I’m a guest over at the Foiled Fox blog today; you know that is one of my favourite places to share my cards. With less than a week until Christmas I have switched to making thank you cards. This one combines several Penny Black stamps, one from this year and others from Christmasses past. All the snow falling is the effect created when painting over splattered masking fluid. After the painting has dried I rub off the masking to reveal little white dots – snow! The black stamping is done with pigment inks to preserve the sharp defined edges of the trees and deer. The soft tree shapes in the background are stamped in distress inks to enable blending and bleeding into the watercolour sky.
The whole process is described in detail on the Foiled Fox blog and supplies are listed below.
Stamps: snowy village, nature’s friends, woodland beauty, happy snippets
Inks: versafine onyx black, evergreen bough distress ink
Distress Stains: salty ocean, faded jeans, evergreen bough
Hot pressed watercolor paper
Also: masking fluid, stamping platform
As I have said before, you can never have too many tree stamps! The African trees set from Darkroom Door not only has four lovely tree stamps but also five animals and a flock of birds. It’s a beautiful set that I am really enjoying trying with different colours and mediums. This time I wanted the feeling of dusk around the waterhole. I almost added an African deer to this scene but I had achieved the look I was after and didn’t want to risk spoiling it at the last minute (as I did with a new card yesterday. grrr)
The scattering of stars was created with by splattering masking fluid on hot pressed watercolour paper before I started painting. Once it was dry I painted the sky and water in chipped sapphire, broken china and tumbled glass distress stains. I kept the panel wet so I could blend from colour to colour but dabbed up excess liquid at the sides. While the panel was still damp I painted two areas of grass with forest moss distress stain. I let the panel dry a bit more but not too much before stamping the reflections of both trees. To achieve the mirror stamped image I stamped it on a piece of acetate then pressed it onto the damp panel. When I was happy with all my soft edge images I dried the panel completely before adding the trees and grass that I wanted sharp. I used a stamp positioner to stamp the trees several times in forest moss distress ink then painted grass with a fine tipped brush.
Lastly I removed the masking fluid to reveal the little stars then mounted my panel on a piece of natural coloured cardstock.
Stamps: African Trees (Darkroom Door)
Inks: Distress tumbled glass, broken china, forest moss stains and inks (Ranger)
Cardstock: hot pressed watercolour paper
Also: Pebeo masking fluid
After a week of balmy temperatures hovering around zero, we are back to real winter weather again and bright scenes like this one. Winter here is often prettiest when it’s the coldest.
I stamped and embossed this scene using ‘winter ledge’ and a stamp positioner so I could get the thin layer of snow on the branches. The trick to this is to stamp first in versamark then move the cardstock up ever so slightly then stamp in pigment ink, in this case versafine onyx black. Once the panel is stamped twice you can emboss both images at once. The embossing resists ink once you sponge or paint over the top. I sponged this scene in memento Danube blue ink creating snowy hills behind the branches with post-it note masks.
I hesitate to say that I hope you are all staying warm as I know our family in Australia have been wishing for a little respite from the heat. I hope you are enjoying the weather, whatever the weather, whether you like it or not!
The scene on today’s card is not unlike what I see around Ottawa. Sometimes the sky is bright blue; it usually means the temperature is very cold. The landscape is covered in white but the trees tend to be a mix of black, grey and sometimes brown, the deciduous ones that is. I splattered masking fluid over a piece of watercolour paper to create the look of falling snow; if the sky had been darker it could have looked like either snow or stars. I then used Peerless watercolours to add colour. I began by painting a line of water across my panel; that line became the edge of the background snowbank. I picked up grey paint and added it to the water then brown so the colours spread and feathered. I added more water above the grey and brown then started painting blue from the top of the panel slowly pulling it down and diluting it with water. I didn’t want the blue to mix with the grey and brown so I kept the edge of both colours diluted with water and tipped my panel towards the top so colour would move upward not down.
I positioned a mask lowered down the panel then stamped the bare branches in versafine onyx black. Once the ink was dry I removed the mask and painted colour behind the stamping extending to the right hand edge to look like another snow bank. To finish I removed the masking fluid, added a sentiment, matted the panel and attached it to a card base.
I wish you all a happy new year and look forward to sharing with you here in 2017. Thank you so much for dropping in to see what I’ve been creating.
Stamps: Skyward, Holiday Snippets (PB)
Ink: Versafine onyx black ink (Tsukineko)
Paper: hot pressed watercolour paper, brown cardstock
Paint: cobalt blue, neutral tint, mahogany brown (Peerless watercolours)
I used the versatile birch trunk stamps from the ‘Nature’s Silhouettes’ set for this card stamping them over a hill shaped mask at the bottom and bending them this way and that so no two trees looked the same. After stamping them I positioned a circle mask for the moon and painted masking fluid over all the tree trunks. I used zig clean colour real brush markers for the blue sky and green foliage in the background; I rarely use the zig markers but whenever I do I resolve to get them out more often. The colours are so vibrant and the blending so easy. Once the sky was completed I removed all the masks and added grey to the trunks.
I wanted shadows in the snow but with paler tones than the background so scribbled some colour on a palette and diluted it to paint a shadow for each tree. There is a little line of sparkly embossing along the snow banks to make them glisten. The sentiment may or may not be positioned where it is to hide something; I’ll let you draw your own conclusions!
Enjoy Christmas Eve.
Stamps: Nature’s Silhouettes, Yuletide wishes (PB)
Markers: Zig clean color real brush markers green, blue, light gray (Kuretake), Versamarker
Inks: Versafine onyx black ink, Majestic blue(Tsukineko)
Cardstock: hot pressed watercolour paper
Also: clear sparkle embossing powder
I was happy to read in the comments that I am not the only one who hasn’t sent all their Christmas cards yet. I am making progress; I’ve written 67, sent 60 and have 12 left to write. The card I’m sharing today shows a little sentiment splicing; I’ve taken the ‘wishing you’ from the festive snippets set and added it to half of a stamp from the festive cheer set. The lettering in the two sets combine nicely along with the small capitals on the little words. You can get more from your stamps if you take a look at which sentiments might mix and match with each other. A stamp positioning tool makes this kind of thing easier but partial inking and masking works if you don’t have a handy dandy tool.
The landscape for this card was definitely a brusho experiment. I sprinkled blue and green brusho on my watercolour panel then moved water around with a paintbrush to create some hard edges and feather out other areas. After I’d created my misty mountains I did partial inking on the little tree stamp from the prancers set to fill in some forest on the mountain sides.
Stamps: prancers, festive snippets, festive cheer
Inks: versafine onyx black (Tsukineko)
Paper: hot pressed watercolour papers (Fabriano),green linen textured cardstock
Also: brusho watercolour crystals (Colourcraft)
I recently taught a card class where we created Christmas cards featuring the northern lights over snowy landscapes. Everyone’s scenes looked different as there was a variety of inks to choose from. Back in the planning stage for the class I created a few different scenes as I worked out what would work in a class setting. (I have to make sure I can reproduce my own techniques if I am going to have any chance of teaching them to others.)
The top card and the bottom card were experiments that didn’t become class samples and the middle one was a variation I did during class. They all happen to use the blue and plum colour scheme. The two above have masking fluid snow flakes and the one below a bit more definition in the mountains. Sometimes my experiments end up as class projects, sometimes they become recycling and, sometimes as the case was with these three they join my stash of cards to use as needed. These ones really should have been sent already to arrive at their destination by Christmas.
Have you sent all your cards yet? I’m not even half way there.
Stamps: woodland beauty, yuletide wishes, joy filled
Inks: versafine onyx black (Tsukineko), chipped sapphire and seedless preserves distress stain (Ranger)
Paper: hot pressed watercolour papers (Fabriano), blue and plum shimmer cardstock
Also: masking fluid
I wish I could tell you the beauty of yesterday’s snowfall inspired this little snowscape but the reality is having this photo edited and ready inspired this little post! I made this card months back but misplaced it somewhere in my spotless workroom!
The ‘nature’s silhouettes’ transparent set includes two long birch trunk stamps. One is a little slimmer than the other so when stamping them you can shape them, turn them upside down, ink them partially and add branches to get a range of different ‘birchy’ looks. I also discovered a little trick you might like. The wider of the two trees just happens to be the same width as narrow painter’s tape which makes masking a snap.
I inked the birch trunks in versafine onyx black for this panel as I didn’t want the watercolour painting to blur the trees at all. Before stamping I splattered some masking fluid and positioned some hill shaped post-it masks at the base of the panel. I stamped the trunks so the base overlapped the post-its. I used the narrow masking tape to mask two of the trunks and cut a narrower mask for the other trunk. I removed the masks from the base of the trees but kept the trunks masked while I painted snow banks and sky with a couple of blue brusho paints. To get the shadow of the snow banks I paint a curved line then soften it with water above but keep it fairly sharp and unblended below. Once the paint was complete I removed the masks from the trunks and add a line of grey down one side of the trunks with a marker.
Even though this particular card wasn’t inspired by my backyard, the beauty of a fresh snowfall is what keeps me creating these snowy scenes.
Stamps: Nature’s Silhouettes, Hello Winter, Into the sky (PB)
Paints: Brusho powders (Colourcraft)
Inks: Versafine onyx black ink, London fog memento marker (Tsukineko)
Cardstock: hot pressed watercolour paper
Also: masking fluid
The tree from the ‘woodland beauty’ set has definitely become a favourite of mine. (It features in my next Christmas card class this weekend and one spot just opened up) I started by painting a blue and purple sky over some masking fluid specks. I used the same blues to paint shadows over the mountains.
To create this little winter scene I stamped the tree in a mix of two greens and added water to blend the greens and add the shadow to the snow. To make the snowbank below the trees I partially inked the trees so the trunks weren’t stamped then painted some blue ink around the branches and as a sharp edge below the branches.
I painted some more pale blue snow banks then used part of a sentiment stamp to finish the panel. I’ve been back in Canada for over a week now and the snow has indeed come to Ottawa!
Stamps: woodland beauty, festive cheer
Inks: versafine onyx black (Tsukineko), forest moss, pine needles distress markers (Ranger)
Paper: hot pressed watercolour papers (Fabriano), green cardstock
Paint: brusho watercolour crystal paint
Also: masking fluid
As you might know I use hot pressed watercolour paper 90% of the time because it is smooth and takes stamping so well, giving me a complete images. Occasionally, however, I like to pull out some cold pressed or even more occasionally some rough watercolour paper because the texture gives a whole different look. The labels hot, cold and rough, when attached to watercolour papers refer to the way the paper is pressed. Hot is flattened with heat and pressure making it the smoothest of all three. Cold is flattened with pressure but not heat and rough is flattened with less pressure than cold, making it the most textured of the three types.
I stamped the ‘snowy grove’ stamp on cold pressed paper in vintage photo ink. I then used the image as a starting point for painting some of the trees more distinctly. In some cases I joined a few trunks together with extra ink to create wider trees. I painted some foliage plus the forest floor with crushed olive and peeled paint distress stains and spritzed with water to blend and blur both the ground and the canopy. I cut the ‘serenity’ die from brown cardstock to add some framing and give the impression of looking into a grove of trees. The tiny tag is cut with the ‘gift card pocket’ die.
The trees around here still have plenty of green on them but we are beginning to see gorgeous colour too. Have a great weekend and Happy Thanksgiving Canadians!
Stamps: Snowy Grove, Snippets (PB)
Dies: Serenity, gift card pocket
Inks: vintage photo, crushed olive, peeled paint distress inks & stains(Ranger)
Cardstock: Cold pressed watercolour paper, brown cardstock, green textured cardstock