Land and sea

wide ocean Heather Telford

One of the techniques we been trying in my current alcohol inks class is the ‘landscape’ technique. I don’t think I could give you clear instruction on how I did these two scenes because it is still a lot of trial and error for me. The scene above involved some swiping the inks once they were on the yupo paper to get the horizontal sweeps of colour.

Mountain view Heather Telford

This one above features more lines of ink. When you lay down some ink then add some more beside it the second lot of ink pushes away first often creating a dark thick edge. These can end up looking like hills. Adding blending fluid into the ink you already have on your yupo washes it out somewhat creating paler areas. I am addicted to creating with alcohol inks right now so I will analyse my techniques a little more so my instructions might be clearer (and yes, I will try and make a video).

Believe it or not there is a video coming next week. I also noted the requests for videos on the roses and terraced lane cards. I’ll keep those in mind because I do appreciate my readers and their endless patience in waiting for video tutorials!

Supplies:

Stamps: Twirls (PB)
Alcohol Ink: stream, pool, stonewashed, currant, alcohol blending solution (Ranger) Jet Black archival ink
Paper: yupo paper, Neenah SolarWhite 110lb cardstock, Neenah Epic black 100lb cardstock


Terraced Lane

Terraced Lane Heather Telford

If you enjoy scenery stamps like I do there are a couple of beautiful designs in the new ‘A Little Bit of Sunshine’ release. This one, ‘Terraced Lane’ is a detailed stamp depicting both trees and steps. I will be trying this one in a range of colour schemes.

These two cards display two ways to approach such a detailed stamp. On the panel above I stamped first in vintage photo distress ink then added colour with a mowed lawn distress marker, the black elegant writer pen and a tiny bit of blue marker in the sky. I blended the green and black with water and a paintbrush to fill the scene with some colour then framed the top left corner free hand with vintage photo ink and some diluted black ink.

Sunset terraced lane Heather Telford

To create this sunset version I worked in the opposite order creating the background sunset with tombow dual brush pens first then once it was totally dry, I stamped the image in brown over the top. I finished the scene off by blending a few areas around the steps but left most of the stamping sharp.

Supplies:

Stamps: Terraced Lane (PB)
Inks:   Mowed Lawn, Vintage Photo distress stains (Ranger) Elegant writer pen (Speedball) dark plum 679, rhodamine red 725, pink rose 703, light ochre 991 dual brush pens(Tombow)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, brown cardstock, Neenah natural white cardstock


Out to Sea

Out to sea Heather Telford

Is this not a stunning new die? I thought it was perfect to lay over my bright blue alcohol ink panel. Blue panels are the most challenging for me to photograph accurately. In real life there is more purple and the light blues are lighter. The speckled bits that conveniently look a bit like ocean spray or foam are silver accents.  I created the panel by dropping some blue alcohol inks on yupo paper and blending. I added some silver alcohol ink and moved it around with extra blue ink and blending solution; the metallic inks don’t move much until another ink is added to them.

boat closeup Heather Telford

This die is also going to be beautiful over a watercoloured panel. If I am feeling patient and steady I might do the inlaid die technique but it really doesn’t need it; the overlay approach works just fine.

Supplies:

Die:  Out to Sea(PB)
Alcohol Ink: denim, indigo, silver, alcohol blending solution (Ranger)
Paper: yupo paper, Neenah SolarWhite 110lb cardstock


Scented Beauty

scented roses Heather Telford

These pretty roses are part of the new release from Penny Black, A Little Bit of Sunshine’. I have played with them several times already trying different colour schemes and mediums. These soft pink and apricot roses were inked with distress stains, one of my favourite and most used techniques. I apply the stains directly to the stamp which means there is generally more liquid on the stamp than necessary but this is what creates the loose painterly style image. Once I have stamped the image I use water and a paintbrush to blend any areas that are too sharp and look out of place with the softer edges.  The leaves were inked with two green stains and the background colour, also a stain, I painted after finishing the roses.

There are a couple more cards made with this stamp on the PB blog here along with details of how to win some stamps from the new release.

Supplies:

Stamps: Scented Beauty (PB)
Inks:   Mowed Lawn,  Dried Marigold,  Forest Moss, Worn Lipstick, Weathered wood distress stains (Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, olive green cardstock


Irises and blue

blue panelled iris Heather Telford

I am enjoying teaching a batch of Alcohol Ink classes at present and we have been having so much fun. The depth and impact of alcohol ink colour is quite something. I chose to use these two similar colour panels as background for iris stamps from the Love Art transparent set.

 iris panel closeup Heather Telford

I blended a few blue alcohol inks on photo paper for these two panels. The circle pattern on the one below was achieved using a stencil. I dabbed through the stencil with blending solution to remove colour but also printed the stencil back onto the paper once it was covered in pale blue ink.

Stencilled iris Heather Telford

 

The sentiments and flowers are stamped in jet black archival ink.

stencilled iris close up

I am just going to squeak this stencilled card into the second challenge at CAS Mix Up; there are twelve whole hours left to participate. The challenge this month is below; I used alcohol inks as my choice.

april2016

Supplies:

Stamps:  Love ArtSpecial Thoughts, Snippets(PB)
Inks:   Jet Black Archival (Ranger)
Alcohol Ink: pool, denim, indigo, alcohol blending solution (Ranger)
Paper: Kirkland photo paper, Neenah SolarWhite 110lb cardstock, Blue cardstock


Pop, Pop!

pop pop muted Heather Telford

I am sharing some more experimentation with brushstroke stamps today. This one is called Pop, Pop, Poppy and you can see I didn’t really mix up the layout at all but the medium was different for all three cards. The top card was stamped in a pale dye ink then coloured with watercolour pencils.

pop pop pastel Heather Telford

The blue leafed version above was stamped with distress stains and the bright pops of colour below were achieved by dropping colorburst powder onto water-stamping.

 pop pop bright Heather Telford

The bright one above, although messy, ended up being my favourite. Which do you prefer?

Supplies:

Stamps: Pop, pop, poppy (PB)
Mediums:  Dandelion Memento ink, Versafine onyx black (Tsukineko) Worn Lipstick, Chipped Sapphire, Weathered wood distress stains (Ranger) Colorburst powders (Ken Oliver)
Cardstock: Fabriano 100% cotton hot & cold pressed watercolour paper, Neenah Epic Black cardstock


Timely bookmarks

watercolour bookmarks Heather Telford

This week the design team at Penny Black are sharing some book mark designs cut using the elegant ‘bookmark’ die. I guess it’s no surprise that I decided to cut my bookmarks out of watercoloured panels, the orange and green one shows a portion of the ‘Bejeweled’ image.

 orange flower bookmark Heather Telford

The pink and orange one below features ‘The Unfolding’ which just might be my favourite stamp from the last release.  I used distress stains for both images, inking with the lighter stains first, then the darker ones over the top. I sometimes add a spritz of water if the stains were not so juicy it helps the colours blend softly into each other. Once I have stamped the image I do further blending on the paper with a paintbrush. And of course there is the small matter of splatter added at the end if desired.

pink flower bookmark Heather Telford

The die punches the little hole for the cord so I twisted some matching colours of embroidery floss and threaded them through. A book mark project is quiet timely actually as I have stepped up my reading over the past few months. I have a few books on the go right now and am enjoying some audio books also.

Have you read or listened to any good books lately? Do you read more than one at a time? Do you reread favourites? I just finished reading ‘The Invention of Wings’ by Sue Monk Kidd and ‘A Homemade Life’ by Molly Wizenburg. I’m also rereading the Mitford series by Jan Karon.

Supplies:

Stamps: The Unfolding, Bejeweled (PB)
Dies: Bookmark (PB)
Inks: Mowed Lawn, Bundled Sage, Vintage photo, Mustard seed, Spiced Marmalade, Worn Lipstick, Dried Marigold distress Stains (Ranger)
Paint: Phthalo blue Dr Ph. Martin Hydrus
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: Embroidery thread


Colour choices

Morning glory Heather Telford

I have been stamping with the same group of stamps over the last few weeks, switching up the colour schemes and the techniques. It has been fun to see the way colour, style and technique can create a different mood. I used memento markers for both cards featured today and varied the technique only a little. The top card was done in one impression applying all the colours to the stamp before spritzing and stamping. I used a paint brush to blend after stamping on both images. On the card below I worked one colour at a time with the help of the MISTI and built up the colour gradually. There isn’t a lot of difference in the results but I think the top one is more delicate and light (not just in colour) and the one below bolder. I left the top one without a sentiment but can think it could be used for something celebratory just as easily as something more reflective.

purple trumpet song Heather Telford

This one was too bright to be a reflective card and I accentuated the purple with a mat so a ‘bright’ sentiment seemed a good match. I didn’t mat the top card but kept the deckled edge from the watercolour paper and popped the panel up on foam.

By the way Susan has a new challenge happening on One Layer Simplicity this month and the theme is from one of my all time favourite movies.

Supplies:

Stamps: Trumpet Song, Special Thoughts (PB)
Inks:  Dandelion, Cantaloupe, Bahama Blue, Danube Blue, Pistachio, Northern Pine, Rich Cocoa, Espresso Truffle, Tuxedo Black, London Fog, Lilac Posies, Grape Jelly, Olive Grove Memento Markers, Versafine onyx black (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, fuschia fantasies cardstock


Sunny Wishes

short sunny wishes Heather Telford

Sunny wishes is the name of the set I have featured today and also how I am feeling. Over the Easter weekend we experienced sun, rain, warmth and chilliness, but my wish is for sunshine!

I have used the same stamp to create both cards today but have varied the technique and layout. For the card above I inked only the floral portion of the stamp with distress stains. With such a small image there was not much blending to do but I did fill the petals of the flowers by pulling stain from the outline and then added the darker centre with stain on a brush. To finish I added some green splatter and the coordinating sentiment and mat.

sunny wishes tall Heather Telford

In the card above you can see the full image stamped in versafine onyx black. I painted blue around the image and in the vase with Dr Ph Martins Hydrus Watercolor Pthalo Blue and let it dry. I painted the flowers, butterflies and foliage with distress stain but you could easily use distress markers directly on the image and then blend the colour with a damp brush. To finish I once again added a sentiment and a coordinating mat.

Supplies:

Stamps: Sunny Wishes, Special thoughts (PB)
Inks:  Versafine Onyx black & Majestic Blue (Tsukineko), Mowed Lawn, Vintage photo, Mustard seed, Dried Marigold, Barn Door, Forest Moss, Seedless Preserves, Blueprint Sketch, Aged Mahogany distress Stains (Ranger)
Paint: Dr Ph Martins Hydrus Watercolor Pthalo Blue
Cardstock: Fabriano 100% cotton cold pressed watercolour paper, blue cardstock, orange cardstock


Iris Shimmer

Iris shimmer Heather Telford

I am having all sorts of fun with brushstroke stamps at present while teaching my March class. Not only have I been experimenting with all my floral brushstroke stamps and a range of mediums, I have been  inspired by the creativity of the class members also.

 Iris shimmer wb Heather Telford

In my most recent class someone created a beautiful burgandy iris with the “pure iris” stamp and some merlot colorburst powder. Her petals could not have looked more life like! I tried the combo at home and added some pearl-ex spray and some yellow gold liquid metal. My camera did catch some shimmer in the photos so you can imagine how much there is in real life. I took a little video of it shimmering in the sunlight and posted it on instagram.

shimmer iris detail Heather Telford

Supplies:
Stamps: Pure Iris, Special Wishes (PB)
Mediums:  Colorburst powders, Liquid Metal (Ken Oliver) Versafine Onyx Black ink (Tsukineko)
Cardstock: Hot pressed Fabriano watercolour paper, Burgandy cardstock
Also: gold metallic thread