Alcohol ink backgrounds

 in the garden Heather Telford

Yesterday I shared some alcohol ink abstract panels; today I have more abstract panels but these ones have become backgrounds for dies or stamps. The one above looked so forest-like I had to pair it with trees. It is a fairly dark mix of colour so I think it must be dusk or dawn. The ‘in the garden’ die was perfect for turning the blue-green panel into a scene and the new ‘serenity’ tree die just added to the woodland feel.

in the garden close up Heather Telford

Supplies:

Dies:  Serenity, In the Garden (PB)
Ink: Alcohol inks (Ranger) 
Paper: glossy photo paper, Neenah Epic Black 100lb cardstock, blue cardstock

green and gold day Heather Telford

The colours in this panel again determined what I would add. Orange, yellow and green patterns seem an appropriate background for a daisy. I used archival ink which gave a crisp fast drying print. There was another card made from this background but I made the mistake of laying a stamp on top of the panel for positioning before inking the stamp. The natural stickiness of the stamp on the glossy paper lifted the surface off the paper removing the alcohol ink (not in a cool resist type way!). It didn’t happen on the daisy card because I just inked, stamped and hoped for the best.

Supplies:

Stamps:  Love Art, Special Thoughts (PB)
Ink: Alcohol inks,  Jet black archival ink (Ranger)
Paper: glossy photo paper, Neenah Epic Black 100lb cardstock, Neenah solar white cardstock

 


Layouts and sketches

blue celebrate Heather Telford

Recently I noticed how often my card designs involve a simple square or rectangle. Sometimes the panel is matted in black or a co-ordinating colour; other times it is popped up on the card base which creates a type of shadow mat. A matted panel with little embellishment is my most used layout. I’m not saying there is anything wrong with the matted panel approach; I often try to create a mini painting so framing it seems like an appropriate way to turn it into a card. However, there are many clever card makers who never default to the square or rectangular layout; each new card features angles, diagonal lines, curves, cutouts and all manner of creative designs.  I’ve decided I need to mix things up a little in the sketch and layout area. Take the card above for example, the alcohol ink design reminded me of the ocean from beneath the surface with light above and bubbles all around. I really didn’t want to loose much of the blue pattern so I cut the sentiment out of the blue panel and popped it up. I like how it turned out but it was very much my usual style.

blue pattern Heather Telford

When I put this next card together I was working with a similar panel; the alcohol inks had done cool things creating a pattern I wanted to save if possible but not in yet another rectangular layout. By cutting a curve across the patterned yupo panel I was able to add some interest and bend a transparent sentiment stamp to hug the curve.

warm tones well done Heather Telford

Once again I wanted to retain most of this warm toned alcohol ink design so I chose a cool new border die with curves that created a contrast with the angles of the stenciled pattern.

circle hooray Heather Telford

I have a board on pinterest where I am saving inspiration for new layouts.   The card above was inspired by Paula Dobson’s bright happy card, pinned recently. Sketch challenges are another source of inspiration I hope to make use of more often. You may have noticed all the cards in this post were made from patterned panels, which of course, are easier to adapt to interesting layouts than pictures of real things! I may get adventurous and creative with my scenic or floral panels too, who knows?

Supplies:

Dies:  Celebrations, Border Edges (PB)
Stamps: Happy Snippets, Sweet Wishes
Ink: Alcohol inks (Ranger) Versafine inks (Tsukineko)
Paper: Yupo paper, Neenah SolarWhite 110lb cardstock, Neenah Natural white cardstock


More vintage watercolour

vintage watercolour butterflies Heather Telford

Thank you for your encouraging response to yesterday’s technique video. Please let me know if you give it a try. I have another card done in the same style today so if you missed the instructions yesterday, check out the tutorial here. The painting on this one was more straightforward as there was no masking. The butterflies are all on one large stamp, ‘Butterfly Charmer‘, and their botanical look makes them perfect for the vintage treatment.

 watercoloured butterfly closeup Heather Telford

As with yesterday’s card I stamped in vintage photo distress ink; this provides the sepia tone which I want to carry through the whole image as well as the water solubility necessary to blend the ink with the added colour from the watercolour pencils. I chose a blue, a purple and a pink pencil and switched from one to another as I coloured each butterfly.

vintage butterfly closeup Heather Telford

The assembly was more time consuming with this card partly because it had fiddly little lace and charm elements. The main reason putting this card together took a while though was because I didn’t know what I wanted. I glued down some lilac ribbon and added a bow to the butterfly charm only to decide I didn’t like it. Thankfully the ribbon pulled off without ruining the watercolour panel.  I did want the lace and the charm so I paired them with an embossed sentiment on a tag plus a little flourish die cut . The whole shebang is matted with the same pale brown as the tag and popped up on a natural coloured card base. I know for some of you this constitutes a fairly simple layout but for me this is high on the fussy-fiddly scale!

Supplies:
Stamps: Butterfly charmer, Happy Snippets (PB)
Dies: flourish & butterflies, a pocketful
Inks:  Vintage Photo distress ink (Ranger) Versamark (Tsukineko)
Cardstock: Hot pressed Fabriano watercolour paper, brown cardstock
Also:  Albrecht Durer watercolor pencils (Faber-Castell), lace, butterfly charm


You’re Sweet

you're sweet Heather Telford

Earlier today I was admiring yet another fabulous card by Ardyth Percy-Robb, who is not only clever and creative, but also a faithful challenge participant. The card that caught my eye was for the May Pinterest Inspired Challenge featuring the image below:

pinterestinspiredchallenge

Even though I love watercolour and the image above is full of lovely soft blends and bleeds I chose to use my recent arty crush, alcohol inks. I dropped sunshine yellow, pool, raspberry and juniper one colour at a time so I could squirt air at each drop before it dried. You can see how some inks create a new colour when they intersect but others cover or push the other colour. I matted in black and attached my panel to the card base askew before adding a die cut sentiment.

Supplies:

Die:  You’re Sweet (PB)
Alcohol Ink: sunshine yellow, pool, raspberry, juniper (Ranger)
Paper: Kirkland photo paper, Neenah SolarWhite 110lb cardstock, Neenah epic black cardstock


Out to Sea

Out to sea Heather Telford

Is this not a stunning new die? I thought it was perfect to lay over my bright blue alcohol ink panel. Blue panels are the most challenging for me to photograph accurately. In real life there is more purple and the light blues are lighter. The speckled bits that conveniently look a bit like ocean spray or foam are silver accents.  I created the panel by dropping some blue alcohol inks on yupo paper and blending. I added some silver alcohol ink and moved it around with extra blue ink and blending solution; the metallic inks don’t move much until another ink is added to them.

boat closeup Heather Telford

This die is also going to be beautiful over a watercoloured panel. If I am feeling patient and steady I might do the inlaid die technique but it really doesn’t need it; the overlay approach works just fine.

Supplies:

Die:  Out to Sea(PB)
Alcohol Ink: denim, indigo, silver, alcohol blending solution (Ranger)
Paper: yupo paper, Neenah SolarWhite 110lb cardstock


CAS Mix up Challenge

CAS Mix up Heather Telford

There is a new challenge on the block and it is definitely worth a look. It has been dreamed up by the very talented, Bonnie Klass and Loll Thompson and it’s called the CAS Mix up Challenge.
In their words:

Is CAS your style??  Do you love the look of clean and simple designs with lots of open space??  And have you seen all those fabulous mixed media techniques and products popping up all over and want to give them a try??  Then this is the challenge for you!
There are three elements to each challenge and for this one I had to use
  1. stamping – no problem
  2. watercolour – absolutely
  3. my choice – a die cut

watercolour background & daisies Heather Telford

I splashed some water on my watercolour paper then added some Tangerine colourburst powder and some Copper liquid metal. I let the colour move and blend and tilted it to almost fill the paper then let it dry. I had to do a little fussy cutting to mask one daisy before I stamped the other but I seemed to have survived the ordeal. I used the notebook die from the ‘pocket full’ set to cut  the top of the panel then popped it up on the card base before adding a sentiment. I tried to do the artistic-messy-thread-stuck-behind-the-panel trick but did not succeed. Maybe it was just as well because the challenge specified three elements not four!

daisies detail Heather Telford

Pop over to the challenge and check out the entries; it is a feast of inspiration.

Supplies:
Stamps: Love Art,  Soar (PB)
Die: A Pocket full (PB)
Mediums:  Colorburst powders, Liquid Metal (Ken Oliver) Versafine Onyx Black ink (Tsukineko)
Cardstock: Cold pressed Fabriano watercolour paper


Poppy Gems 2

Poppy Gems 2 Heather Telford

The Poppy Gems return today but in a more traditional colour scheme than last week’s card. I stamped with liquid watercolour paint on this panel, a technique not unlike what I often do with the distress stains. I used a paintbrush to apply the paint to the stamp then, after stamping, used water to blend the colour into the petals and leaves. In the centres and shadows on the flowers I layered colour to increase the intensity. The paints are Dr Ph Martin Hydrus watercolours which dry permanent. This feature was helpful when I decided to add a background weeks after completing  the flowers. There was no chance I would make the pinks and greens bleed into the sky when I added blue with a watercolour pencil and waterbrush.Poppy gems 2 detail Heather Telford

The little tag is a cut with the new die from Penny Black, ‘gift card pocket’ which comes with so much more than just the pocket die.

Poppy gems 2 tilt Heather Telford

Thank you for dropping by today; I will be back soon with more alcohol ink adventure as well as another couple of cards made with the ‘Poppy Gems’ stamp. I hope you have a great weekend.

Supplies:

Stamps: Poppy gems, Perfect Pairing (PB)
Dies:  gift card pocket (PB)
Inks:  Versafine Onyx Black (Ranger)
Pencil: Albrecht Durer watercolour pencil sky blue 147(Faber-Castell)
Paints: Dr Ph Martin Hydrus Liquid Watercolours – Set 1
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, pink cardstock
Also: linen thread


Poppy gems 1

Poppy gems browns Heather Telford

Over the next week or so you are likely to see the new ‘Poppy gems’ stamp a few times. I have already stamped it in four different colour schemes and varied the mediums and styles. This one is by far the ‘busiest’ and is quite the contrast to the clean and simple stamping I have been sharing lately.

I created this earth toned panel initially with just brown and black but after doing most of the blending with water I decided to add a bit of red to the petals over the brown. I stamped with distress stain and pulled it into the petals and leaves with a paint brush. I added black with the elegant writer pen which bleeds pink and green tones when wet. I decided to add the text details after the flowers were finished keeping it loose and watery with the addition of water to both the stamp and panel. I stamped the text upside down the first time so I had to make it blurred so my error would not be less noticeable!

I die cut a few flourishes with the new ‘flourish and butterflies’ die and attached them to the base for a tone on tone detail; you can just make it out in the photo below. The sentiment is stamped on a tag from the new ‘ gift card pocket’ die.

poppy gems die cut detail Heather Telford

Thanks for dropping by; I hope you are enjoying a relaxing weekend.

Supplies:

Stamps: Poppy gems, footnotes, snippets (PB)
Dies: flourish & butterflies, gift card pocket
Inks:  festive berries, mustard seed, vintage photo distress stains & ink (Ranger) black elegant writer pen (Speedball)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, brown cardstock


Blue Skies

Smiling Heather Telford

Ottawa had a record snowfall this week so it is quite the winter wonderland outside. Today, however there is a clear blue sky, a bit like the one on the card above. This card shows a different colour scheme for the new ‘Passionate’ stamp I shared in purple tones a few days ago. I used the same technique as here and here to paint a blue sky first with Dr Ph. Martin Hydrus liquid watercolour paint. I splattered some masking fluid before painting anything so there are a few white dots here and there.

I inked with distress stains and used the misti to stamp a few times to build up the colour on the flowers. Anywhere I wanted a distinct line between colours I used  paintbrush to ‘touch it up’.

Supplies:

Stamps: Passionate (PB)
Dies: keep smiling
Inks:  mustard seed, spiced marmalade, rusty hinge, peeled paint, forest moss distress stains (Ranger)
Paint: Phthalo blue Dr Ph. Martin Hydrus
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, green cardstock

Another blue sky frames the blossom branches below stamped with the new ‘branch of grace stamp’. Once again I painted the blue first and let it dry before stamping.  Because of the fine twiggy detail on this stamp I used a mix of stains and markers to ink the stamp, choosing to ink only part of it in places so the branch would be narrower the second time I stamped it. I blended the grey and black inks with a paintbrush to give some dimension to the wood. The new geometric border added to the Asian feel of the card.

Cherry blossom Heather Telford

The ‘So Special’ reveal continues on the PB blog this week as the transparent stamps are featured and you still have a chance to win a shopping spree until Feb 28th.

Supplies:

Stamps: Branch of Grace (PB)
Dies: geometric borderfeel better
Inks:  Black soot, Hickory smoke, Frayed burlap, barn door, festive berries distress stains and markers (Ranger) 
Paint: Phthalo blue Dr Ph. Martin Hydrus
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, black cardstock


Fancy Hearts

 Love wc background Heather Telford

There are a bunch of new heart die in the new ‘Love Always’ release, some solid and some with pretty patterns like this one. I cut two, then snipped out a little section so I could fit them together. The little word is snipped from the ‘triple love die’and I added ‘stick it’ adhesive to the back of the cardstock before die cutting to make it easy to attach. The background is brusho magic in pink, yellow and purple.

Keeping it short and sweet this time; I hope you have a great day.

Supplies:
Dies: Triple Love, Fancy Heart (PB)
Paint:  Brusho (C0lourcraft)
Cardstock:  Cold pressed Fabriano watercolour paper