City sidewalks, busy sidewalks, dressed in holiday style,
In the air there is a feeling, of Christmas
Children laughing, people passing, meeting smile after smile,
And on every street corner you’ll hear :
Silver bells, silver bells
It’s Christmas time in the city
ring- a- ling, hear them ring,
soon it will be Christmas day.
Stamps: Skyline (PB)
Inks: Vintage photo, Black soot distress inks (Ranger) Elegant Writer (Speedball)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, pink & black cardstock
Do you recognise these trees? They are part of a larger stamp, ‘Winter Song’ and even though the whole stamp is beautiful I often just want to use that stand of trees on one side. I began by painting a sky over a moon mask using brusho blues. Once it was dry I decided to add these trees and the snow banks. Because the sky was already painted I had to paint the trees in white paint to block out the blue on the trunks. I used the Gansai Tambi white paint and kept it quite thick and opaque. Once I had white trunks to work with I painted some grey shadows on the trunks and added some black spots and twigs with a marker. I used the ‘to the world’ from Holiday Snippets and then hand lettered some joy.
I have lights and greenery around the window now and one ornament on the tree! Little by little…
Stamps: Winter Song, Holiday Snippets (PB)
Paints: Brusho, Gansai Tambi
Inks: Tuxedo Black (Imagine Craft/Tsukineko) Micron fine tip black marker
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Strathmore cold pressed watercolour paper, burgandy cardstock
I have pink poinsettias and a little hand lettering today. I am not doing too much lettering because it isn’t the best for my hand but I am practising here and there with both pointed pen and brush markers. These pointed pen ones are more wonky than I wanted but I will keep zoning in on a style that works for me.
I stamped both poinsettias with the same stamp but obviously used different techniques to complete my designs. On the card above I stamped a pale image (no pine needles) and used it as a guide to paint with brusho. I mixed brusho with water to dip the paintbrush into rather than sprinkling it directly on the paper. The stamp was my guide for the large pink petals then I added tiny red ones and green outer ones myself. The centre is gold added with a wink of luna pen and I finished with a generous bit of splatter and a matching mat.
The stamp is a semi-solid stamp so if I ink it with distress stains it holds quite a bit of stain. On the poinsettia below I inked with pink stains, used markers on the pine needles and added the yellow and gold to the centre after stamping. I added a few veins to the petals with a fine brush and softened the pine needles with water. These panels have been sitting around for a while so once again I am not absolutely sure which colours I used but I will take a guess and add them in the supplies list at the bottom of the post.
Stamps: Red Star (PB)
Inks: Worn Lipstick, Spun Sugar distress stains (Ranger) angel pink memento ink, cottage ivy memento marker (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Green and red cardstock
Also: brusho powder, black ink, gold wink of luna pen
The brusho magic continues as I said it would! I keep referring to it as magic because you really don’t know what is going to appear when you spritz water and add the brusho powders. How much water, how much powder, which you do first, how much you continue to add – all these factors will affect the outcome. The unpredicability of the medium did make my live brusho periscope yesterday a little nerve wracking but I still enjoyed myself with those who were able to join me live. It will be available for a bit longer on Katch. (wish you could fast forward through the clumsy beginning; I promise it gets better!)
My process for arriving at the finished leaf card involved several steps beginning with the random scattering of warm toned powders plus a little green. I spritzed, sprinkled powder and repeated until I had pretty patterns appearing then I left it; I walked away and went and ran errands so there was no temptation to fiddle with it before it dried. When I returned I looked for leaf shapes or sections of leaves that had occurred randomly in the panel, then enhanced and completed those shapes. The painting step did take quite a while and involved stopping and starting. I tried to move the existing colour on the panel with a brush as much as possible but sometimes added a bit more brusho where needed. There were two small brown leaves that emerged in the bottom right hand corner so I painted a couple more to make a little pile. I add veins to one leaf with a craft knife then added brown paint which settled in the cuts but it turned out darker than I wanted so I switched to a watercolour pencil to add the veins to the other leaves.
The sentiment is hand drawn with pen and ink, something I have been practising lately. Unfortunately it is not easy on my hands so I can’t do too much. I did learn traditional calligraphy years ago so some of the concepts are familiar and others are new and tricky!
You may have heard that Jennifer McGuire is hosting a Share Handmade Kindness Campaign during November at present and challenging card makers to send their cards out and make a difference to someone’s day. I don’t need the reminder to do the handmaking but the actually sending through the mail is a challenge I am taking on; I want to get this card in the mail today! Susan Raihala is challenging us to make and send Gratitude cards right now also. And if you’re forging ahead with your Christmas cards don’t forget the Caring Hearts card drive.
Thanks for dropping by. There will be a break from the Brusho tomorrow while Gansai Tambi paints take the stage instead.
Medium: Brusho powders & Faber Castell Albrect Durer watercolour pencils, Brown ink
Cardstock: Hotpressed Fabriano paper, Epic Black Neenah cardstock