Hats Off

As you know I don’t often stamp, draw or paint people but these cute stamps featuring hats called to me and I decided to feature them in a grid pattern, Brady Bunch style. I taped the small Darkroom Door ‘mixed boxes’ stencil to hot pressed watercolour paper to provide the grid. Working in a stamp positioner I stamped the three hatted women in the large boxes and the sentiment from the same set in the small right hand box using Gina K’s obsidian amalgam ink.

I painted the women in their hats first using Albrecht Dürer watercolour pencils, some colouring directly on the paper and some picking up paint from the tip of the pencil. As I had kept the stencil taped to the panel I was able to blend lost shadow distress ink in the spaces to frame the faces.

I’m thinking ‘hats off to you!’ might be a congratulatory sentiment. How would you use a card like this with that jaunty little phrase?

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Spring Emerges

Spring is emerging around my place but not to the extent suggested in this stamp. I do have a daffodil plant that has broken through the soil and I can see a bud on it even though it is a couple of feet from the snow drifts! The stamp featured today is called ‘spring emerges’ and it is a small transparent stamp from Penny Black’s latest release.

It’s been a while since my coloured pencils were the stars of the show but after finishing this little panel I might keep them on my desk a little longer. I particularly like pencils on kraft cardstock. I often add either a base of white pencil or just highlights so the brown of the kraft doesn’t make everything too muted. On this card I blended white and reds for the tulips and added white highlights purple flowers. I layered a mix of yellows and oranges for the daffodil and two greens for the leaves and grass. I kept the panel and stamp in the stamp positioner in case I wanted to restamp over the top after colouring (which I did). With a stamp this small sometimes my colouring goes outside or over the lines, restamping just sharpened the outline. I used Gina K’s osidian amalgam ink.

I used A2 layer dies to cut the panel and the mat and added a sentiment from the PB ‘hope is…’ set. You can see some very pale white shading around the flowers too which was done with the white pencil.

Wishing you a hope filled day.

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Canopy

Today I am delighted to be sharing this card on the Foiled Fox blog. I have mentioned before how much I like the people at the Foiled Fox and we seem to enjoy a lot of the same artsy things. This new set from Penny Black is called ‘Canopy’ and it includes three similar trees of different sizes.

I completed the sky first by blending speckled egg ink over the panel of hot pressed watercolour paper. I painted over the blended ink with water then dabbed away some of the ink with a tissue to create the look of clouds. I also added some splatters because why not?

I stamped the trees one at a time and added a hill below the trunk each time. Painting the little hill while the ink on the trunk was still wet made it possible to softly blend the brown and green inks together.

Make sure you pop over to the Foiled Fox blog to learn more about my process and to browse their lovely projects and products. You know how I feel about tree stamps; you can never have too many. I love the whimsical bendy trunks on these ones; they look like they are swaying in a breeze.

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Welcome Home

This sweet scene is called ‘Welcome Home’ and it is a new rubber cling stamp from Penny Black. Yes you can see little white flecks on the panel again, not snow, just textural interest, or perhaps rain. I used a panel of hot pressed watercolour paper splattered with masking fluid. As usual with a scenic stamp I kept the panel in a stamp positioner throughout the whole process.

I stamped first in antique linen so I could see the whole scene as I added colour bit by bit to the cottage, fence and trees. I used a mix of distress ink pads and markers. To blend the inks I sometimes spritz the stamp before stamping so the inks start moving or I use a paintbrush after stamping to move the inks to fill an area like the roof or walls of the cottage. If some details get lost in the blending I use a marker to add definition back to the scene eg. bricks, roof and chimney outlines.

I loosely painted the grass, sky and driveway with smooshed distress inks. I thought the wide sentiment worked well to balance the height of the tree and stamped it in dark brown. It’s another new one from PB’s ‘delightful day’ set.

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Lovely

I have another lovely new stamp from Penny Black and it is aptly named ‘Lovely’! It is a brushstroke stamp, meaning that it is semi solid and made from a painted image to look like you painted it. I find that dye inks and water based markers are great for this type of stamp.

I worked on hot press watercolour paper which had some masking fluid splattered over it. I sometimes use masking fluid even when I am not creating a snowy scene because I like the slightly aged or ‘rainy’ look it gives my stamping and painting. I wanted to do the background before I stamped so I smooshed some speckled egg and mowed lawn distress inks on my glass mat, spritzed water to dilute it then swiped my watercolour panel through it. The result is very soft but enough to add subtle interest to the background.

I inked the flowers with a mix of tattered rose, abandoned coral and seedless preserves distress inks, spritzed the stamp with water then stamped. I used a paintbrush to blend the ink to fill the petals. You can see me use this technique in a video here. I inked the stems with mowed lawn and the tiny flowers with iced spruce. I do use a mix of large and small ink pads when I ink the stamp along with distress markers. I know distress markers are discontinued but I will keep using mine until the bitter end. I managed to reink a marker the other day following a video a friend told me about. The video maker used a distress stain but I had a re-inker in the required colour so I used the re-inker. I didn’t see any improvement until the next day after the ink had time to soak through the tube and into the brush tip.

Because I love the matchy-matchy I pulled out a Ciao Bella ink to stamp the sentiment from the new PB set ‘blessings’. My colour inspiration was from a photo Jan sent me last year. My colours are not as subtle as the ones in the photo but I still like the unusual mix of coral and purple. Thanks for the inspiration, Jan, I went to my file of your pics as soon as I started working with this stamp!

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Prized

Penny Black has new stamps! And of course I am especially interested in new flowers and tree stamps. This rose, aptly named ‘prized’ is just one of the new stamps I will be sharing on the blog in the next few weeks.

My mother loved roses and she and my father grew them in every garden they made. My dad has several lovely ones out the front and the back of his retirement unit. I think he has one with peachy/yellow colouring a bit like this one.

To colour the ‘prized’ rose I worked on hot pressed watercolour paper and kept it in a stamp positioner. I inked the petals with both fossilized amber and abandoned coral distress inks. I spritzed the inked stamp before stamping which made the ink wetter and easier to blend into each petal shape. When using this technique I always smoosh the ink pad on my glass mat so I can pick up ink there as well.

While the petals dried I inked the leaves and stem with forest moss and a small amount of faded jeans distress inks then followed the same technique as above to paint the leaves. I went back to the petals and did a second round of stamping and blending adding candied apple ink to the centre of the rose to deepen the colour.

After I had completed the flower I used mix of diluted inks to paint around the rose. I added hickory smoke to the other four inks as I blended around the edges of the flower and feathered out to pale yellow or grey at the edges of the watercolour panel.

I chose the title sentiment from the PB set ‘delightful day’ and stamped it in peeled paint archival ink.

Hope you are having a delightful day!

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Tea, Coffee, Art Journalling?

Today I am posting a few pages from last year’s Art Journal Adventure workshops. I taught seven different ‘episodes’ last year and one month the theme was coffee and tea. I did a few pages before the sessions and then created a different page during each class. I don’t like replicating the same spread in my art journal so each one had a different colour scheme and style.

Even though I am more of a herbal tea drinker than a coffee drinker I ended up creating three coffee themed pages and two tea themed. You can see the first coffee themed page here. As you can see from the three spreads featured here I use a variety of techniques, papers and elements in my pages. The common technique on these pages is a watercolour background and the common element is the chipboard cups. Both the coffee themed pages feature photos from an old coffee themed diary. In both cases I took my colour scheme from the photo and added browns.

This tea themed page could also be called ‘these are a few of my favourite teas!’ I used packaging from boxes and sachets, embossed the teacups to match and add snippets from old books and magazines.

These pages show how I gather elements and papers from here, there and everywhere when creating a page. I used inks, embossing powders and glazes, stamps and stencils for these pages but I also used an old diary, packaging, pages from a vintage recipe book, and old teabags!

I almost didn’t finish this last spread but once I had stamped then glazed the cute chipboard cups I knew I had to finish. Now I want a mug with vintage newsprint on it!

Art Journal Adventure for 2023 kicks off this week. There is still space in the Friday class and the Monday class. We will be creating with semi- transparent papers.

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Snowflake Cards

Apparently we are getting 10-20cm of snow tonight. So these cards are appropriate for late February! I teamed up with Grafix to complete these projects. I love using liquid frisket to create a scattering or a storm of snowflakes or stars across a watercolour background.

I splattered the liquid frisket on hot pressed watercolour, let the droplets dry then used dye inks to colour the panels. You can see the process in the video below.

I cut intricate snowflakes from lightweight white linen cardstock to add to the watercolour panels. All but the die-cut snowflakes on the final card are designs from Echidna Studios. I used snowflakes from the Snowflake Digital Stamp set. I have used them as stamps on previous cards but this time I cut them on a cricut.

Because the snowflakes are quite intricate gluing them on with artist tac was very straightforward. I also use artist tac when I am attaching individual letters to create a word or sentiment.

I used a few of the cards as thankyous and left a few blank.

I used smooshed distress inks to create the watercolour backgrounds but you could use watercolour paints or powders to make soft blended backgrounds.

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Salt & Dandelions

Just in case you are wondering this isn’t a recipe, well not an edible one! I know you can eat several parts of a dandelion plant but I don’t know about the little seeds that blow everywhere to plant new dandelions. This card has been hiding out in a drawer with a few others cards that give the impression of light and shade.

I didn’t create the multicoloured background for the dandelion stamp; I just created it while experimenting with watercolour paints and salt crystals. You have probably done the same sort of thing yourself. If not, try sprinkling salt crystals of different sizes on wet watercolour paint or die ink. As it dries it creates fabulous patterns. The ones on this panel looked so much like dandelion seeds I had to find the right stamp and sentiment to finish the card. You can find a video demonstrating the salt sprinkling technique here. After the paint and panel has dried you can gently brush off the salt to reveal the patterns.

I used gansai tambi watercolour paints and a large PB stamp called ‘Dandee’. If I had wanted a background that looked like dandelion fluff blowing about I’m sure I couldn’t have created it. That’s why I play and experiment then see what I should make with the panels.

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Leafy

I am sharing this project on the Foiled Fox blog today. It’s a lovely place to visit; make sure you drop in and browse their blog and online store.

I know today’s card is completely unseasonal but occasionally I stamp outside my climate zone! I used a couple of Penny Black transparent sets to create a simple masked and watercoloured birthday card. Most of the leaves stamped were from the PB ‘leaf trio set’ which has three leaf sprays (I used two). The twiggy stamp is from the PB ‘nature’s garlands’ set.

I worked on hot pressed watercolour paper which had some liquid frisket splattered on it. I kept the panel in my stamp positioner but you could easily do this technique without. I placed a strip of washi tape across the panel to mask the centre for a sentiment later. I stamped each leafy spray in one of four greens first with the panel facing one way then again with the panel flipped 180°.

Once I had stamped all the leaves in greens I used a paintbrush and water to blend ink into all the leaves. Once that was dry I stamped the twiggy stamp in uncharted mariner ink. Even though it was a green card uncharted mariner still demanded to be included!

With the washi still in place I blended some shabby shutters ink over the stamping to give a crisp edge to the masked area. I might have been a little impatient and smudged some of the blue ink. I removed the washi to add the gold embossed sentiment but then wanted gold splatter so replaced the washi. I am making these mistakes so you don’t have to! I was happy with the fresh look to the card. It reminded me of an art journal page you can see if you scroll down to the end of another post here. I have said before that sometimes cards inspire art journal pages or vice versa. Today’s card was inspired by an art journal page which was in turn inspired by a card in my ‘Wreaths – Stamped & Painted‘ class.

Are you already creating springy cards? Have you left winter stamping behind?

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