ink or paint off it is usually worth taking a print or swiping a piece of paper through the excess paint to pick up all the pretty.

dsc_4374-stencil-negative-s

I was creating panels using the Penny Black stencil, promenade, along with molding paste and brusho paint. Once I had finished sprinkling brusho over the stencil and paste, I spritzed with water before removing the stencil. The stencil was covered in diluted brusho so I pressed it onto a piece of cold pressed watercolour paper and this patterned piece was the result. Incidentally I also made two cards with the stencilled shape on them but they did not photograph well at all. They look fine in real life!

dsc_4375-stencil-negative-closeup-s

I like the ‘negative’ print from the stencil enough that I might just create a negative print as a technique on its own. But then would I end up with a pretty ‘positive print’ as a by product of my creating!?!

This post was brought to you from my ‘pile of possibilities‘.

Supplies:

Stamps:  Amazing (PB)
Stencils:  Promenade (PB)
Inks:  Versamark(Tsukineko)
Paint: Brusho (Colourcraft)
Paper: Canson 100% cotton cold pressed watercolour paper, Neenah epic black
Also: white embossing powder


African Trees 2 Ways

watercolour trees Heather Telford

I have something new to share with you today, some stamps from my homeland! No, not Africa, Australia. The images are of African trees but the stamps themselves are from Darkroom Door in Australia. I have recently added Darkroom Door designs to my teaching schedule so I will also be sharing some projects here on the blog. My first class with Darkroom Door stamps is in February; it features these trees and you can find it on my Upcoming Classes page.

watercolour trees Heather Telford

I decided to make two cards of similar design but with different techniques. On the one above I painted a distress stain background to  create a graduated wash then stamped the trees in distress inks. I did first and second generation stamping to get some paler more distant trees. I stamped and spritzed the darker foreground trees then painted grass at the base.

brayered background &  trees Heather Telford

The second card doesn’t include any watercolouring. I began by brayering a pale green sky, dark at the bottom and pale at the top. I used first and second generation stamping again to add background trees then sponged some ground at the base and stamped darker trees followed by even darker ground.  I like the misty feel of this one; I haven’t been to the African plains but I think maybe they look a bit like this in the early morning or perhaps when its very dry and dust is in the air.

brayered background &  trees Heather Telford

Supplies:

Stamps:   African Trees (Darkroom Door)
Inks:  Memento new sprout, bamboo leaves, olive grove (Tsukineko) & Distress peeled paint, forest moss stains and inks (Ranger)
Cardstock:  hot pressed watercolour paper, neenah natural white cardstock, co-ordinating green cardstock


Powdered snowflakes

powdered snowflakes Heather Telford

The keyword for the January challenge over at CAS watercolour is snowflake and there are a few days left to participate. I have very simple looking cards to share but they are not quite so simple to make. There is a bit of trial and error involved in order to avoid a colourful mess. To create these two little cards I used what I like to call the ‘water stamping technique’. I stamped with only water then lightly sprinkled colorburst powder over the water stamped image. I left it alone to dry then shook off any extra powder that hadn’t been activated by the water.

powdered snowflake Heather Telford

The problem comes when you have too little or too much water. Too little gives you an incomplete image, too much and you get a mess! I applied water to my stamp with a paint brush rather than a spritzer and stamped on watercolour paper. It’s a fun technique to try and won’t really deplete your supply of materials too much!

Supplies:

Stamps: All is bright, Soft Grace (PB)
Paint: Colorburst watercolor powder (Ken Oliver)
Cardstock: hot pressed watercolour paper


Love you still

Yellow rose Heather Telford

Today I am featuring another new stamp from the ‘Follow your Heart’ release, this rose stamp is called ‘red blush’ something I did not realise when I designed my yellow and orange card!

I used a stamp positioner for this card so I could create a watery image initially but still be able to add some definition over the top once the first stamping had dried. I began by spritzing water down the left hand side of the panel. I inked the rose with wild honey, peeled paint and forest moss distress stain then stamped it and let the colour blend into damp area of paper. Where the stamp had hit dry paper I used a paint brush to blend colour into the petals, stem and leaves. I let the panel dry before inking and stamping the right hand side of the rose again to add definition. I stamped the sentiment next in vintage sepia ink.

Yellow rose close up

At this point in my creative process I decided to add script background around the rose and sentiment so I masked both with post-it notes and stamped the stamped in wild honey distress ink and lightly spritzed a couple of places. I also sponged wild honey distress ink around the edges then matted the panel in olive green and added some cotton thread wrapped around the bottom of the panel and secured with a bow.

Thank you for stopping by to see my ‘Follow your heart‘ projects. You might have noticed that my projects this week were not strictly Valentine cards more cards that could be given to loved ones any time. Do you make and give Valentine cards?

Supplies

Stamps: Red blush, Forever & Always , Script(PB)
Ink: forest moss, wild honey, peeled paint distress stains, wild honey distress ink (Ranger) versafine vintage sepia ink (Tsukineko)
Also: cotton thread
Paper: hotpressed 100% cotton watercolour paper, olive green cardstock