A Very Merry

 Pine boughs Heather Telford

On the Penny Black blog for the remainder of August you can see one new product after another as the ‘Especially for You 2015’ release is revealed. This week is all about new dies and there are a whole stack of new word dies featured on the PB blog today. One of the new word dies happens to be ‘A Very Merry’ on my card above. The pine bough is a new stamp too but I can give you details about that another day. There is a giveaway to coincide with the new release too so pop over to the blog.

If you have visited here before you will know my watercoloured cards range from quite neat and controlled to rather free, watery and loose. This is one of those loose ones that almost didn’t make the cut. However there was something about it, just enough definition in a couple of pine needles and cones to keep me from tossing it. It is stamped and painted on watercolour paper splattered with masking fluid. Before I stamped any images I spritzed some water and some spots of distress stain over the panel. I painted some tumbled glass distress stain also to fill in parts of the background. I let it dry a little before inking the pinecone stamp with distress stains and stamping it three times. It was quite wet so I dropped some bister powder into the wet areas to give some extra depth of colour. When it was almost dry I stamped over the initial images to add more definition in a couple of places. To complete the card I attached the panel to a dark brown card base and die cut the sentiment out of the same colour.

Supplies:
Stamps: Brush Pines (PB)
Creative Die: A Very Merry(PB)
Inks:  Pine Needles, Evergreen Bough, Vintage Photo, Tumbled glass, Black soot, Gathered twigs distress stains/markers/inkpads (Ranger)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper & Brown card
Also: Blue and Green bistre powder, Winsor & Newton masking fluid.


Winter view

NYC grey day Heather Telford

Here is another wintry scene I created back in January for Splitcoaststampers. My first month with the Dirty Dozen was January and all the projects had to be finished and uploaded by the 13th. When I was planning my time and projects I did not know our children had planned a trip for my husband and I to celebrate our anniversary and birthdays. They had purchased air tickets, broadway tickets and a hotel room in New York for four days! Some cards were finished before I left on January 6th and a couple, including the one above, were finished when I returned.  Inspired by our trip I created this card for the ‘All Cooped Up’ theme and could not imagine a better place to be cooped up in winter than an apartment overlooking Central Park. As you can see from our photo we enjoyed walking through the park in bright sunshine. Freezing cold but sunny.

 skyline from central park sc

To create this scene I splattered masking fluid on watercolour paper with a spatter brush, then, when it was dry stamped partial imprints of the skyline stamp spritzing both the stamp and paper to make sure my colours blended. I used a brush to pick up and add more colour around the buildings to create the impression of a grey day. Before stamping the bottom buildings I added a snow bank mask so the base of the buildings and the trees would appear behind it.

Supplies:

Stamps:  SkylineSummer Fun, Prancers (PB)
Inks: Memento London Fog, Tuxedo Black, Paris Dusk (Tsukineko)
Cardstock: Fabriano 100% cotton hotpressed watercolour paper, Epic Black & Solar White cardstock(Neenah)
Also: Winsor & Newton masking fluid, Kemper spatter brush


Tannenbaum trio

tannenbaum trio Heather Telford

I had a look through my supply of Christmas stamps this week to find some tree stamps to experiment with. I love the ‘before the snow’ tree but it is nice to mix things up a little. Someone said at my class tonight, “You can never have too many tree stamps,” an opinion I entirely agree with. The tree stamp above comes with a decorative topper which I surgically removed ( don’t worry, I kept it in case I need it). I stamped each tree with distress stain first then painted over the stamping with a paintbrush. Next I added some bister and stamped again with water. I did the other trees the same way but varied the original stamping colour so the trees would all look a bit different. The bister moves differently each time which makes the trees more interesting. I painted some water below the trees and added bister powder to create snow banks. Often I will add blue for the sky and a sentiment but I was happy with this one the way it was so I didn’t risk messing it up with further stamping or painting.

By the way there is a brand new challenge on One Layer Simplicity hosted by our talented team member, Karen Dunbrook. It is called Strip Down, you had better check it out to find out exactly what’s required!

Supplies:
Stamps:  Tannenbaum (PB)
Inks:  Evergreen Bough, Forest Moss, Vintage Photo, Gathered Twigs distress stains/marker (Ranger)
Cardstock: Canson 100% cotton hot pressed watercolour paper & Green card
Also: Blue and Green bistre powder


Cosy Cottage

Snowed in Heather Telford

From January to June this year I was honoured to be a member of the Dirty Dozen at Splitcoaststampers. My term on the team is over now but I will forever be a Dirty Dozen Alumni which brings its own opportunities and privileges. Right now there are all sorts of challenges going on especially for fan club members. Alumni have dreamed up wonderful projects and multiple challenges are being released each day.

While I was a member of the Dirty Dozen I created projects with a different theme each month. This is one of the first cards I shared; the theme was “All Cooped Up”. I made it during the bleak midwinter, a far cry from our current hot midsummer! I stamped with one ink then pulled colour from the stamped image with a small paintbrush to fill in the trees, cottage and path. I kept it clean and simple when finishing the card by matching the ink colour exactly with a cardstock mat.

Supplies:
Stamps:  Christmas Cottage, Enjoy Life (PB)
Inks: Vintage Photo Distress Stains (Ranger) 
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White 110lb card stock, Tan cardstock

 


Orange blooms

Orange blooms Heather Telford

When I set out to create this card I knew I had stamped a similar layout with this stamp before but it wasn’t until the card was completed and I looked at the earlier card that I realised just how how similar! This one has a wee bit more going on and was painted with distress stains not watercolour pencils. I began by stamping the large ‘Softly’ stamp a couple of times. Each time I inked it I wiped off some of the antique linen ink so the two imprints would not interfere with each other too much. The antique linen ink is pale so I was able to paint inside the lines and have them disappear into the darker oranges and greens.

I had to repeat my mantra (walk away, just walk away) periodically through the making of this card because I was trying to follow the steps shown on this photo tutorial. I painted all the petals with a diluted wash of ‘dried marigold’ distress stain first. After it dried I added another layer keeping the colour undiluted. Once that dried I painted some darker areas with ‘spiced marmalade’, let it dry then finally added some ‘rusty hinge’. ( I have just discovered what a warm brown rusty hinge is; it works well with orange tones). After waiting once again for it to dry I added some details with the spiced marmalade and rusty hinge markers. I stuck with just ‘forest moss’ stain for the leaves but began by diluting for the first wash then increasing the intensity as I added shading.

When all the painting was finished I used the co-ordinating stencil ‘Promenade’ to sponge some background flowers before adding a sentiment and a green mat. This card is a little bigger than A2 (6.25″x4.75″) so I will need to hunt through my envelope supply to find a match.

Thank you so much for dropping by and for your kind comments. I have been interested to read about your opinions and experiences with the different watercolour powders I have been featuring.

Supplies:

Stamps:  Softly, Sprinkles & Smiles (PB)
Stencils:  Promenade (PB)
Inks:  Spanish Moss Versafine (Tsukineko) Spiced Marmalade, Dried Marigold, Forest Moss, Rusty Hinge, Antique Linen distress products (Ranger)
Paper: Canson 100% cotton hot pressed watercolour paper, Green textured cardstock


Birthday Bister

birthday bister Heather Telford

For my daughter’s 21st birthday card I chose blues, greens and the ‘soft wings’ butterfly stamp I always enjoy using. A reader commented a while back that bister and color burst work well with butterflies so it was time to try. I stamped the butterfly in a mix of distress stains which created a watery imprint I could add the blue and green bister powder to. I did multiple impressions then left them to dry while I added some texture around the rest of the panel. I used distress stain on the text stamp from ‘footnotes’ to add the patterns and did some splattering and spritzing with both stains and pearl-ex spray. Once the whole panel was dry I added the sentiment then trimmed and sponged some darker colour around the edges before adding some thread and popping up the panel on a watercolour paper card base.

Supplies:

Stamps: Sprinkles & Smiles, Soft Wings, Footnotes (PB)
Inks: Bundled Sage, Pine Needles, Evergreen Bough, Salty Ocean Distress Stains (Ranger) Deep Lagoon & Olympia Green Versafine inks (Tsukineko)
Paint Powder: Blue and Green Bister
Cardstock: Canson hot pressed 100%cotton watercolour paper
Also: home made interference blue pearl-ex spray, machine embroidery thread


Color burst poppies

Color burst poppies Heather Telford

This watercolour powder experiment  displays on one card some of the different effects you can get with color burst powders. Depending on how much water you add you can get fine dots of colour or very watery blends of colour. I sprinkled the powder on a piece of watercolour paper and spritzed lightly at one end but more generously at the other. The fine dots must have got hardly any water, the little irregular shapes a bit more water then the purple and blue areas were fairly saturated. All the purples and shades of blue came from only pink and blue powders.

I die cut poppies from the watercoloured panel and some from foam as well then attached them all together with stick it adhesive.

Supplies:

Stamps: Snippets (Penny Black)
Creative dies: Poppy Pair (Penny Black)
Inks:  Color burst watercolour powders(Ken Oliver), Salty ocean distress (Ranger)
Cardstock: Fabriano cold pressed watercolour paper
Also: Stick it adhesive sheet (Ken Oliver)


Bister Poinsettia

Bistre Poinsettia Heather Telford

I’m not trying to stress you out about there being only 155 days until Christmas. Besides 155 is a lot of days and even though I have the best of intentions regarding Christmas shopping I never get it done before December. I just needed to try this stamp out with some bister because I thought the two would be happy together. I stamped the petals only in spun sugar distress stain to get a pale impression then sprinkled some red bister into the ink. It takes several re-stampings with water to get the colour to spread around the petals so I used the misti.  I then moved onto the pine needles by stamping with bundled sage and dropping green bister. The centres of the flowers are yellow bister and black marker.

The panel started out bigger than this with a third shadowy flower at the bottom. I stamped the sentiment in crimson red versafine ink because the stamp has those nice little details and versafine does a great job with them. Versafine also takes longer to dry than dye ink so it is important to walk away, just walk away and let it dry! I didn’t. To my credit I managed to get the whole card stuck together without smudging the wet sentiment only to swipe my fingers right through it when I folded the card base in half at the end!

Hmmm…I quickly took it apart, trimmed off the smudged bit, restamped the sentiment and walked away.

Supplies:
Stamps:  Red Star, Hanging Treasures (PB)
Inks: Spun Sugar, Bundled Sage, Mustard Seed, Black soot Distress Stains (Ranger) Crimson Red Versafine (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White 110lb card stock, Red cardstock
Also: Bister powders


One stamp, two colours

Queen Anne's Lace Detail 2

Continuing my experiments with bistre paint powders, I pulled out one of my favourite stamps and limited myself to a blue and green colour scheme. Below are all the results of my fiddling around with colours, water, repetitive stamping and order of operations. All the panels were splattered with masking fluid which really added interest on the most watery panels. Where the stains pooled and bled into each other the little masked dots break up the solid colour. Each was taped to a board with painter’s tape which created a masked border that I retained on all but one card.

On the panel below I sprinkled both blue and green bister on dry watercolour paper then spritzed lightly, tilted it this way and that, then walked away. This is becoming my new watercolour mantra, ” Walk away, just walk away!” As I have said before it helps to have chips on hand to distract yourself from wanting to fiddle more with the painting that needs to dry. In this case I did not have chips but I did have four different panels to work on so as each one was set aside to dry I started the next. Once dry I stamped the Queen Anne’s Lace in a dark green and a mix of two blues to co-ordinate with the bister patterns. I stamped twice without re-inking in between so the lower images are a bit paler. I like the lacy airiness of the flowers on this one but it’s not my favourite.

Queen Anne's Lace 1 Heather Telford

There was more water involved in the panel below and some painting and sponging too in order to frame the scene. I began by stamping in pale green on a slightly damp panel. You can see those first pale images in the background. I then switched to darker colours and dropped some bister into the stamping. To fill the white background I used a paintbrush to pull both stain and bister into the spaces. I tried to be careful not to lose the definition of the flowers. When it was totally dry (walk away, just walk away) I sponged a bit more colour in the corners. I like the shadowy images behind the stronger ones on this panel but it is not my favourite.

Queen Anne's Lace 2 Heather Telford

To be honest with you, below is the one that almost got tossed. I didn’t walk away and you can see all the murky green that resulted. I didn’.t want to give up however so I pulled out some scraps of dry wall tape I had used on another project and sprinkled bister powder over the tape, spritized water over the powders, let it dry a bit then sponged for more coverage. Not only does the grid add some interest, it leads the eye away from the murk. The other thing that saved this one is the mass of masking fluid flecks right in the centre adding light to the murk. You have probably guessed, not my favourite.

Queen Anne's Lace 4 Heather Telford

Which leaves us with this one. It has lots of blue, some nice bister bursts, both watery and defined stamping, some white flecks in appropriate places and I couldn’t be happier. Yes, it’s my favourite. Which one do you prefer?

Queen Anne's Lace 3 Heather Telford

Do you ever fiddle around with the same stamp and colours for several projects? It’s not quite making multiples but it is time efficient to use the supplies while they are all on the table.

Supplies:

Stamps: Queen Anne’s Lace, Happy Notes, Heartfelt, A Sweet Day (PB)
Inks: Bundled Sage, Forest Moss, Pine Needles, Crushed Olive, Chipped Sapphire, Evergreen Bough, Salty Ocean Distress Stains & Chipped Sapphire distress ink (Ranger) Spanish Moss, Majestic Blue & Olympia Green Versafine inks (Tsukineko)
Paint Powder: Blue and Green Bister
Cardstock: Canson cold pressed 100%cotton watercolour paper, 
Also: Winsor & Newton masking fluid


Flowers on circles

flowers on circles Heather Telford

Before I made my previous card, the coloured balloon one, I did an experiment with leftover scraps of frisket film. Frisket film is masking paper for watercolour and other ‘wet’ mediums. I taught a class a couple of months back where we used a large circle cut from frisket film to mask the moon. I kept the negative scraps of film that I had cut many moons from. Just for fun I lay them on a piece of watercolour paper, overlapping here and there to create a random arrangement. With the film in place I dropped some blue and green color burst powders over the panel then spritzed with water. I used enough water to activate the powder but not so much that it ran everywhere. The result was the circles on the card above. I picked a simple outline stamp and coloured it in completely then added a sentiment which I curved to follow the stem of the flower.

These colours are much brighter than the bister and just as much fun. Can you tell I am really enjoying these paint powders?

Supplies:

Stamps: Snippets, Enamor (PB)
Inks: Versafine Onyx black (Tsukineko) 
Cardstock: Neenah Epic Black 100lb smooth , Canson 100% cotton hot pressed watercolour paper
Also: Color Burst powder, Prismacolor Premier fine line marker, Grafix extra tack frisket film