Peaceful village

This is the last of my vintage style watercolours (for now) and I think this one might be my favourite. I don’t have step by step photos for this one but the process is exactly the same as shown in the tranquil hamlet video I posted earlier this week.

I worked on hot pressed watercolour paper but stamped with walnut stain ink instead of vintage photo. The walnut stain ink is a darker brown so the whole scene is a little darker but still has the vintage sepia look to it. I stamped in a stamp positioner because there is a lot of detail in the stamp.

As with my previous vintage style scenes I blended the stamping with water which pulled colour into the interior of the buildings, trees and bridge. As I blended the walnut stain ink I also added colour from watercolour pencils, including blue, green, black, yellow and red. I was careful to blend colour right up to the edges of snowy areas so it would contrast with the bright white of the snow on roofs and hills.

Supplies

Stamp: peaceful village

Ink: walnut stain distress ink

Paper: hot pressed watercolour paper

Pencils: Faber Castell Albrecht Dürer Watercolour pencils
Tools: stamping platform


Winter Solace

My vintage snowy scenes continue with this new Penny Black stamp ‘winter solace’. I kept it simple once again with vintage photo ink plus some black for shadows and some blue for the sky.  The technique is similar to the one I shared in my recent video but because this is a more solid stamp it is necessary to blend the ink more carefully so as not to obscure the details in the stamp. I stamped in vintage photo distress ink on cold pressed watercolour paper.

Rather than use watercolour pencils to add extra colour, I pressed black soot, vintage photo and broken china onto my glass mat to use as needed.

When blending the vintage photo ink I dabbed with a damp paintbrush instead of blending. I didn’t want the ink to cover the walls of the church uniformly, instead I left areas white and added black for shadows wherever I thought there would be some.

I added black under the eaves, under the windows and on the corners.

I used a pencil to lightly draw a roof line to give me a guide for painting blue sky. I painted right up to the pencil line and edges of building with water then added broken china ink to fill sky.  I dabbed the blue ink around the edges of the trees with the point of the brush.

I blended water over the stamped sections of trees taking care to leave the white areas to look like snow.

To add some snowbanks to the foreground I painted a few lines of vintage photo ink with a fine tip brush then blended them with water.

To complete the card I added a sentiment from the new ‘Christmas sentiments’ set.

I’m looking forward to trying some other looks and colour schemes with this stamp.

Supplies

Stamps: winter solace, Christmas sentiments
 
Inks: vintage photo, black soot, broken china distress ink
  
Paper: cold pressed watercolour paper

Also: cutterpillar glass mat


Snowy cottage

I’m continuing to feature stamps from the new Penny Black release. Today I have the second of my vintage style watercolours, this one stamped with a large clear stamp from the transparent set, Snowy Cottage. You can watch the video I posted yesterday to see the technique and refer to the step by step photos below to understand my process.

I used a stamp positioning tool to make sure the detailed stamp was fully printed on my hot pressed watercolour panel. I used vintage photo distress ink but other brown distress inks can give a similar vintage appearance.

I began by using a damp brush to blend the stamped ink over all the stonework of the cottage and wall. I picked up a bit of black off a watercolour pencil to add to any shaded areas.

Next I added red to the door and blue to all the windows, again picking up colour from the tips of my watercolour pencils.

I used a darker blue to fill the sky with colour, painting first with water around the edges of the trees and roof then adding blue to the damp area so it would blend and move to fill the sky. While the sky was wet I picked up vintage photo ink on the paint brush and dropped it into the sky above the chimney.

I also blended the areas adjacent to the snow to create contrast from snow banks to shadow. I picked up colour from a green pencil to add to all the trees, taking care to leave some areas white in each tree.

Finally I used a vintage photo distress marker to redraw the lattice on the windows.

To complete the card I trimmed the panel then matted it with brown cardstock and added it to a natural white card base.

I hope you enjoyed my second vintage style scene, I’ll be back tomorrow with another.

Supplies

Stamps: Tranquil Hamlet

Ink: vintage photo distress ink

Paper: hot pressed watercolour paper, brown cardstock

Pencils: Faber Castell Albrecht Dürer Watercolour pencils
Tools: MISTI, Cutterpillar Glow premium


Tranquil Hamlet Video

You’ve probably heard by now there is a new Penny Black release in town! Two actually, a big beautiful Christmas release and a fun fall release. The catalogues can be viewed here. I’ll be featuring vintage style snowy scenes all week here on the blog even though the sun is shining and the grass is green outside!

This lovely stamp called ‘Tranquil Hamlet’ is stamped in vintage photo ink and coloured with Faber Castell Albrecht Dürer watercolour pencils on hot pressed watercolour paper. Watch the video to see how
https://www.youtube.com/watch?v=wineNaEVDzM

Thanks for dropping by; I’ll be back tomorrow with another snowy scene.

Supplies

Stamps: Tranquil Hamlet

Ink: vintage photo distress ink

Paper: hot pressed watercolour paper

Pencils: Faber Castell Albrecht Dürer Watercolour pencils (199, 159, 154, 151, 126)
Tools: stamping platform
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Rose bowl

I mentioned recently that I’ve been trying the Catherine Pooler inks for some of my favourite techniques. A watercolour method I often use involves stamping an outline stamp in a nice juicy ink such as distress ink or stain then using a damp brush to pull the ink into the outlined areas (often petals or leaves). I stamped the Penny Black rose bowl stamp in CP daydream ink on cold pressed watercolour paper then used a watercolour brush and some water to blend the stamped ink to create shading and shadow.

The CP ink is great for this technique; because it is so juicy, there is plenty to blend. At times I blended ink from the outline into the petal then had to dab away some colour because it was too strong. I used either a paper towel or a thirsty brush to pull colour off.

Not sure why I chose to stamp roses in blue to start off with but there they are. I added a sentiment from a set of tiny sentiments, matted in a matching cardstock and ended up with a simple watercolour design. You’ve probably gathered I’ll be using this technique with CP inks again.

Supplies

Stamps: rose bowl (PB), Just a little greeting (Hot off the Press)
 
Ink: daydream (CP)

Paper: cold pressed watercolour, blue


Flowers & Scrolls

I have a new glass mat on my work table and it’s been fun trying some of my favourite techniques on the glass surface. To create the backgrounds for these two cards I swiped distress oxide inks on the glass, spritzed some water over the ink then swiped hot pressed watercolour paper through it.

For this card the oxide inks were wild honey and lucky clover. I topped the panel with the scrolls half edger die cut and a stacked sentiment. I backed the white cardstock with adhesive sheet first before cutting to make it easier to attach.

The second background was made by swiping watercolour paper through wild honey, lucky clover and abandoned coral oxide inks then splattering some more ink and water over the top.

This one I decorated with the ‘floral half’ die cut edger. Both decorative dies cut all the intricate detail on one side and leave the opposite edge uncut

The cutterpillar glass mat worked beautifully for smooshing ink onto. I managed to spill half a bottle of glue on it while putting these cards together and ended up leaving it to dry for a day or two then peeled it off with ease. I have linked to the glass mat below so you can take a look (in the photo it is shown on top of the Cutterpillar Glow light pad). I really like the size as I can complete inky-painty projects on it but it doesn’t take over my whole work table. I will share more about it as I put it through its paces with other techniques.

Supplies

Dies: scrolls half edger, floral half, party for you

Inks

Papers: hot pressed watercolour, neenah solar white

Tools: stick-it adhesive, Cutterpillar Glow Tempered Glass mat


Soft pink poppies & a give away

You can find me over on the Foiled Fox blog today sharing all the details about this soft summery card. It reminds me of one I made a couple of years ago with an all over poppy pattern. I used distress stains and markers to get a loose watery look then gold embossing powder for the sentiment and some gold splatter. You can read about my process on the Foiled Fox blog.

I have teamed up with the Foiled Fox today to not only share this card but also a GIVEAWAY! If you comment here or on the Foiled Fox blog you will be entered to win a $25 gift certificate to spend at the Foiled Fox online store. You have until the end of Sunday, July 8th to enter.

For extra entries you can follow Foiled Fox or me on youtube, instagram or pinterest. All the links are listed below.

4. Foiled Fox blog and Heather Telford blog (you’re here already!)

Enjoy your summer days!

Supplies

Stamps: spontaneous joy 40-597, happy wishes 30-419

Paper: cold pressed watercolour, neenah natural white

Inks & Stains: versamark (tsukineko) spun sugar, tattered rose, forest moss distress stains, abandoned coral mini ink pad, black soot distress markers (ranger)

Also: metallic rich gold embossing powder (WOW), stamping platform


You are pretty fantastic

Our family is in the midst of a season of graduations as all three of our children are awarded diplomas or degrees. We enjoyed one last week, another yesterday and will attend one more next week. I will share some photos next week after our son graduates from high school. Today’s card is the one I made for my older daughter who has just received her Master of Teaching. As you can imagine I am exceedingly proud of her; I think she is pretty fantastic!

This card is also my only participation so far in Kathy Racoosin’s current 30 day colouring challenge. This month’s festivities have left very little time for colouring. I embossed the flowers from Penny Black’s ‘happy together’ transparent set in silver powder on hot pressed watercolour paper. I used four zig real brush pens for the petals colouring with a deep colour (purple or blue) near the base of the flowers and with a light blue near the tips of the petals. I then blended the two or three colours with a paintbrush and water until I had soft blends covering the flowers. I added a bit of violet to a few flowers for some extra depth and variation. I used light green and light blue for the leaves and sepals. To make the flowers pop a bit more I coloured around all the edges with a grey zig maker, blended it with water and a few dabs of light green. I was inspired by a few of Susie Lessard’s recent cards. (here’s the link to one on IG)

I completed the card with a purple mat and sentiment from the PB ‘perspective’ set also in purple.

Supplies

Stamps: happy together, perspective

Markers: zig clean color real brush markers (blue, purple, light grey, violet, light green, light blue)

Inks: versafine clair monarch, versamark

Paper

Also:


Happy Together

I am quite happy with the way these little cacti turned out using only one colour of bister paint powder. Bister can create surprising results. I used blue bister powder on hot pressed watercolour paper over clear embossing.

Bister paint powders have an earthy tone to them which you can see clearly on this panel. I sprinkled blue bister over the panel and spritzed with water until the paint activated. I tilted and turned the panel until the paint pooled in certain places. Where there was very little colour I used a paint brush to transfer some from a darker area. Once there was good coverage I let it dry partially then picked up some brown from the panel and painted shadows below each of the pots. I matted the panel in brown and added the sentiment in vintage sepia versafine ink.

I thought it was very cool the way all those leaf shapes in the second from left cacti turned out different colours. This is why I love playing with paint powders.

Supplies

Stamps: happy together, tranquility


Paper: hot pressed watercolour, neenah natural white, brown

Inks: versamark, vintage sepia

Paint: blue bister (available in USA from ‘I Brake for Stamps’ and in Ottawa from ‘Crop A While’)

Also:  clear embossing powder


Shimmery Summer Glow

I was lucky enough to be in my local scrapbooking store, Crop A While, recently when they were unpacking the Nuvo shimmer powders. I jumped at the chance to give them a little test drive, after all they are watercolour powders! I used the summer glow iris from Penny Black and three colours of shimmer powder. I made one sample at the store then played around with the same image and three powders at home.

I embossed ‘summer glow’ in clear powder on two hot pressed watercolour paper panels and one cold pressed panel. My experiments moved from careful ‘stay inside the lines’ painting to free flowing colours all over the panel. The most controlled one I completed by dropping a little violet brocade, blue blitz and solar flare powders on my craft mat so I could pick some up with a damp brush. As with most powders the colour is intense; I was able to pick up a tiny bit, paint it into a petal then blend with water to get the depth I was after. I used violet brocade for the petals and ended up with some pink and blue sections as well as deep purple. To colour the stems and leaves I mixed the blue and yellow, adding more blue where I wanted shading.

I used the cold pressed paper for a looser style and sprinkled some powder directly on the panel. It is tricky to sprinkle tiny amounts at a time but I tried to drop some violet brocade into the flowers and buds. I held my hand over the stems while I spritzed the flowers. The paint activated straight away, some inside and some outside the petals. I used a paintbrush to fill any petals that were too pale but tried not to alter the ‘random magic’ too much. Next I sprinkled the blue blitz and solar flare powders over the stems and leaves and spritzed with water. Again I moved the paint a bit with a paint brush to fill the areas enclosed by embossing.

 

On the final panel I sprinkled the powders in the same areas and spritzed water liberally over the top so the colours filled the background as well as the embossed iris.

I know the messiness of this one won’t be to everyone’s taste but I think it turned out a little fun and funky.

I popped up the panels with foam on cream card bases.

What you don’t see in the photos is the pretty shimmer in the paint when it dries. ( Since my first experiments I have bought a couple more colours so the fun will continue)

Supplies

Stamp: summer glow 40-610 (PB)

Ink: versamark

Paper: cold pressed watercolour paper, hot pressed watercolour paper, Neenah natural white

Paint: Nuvo shimmer powders blue blitz, violet brocade, solar flare
Also: clear embossing powder