Warm Reception

I continue to enjoy the gorgeous autumn colours outdoors these days but there will be a few wintry scenes appearing as I create cards for the coming months. This sweet house, a Penny Black stamp called ‘warm reception‘, is similar to several we see on our drive to church. They are lovely houses and look impressive during all the seasons including when they are surrounded by snow.

I did all the inking of the stamp with watersoluble markers with the stamp in a misti so I could stamp, re-ink and stamp again as needed. I was experimenting with a brand of markers I haven’t used direct to stamp before. I originally bought them for brush lettering. If you are in Australia you’ll be able to find them but elsewhere in the world they are not so common. The brand is Artline and the shell of each marker looks a bit like lego! I inked the house and trees with red, brown, green and black using the side of the brush nib to apply ink to the stamp. I spritzed the stamp lightly then stamped on hot pressed watercolour paper. After I had stamped everything I blended some of the ink with a brush and water to fill the walls of the house, tree branches and foliage.

To add background I stamped and cut a simple mask of the house from post-it note and lay it over the house so I could use a blending brush and speckled egg distress ink to fill the background sky. Once I had applied the ink I painted over it with water, just loosely, to give it the same watercolour look the rest of the image had.

I have mentioned before that distress markers have been discontinued, that’s why I wanted to try the Artline for inking stamps. I also have a pack of Staedtler water based brush pens that work well.

Today’s post features affiliate links to The Foiled Fox . If you buy through these links I receive a small commission at no extra cost to you. 


Cape Wickham Lighthouse

Recently I posted a card featuring a bridge in Oregon and asked if anyone knew or had visited the bridge. It was lovely to hear from people who lived in Oregon or had visited. One person lived very near the bridge. I would love to hear from people who have seen today’s lighthouse, it is quite remote. This image is another Echidna Studios digital stamp and is special to me for several reasons.

The lighthouse is called the Cape Wickham Lighthouse and it is on King Island in Australia. My daughter created the digital design from a photo but it wasn’t one of her photos; she’s never been there. The reference photo is from a slide my dad took in 1963 when our family lived on King Island. I was born there and at age 2 had my photo taken in front of the lighthouse. So you see there is input from three generations of my family in this card!

I printed the digital image on hot pressed watercolour paper, masked the lighthouse with a few strips of painter’s tape then splattered masking fluid over the sky. I painted the sky with Sennelier watercolours and while it was still damp painted removed paint with a damp brush to create the beams of light. Once the sky was dry I removed the tape so I could add some shadow to the lighthouse and paint the grass and hut. I removed the masking fluid to reveal the stars once everything was dry. (now I’m not sure that the Cape Wickham light shines out both ways like that but I used artistic license).

Let me know if you have seen or heard of the Cape Wickham lighthouse; it is the tallest in the Southern Hemisphere!


Last minute ink smudge!

You can probably guess from the title that this card was involved in a last minute ink smudge incident. The Penny Black bell & berries stamp was stamped, blended and dry, the panel was trimmed and attached to the card base and I had just stamped the sentiment in vintage photo archival ink when the unthinkable happened. Not just one but two archival ink smudges appeared on the card, one on the top right edge and the other on the bottom edge. I think we can all assume that the culprit was my right hand! If that ink was water based I might have been able to dilute and remove it but there is none of that magic happening with archival ink.

Not only was this card destined to be sent out as one of my Christmas cards but it was also a sample in my upcoming Painting with Stamps class. I reassured myself with the thought that although the two smudges would prevent it from going in the mail, it wouldn’t stop it from being a sample and perhaps a cautionary tale as well.

But dear reader, do you see any smudges? Indeed you don’t. The fortunate positioning of those smudges meant that I could trim the whole smudge off both the right hand side and bottom edge I cut through both card base and panel combined then attached the smaller two layer panel to a new card base. My card’s mailing status has been restored.

So, if you are interested in learning how to position your smudges for the easiest rescue and recovery come along to my next in person class; there are a few spaces left.

Today’s post features affiliate links to the following companies. If you buy through these links I receive a small commission at no extra cost to you. The Foiled Fox Scrap’n’Stamp


A Portland Bridge

You might recognise the style of this image; it’s a new digital landscape stamp called Portland Bridge from Echidna Studios etsy store. My daughter and I both have designs in her store but this style is one of her strengths, drawn from photos she has taken herself. She was thrilled to compete in Oregon earlier this year and while there took beautiful photos of the surrounding scenery. This bridge is called Lake Oswego Railroad Bridge. I know I’ve had a few readers from Oregon over the years; do you know this bridge?

Echidna Studios includes digital images for printing, cutting or both. (read to the end of this post to learn about a giveaway) I printed this one on Fabriano hot pressed watercolour paper manually fed through my laser printer. I painted the scene with Sennelier watercolour paints starting with a diluted blue sky and the same blue but deeper for the river. After that dried I mixed some green in with the same blue to paint the background trees and added more green for the second and third layer of trees. I used a mix of brown and blue for the rocks. When those areas dried I mixed some light greens, yellows and oranges to paint all the trees clustered around the river and houses. I left the bridge and houses until last, using a white gel pen where necessary to bring back white lines to the bridge. I thought this scene would take me much longer to paint but by working in sections as described above it probably took a bit over an hour.

Pop over to the Echidna Studios store and take a look at the wide variety of images and stencil cutting files available. To be entered in a draw for a free digital image head over to Instagram, follow Echidna Studios and comment on one of their posts. We are wanting to spread the word about these fabulous designs. There are now over 50 designs with new ones being added each week.

The screen shot above shows the settings used to print successfully on watercolour paper. I included it in case you haven’t tried. I open the digital image in Inkscape but you could use other apps. When the printer dialog pops up on the screen I go to preferences so I can select paper quality as heavyweight and paper source as manual. I imagine the dialog box is different depending on your printer but this information might be helpful for you. Being able to print on watercolour paper and not have it brush off or smudge has been wonderful for digital images.

Have a wonderful day.


Autumn Entrance

Days are getting shorter, nights are getting cooler and autumn is officially a few days away. I created this welcoming little scene with the Penny Black set ‘autumn entrance‘. The largest stamps are the door, the window and the bricks but then there are four different pumpkin stamps, the basket of wood, a wreath and a potted plant. Looks like I will be making a winter version too.

I stamped the door, window, pumpkins and basket on post-it notes, then cut them out so I could arrange them on a hot pressed watercolour paper panel. With the post-it masks in place I stamped the brick background over the top in ground espresso and barn door distress inks. I removed the door and window masks then stamped both images with faded jeans, weathered wood and black soot distress inks. Next the basket and tall pumpkin masks came off so I could stamp with mowed lawn, spiced marmalade, wild honey and carved pumpkin inks. Finally I removed the small pumpkin mask and completed the scene.

With the masks off and the stamping complete I used a brush and water, along with extra ink smooshed on my glass mat, to paint all the elements. I added a sentiment from the PB ‘ever thanks‘ set to complete the card. I do enjoy creating scenes or vignettes with stamps and this is a great set for doing just that. Do you have any sets that help you create little landscapes or scenes?

My blog features affiliate links to the following companies. If you buy through these links I receive a small commission at no extra cost to you.

The Foiled Fox

Scrap’n’Stamp

Ecstasy Crafts (Ecstasy Crafts offers a discount code heathertecs10 you can use for a 10% discount at checkout)


Tori’s Trees

These lovely trees are so much fun to watercolour! If you scroll down you can see I’ve printed them in different sizes which probably tells you it’s a new digital stamp from Echidna Studios. My daughter created this design featuring a trio of trees on a property just out of Ottawa where friends of hers were married recently. She created a suite of wedding stationery for her friends and now I am playing with the designs myself.

I printed all three panels on hot pressed watercolour paper and painted them with Sennelier watercolour paints. The tree image above is 3.25″ wide, popped up on a card base with a Penny Black sentiment added in black ink. I printed the trees larger, 4.75″ wide, on the landscape oriented card below, painted them again with Sennelier watercolours then added a pale sky background with diluted speckled egg distress ink.

It was so much fun to blend the green, yellow and red on the trees then drop colour into a diluted green patch under the trees.

I’ve said before you can never have too many tree stamps and of course the beauty of this one is I can print them any size and even combine or flip them. You will definitely be seeing these trees again!

This last card is an one layer card, one 11″x 4.25″ piece of watercolour paper folded in half. I overlapped the tree image in different sizes to give me a wide display to paint in reds. Once again I finished it with a PB sentiment.

The trees are all still green around here but I have a hunch it won’t be long…


Leaf Background Stamp

Just because I’m posting an autumn leaf card doesn’t mean I have given up on summer. If you know me you know I hold on until the end. But just in case you would like to be prepared here is a simple but eye-catching card to use during fall or especially for thanksgiving. The leaf background is a single digital stamp from Echidna Studios printed on watercolour paper then foiled with gold foil.

It is always hard to photograph a foiled card but somehow I managed to get quite a bit of the foiled shine in this photo. I watercoloured with fired brick, spiced marmalade and scattered straw distress inks and added some extra depth with zig real brush markers.

The little tag is from the Penny Black ‘gift card pocket die set’ paired with both a gold sentiment and cord to add even more shine. As I’ve mentioned before you can print the digital stamps any size you want so you could have larger leaves to colour or teeny tiny ones!

(Compensated affiliate links from Foiled Fox & Scrap n Stamp)

Late summer flowers

As you know I am often inspired by the season outside my window. My garden has been blooming for most of the summer but after the regular rainfall dried up I’m afraid I didn’t step in and keep it watered so the late summer display is not very impressive. I also stopped deadheading the flowers because the mosquitos have been vicious. Excuses, I know but one cosmos has been quietly growing all summer and is now tall and blooming so it is the inspiration for today’s card. The stamp featured in this card is Penny Black’s ‘sun kissed‘ which I used with a different colour scheme a few months ago.

I worked in a stamp positioner so I could add second layers or ink or water where necessary. The cosmos in my garden is close to the colour of seedless preserves ink so that is what I used to ink the flower heads and peeled paint distress ink for the stems and leaves. After inking the stamp I spritzed lightly with water before stamping on hot pressed watercolour paper. If I wanted more ink I would wipe the stamp and reapply but if I wanted more blending I would spritz the stamp again and restamp. Before cleaning the diluted ink off the stamp completely I stamped it in another spot to get the soft background flowers.

While the ink was still drying on the flowers I added some drops of wild honey ink to the centres of a few flowers. When everything was dry I using a blending brush to add peeled paint in to the base of the design. I splattered some green ink around the flowers and some water drops over the blending. To finish the card I stamped the sentiment from PB ‘birthday humor‘ in black and drew some black stamen with a fine tip pen.

Here is the inspiration flower from my garden.

My blog features affiliate links to the following companies. If you buy through these links I receive a small commission at no extra cost to you.

The Foiled Fox, Scrap’n’Stamp and Ecstasy Crafts (Ecstasy Crafts offers a discount code heathertecs10 you can use for a 10% discount at checkout)


Seaside

This image brings back so many memories for me. I love the ocean and beach so approaching the water down a sand covered path makes me very happy. I spent my first ten years in Tasmania and we had beach holidays at St Helens. After we moved to Canberra our family would go to Bateman’s Bay then in later years Bateau Bay and Port Macquarie. When I visit my Dad on the Central Coast we will sometimes walk along Soldiers Beach or just drive there to watch it during a storm.

To create a sandy background I swiped a piece of hot pressed watercolour paper through some smooshed yellow inks. It gave an uneven coverage which I left to dry before stamping. Using a stamp positioner I stamped first the fence posts in grey and brown then inked and stamped the grasses with a couple of green markers. I stamped the sea in uncharted mariner(of course) then the shadows in the sand with fossilized amber.

The initial stamping on hot pressed watercolour paper is always a bit patchy so I keep the panel in the positioner so I can restamp certain areas to build up depth of colour. I also use a paintbrush or markers to add colour directly to the panel. I painted the sky with broken china ink and finally added white dots to the ocean with a white gel pen. Now if I could just get to the ocean as easily as stamping the ocean…

(Compensated affiliate links from Foiled Fox & Scrap n Stamp)

Meadow

I have what I call a pile of possibility in my workroom consisting of panels that could be made into something. The smaller ones are housed in a shoebox; there are watercolour backgrounds, stamped and coloured panels, alcohol ink panels and hand painted experiments. This panel has sat in the box for years unstamped but looking very much like a sunset. I can’t remember whether it was painted with watercolour paints or swiped with watercolour inks. I imagine the pale centre circle was dabbed out with a brush or paper towel but I really can’t be sure.

I stamped the Penny Black ‘meadow’ stamp on the panel with peeled paint archival ink then coloured inside the leaves with zig clean color real brush markers. I added spots and dots to the flowers and sky with gel pens, a white, a gold and a copper.

I stamped a sentiment from the PB ‘enjoy builder’ set on a left over strip. Hope you can take some time to do what makes you happy this weekend. Here are a couple of suggestions. (wink)

(Compensated affiliate links from Foiled Fox & Scrap n Stamp)