Sunset Grasses

I have been away from my workroom, paints, stamps, papers and computer. I thought I might have shared a few blog posts while I was away but instead I took in the beauty of my surroundings snapping oodles of sunset photos along with other lovely scenery and dear faces. Now that I am back at home I will share some cards interspersed with occasional photos taken while away.

It’s been over a month since my last post which included snowflakes but before that one I was sharing cards made from watercolour panels. I ended last year and began this year wrapped up in colour mixing. I am still doing it and the result is quite the pile of panels ready to be stamped, die-cut or collaged into cards. This panel is an example of a gradation from one colour to another. I painted yellow from one end, deep pink from the other and blended them only slightly in the middle. When I picked the panel out of the pile I blended some darker yellow ink over the top through a circle post-it stencil then blended the edges once the stencil was removed.

The lovely Penny Black ‘nature’s paintbrushes’ was a simple addition along with a thin strip of cardstock and a tiny sentiment from the PB ‘snippets’ stamp set. Thanks for dropping by despite how quiet it’s been her lately!


Pile of Watercolour Possibilities

After teaching a couple of watercolour classes lately I have amassed quite the pile of panels. They are full of potential for card making. As well as painting separate panels I’ve also been creating abstract or background watercolours in a couple of art journals.

The purpose of the exercise has been two-fold. The main plan was to revisit a range of watercolour techniques in order to share them with others in classes. Additionally I chose to work small so we could complete quite a few practice pieces during class leaving us with ‘card sized’ panels to turn into cards later if we wished.

I have enjoyed the preparation and the classes so much that I have almost 100 panels on hand! My next in person class is going back to basics in regard to card making. I will cover assembly tips and tricks as well as design principles in order to create balanced and beautiful card layouts. It is exciting to have all these panels around just waiting to be transformed into cards.

As you can imagine I also have piles of gel prints, alcohol ink panels, collages and patterned papers that could be turned into cards. It’s rather nice to have all these options…


Whimsy and Watercolour

As I mentioned in January I have been playing with watercolour techniques then adding whimsical doodles over the top. Today’s card is another example. I switched the order in the title of the blog post because the whimsy has over powered the watercolour in this panel even though both elements are still obvious.

I used only three paint colours to paint the squares on the watercolour paper, some touching while wet, resulting in soft blends. All the colours you see were mixed from the same three paints – a blue, a pink and a mustard. The doodling was done with a black fine tip pen and a gold gel pen.

Even though the gold details from the gel pen are a minor part of the design they were the catalyst for choosing a gold mat and sentiment. In my upcoming in-person class I am teaching design principles and assembly techniques for card making and this thank you card is one of my examples. ( I wish I could remember who makes that pretty thank you die, but I’m not sure)


A New Handmade Book

I’ve completed another challenge with Ali Manning in her Handmade Book Club. I have written before about Ali’s wonderful teaching. The most recent class was no exception. It was called ‘Valentine Palooza’ as a nod to the February timing and the cute heart binding on the spine of the book. The Handmade Book Club offers some free classes, some short challenges open to non-members (I have now done four of these) and a monthly or yearly membership ( something I would like to join at some point).

For this most recent challenge I chose to use cold pressed watercolour paper for the cover and hot pressed watercolour paper for the signatures. I watercoloured the cover in a loose abstract style over the top of some masking fluid words and squiggles. As I write this I realise I didn’t take any photos of the inside cover. Both the back and front covers fold over to make the cover more sturdy so my watercolour patterns continue inside.

This cover was inspired by Tiffany Sharpe’s lovely stitched and watercoloured cover. I made my book 7″x7″ which was different to the rectangular examples in the workshop but all the steps are the same once you work out your dimensions. I have now made three 7×7 watercolour journals and like the page size for art journalling.

I’m playing with watercolour techniques a lot at present in preparation for my upcoming in person class on Watercolour Techniques. You will see some of the technique samples turned into cards eventually and some will be the base for future journal pages. You can see the other books I have made here: Mixed Media Journal, Coptic Journal, a second Coptic Journal, and Scrappy Journal.


The bookshelf card

Last year I taught a workshop called ‘Watercolour & Whimsy’ where we experimented with colour mixing in art journals and on watercolour panels, some of which we turned into cards later. This panel began very simply as I mixed three or four paints to make a range of different colours. Because I stuck with a few paints I knew they would all look cohesive on the panel.

I used a half inch flat brush to paint rough rectangles in lines. I was inspired by schlemmer.art but where she turned her rectangles into houses, I turned mine into books!

I used a black fine tip pen and a white gel pen to decorate the book spines and turned three paint strokes into vases instead of books. A simple idea to paint, a relaxing theme to doodle and something I will definitely try again.


2 for 1 with Delicate Pines

Although I don’t tend to make exactly the same card in large numbers I do like a quick and simple way to make a few similar cards at the same time. To create these pine needle cards I started with a watercolour panel larger than an A4 card. It was about 5¾” x 6″ and I placed it in the stamp positioner with the long side tucked right against the long side of the positioner.

Using the two of the three Penny Black ‘delicate pines‘ stamps positioned to stamp along the top edge of the panel I inked them with a few green and blue distress inks. Before stamping I spritzed the stamp lightly so the different greens would blend on the stamp and then on the paper. I then moved the stamps around so I could use the third stamp and get some overlapping branches. Without moving the stamps I turned the watercolour panel 180° and repeated the stamping steps. The panel ended up with a border of pine branches on each side. I cut the panel in half and trimmed the sides so I had two 5½” x 3″ panels to add to card bases.

I finished off both panels with a sentiment from the PB ‘jolly snippets‘ set and some green and gold splatter. Simple yet pretty. Today’s post features affiliate links to The Foiled Fox. If you buy through these links I receive a small commission at no extra cost to you.


Sketching over Scarlet Majesty

When I posted cards made with the scarlet majesty stamp last week I mentioned a technique I had used to define the petals a little more. Today’s cards feature the sketched outlines I added after stamping. As with my previous cards I inked the stamp with distress inks or other water-based dye ink. I spritzed the stamp before stamping which creates a loose watercolour look on the image. I like the loose image but admit that some of the definition of the petals is lost. With the image on the stamp (and packaging) as my guide and some artistic license I drew around petals, berries and leaves with a gold gel pen. I didn’t try to stay exactly on the edge of the stamping but close. For the red poinsettia I also drew a rough frame around the image.

I added a small sentiment below the panel in a matching ink. On the red panel above I didn’t try to keep leaves green and petals red; everything is red. On the pink poinsettia below I used a few more distress inks in my initial loose watery impression.

Once again I stamped on hot press watercolour paper inking the stamp with small distress ink cubes and markers. Once the image was dry I used the gold gel pen to sketch the outline. If you look too closely you will see blobs and ink outside the lines but I quite like the overall gold edged effect.

One tip if you try this technique but find yourself trying to be too precise. Hold the gel pen further down the barrel than you normally would and move faster than usual drawing your lines. That way you should achieve a loose sketchy style that pulls the very watery stamped image into better focus.

Hope you’re having a great day. I now need to write some international Christmas cards; it is time to put them in the mail!


Berry Full & Split

I posted a card made with this Penny Black ‘berry kissed‘ stamp last year under the title old favourites. Here it is again, still a favourite! In the hope of swelling my Christmas card stash in a timely manner I’ve made some cards out of half a stamped image. It doesn’t work with all stamps but I thought I could make it work with this one.

Once I had stamped the berry kissed stamp using a stamp positioner, hot pressed watercolour paper and a mix of blue, green, pink and brown dye inks I placed a ruler down the middle so I could see what would fill each side if the panel was divided. The right hand side of the image contained plenty of soft pink berries and three leaves. The left hand side looked a bit sparse with three leaves but only one full berry and a couple of partially covered ones.

To make the left hand side a bit fuller and more interesting I inked and added two more berries. Both sides got the splatter treatment, a teal mat and a simple sentiment from the PB set, ‘jolly snippets’

I also completed a panel which I didn’t slice in half. Because I used cold pressed watercolour some of the edges of the images are not as smooth. It all depends on how much water I spritz on the stamp after inking, a bit too much can result in the wiggly edged berries you see below.

Today’s post features affiliate links to The Foiled Fox. If you buy through these links I receive a small commission at no extra cost to you.


Pink Majesty

Today’s cards feature the beautiful Penny Black stamp, ‘scarlet majesty‘ but as the title suggests, I have chosen pinks over scarlet for the ink colours. I worked on Fabriano hot pressed watercolour paper in my stamp positioner.

I inked most of the petals with a pink ink then added darker ink with more of a burgandy such as aged mahogany. I use a mix of small cube ink pads and markers to ink the stamp. The leaves were inked with peeled paint and the berries a purply blue such as chipped sapphire. Before stamping I spritz the stamp so the inks can move a little. I stamp the first impression then decide whether more ink is needed, more water or often some blending with a paintbrush and water.

I don’t remember fiddling much with this panel as I liked the watery blends and the paler veins showing through here and there. I painted the centre of the poinsettia with gold finetec paint and of course added some splatter.

The sentiment is from PB ‘jolly snippets‘ and the texture from the retired SU ‘subtle’ embossing folder.

I used the same technique on this second card but used darker inks for leaves, petals and berries. My guess is aged mahogany, forest moss and a dark brown which was possibly made by mixing the first two. (I don’t always take note of my ink colours)

I think ‘scarlet majesty’ is a stunning stamp; I like the curl at the ends of the petals. Here are a few more cards made with it. I will admit that it is tricky to ink because you can’t always see where to try and define edges. I have another post coming up where I handle this issue by adding lines after stamping. I’ll share that soon. The sentiment this time came from the PB set, ‘promise of hope’.

Today’s post features affiliate links to The Foiled Fox. If you buy through these links I receive a small commission at no extra cost to you.


Thunderbird Barbie Car

This cool car is the latest design in the Echidna Studios etsy store. The digital stamp set is called ‘Thunderbird Barbie Car‘ and includes the front view, which I chose to watercolour, and a side view; you can see that one in the etsy store.

I printed the image on hot pressed watercolour paper on an inkjet printer. In the past I have used only a laser printer to print the digital stamps but as my daughter has an inkjet printer I thought it would be interesting to compare the two methods. The ink from the ink jet printer did blur ever so slightly when I painted with watercolour paints but not so much that it spoiled the colour or line work.

I found a T-bird photo on line and used it as inspiration for this turquoise car. I used Sennelier watercolours and a fine tip Staedtler permanent pen to darken a few lines after painting. I decided not to turn the panel into a card at this stage, perhaps it could end up in a frame instead. The cheeky little ‘Relax’ on the license plate is from the Penny Black ‘Enjoy Builder’ stamp set

This is not the first car image in the Echidna Studios etsy store. My daughter has also drawn a fabulous Vintage Beetle design which I painted last year and a cool Vintage VW bus. This post includes affiliate links from Foiled Fox. If you buy through these links I receive a small commission at no extra cost to you.