A wilderness path

This peaceful wilderness path is a scenic stamp from Darkroom Door. I’ve used it in three different ways to create some seasonal backgrounds. For the card above I created an alcohol ink background on yupo in the blues and greens of summer. I stamped the path stamp over the alcohol ink panel in stazon jet black ink. I hand wrote the little sentiment with a fine micron pen.

To create my golden fall scene I used distress oxide inks on glossy photo paper. I pressed the orange and yellow inks onto a craft mat, spritzed them and swiped my photo paper panel through the ink. Most of the colour soaked into the paper immediately but I set it aside to dry for a while and found there was a chalky residue that stayed on top. I wiped that off and was left with a background to which I stamped over with stazon jet black ink.

My chilly winter scene was created using brusho powders on a craft mat. I sprinkled some blue and purple on the mat, spritzed it then swiped some photo paper through the colour. The first print is usually quite intense so I think the one below must have been a second impression.

These cards are also on the Darkroom Door blog today so pop over there for all the complete supply list.

 

 

 


Peaceful moment

Brusho on photo paper can create really intricate patterns and soft blended backgrounds. I used the same few colours of brusho for the backgrounds on both cards but one was the first impression and the other a left over colour swipe. The first impression pattern was achieved by pressing the panel of photo paper down on top of the spritzed brusho. I didn’t move the panel from side to side just pressed it down into all the activated brusho. After lifting the panel and setting it aside I swiped another piece of photo paper through the remaining paint to pick up a soft blended look. There was not quite enough variation for my liking so I added a bit of blue brusho to the mat, spritzed and swiped again to get darker colour at the base of the panel.

I stamped the new ‘peaceful moment’ stamp over the brusho backgrounds in jet black stazon then added mats and sentiments to complete the cards. Make sure you check out the rest of the new products from the Penny Black releases along with the opportunities to win a spending spree.

Supplies

Stamps: peaceful moment, snippets, all great things, spiritual snippets
Paper: glossy photo paper (Kirkland) epic black cardstock, natural white cardstock (Neenah), yellow cardstock
Ink: black stazon, versafine onyx black (Tsukineko)
Paint: yellow, gamboge, leaf green, cobalt blue brusho (Colourcraft)

 

 


Wildflowers blue

I have a couple more cards that came out of my session with the Darkroom Door Wildflowers vol 2 stamps recently. I began by making blue watercolour backgrounds with brusho paints on hot pressed watercolour paper. Rather than apply the paint directly to the paper, I sprinkled it on a craft sheet, spritzed, then pressed the paper into the paint. I was able to pick up paint that was almost in crystal form as well as soft blended sections.

In the Wildflowers vol 2 set there is a large and a small version of the same flower so I used the small stamp on the panel above to create a base of flowers in chipped sapphire and stormy sky distress inks. I shook water droplets onto the panel to create pale watermarks here and there. Once the panel was dry I wiped an anti-static powder pillow across it and embossed the flowers and a sentiment from Bright Blossoms vol 1 in silver over the top of the blue. The silver catches the light depending on the angle but is tricky to capture with the camera.

On my second card I created the painted background the same way then stamped the flower three times in different distress stains. Once again I embossed over the top with silver, this time using a partial stamping of the French Script background stamp. I framed both panels in silver cardstock and added silver thread around the second panel before attaching to white card bases.

Supplies

Stamps: Wildflowers vol 2  , French ScriptBright Blossoms vol 1 (Darkroom Door)
Inks: chipped sapphire, stormy sky distress inks & blueprint sketch, seedless preserves, aged mahogany distress stains (Ranger) versamark (Tsukineko)
Paper: Neenah solar white, hot pressed watercolour paper, brushed silver cardstock 
Paint: prussian blue, cobalt  brusho (Colourcraft)
Also: silver cord, silver embossing powder


Blue sky birthday

Here is another ‘wildflower’ card from the bunch I made last week.  Sometimes it is fun to get out one set of stamps and play around with colours and techniques to create a range of looks. The flower is from the Darkroom Door ‘Wildflowers vol. 2″ set and the sentiment from the DD “Happy Birthday” set. I created this background with brusho paints on glossy photo paper using an impermeable mat. I sprinkled some turquoise and violet brusho on the mat, spritzed it, then swiped the photo paper through the paint to pick up the colour.

I chose a grey ink rather than black to stamp but after the final result after a few impressions looks almost black.

Supplies

Stamps: Wildflowers vol 2  Happy Birthday (Darkroom Door)
Inks: Cloudy Sky Stazon ink (Tsukineko)
Paper: Neenah solar white, Kirkland glossy photo, texture blue cardstock 
Paint: violet, turquoise brusho (Colourcraft)


Feathers

I’ve been wanting to make a feather card for ages and finally got round to it for today’s guest post on the Foiled Fox blog. I have told you before, but just in case you’re new here, I want you to know what a delightful place The Foiled Fox blog and store is. The blog features all sorts of lovely projects and the online store is full of fabulous art and craft supplies and they are always adding new products.

To create my feather card I worked on hot pressed watercolour paper and did all the painting and stamping before any of the die-cutting. I splattered masking fluid over the panel first then sprinkled three colours of brusho, spritzed that and watched it react and spread over the panel. I wanted the violet to blend into the blue, then the blue into the green so I tilted the panel and let the wet paint move. Once the panel dried I stamped the Penny Black ‘skyward’ stamp in black versafine ink.

The background is also stamped with the skyward stamp and embossed in clear powder to create a subtle pattern. I popped the feathers up on the background panel, added some co-ordinating sequins and a little embossed sentiment.

Thank you, thank you to the crew at the Foiled Fox for having me on their blog again today. You can find links to the products used on today’s project listed below.

Supplies

Stamps: skyward, happy snippets
Dies: light as a feather
Inks: versamark, versafine onyx black
Paper: hot pressed watercolour paper, white cardstock
Paint: brusho violet, cobalt blue, leaf green
Also: white & clear embossing powder, masking fluid, sequins


More Matelasse

I have a few more cards made with matelasse style backgrounds topped with bright brusho elements. I once again chose intricate dies for the backgrounds. In the cards above and below I embossed watercolour paper with the no two are alike die. For focal elements I die-cut the city skyline, some snowflakes and a couple of words from a panel painted with turquoise and cobalt blue brusho.

The background below was embossed with the bird flower doily then matted with the same painted paper I die cut the dove from. All the dies I used for these three cards are listed and linked below.

I used my big shot/big kick to emboss these panels and my ‘sandwich’ was:

  1. multipurpose platform with one tab showing and one flipped open out of the way
  2. cutting plate
  3. silicon mat
  4. watercolour paper (damp)
  5. die
  6. cutting plate

 

Supplies
Also: Tombow adhesive dots, zig two way glue pen
Paper: hot and cold pressed watercolour paper

 


Matelasse cards & a winner

I have a couple of cards made using die cuts today but first the winner of last Monday’s giveaway from The Foiled Fox. Thank you to The Foiled Fox for the gift certificate and thank you to everyone who participated. I enjoyed reading what is on your wishlists.
The winner is pansy47  who commented:
“I can’t seem to pick a favorite, but if I could it would be a die of some sort….background, words, scalloped rectangles, etc.”
Congratulations Pansy47, I will email you with the details and you will need to pick a favorite or two!
I came across a card recently with a completely embossed background like the one above. I was reminded that I can use my dies for embossing as well as cutting. After playing around with several dies I’ve decided the most impressive for this technique are the intricate ones that I don’t always reach for when cutting because of all the tiny pieces that have to be pressed out of the cardstock or die. As an embossed background I think it looks just like a matelasse quilt with all the quilting done on one colour fabric in the same colour thread. I added to my background a collection of flowers and leaves cut from a watercolour panel painted with scarlet brusho. If you haven’t embossed with your dies before just search ’embossing with dies’ to see how to do it with your particular die cut machine. To get a good impression I spritzed water on my watercolour paper first before putting it through the machine.
Supplies
Also: Tombow adhesive dots
Paper: hot and cold pressed watercolour paper