Astral defined with pencils

Astral with pencils Heather Telford

The new release from Penny Black includes several negative space stamps, meaning stamps with a lot of solid rubber where the image is the part that does not stamp. This one, ‘Astral’ is the most  solid of them all and I have been playing with ways to add colour and texture to the large solid area. I stamped the one above weeks back when I created this card, but it was cast aside. When I picked it up again I decided to add shadows to the sides of the trees with coloured pencils. The background colour is a mix of memento inks, distress stains and bister powder. When adding coloured pencil I used a bit of black but mainly chose colours already appearing the in the background. I used the pencils here and there to deepen the colour and define the edges.

 Astral in greens Heather Telford

I stamped and painted another one in green yesterday and filmed on periscope while doing so. (To watch me on periscope you can download the ap for your phone then search for me by name or watch on the web here. In both those places the videos are available for 24 hours.) On the green one I added detail with watercolour pencils and splatter with a white wink of stella pen. It is quite a large stamp; I cropped the panel for the blue and pink card to fit a 5.5’x4.25″ card base but kept the whole image plus a border for the green card.

Supplies for pink card:
Stamps:  Astral, Snippets (PB)
Inks: Dusty Concord, Worn Lipstick, Salty Ocean, Stormy sky distress inks (Ranger), Memento Summer Sky, Versafine onyx black (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: Bister watercolour powder, Interference Blue pearl-ex spray, Faber Castell polychromos pencils

Supplies for green card:
Stamps:  Astral, Snippets (PB)
Inks: Broken China, Salty Ocean, Crushed Olive, Pine Needles distress stains (Ranger), Memento Cottage Ivy, Northern Pine, Versamark (Tsukineko)
Cardstock: Canson 100% cotton hot pressed watercolour paper
Also: White wink of stella pen, white embossing powder, green machine embroidery thread, Faber Castell watercolour pencils


Golden Woods

forest in autumn Heather Telford

Snowy Grove (used on the card above) is one of my favourite stamps from the new PB release. I have already used it for a fall and a winter look and plan to include it in one of my upcoming Christmas card classes. To create this scene I created the soft gradation of colour behind the trees first by brayering memento dandelion ink over the bottom half of the panel and memento cantaloupe ink over the top half. I then inked the stamp with forest moss, gathered twigs and dried marigold distress inks and stamped. For the more watery blended look I inked the stamp again with vintage photo and spiced marmalade distress stains and stamped a second time (with the help of the misti). Because the stains sit on the paper for a while without soaking in I was able to grab a paintbrush and paint over the large trunks to fill in the empty circles that suggest snow. I pulled some of the stain down into the ‘ground’ area and, with some extra stain, filled the forest floor with brown stain then sprinkled some brown bister powder over the panel for extra texture.

By the way I have been enjoying watching a few amazingly artistic stampers create pretty things live or on replay using Periscope. I hope to film my first ‘scope’ some time this week. Maybe I’ll see you there. (If you haven’t heard of Periscope click on the link for a little overview)

Supplies:

Stamps:  Snowy Grove (PB)
Inks: Memento Cantaloupe & Dandelion (Tsukineko ) Forest Moss, Gathered Twigs, Dried Marigold, Vintage Photo, Spiced Marmalade distress stains and/or inks (Ranger)
Cardstock: Canson 100% cotton cold pressed watercolour paper, brown  cardstocks
Also: Brown Bister


Hidden Lane

Trees & Fence Heather Telford

Hidden Lane is a new scenic stamp which easily will transition from season to season. I chose autumn for my first stamping with it but I know I will reach for it when creating wintry and perhaps spring scenes also. I did the colouring for this little scene with several different mediums; the sky and grass were painted with watercolour paints, the trees and foreground were a combination of distress stains and bister and final details were added with watercolour pencils. The watercolour paper had been splattered with some masking fluid which gives the whole scene a slightly aged look. I think the sentiment which was probably intended for Christmas works equally well for Autumn which is a wonderful time of year and very beautiful where I live. Not that I’m wishing for it; as I’ve said before summer can stay as long as it likes!

Supplies:

Stamps:   Hidden Lane, Season’s Gifts (PB)
Inks: Vintage photo, Spiced Marmalade, Pine needles, Crushed Olive, Dried Marigold distress stains (Ranger)
Cardstock: Canson 100% cotton cold pressed watercolour paper, brown cardstocks
Also: Faber Castell Albrecht Durer watercolour pencils, Bister, masking fluid


Astral

Bird on tree silhouette Heather Telford

Penny Black has several negative space stamps in the new release which are fun to work with. Working with this one called ‘Astral’, I decided I wanted several colours behind the bright white bird and tree so built them up in several stages. I used the MISTI and stamped in a pale blue ink first. I inked the stamp again, this time with darker blues and purples then spritzed it lightly with a pearl-ex spray so the colours would blend a little and have some shimmer when stamped. I also spritzed the stamped panel so I could drop some mahogany bister in a few places. Finally I added some water droplets and dabbed them up straight away to create pale circles.

The Penny Black blog continues to feature new stamps and projects every day, the catalogue is now available, the new products are in the store and you still have the chance to win some stamps or dies. Fun times, stampers!

Supplies:
Stamps:  Astral (PB)
Inks: Dusty Concord, Worn Lipstick, Salty Ocean, Stormy sky distress inks (Ranger), Memento Summer Sky (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper
Also: Bister watercolour powder, Interference Blue pearl-ex spray


Gild the Lily

Gilded lily Heather Telford

I have something new to share today. There has been something of a Midas situation happening in my craft room. I brought home a Heidi Swapp Minc machine last week and warned my family that anything not nailed down was about to be foiled! It turns out their possessions are safe for now as I am currently experimenting with different ways to use the machine to do the type of foiling I want to do. I will share more over the weeks to come but I will say for starters that the Minc does a beautiful job.

gilded lily top view Heather Telford

As you know I have recently dived into watercolour powders and all the experimentation with them has resulted in a surplus of watercolour panels just sitting around waiting to be made into things. I pulled out one of those abstract panels and foiled a gold lily onto it using the ‘sun fire’ die from Penny Black. I am still learning and making mistakes so I won’t go into the how-to for today’s card but as I nail down the techniques that work for me I will share them here.

foiled lily detail Heather Telford

Prepare yourself for a little more shimmer and shine around here!

gilded lily flat Heather Telford

Supplies:

Stamps:  A Sweet Day (PB)
Creative Dies: Sun fire (PB)
Inks: Bister watercolour powders
Cardstock: Canson 100% cotton hotpressed watercolour paper
Also: gold foil


Tiny Town

Christmas town Heather Telford

I have a couple more new dies to show today from the ‘Especially for You 2015’ release, a big sentiment die and a tiny town. The reveal continues next week with new stamps!

This little town die is the cutest thing and fitted nicely below my dramatic bister sky. I sprinkled bister over a panel of watercolour paper which already had masking fluid splattered on it. Next I spritzed with water and let the magic happen. I wanted a warm light to shine out of all those tiny windows so I die cut another little town from watercolour paper and sponged colour onto most of the window pieces and slotted them into the spaces. I am thinking this one might make it into one of my Christmas classes. It is not obvious in the photo but there is a little sparkle on that sentiment die.

Supplies:
Creative Dies: Tiny Town, Our Family  (PB)
Inks:  Spiced Marmalade distress ink (Ranger)
Cardstock: Canson 100% cotton hot pressed watercolour paper, black card, burgandy card
Also:  bistre powders, masking fluid, interference blue pearl-ex powder


Tannenbaum trio

tannenbaum trio Heather Telford

I had a look through my supply of Christmas stamps this week to find some tree stamps to experiment with. I love the ‘before the snow’ tree but it is nice to mix things up a little. Someone said at my class tonight, “You can never have too many tree stamps,” an opinion I entirely agree with. The tree stamp above comes with a decorative topper which I surgically removed ( don’t worry, I kept it in case I need it). I stamped each tree with distress stain first then painted over the stamping with a paintbrush. Next I added some bister and stamped again with water. I did the other trees the same way but varied the original stamping colour so the trees would all look a bit different. The bister moves differently each time which makes the trees more interesting. I painted some water below the trees and added bister powder to create snow banks. Often I will add blue for the sky and a sentiment but I was happy with this one the way it was so I didn’t risk messing it up with further stamping or painting.

By the way there is a brand new challenge on One Layer Simplicity hosted by our talented team member, Karen Dunbrook. It is called Strip Down, you had better check it out to find out exactly what’s required!

Supplies:
Stamps:  Tannenbaum (PB)
Inks:  Evergreen Bough, Forest Moss, Vintage Photo, Gathered Twigs distress stains/marker (Ranger)
Cardstock: Canson 100% cotton hot pressed watercolour paper & Green card
Also: Blue and Green bistre powder


Birthday Bister

birthday bister Heather Telford

For my daughter’s 21st birthday card I chose blues, greens and the ‘soft wings’ butterfly stamp I always enjoy using. A reader commented a while back that bister and color burst work well with butterflies so it was time to try. I stamped the butterfly in a mix of distress stains which created a watery imprint I could add the blue and green bister powder to. I did multiple impressions then left them to dry while I added some texture around the rest of the panel. I used distress stain on the text stamp from ‘footnotes’ to add the patterns and did some splattering and spritzing with both stains and pearl-ex spray. Once the whole panel was dry I added the sentiment then trimmed and sponged some darker colour around the edges before adding some thread and popping up the panel on a watercolour paper card base.

Supplies:

Stamps: Sprinkles & Smiles, Soft Wings, Footnotes (PB)
Inks: Bundled Sage, Pine Needles, Evergreen Bough, Salty Ocean Distress Stains (Ranger) Deep Lagoon & Olympia Green Versafine inks (Tsukineko)
Paint Powder: Blue and Green Bister
Cardstock: Canson hot pressed 100%cotton watercolour paper
Also: home made interference blue pearl-ex spray, machine embroidery thread


Bister Poinsettia

Bistre Poinsettia Heather Telford

I’m not trying to stress you out about there being only 155 days until Christmas. Besides 155 is a lot of days and even though I have the best of intentions regarding Christmas shopping I never get it done before December. I just needed to try this stamp out with some bister because I thought the two would be happy together. I stamped the petals only in spun sugar distress stain to get a pale impression then sprinkled some red bister into the ink. It takes several re-stampings with water to get the colour to spread around the petals so I used the misti.  I then moved onto the pine needles by stamping with bundled sage and dropping green bister. The centres of the flowers are yellow bister and black marker.

The panel started out bigger than this with a third shadowy flower at the bottom. I stamped the sentiment in crimson red versafine ink because the stamp has those nice little details and versafine does a great job with them. Versafine also takes longer to dry than dye ink so it is important to walk away, just walk away and let it dry! I didn’t. To my credit I managed to get the whole card stuck together without smudging the wet sentiment only to swipe my fingers right through it when I folded the card base in half at the end!

Hmmm…I quickly took it apart, trimmed off the smudged bit, restamped the sentiment and walked away.

Supplies:
Stamps:  Red Star, Hanging Treasures (PB)
Inks: Spun Sugar, Bundled Sage, Mustard Seed, Black soot Distress Stains (Ranger) Crimson Red Versafine (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Neenah Natural White 110lb card stock, Red cardstock
Also: Bister powders


One stamp, two colours

Queen Anne's Lace Detail 2

Continuing my experiments with bistre paint powders, I pulled out one of my favourite stamps and limited myself to a blue and green colour scheme. Below are all the results of my fiddling around with colours, water, repetitive stamping and order of operations. All the panels were splattered with masking fluid which really added interest on the most watery panels. Where the stains pooled and bled into each other the little masked dots break up the solid colour. Each was taped to a board with painter’s tape which created a masked border that I retained on all but one card.

On the panel below I sprinkled both blue and green bister on dry watercolour paper then spritzed lightly, tilted it this way and that, then walked away. This is becoming my new watercolour mantra, ” Walk away, just walk away!” As I have said before it helps to have chips on hand to distract yourself from wanting to fiddle more with the painting that needs to dry. In this case I did not have chips but I did have four different panels to work on so as each one was set aside to dry I started the next. Once dry I stamped the Queen Anne’s Lace in a dark green and a mix of two blues to co-ordinate with the bister patterns. I stamped twice without re-inking in between so the lower images are a bit paler. I like the lacy airiness of the flowers on this one but it’s not my favourite.

Queen Anne's Lace 1 Heather Telford

There was more water involved in the panel below and some painting and sponging too in order to frame the scene. I began by stamping in pale green on a slightly damp panel. You can see those first pale images in the background. I then switched to darker colours and dropped some bister into the stamping. To fill the white background I used a paintbrush to pull both stain and bister into the spaces. I tried to be careful not to lose the definition of the flowers. When it was totally dry (walk away, just walk away) I sponged a bit more colour in the corners. I like the shadowy images behind the stronger ones on this panel but it is not my favourite.

Queen Anne's Lace 2 Heather Telford

To be honest with you, below is the one that almost got tossed. I didn’t walk away and you can see all the murky green that resulted. I didn’.t want to give up however so I pulled out some scraps of dry wall tape I had used on another project and sprinkled bister powder over the tape, spritized water over the powders, let it dry a bit then sponged for more coverage. Not only does the grid add some interest, it leads the eye away from the murk. The other thing that saved this one is the mass of masking fluid flecks right in the centre adding light to the murk. You have probably guessed, not my favourite.

Queen Anne's Lace 4 Heather Telford

Which leaves us with this one. It has lots of blue, some nice bister bursts, both watery and defined stamping, some white flecks in appropriate places and I couldn’t be happier. Yes, it’s my favourite. Which one do you prefer?

Queen Anne's Lace 3 Heather Telford

Do you ever fiddle around with the same stamp and colours for several projects? It’s not quite making multiples but it is time efficient to use the supplies while they are all on the table.

Supplies:

Stamps: Queen Anne’s Lace, Happy Notes, Heartfelt, A Sweet Day (PB)
Inks: Bundled Sage, Forest Moss, Pine Needles, Crushed Olive, Chipped Sapphire, Evergreen Bough, Salty Ocean Distress Stains & Chipped Sapphire distress ink (Ranger) Spanish Moss, Majestic Blue & Olympia Green Versafine inks (Tsukineko)
Paint Powder: Blue and Green Bister
Cardstock: Canson cold pressed 100%cotton watercolour paper, 
Also: Winsor & Newton masking fluid