Sunset Grasses

I have been away from my workroom, paints, stamps, papers and computer. I thought I might have shared a few blog posts while I was away but instead I took in the beauty of my surroundings snapping oodles of sunset photos along with other lovely scenery and dear faces. Now that I am back at home I will share some cards interspersed with occasional photos taken while away.

It’s been over a month since my last post which included snowflakes but before that one I was sharing cards made from watercolour panels. I ended last year and began this year wrapped up in colour mixing. I am still doing it and the result is quite the pile of panels ready to be stamped, die-cut or collaged into cards. This panel is an example of a gradation from one colour to another. I painted yellow from one end, deep pink from the other and blended them only slightly in the middle. When I picked the panel out of the pile I blended some darker yellow ink over the top through a circle post-it stencil then blended the edges once the stencil was removed.

The lovely Penny Black ‘nature’s paintbrushes’ was a simple addition along with a thin strip of cardstock and a tiny sentiment from the PB ‘snippets’ stamp set. Thanks for dropping by despite how quiet it’s been her lately!


Strips & Stripes

Amongst my recent watercolour panels there are quite a few with stripes. I was colour mixing and playing with wet into wet technique as I painted stripe over stripe to fill the panels.

I could have die cut a scalloped strip to add on top of the card front but I liked the layered look which reminds be a bit of carnival tents so I added first the painted strip, then over the top a scalloped piece of white. The scallop die is from the Penny Black set, ‘border collection’ and the sentiment from the ever faithful PB ‘snippets’ set.

The heart themed card below is the same layout with a couple of variations. As you can see I still used a striped panel but die cut some hearts from it and lined them up to span the card front.

Although the hearts looked cute in a row, the white card front looked too plain so I added an embossed panel as the background to add texture and interest without adding more colour.

The little happy birthday is from Darkroom Door, once again I used a small sentiment; I do have a soft spot for tiny text.

These two are examples made for my upcoming in-person card design class which still has a few available spots in it.


Winter Wedding cards

We attended a New Year’s Eve wedding last week and a couple of days before I realised I had no wedding cards on hand. I went to the ‘pile of possibility’ which is a shoebox full of panels yet to be made into cards. There are watercolour, alcohol ink, collage and stamped panels in the box.

The galaxy style alcohol ink panel above caught my eye along with what I think is a stamped and gilded panel which you’ll see below. Both seemed fancy enough for wedding cards…but how to use them?

The gilded panel below was very pretty alone so I didn’t want to add much to it. The alcohol ink panel was also pretty but worked well with die-cut silver snowflakes.

The panel on the card above features the Penny Black stamp ‘skyward‘ stamped on vellum with sticky glue ink and gilded either with foil or gilding flakes( sorry I can’t remember which.) It looked quite magical so I might just have to try and gild a stamped image again to see what happens. I hunted for a font that was similar to the one featured on the wedding stationery then cut initials using the cricut. The font I chose (which is not an exact match) is Linotype Rowena Pro Medium. I had a gold envelope which matched and a pearly silver one for the other card.

The wedding was lovely, ceremony at the church in the morning, party to ring in the new year at night!

Although it would have been good to have wedding cards on hand already I enjoyed customising these two for the bride and groom. And speaking of weddings, it is my wedding anniversary today. My husband and I were married on a summer’s day 35 years ago in Canberra. We looked a bit older and colder at last week’s wedding!

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Feathered Edges

I had fun recently experimenting with a feathering technique to add background to embossed line images. This pretty stamp from Penny Black is poinsettia poem embossed in silver powder on Fabriano hot pressed watercolour paper.

Before adding any colour I spritzed the embossed panel with water. I then picked up chipped sapphire distress ink from a mat where I had smooshed the ink pad. Carefully I touched the tip of the inky brush to the area outside the embossing; the ink spread wherever there was water around the image.

I let the whole panel dry before moving on to painting the flowers, berries and leaves using watersoluble brush tip markers.

Above and below is another image that worked well with this technique; it’s holly berry branch from Penny Black. This time I used faded jeans ink for the background which is a lighter, less purply blue resulting in paler blues overall.

This is definitely a technique I will continue to experiment with; the feathery patterns that appear when ink flows across the wet paper are my kind of watercolour!

This post includes affiliate links from Foiled Fox and Scrap’n’Stamp . If you buy through these links I receive a small commission at no extra cost to you.


Book Trees

I gave this Christmas card to a friend who is a journalist. As she studied it she exclaimed, ‘What? You cut up books!’ I explained that yes, I did, but they were not my precious books, most were picked up at second hand book sales or thrift stores.

I painted a selection of pages with distress inks and when the pages dried I glued them to cardstock before using triangle dies to cut them out. After I arranged them on an embossed background I cut a strip of black cardstock into small pieces to tuck under the trees as trunks. Just another simple idea with vintage papers.


Layered Poinsettias

I have a box of berries, leaves, pine boughs and other festive foliage along with some watercoloured panels waiting to be put to use. I cut poinsettias from the watercoloured panels and had fun arranging them on an embossed panel with other foliage die cuts. (PB ‘joy of giving‘, ‘juniper‘, ‘layered Xmas wreath‘ and stocking stuffers)

The pretty background panel is Neenah solar white embossed with the Gina K ‘holiday flora’.

I like the variety of patterns and colours in the petals and leaves when they are cut from a watercolour panel. I held a couple of Christmas card making nights for my church and we made watercolour panels using my smoosh, spritz and swipe method. We ‘smooshed’ distress inks on a teflon mat, ‘spritzed’ the ink with water to dilute and move it, then ‘swiped’ the watercolour paper through the ink as many times as needed to make a well coloured panel.

This post includes affiliate links from Foiled Fox and Scrap n Stamp. If you buy through these links I receive a small commission at no extra cost to you.


2 for 1 with Delicate Pines

Although I don’t tend to make exactly the same card in large numbers I do like a quick and simple way to make a few similar cards at the same time. To create these pine needle cards I started with a watercolour panel larger than an A4 card. It was about 5¾” x 6″ and I placed it in the stamp positioner with the long side tucked right against the long side of the positioner.

Using the two of the three Penny Black ‘delicate pines‘ stamps positioned to stamp along the top edge of the panel I inked them with a few green and blue distress inks. Before stamping I spritzed the stamp lightly so the different greens would blend on the stamp and then on the paper. I then moved the stamps around so I could use the third stamp and get some overlapping branches. Without moving the stamps I turned the watercolour panel 180° and repeated the stamping steps. The panel ended up with a border of pine branches on each side. I cut the panel in half and trimmed the sides so I had two 5½” x 3″ panels to add to card bases.

I finished off both panels with a sentiment from the PB ‘jolly snippets‘ set and some green and gold splatter. Simple yet pretty. Today’s post features affiliate links to The Foiled Fox. If you buy through these links I receive a small commission at no extra cost to you.


Noel, Noel, Noel, Noel

Last week I posted some of my JOY cards where I replaced the ‘O’ with a vintage paper bauble. Not just any vintage paper but Christmas Carol music pages. Well of course I did the same with the ‘O’ in NOEL, how could I not?

Once again I used pretty printed papers for the backgrounds and both the Penny Black ‘wreath noel die‘ and the PB ‘star noel die‘ for the letters.

I didn’t start out glueing the baubles on their sides but as I organized all the pieces ready for assembly I saw one bauble sitting there askew and it definitely looked cuter that way.

The letters in one NOEL die are bigger than in the other so I used two different bauble dies but it would work with basic circle dies.

There isn’t much more to these cards other than a few bows and die-cut foliage. Since making both the JOY and NOEL cards I have been trying to think of other words I could make where a substitute shape could be added. Feel free to leave me ideas in the comments.

Today’s post features an affiliate link to The Foiled Fox. If you buy through these links I receive a small commission at no extra cost to you.


Sketching over Scarlet Majesty

When I posted cards made with the scarlet majesty stamp last week I mentioned a technique I had used to define the petals a little more. Today’s cards feature the sketched outlines I added after stamping. As with my previous cards I inked the stamp with distress inks or other water-based dye ink. I spritzed the stamp before stamping which creates a loose watercolour look on the image. I like the loose image but admit that some of the definition of the petals is lost. With the image on the stamp (and packaging) as my guide and some artistic license I drew around petals, berries and leaves with a gold gel pen. I didn’t try to stay exactly on the edge of the stamping but close. For the red poinsettia I also drew a rough frame around the image.

I added a small sentiment below the panel in a matching ink. On the red panel above I didn’t try to keep leaves green and petals red; everything is red. On the pink poinsettia below I used a few more distress inks in my initial loose watery impression.

Once again I stamped on hot press watercolour paper inking the stamp with small distress ink cubes and markers. Once the image was dry I used the gold gel pen to sketch the outline. If you look too closely you will see blobs and ink outside the lines but I quite like the overall gold edged effect.

One tip if you try this technique but find yourself trying to be too precise. Hold the gel pen further down the barrel than you normally would and move faster than usual drawing your lines. That way you should achieve a loose sketchy style that pulls the very watery stamped image into better focus.

Hope you’re having a great day. I now need to write some international Christmas cards; it is time to put them in the mail!


Berry Full & Split

I posted a card made with this Penny Black ‘berry kissed‘ stamp last year under the title old favourites. Here it is again, still a favourite! In the hope of swelling my Christmas card stash in a timely manner I’ve made some cards out of half a stamped image. It doesn’t work with all stamps but I thought I could make it work with this one.

Once I had stamped the berry kissed stamp using a stamp positioner, hot pressed watercolour paper and a mix of blue, green, pink and brown dye inks I placed a ruler down the middle so I could see what would fill each side if the panel was divided. The right hand side of the image contained plenty of soft pink berries and three leaves. The left hand side looked a bit sparse with three leaves but only one full berry and a couple of partially covered ones.

To make the left hand side a bit fuller and more interesting I inked and added two more berries. Both sides got the splatter treatment, a teal mat and a simple sentiment from the PB set, ‘jolly snippets’

I also completed a panel which I didn’t slice in half. Because I used cold pressed watercolour some of the edges of the images are not as smooth. It all depends on how much water I spritz on the stamp after inking, a bit too much can result in the wiggly edged berries you see below.

Today’s post features affiliate links to The Foiled Fox. If you buy through these links I receive a small commission at no extra cost to you.