It’s how you look at it
Posted: September 8, 2016 Filed under: Berry Bevy | Tags: color burst, Penny Black stamps, Ranger Distress stains 16 Comments
I have three similar cards to share today with only slight differences in technique and layout. My initial plan was to have the branch on each card pointing in a different direction but I ended up with two upward facing. I would have peeled it off and turned it around but lately, in the interests of not having my cards fall apart when handled, I have started attaching watercolour paper with sookwang tape on one side and regular adhesive on the other sides. Once you press that sookwang tape down you cannot pull it back up again. The card looked fine as it was so I left it that way. You can see in the card above I have the branches going side ways and below I have them reaching upwards.
On all three cards the branches are embossed. I used the misti to stamp first in versamark ink then moved the panel down a millimetre and stamped again but in versafine onyx black. I embossed in clear powder which covered the black branch and the versamark just above the branch. It’s a technique I have been using for years to get a little layer of snow on trees and branches but the misti does make it a whole lot easier. On some of the panels it looks like a layer of snow, on others it looks like the light of the moon.
The blues and purples on the middle card were painted in distress stain. On the other two cards I used Colorburst powders.
There are a few other subtle differences. I splattered masking fluid before embossing on the top panel, after embossing on the middle panel and not at all on bottom panel. Embossing powder sticks to masking fluid so it really is better to sprinkle it after embossing but it still ended up working the other way. The moon was masked with a frisket film circle.
Next time you are stamping something twiggy or branchy, even flowery, try turning it 90° and see what you think.
Supplies
Stamps: Prancers, Berry Bevy (PB)
Ink: Versafine onyx black ink, versamark (Tsukineko) chipped sapphire, salty ocean, seedless preserves distress stain(Ranger)
Paper: hot pressed watercolour paper, Neenah solar white paper
Paint: Indigo, Merlot, Crimson Colorburst powder
Also: Daler Rowney masking fluid, Grafix frisket film, WOW clear embossing powder
Down the Lane
Posted: September 2, 2016 Filed under: Down the lane | Tags: Penny Black stamps, Ranger Distress inks, Ranger Distress stains, Tsukineko Versafine inks 14 Comments
Thank you for all the lovely feedback you gave me about the tree cards. I hope the images and information inspire you to create some scenes of your own. Today’s card has the scene created already; all I did was decide on a colour scheme.
I chose some early fall colours, a bit like we will see very soon around here. The plants by the path are still green but the trees are getting a warm yellow tinge to them. To keep the definition of the detailed image I stamped first in versafine vintage sepia ink, then over the top with distress vintage photo ink. The versafine is a pigment ink so doesn’t bleed when I add water. The distress ink is very reactive with water so I was able to pull some brown tones into the surrounding area with a wet paint brush. I painted some blue, green and yellow over the sky, plants and trees using distress stains.
Supplies
Stamps: Down the Lane, April Showers (PB)
Die: Gift card pocket (PB)
Ink: Versafine vintage sepia ink, (Tsukineko) mustard seed, tumbled glass, broken china, mowed lawn distress stain & vintage photo distress ink(Ranger)
Paper: hot pressed watercolour paper
Also: linen thread
Birch and Brusho
Posted: September 1, 2016 Filed under: Grateful, Nature's Gifts, Nature's Silhouettes, Woodland Beauty | Tags: Brusho, Penny Black stamps, Tsukineko Memento inks 15 Comments
The tree stamp I have to share with you today is not technically a ‘tree’, it’s really a pair of trunks but it is oh, so versatile when creating trees for landscape scenes. I stamped it multiple times on this panel but you could just as easily stamp a single tree, a bent tree, or even some logs lying on the ground.
Before stamping I splattered a piece of watercolour paper with masking fluid, cut a hill shaped mask out of a post-it note and positioned it at the bottom of the panel. I stamped birch trees across the panel in versafine onyx black ink which is waterproof. To mask the trunks I painted masking fluid over all the trunks and let it dry. The next steps I did over a long period of time, not because I had to but because I wanted to let it dry naturally each time I added colour. With the trees and the ground masked I sprinkled a little leaf green and yellow brusho over the panel, spritzed it and let it dry. Later I came back and did it again but added some gamboge to the mix. I did this several times, always letting it dry in between. This allowed me to create patches of colour rather than the one big blend of green, orange and yellow I would have created if I had done it in one go.
After all the panel dried I removed the masking fluid from the trees and added some brusho to the ground area. While it was still wet from spritzing I added a couple of grassy stamps with memento inks. The grasses blended into the damp paper. I waited until it was almost dry then stamped the same grasses again resulting in a bit more definition. To finish the scene I used some pigma micron pens to add thin twiggy branches between the trunks. Finally I removed the splattered masking fluid.
I wanted to add the sentiment without adding another layer but the colour of the grassy area was too dark. To lighten it I punched an oval out of frisket film then positioned the aperture piece over the watercolour panel so I could remove paint with a damp brush and a paper towel. The result was a lighter oval patch where I could stamp the one word sentiment in black.
The two birch trunks in the Nature’s Silhouette set are going to be so handy for adding birch trees to cards for any season. I’ve already tried it on a winter scene which I will share another day.
Supplies:
Stamps: Woodland Beauty, Nature’s Silhouettes, Grateful, Nature’s gifts (PB)
Paints: Leaf green, yellow & gamboge Brusho powders (Colourcraft)
Inks: Potter’s Clay, Cottage Ivy Memento ink (Tsukineko)
Cardstock: Moulin du Roy 100% cotton hot pressed watercolour paper
Also: masking fluid
Heather Telford 