I’ve continued to experiment with the Karin brushmarkers from the Foiled Fox, this time using them for watercolour backgrounds. These three backgrounds feature combinations of rosewood 272, cyan 207, royal blue 045 and black 030.
I tried different methods of applying the marker to the hot pressed watercolour paper and found that to achieve smooth transitions from one colour to the next it was better to touch the markers to wet paper. It still worked applying the marker first then the water but I prefer the very soft blends made when the paper was already wet. I don’t think I will often use the markers for backgrounds as it probably uses up ink at a faster rate but little scenes like the one above did not require much application.
The tiny star was masked by die cutting a star (PB Xmas tree border set) from frog tape (painter’s tape for delicate surfaces) then positioning it firmly on the panel before painting. I stamped the manger above in versafine clair nocturne once the panel was totally dry.
To get a soft image of the Bethlehem stamp I stamped it in chipped sapphire distress ink while the background was still slightly wet. On the panel above I took a wet paint brush and painted a hill shape across the lower part of the panel waited then painted another one even lower down. I didn’t need to add any ink the paint brush just dragged ink from the Bethlehem image. I popped up each panel with two pieces of cardstock, attached it to a white luxe card base then added sentiments from the Ink to Paper Be Merry Mini set.
The current Christmas card designs are looking minimal for two reasons, I still need quite a few cards and I like simple and elegant!
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I have two more one-layer ink blended cards today created using exactly the same technique as yesterday’s cards. I masked the edges of the neenah solar white card front with painter’s tape then used blending brushes to build up colour to fill the inside space.
On both cards I placed a tiny circle post-it mask in the sky to be the star then blended the lightest colour over the whole panel. On the card above I started with antique linen distress ink; on the single wise man card below I started with speckled egg distress ink. Once the base colour was in place I positioned a hill shaped post-it note to mask the land area while I worked on the sky. On the card above I used worn lipstick then chipped sapphire. On the card below I blended pine needles followed by chipped sapphire.
For both cards I completed the sky blending then removed the tiny circle mask and blended over the top of the white dot so it would still be the brightest spot but without the crisp edges that would make it look too much like the moon.
Before removing the mask over the land area I stamped the Bethlehem stamp from PB lighting the way set along the edge of the mask in the lightest ink (antique linen or speckled egg). With the sky complete I placed the other half of the curved mask over the sky and removed the lower mask so I could blend the darker colours along the base of the design.
On the portrait oriented card I added one wise man from the PB three kings set in versafine clair nocturne ink while the tapes were still in place around the edges. On the card with three wise men I stamped one king with the tapes in place then removed the tapes to stamp two more kings overlapping the masked edge. I used sentiments from the PB set promise of hope.
I’ve mentioned my brother David’s videos a couple of times this year. He has created quite a few series since churches went online in March. Even though many churches are meeting in person again he is still creating short, thoughtful bible talks. You might be interested in his current series, God’s plan for Christmas. He is posting a new video everyday from Dec 1 -25 explaining the Christmas back story. There was nothing last minute about the birth of Jesus; it was planned from the beginning. As we prepare for a Christmas which will probably look a little different than usual you might enjoy taking a few minutes each day to think about the birth of Christ and what it means for us. You can find his God’s plan for Christmas series here
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At this time of year any Christmas card making I’m doing has to be pretty simple and straightforward. But that doesn’t mean it can’t still be elegant or eye catching. I paired metallic embossing with richly coloured papers for these three nativity cards.
These papers from Alexandra Renke are solid colour but with the variation of a watercolour wash. They have enough interest to look like a sky but not fight with the detail of the picture stamps from Penny Black.
I always have a bit of a task matching a gold cardstock with gold embossing powder. On the top card the gold embossing powder on the dark red appeared to be an ‘old gold’ so I matted with a dark gold. On the last card I used a light gold card with the same embossing powder. The middle card features platinum embossing and a platinum mat around the deep green paper.
I hope you are further along than I with your Christmas card sending but as I say most years, December 25 is the first day of Christmas, there are twelve in total so I still have time to get my cards sent!
Stamps: lighting the way, peaceful season, three kings (PB)
Paper: Alexandra Renke dark green, red and scarlet papers
Cardstock: neenah natural white, platinum shimmer, gold shimmer, pale gold shimmer
Ink: versamark ink
Embossing powder: gold metallic rich, platinum