Masked Snowscape

I teamed up with Grafix to create some videos this year. My first project was very definitely a summer scene, but this one, as you can see is not! We have had a few snowfalls already but currently are enjoying a reprieve and a few really nice mild days. Grafix makes a wide range of art plastics and films; I used their extra tack frisket film to mask the snowbanks and moon on this card and splattered Grafix liquid frisket to create the falling snow.

I worked on hot pressed watercolour paper and painted the sky and shadows with Sennelier watercolours. The trees and deer are stamped with the ever useful versafine clair nocturne ink. The video below shows my whole process.

If you are keen to create cards featuring the beauty of a northern winter I am working very hard on a new project that might interest you. Can’t wait to share more soon.

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Hand painted lilacs

I squeezed in a little painting the other day using Sennelier watercolours on cold pressed watercolour paper. I used only three colours, a purple, a green and a pinky purple.

I have a few lilac stamps in my stash which I really enjoy using but I wanted to try my hand at painting them myself. I painted with the stalks pointing up to start with, then at some point turned the panel around to finish it off.

The little sentiment strip is from Taylored Expressions; she has a range of sentiment stamps where you stamp all the phrases in one print then cut them into strips with her co-ordinating die. It is a clever idea. I like the fact that I then have a pile of sentiments to choose from.

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Apricot watercoloured flowers

I have another hand painted watercolour today paired with a sweet little stamp from the new Penny Black set ‘trust me builder’. I used my Sennelier half pan watercolours on Fabraino cold pressed watercolour paper. I am still learning how to arrange elements in my paintings but I know for a random pattern (is that an oxymoron?) it is best to do the largest elements first, then the next biggest and so on, in this panel ending with the small splatters and dots.

Unless you are after a symmetrical design odd numbers of elements are usually more pleasing to the eye so I have three large flowers then three medium sized flowers but I slipped up on the berry clusters, there are four not five and I can see where I should have painted another!

I painted this design on a larger panel and then cropped it to make it look more balanced. I used a rectangle die to choose the part of the panel I wanted but you can do the same with two pieces of ‘L’ shaped cardstock held on opposite sides of a panel and moved to ‘frame’ the design. I popped up my painted panel on foam and my stamped sentiment on one extra piece of cardstock.

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All about you

More than once I have created cards that inspire me to make art journal pages. This time it was the other way around; I created an art journal page that inspired this card. Perhaps I should be showing you the journal page first but it contains as yet unreleased stamps so I have to keep it under wraps for a little while longer. (just in case you hadn’t seen them yet, Jill has been sharing some sneak peeks of new PB products over on the PB blog). The panel is stamped on cold pressed watercolour paper. I kept it in the stamp positioner so I could add some detail once all the paint was completed.

I stamped PB ‘Springtime Sigh’ in antique linen distress ink then painted the flowers with Sennelier watercolour paints. To keep the panel cohesive I used the same red and blue paints to create a variety of reds and burgandies for the four large flowers. The blue showed up in the purple flowers and the green stems. Once all the painting was finished I partially stamped the rose with ‘aged mahogany’ distress ink and added little details to the other flowers with a chipped sapphire distress marker and a black soot marker.

The combination of antique linen outline and faded burgandy petals gave the painted flowers a vintage look so I filled the rest of the panel with the same image stamped in antique linen, then chose crimson red versafine to stamp the sentiment from PB ‘special sentiments’.

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Hand painted veggie card

I’ve been painting again but took a break from florals. I pictured this veggie panel in my head before I sat down to paint it and realised part way through I should have been working bigger. I did the carrots first and as they were the biggest vegetable I regretted making them so small. All the rest of the veggies had to be pretty tiny to make it work.

I used Fabriano cold pressed watercolour paper and Sennelier watercolour paints. The card is one layer so I folded the piece of watercolour paper then masked the edges before I started painting. I had watched some youtube tutorials to glean hints including Jenna Rainey’s ‘farmer’s market‘ and Laurie Tsou’s ‘drawing fruits and vegetables‘.

When I had filled the panel with carrots, broccoli, beets, chiles and mushrooms it still looked unfinished so I had to include the peas. I am not a fan of peas but as you can see they are the perfect filler, for a painting mind you, not a meal. When I was a child I was required to eat the number of peas that matched my age at the time and yes my family still brings that up and amuses themselves by asking if the required number of peas are on my plate! After I’d added the peas, with a stylus not a paintbrush, I still needed more definition on the masked edges so I blended some bamboo branch memento ink lightly over the tape. The sentiment is from Altenew’s ‘leaf canopy’ set.

Stay awesome my friends and eat your veggies. Or paint them if that’s more your style. Or better yet, grow them, paint them then eat them!

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Masked hand painted circle

A few weeks ago I posted a floral wreath I’d painted and asked your opinion on adding a sentiment. In the end I didn’t risk stamping or writing one because I didn’t want to spoil the finished wreath with an inky mistake. So….can you guess why I have a large sentiment strip stuck across this floral circle I painted?

To create the floral circle I drew a circle in pencil on cold pressed watercolour paper then painted liquid frisket (masking fluid) to a width of about half an inch around the outside of the circle. I used my Sennelier watercolours to paint three large roses first then moved onto other flowers, leaves and berries until the circle was fairly full. With a random design like this one whether it is painted or stamped it makes sense to start with the largest images to make sure you can fit them in then finish off will little leaves, dots or tiny flowers to fill any spaces at the end.

Once the painted circle was complete I practiced a ‘happy birthday’ greeting on scraps of watercolour paper with my nib pen and some black ink until I was happy with the size and style. I had only written 2½ letters before a large blob of black ink landed on the panel where the letter ‘p’ should have been! As you probably guessed that is the reason I have a large birthday banner obscuring some of my pretty flowers.

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Oh Baby

I’m not sure if I have ever posted a baby card on my blog; if I have it was so long ago I can’t remember! This one is a commission for a friend; she asked me months ago and I totally forgot. When she texted the other day to see if it was ready I admitted it was not but I would make sure it was by the next day! I was happy to have thought up a concept all those months ago and my idea came together without hiccoughs.

I painted pink, yellow and orange paint on watercolour paper, added water then let it blend and bleed together. Once it was dry I used the Penny Black ‘Balloons!’ die set to cut three balloons then cut the strings and bows from unpainted watercolour paper. I added stick-it adhesive to the back of some peach coloured cardstock then cut two sets of letters to stack for the words using the C&9 ‘simple serif alphabet’ dies.

To create the cloudy sky I cut post-it masks using the cloud die from C&9 ‘city stacks’ die set then blended over the edges on a background panel and an envelope using Papertrey ink cubes in ‘sweet blush’ and ‘lovely lady’. I cut a very narrow mat of pale rose cardstock to frame the panel and attached everything to a cream card base.

I wondered about cutting more balloons to put inside but instead painted some of the same pink, yellow and orange paint on my glass mat, spritzed it generously to dilute it then placed an extra panel of watercolour paper on top to pick up a pale wishy-washy print.

Seeing that I rarely make baby cards this might become my design of choice when I do need one; I’ll just change the colour scheme to keep things interesting.

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Hand painted floral square

I’ve been doing a bit more watercolour painting. When I started this one I didn’t intend to make all the elements so teeny tiny; it took a while to fill the square. I started by taping a square frame on a folded piece of cold pressed watercolour paper to make a one layer card.

I used my Sennelier watercolour paints and as you can imagine a fairly small round watercolour brush to fill the square with flowers and foliage. I kept the colour palette limited and added a few shimmer highlights at the end with some coliro pearlescent paint.

Peeling the tape off the paper to reveal a clean straight edge was very satisfying then I finished it off with a PB sentiment stamped on a co-ordinating green cardstock.

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Hand painted floral wreath

It is a constant resolve of mine to do more painting. I love painting with stamped images but I want to improve my painting without stamps too.  I spent some free time recently painting this little wreath for a friend’s birthday. I worked on Fabriano cold pressed watercolour paper (100% cotton 140lb) and used Sennelier watercolour paints. As usual I kept my palette of colours limited concentrating on the same red, blue, purple, grey and mustard paints to get different hues and tones. I began by tracing a circle with a light brown watercolour pencil knowing that I would cover most of it up and it would dilute and disappear as I painted over it.

I started by painting the large flowers then moved on to the smaller ones and leaves. I kept adding little leaves or buds thinking the circle was unbalanced but eventually had to tell myself to stop. The decision about whether to stamp, hand letter or die cut some words is still unresolved. What to do you think?

 


Banner Blooms

Recently I blended through a stencil to create square grid backgrounds for some floral silhouette stamping. Today’s card uses a similar technique but I wanted the squares to be less neat, a little imperfect but still recognisable as squares. I guess I could have freestyled them entirely but I wanted them to be evenly spaced and I didn’t trust myself to do that without the stencil as a guide. To achieve this look I once again taped a grid stencil (DD boxes 6 up) to a piece of cold pressed watercolour paper but instead of blending the squares then painting over them I just painted squares inside the stencil squares. I didn’t paint right up to the edges of the stencil because then liquid would have seeped underneath and made a mess. I used the stencil as my placement guide and painted a square inside each space.

I used Sennelier watercolour paints but you could use any watercolour paints or inks. I started each square with a stroke or two of mustard yellow then added some blue, red or orange and blended it with the mustard. After it dried I flattened it in my minc then transferred it to the stamp positioner to stamp five different images from the PB banner blooms set in versafine clair nocturne ink. Simple but quite effective. I chose a sentiment from the PB ‘strength’ set for the last square.

I really like the simple ‘shadow frame’ created by popping up the panel on a piece of foam; that’s why you keep seeing it!

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